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Conte, Silvio O. (Silvio Oltavio), 1921-1991

Silvio O. Conte Papers
1950-1991
389 boxes (583.5 linear feet)
Call no.: MS 371

Massachusetts State Senator for the Berkshire District, 1950-1958, and representative for Massachusetts’s First District in the United States Congress for 17 terms, 1959-1991, where he made significant contributions in the areas of health and human services, the environment, education, energy, transportation, and small business.

Spanning four decades and eight presidents, the papers offer an extraordinary perspective on the major social, economic, and cultural changes experienced by the American people. Includes correspondence, speeches, press releases, bill files, his voting record, committee files, scrapbooks, travel files, audio-visual materials and over 5,000 photographs and slides.

Subjects
  • Massachusetts--Politics and government--1951-
  • Massachusetts. Senate
  • United States--Politics and government--20th century
  • United States. Congress. House
Contributors
  • Conte, Silvio O. (Silvio Oltavio), 1921-1991
Types of material
  • Photographs
  • Scrapbooks
  • Sound recordings

Cook Borden & Co.

Cook Borden and Co. Account Books
1863-1914
3 vols. (1.25 linear feet)
Call no.: MS 288 bd

Cook Borden (a great uncle of Lizzie Borden) and his sons were prosperous lumber dealers from Fall River, Massachusetts who supplied large mills and transportation companies in the region. Three volumes include lists of customers and building contractors, company and personal profits and losses, accounts for expenses, horses, harnesses, lumber, and the planing mill, as well as accounts indicating the cost of rent, labor (with the “teamers”), insurance, interest, and other items.

Subjects
  • Callahan, Daley & Co
  • Construction industry--Massachusetts--History
  • Contractors--Massachusetts--History
  • Crates
  • Lumber
  • Lumber trade--Massachusetts--Fall River--Accounting--History
  • Textile factories--Massachusetts--History
  • Textile industry--Massachusetts
  • Transportation--Massachusetts--History
  • Wages--Manufacturing industries--Massachusetts
Contributors
  • Borden, Cook, 1810-
  • Borden, Jerome
  • Borden, Philip H
  • Borden, Theodore W
  • Cook Borden & Co
Types of material
  • Account books

Craig, Edward Gordon, 1872-1966

Edward Gordon Craig Collection
1951-1956
1 box (0.5 linear feet)
Call no.: MS 344

A noted figure in modernist theater, Edward Gordon Craig was born in Stevenage, Hertfordshire, on Jan. 16, 1872, the illegitimate son of the renowned actress Ellen Terry and the architect Edward William Craig. Although the most productive portion of his career was brief, he exerted a strong influence on the field of set design and lighting, and was fairly prolific as a writer on theatre.

The six audio recordings that comprise the Craig collection originated from a series of BBC radio talks in the early 1950s. The reel to reel tapes include Craig’s reminiscences of Ellen Terry, Isadora Duncan, the old school of acting, celebrities, and how he played Hamlet in Salford, Lancashire.

Subjects
  • Duncan, Isadora, 1877-1927
  • Terry, Ellen, Dame, 1847-1928
  • Theater--Great Britain
Types of material
  • Oral histories
  • Sound recordings

Dalsimer, Susan

Susan Dalsimer Papers
1969-1970
1 box (0.25 linear feet)
Call no.: MS 578
Image of Steve Diamond, Ray Mungo, and Susan Dalsimer, ca.1969
Steve Diamond, Ray Mungo, and Susan Dalsimer, ca.1969

Famous Long Ago launched the literary career of Raymond Mungo with a splash, but even before the book had reached the shelves, he turned to his next project. In October 1969, Mungo began planning for a memoir of his life at the Packer Corners commune. Soon entitled Total Loss Farm, the book would become a classic in the literature of the 1960s counterculture. Signing a contract in November with E.P. Dutton, he worked with a young and sympathetic editor, Susan Stern (later Susan Dalsimer).

This small, but rich collection consists of a series of letters between Raymond Mungo and his editor at E.P. Dutton, Susan Stern, regarding his ideas on writing and life. Beginning in October 1969 with editorial commentary on Famous Long Ago and Mungo’s additions, the Dalsimer Papers offer insight into the development of Total Loss Farm from concept to printed page.

Gift of Susan Dalsimer, Nov. 2008
Subjects
  • Bloom, Marshall, 1944-1969
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Diamond, Stephen
  • McLardy, Peter
  • Montague Farm Community (Mass.)
  • Mungo, Raymond, 1946- . Famous Long Ago
  • Mungo, Raymond, 1946- . Total Loss Farm
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Simon, Peter, 1947-
Contributors
  • Dalsimer, Susan
  • Mungo, Raymond, 1946-
Types of material
  • Photographs

Dawson, Alexandra

Alexandra Dawson Papers
20 boxes (30 linear feet)
Call no.: MS 905

An attorney from Hadley, Mass., Alexandra D. Dawson was known throughout New England for her work in conservation law and environmental activism. Born in Maryland in 1931, Dawson married shortly after graduating from Barnard College and after raising a family of three, she resumed her education, earning a law degree from Harvard in 1966. Early in her legal career, she took up the cause of protecting “wildlife, wetlands, and woodlands.” She was among the earliest employees of the Conservation Law Foundation and later served as general counsel for the Metropolitan Area Planning Council. The author of a string of influential works in environmental law, including Environmental Law (1978), Land-Use Planning and the Law (1982), and the Environmental Handbook for Massachusetts Conservation Commissioners (1978-2006), she was also an educator, teaching at Antioch College (where she launched the environmental studies program), Tufts, the Kennedy School of Government, and Rhode Island School of Design. Among other commitments, Dawson was a key figure in the Kestrel Trust and served long stints on the Massachusetts Association of Conservation Commissions (MACC) and the Hadley Conservation Commission. Dawson died of complication from emphysema on Dec. 30, 2011.

The product of a forty year commitment to conservationism, Dawson’s papers provide valuable documentation of land preservation efforts in New England, with a focus on the evolution of the legal context. Dawson was a formidable figure in efforts to protect wetlands, agricultural land, and open space, and her papers offer insight into land use planning, her teaching, writing, and speaking.

Gift of Rachel Spring, Apr. 2016
Subjects
  • Conservationists--Massachusetts
  • Environmentalists--Massachusetts
  • Land use--Law and legislation--Massachusetts
  • Wetlands--Law and legislation--Massachusetts
Contributors
  • Kestrel Trust

Delevingne, Lionel

Lionel Delevingne Photograph Collection
ca.1975-1995
2 boxes (1 linear feet)
Call no.: PH 047
Image of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects
  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)
Contributors
  • Delevingne, Lionel
Types of material
  • Photographs

Double Edge Theater

Double Edge Theatre Records
1970-2002
28 boxes (15.5 linear feet)
Call no.: MS 455
Image of Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects
  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts
Contributors
  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"
Types of material
  • Photographs
  • Posters
  • Programs

Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection
1966-1969
387 photographs
Call no.: RG 50/6 D78
Image of Roger McGuinn being interviewed, Feb. 25, 1968
Roger McGuinn being interviewed, Feb. 25, 1968

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects
  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs
Types of material
  • Black-and-white negatives
  • Gelatin silver prints

Ebert, Siegfried

Siegfried Ebert Papers
1933-1986
2 boxes (0.75 linear feet)
Call no.: MS 576
Image of Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Gift of James and Sibylle Fraser, 2007
Language(s): German
Subjects
  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945
Contributors
  • Ebert, Siegfried
  • Thorndike, Andrew
Types of material
  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts"
12th-14th century
1 box (0.25 linear feet)
Call no.: MS 570
Image of Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Language(s): Latin
Subjects
  • Manuscripts, Medieval
  • Paleography
Contributors
  • Ege, Otto F., 1888-1951
Types of material
  • Books of hours
  • Breviaries
  • Illuminated manuscripts
  • Missals
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