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Burt V Brooks image of family
Alton Blackington image of woman selling walnuts
Burt V Brooks image of farmstead
Burt V Brooks image of dog on porch
Alton Blackington image of woman and parrot
Alton Blackington image of cat
Burt V Brooks image of young woman
Burt Brooks image of young woman
Alton Blackington image of woman with feathered hat
Alton Blackington image of crystal gazer
Alton Blackington image of young woman
Alton Blackington image of Cleo the monkey
SCUA

Results for: “Pistols--Design and construction” (128 collections)SCUA

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Dawson, Alexandra

Alexandra Dawson Papers

20 boxes (30 linear feet).
Call no.: MS 905

An attorney from Hadley, Mass., Alexandra D. Dawson was known throughout New England for her work in conservation law and environmental activism. Born in Maryland in 1931, Dawson married shortly after graduating from Barnard College and after raising a family of three, she resumed her education, earning a law degree from Harvard in 1966. Early in her legal career, she took up the cause of protecting “wildlife, wetlands, and woodlands.” She was among the earliest employees of the Conservation Law Foundation and later served as general counsel for the Metropolitan Area Planning Council. The author of a string of influential works in environmental law, including (1978), (1982), and the (1978-2006), she was also an educator, teaching at Antioch College (where she launched the environmental studies program), Tufts, the Kennedy School of Government, and Rhode Island School of Design. Among other commitments, Dawson was a key figure in the Kestrel Trust and served long stints on the Massachusetts Association of Conservation Commissions (MACC) and the Hadley Conservation Commission. Dawson died of complication from emphysema on Dec. 30, 2011.

The product of a forty year commitment to conservationism, Dawson’s papers provide valuable documentation of land preservation efforts in New England, with a focus on the evolution of the legal context. Dawson was a formidable figure in efforts to protect wetlands, agricultural land, and open space, and her papers offer insight into land use planning, her teaching, writing, and speaking.

Subjects

  • Conservationists--Massachusetts
  • Environmentalists--Massachusetts
  • Land use--Law and legislation--Massachusetts
  • Wetlands--Law and legislation--Massachusetts

Contributors

  • Kestrel Trust

Delevingne, Lionel

Finding aid

Lionel Delevingne Photograph Collection, ca.1975-1995.

2 boxes (1 linear feet).
Call no.: PH 047
Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs

Double Edge Theater

Finding aid

Double Edge Theatre Records, 1970-2002.

28 boxes (15.5 linear feet).
Call no.: MS 455
Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts

Contributors

  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"

Types of material

  • Photographs
  • Posters
  • Programs

Drucker, Jeffrey I.

Digital (+)Finding aid

Jeffrey Drucker Photograph Collection, 1966-1969.

387 photographs
Call no.: RG 50/6 D78
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs

Types of material

  • Black-and-white negatives
  • Gelatin silver prints

Ebert, Siegried

Finding aid

Siegfried Ebert Papers, 1933-1986.

2 boxes (0.75 linear feet).
Call no.: MS 576
Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Subjects

  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945

Contributors

  • Ebert, Siegfried
  • Thorndike, Andrew

Types of material

  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Ege, Otto F., 1888-1951

DigitalFinding aid

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts", 12th-14th century.

1 box (0.25 linear feet).
Call no.: MS 570
Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Subjects

  • Manuscripts, Medieval
  • Paleography

Contributors

  • Ege, Otto F., 1888-1951

Types of material

  • Books of hours
  • Breviaries
  • Missals

Enfield (Mass.)

DigitalFinding aid

Enfield (Mass.) Collection, 1800-1939.

8 boxes (4 linear feet).
Call no.: MS 010
Birdseye view of Enfield, ca.1915
Birdseye view of Enfield, ca.1915

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Subjects

  • Enfield (Mass.)--History
  • Enfield (Mass.)--Politics and government
  • Enfield (Mass.)--Religious life and customs
  • Enfield (Mass.)--Social life and customs
  • Quabbin Reservoir Region (Mass.)--History
  • Quabbin Reservoir Region (Mass.)--Social life and customs
  • Women--Societies and clubs

Contributors

  • Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)
  • Enfield (Mass. : Town)
  • Enfield (Mass. : Town). Overseers of the Poor
  • Enfield (Mass. : Town). Prudential Committee
  • Enfield (Mass. : Town). School Committee
  • Enfield Congregational Church (Enfield, Mass.)
  • Enfield Congregational Church (Enfield, Mass.). Women's Auxiliary
  • Enfield Congregational Church (Enfield, Mass.). Women's Missionary Society

Types of material

  • Account books
  • Church records
  • Photographs
  • Sermons

Estey, Joseph W.

Finding aid

Joseph W. Estey Account Book, 1809-1827.

1 vol. (0.25 linear feet).
Call no.: MS 093

Joseph W. Estey was the owner of a farm in Greenwich, Massachusetts with a grist and sawmill. The account book (started in Springfield and Ludlow, Massachusetts with his business partner Abner Putnam) documents business dealings, hired male and female help, personal and farm expenses (hiring tanners and blacksmiths), and a deed.

Subjects

  • Agricultural laborers--Massachusetts--Greenwich
  • Domestics--Massachusetts--Greenwich
  • Farmers--Massachusetts--Greenwich
  • Greenwich (Mass.)--Economic condition--19th century
  • Howe, Edward
  • Howe, Gideon
  • Lincoln, Benjamin
  • Ludlow (Mass.)--Economic conditions--19th century
  • Marcy, Laban
  • Mills and mill-work--Massachusetts--Greenwich
  • Oaks, John
  • Parson Clapp Tavern
  • Putnam, A. W.
  • Putnam, Abner
  • Springfield (Mass.)--Economic conditions--19th century
  • Vaughan, Josiah
  • Ware Manufacturing Co. (Ware, Mass.)
  • Warner, John

Contributors

  • Estey, Joseph W.

Types of material

  • Account books

Federal Reserve Bank of Boston

Finding aid

Federal Reserve Bank of Boston Research Reports, 1959.

1 box (0.5 linear feet).
Call no.: MS 066

Established in 1914 as one of a dozen federal reserve banks nationwide, the Boston Fed serves the six New England states. The collection consists of research reports issued by the Federal Reserve Bank of Boston in 1959 projecting economic conditions for New England in the year 1970 for manufacturing industries, banking, electronic industry, and population and labor force.

This small collection consists of an incomplete run of forecasts and research reviews of the New England economy in anticipation of the new decade, 1970.

Subjects

  • New England--Economic conditions

Contributors

  • Federal Reserve Bank of Boston

Finestone, Roy

DigitalFinding aid

Roy Finestone Photograph Collection, 1969-1990.

239 images
Call no.: PH 005
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Johnson Pasture Community (Vt.)
  • Keller, Daniel
  • Keller, Nina
  • Montague Farm Community (Mass.)
  • Wendell Farm Community (Mass.)

Contributors

  • Finestone, Roy
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