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Bent, Arthur Cleveland, 1866-1954

Arthur Cleveland Bent Collection
1880-1942
8 boxes (5.5 linear feet)
Call no.: MS 413
Image of A.C. Bent, 1929
A.C. Bent, 1929

An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).

The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.

Subjects
  • American Ornithologists' Union
  • Bent, Arthur Cleveland, 1866-1954. Life Histories of North American Birds
  • Birds
  • Birds--Eggs
  • Birds--Eggs--Photographs
  • Birds--Nests
  • Birds--Nests--Photographs
  • Birds--Photographs
  • Bristol County Agricultural School (Bristol County, Mass.)
  • Massachusetts Audubon Society
  • Ornithologists--Massachusetts
  • United States National Museum
Contributors
  • Bent, Arthur Cleveland, 1866-1954
  • Durfee, Owen
Types of material
  • Field notes
  • Photographs

Bergman, Borah

Borah Bergman Papers
ca. 1970-2012
30 boxes (20 linear feet)
Call no.: MS 806
Image of

Born in 1926 in Brooklyn, New York, Borah Bergman emerged late in life as a renown free jazz pianist and technical innovator. While teaching math and English in the New York public school system, Bergman developed an ambidextrous technique, or as he described it, “ambi-ideation.” This technique allowed Bergman to express ideas with equal intensity using both his right and left hands and provided the framework for an evolving and truly unique musical philosophy and body of work. Since his first recording, released in 1975 at the age of 49, Bergman appeared on 28 albums, both solo and with some of the most important figures in avant-garde jazz, and was active until his death in 2012.

The Borah Bergman Papers include hundreds of hours of Bergman’s personal recordings on reel-to-reel tapes. According to Bergman, these recordings comprise his greatest achievement and demonstrate the development of his technique and musical ideas. In addition to the personal recordings are a wide variety of Bergman’s performances in studio and with other musicians. Bergman’s work is also documented in notebooks, scores, fiction manuscripts, and an unpublished textbook on his ambi-ideation technique.

Subjects
  • Free Jazz--United States
  • Jazz musicians--United States
Types of material
  • Scores
  • Sound recordings

Bestor, Charles

Charles Bestor Papers
1971-2002
2 boxes (0.75 linear feet)
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bestor, Charles

Bey, Hanif Shabazz

Hanif Shabazz Bey Memoir
ca. 1985
1 envelope (0.10 linear feet)
Call no.: MS 695 bd
Image of Hanif Shabazz Bey
Hanif Shabazz Bey

Hanif Shabazz Bey is one of the “Virgin Island Five” accused and convicted of murdering eight tourists at a golf course in the U.S. Virgin Islands on September 6, 1972. The murders occurred during a turbulent period of rebellion on the Islands, a time when a movement to resist colonial rule was growing in the U.S. occupied Virgin Islands and elsewhere. The reaction to the crime, which was rapidly characterized as racially and politically motivated, from the authorities was both swift and revealing: over a hundred Black activists were picked up for interrogation and the island of St. Croix was put under martial law. Beaumont Gereau (Hanif Shabazz Bey) was one of five men apprehended and charged with the attack; each of the men accused was a known supporter of the Virgin Island independence movement. Detained and subjected to torture, the five men ultimately confessed to the crime and were tried for murder. Despite the many indications that the subsequent trial was profoundly flawed, the men were found guilty and sentenced to eight consecutive life terms.

“The Beginning of Hell” is a typed memoir by Hanif Shabazz Bey, a prisoner from the Virgin Islands held in the U.S. Written sometime after 1985, the memoir provides a personal account of Bey’s childhood in the Virgin Islands, his service in the U.S. Army in Vietnam, and the social and political conditions of the Islands during the early 1970s that led up to his arrest and conviction for the murder of eight tourists in 1972. Bey details the torture and other harsh interrogation tactics employed by prosecutors, the trial, and its aftermath, including his confinement to prisons first in Puerto Rico and then the U.S. In prison, Bey chronicles inhumane treatment and conditions, his conversion to Islam, and his efforts to seek assistance to reduce his sentence.

Subjects
  • Prisoners' writings
  • Prisoners--United States
  • Prisoners--Virgin Islands
  • Prisons--United States
Contributors
  • Bey, Hanif Shabazz
Types of material
  • Memoirs

Blackington, Alton H.

Alton H. Blackington Photograph Collection
1898-1943
15 boxes (4 linear feet)
Call no.: PH 061
Image of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012
Subjects
  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs
Types of material
  • Photographs

Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection
1902-1941
3 boxes (3.0 linear feet)
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012
Subjects
  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music
Types of material
  • Sheet music

Bleyman, Lea K.

Lea K. Bleyman Papers
1958-2004
2 boxes (3 linear feet)
Call no.: MS 548

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab; other Bleyman material is located in the records of the International Society of Protistologists at the University of Maryland Baltimore County Library.

Subjects
  • Baruch College--Faculty
  • Paramecium--Genetics
  • Protozoans--Composition
  • Protozoans--Genetics
  • Protozoology--Conference
  • Society of Protozoologists
  • Tetrahymena--Genetics
Contributors
  • Bleyman, Lea K
  • Nanney, David Ledbetter, 1925-
  • Sonneborn, Tracy Morton, 1905-1981
Types of material
  • Laboratory notes

Boarding House (Swift River Valley, Mass.?)

Boarding House Register
1850
1 vol. (0.25 linear feet)
Call no.: MS 098

Twenty-four page register kept by unnamed person, possibly from a Quabbin town, listing boarders by name, payment received, and employee accounts. Payments noted in detail from February to October, 1850. Boarders included several doctors and L.S. Hills, possibly Leonard S. Hills of the Amherst, Massachusetts hat factory. Employee accounts list many women with Irish surnames, including Ellen O’Leary, Ellen Callahan, and Margaret Murphy.

Subjects
  • Boardinghouses--Massachusetts--19th century
  • Irish American women--History--19th century
Types of material
  • Account books

Broadside Press

Broadside Press Collection
1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

Brooks Farm

Summer Scenes, Brooke Farm, 1922
1922-1923
1 vol. (0.1 linear feet)
Call no.: PH 037
Image of Haying at MAC
Haying at MAC

In 1922, the Commonwealth of Massachusetts appropriated $15,000 for the Massachusetts Agricultural College to purchase sixty acres of land lying immediately north of the existing Experiment Station. Known as the William P. Brooks Experimental Farm, the property was intended as a site for experimental work devoted to the dominant crops of the Connecticut Valley, tobacco and onions.

This small homemade photograph album documents a picnic and group outing at the Brooke (i.e. Brooks) Farm at Massachusetts Agricultural College in September 1922. Although the participants — over thirty of them — are unidentified, they took part in standard picnic activities, including a tug of war, three legged race, and rope jumping. The album contains labeled snapshots pasted onto thick brown paper, tied with a brown ribbon, and includes images of haying on the farm (with Stockbridge Hall in the background) and the homes of William P. Brooks and Prof. Arthur N. Julian.

Subjects
  • Amherst (Mass.)--Photographs
  • Brooks Experimental Farm (Amherst, Mass.)
  • Hay
  • Massachusetts Agricultural College--Photographs
  • Picnics--Photographs
Contributors
  • Fay, Harry W.
Types of material
  • Photograph albums
  • Photographs
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