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Banks, Katherine Bell

Katherine Bell Banks Papers

1926-1960
1 box 0.25 linear feet
Call no.: MS 429

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

Subjects

  • African Americans--History--1877-1964

Contributors

  • Banks, Katherine Bell
  • Bell, Thomas, d.1946
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Letters (Correspondence)
  • Photographs
Berke, David M.

David M. Berke Collection of Nuremberg Trials Depositions

1944-1945
1 box 0.25 linear feet
Call no.: MS 804

During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army’s War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war’s end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke.

The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners — both political prisoners and prisoners of war — with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, “labor reform” prisons, and police prisons, and the sheer scale of wartime inhumanity.

Gift of Cathy Abrams

Subjects

  • Buchenwald (Concentration camp)
  • Dachau(Concentration camp)
  • Flossenburg (Concentration camp)
  • Innsbruck-Reichenau (Labor reform camp)
  • Ravensbruck (Concentration camp)
  • Sachsenhausen (Concentration camp)
  • World War, 1939-1945--Atrocities
  • World War, 1939-1945--Prisoners and prisons

Contributors

  • Franz, Edmund F.
  • United States. Army. Counter Intelligence Corps
  • United States. Army. Office of Special Services

Types of material

  • Depositions
Bezanson, Philip, 1916-1975

Philip Bezanson Papers

1946-1980
9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bezanson, Philip, 1916-1975
Binet, Maurice Emmanuel Hippolyte, 1877-

Maurice Emmanuel Hippolyte Binet Collection

1784-1852 Bulk: 1794-1814
2 boxes 1 linear feet
Call no.: MS 738
Image of

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

Language(s): French

Subjects

  • Belgium--History--1794-1814
  • Brabant (Belgium)--History
  • Dyle (Belgium)
  • France--History--1789-1815
  • France--History--Revolution, 1789-1799
  • Napoleonic Wars--1800-1815
  • Police--France--18th century

Contributors

  • Lambrechts, Charles Joseph Matthieu, 1753-1823
  • Mallarmé, François René Augustin, 1755-1831

Types of material

  • Letters (Correspondence)
Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection

1789-1964
128 items 3 linear feet
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks
Blackington, Alton H.

Alton H. Blackington Photograph Collection

1898-1943
15 boxes 4 linear feet
Call no.: PH 061
Image of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012

Subjects

  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

  • Photographs
Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection

1902-1941
3 boxes 3.0 linear feet
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012

Subjects

  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music

Types of material

  • Sheet music
Breck, John

John Breck Account Book

1801-1810
1 vol. 0.1 linear feet
Call no.: MS 196 bd

A prominent storekeeper in Northampton, Mass., at the turn of the nineteenth century, John Breck was born on April 20, 1770. Starting in business with his father as Robert Breck and Son from their store at the corner of Main and King Streets, Breck thrived dealing in “English and Hardware Goods” and “crockery and Glass ware.” According to historian Nancy Goyne Evans, he was recorded working with blacksmith Seth Pomeroy in 1800 supplying chair makers with imported and domestic turning tools.

Labeled on the cover “Petty debts B, Iron Accounts,” this volume of accounts includes records of a substantial business in selling iron and steel at the turn of the nineteenth century. Although the owner of the book is nowhere recorded, it has very tentatively been assigned to John Breck based on his signature on p. 101 (and p. 49), settling an account with the clockmaker Nathan Storrs. Most of the entries are brief, often for petty sums and often cryptic in nature, however a significant number note the sale of iron or occasionally steel.

Subjects

  • Iron industry and trade--Massachusetts--Northampton
  • Northampton (Mass.)--History

Types of material

  • Daybooks
Brinley Family

Brinley Family Papers

1643-1950
4.75 linear feet
Call no.: MS 161
Image of Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects

  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists

Types of material

  • Deeds
  • Realia
Broadside Press

Broadside Press Collection

1965-1984
1 box, 110 vols. 3.5 linear feet
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008

Subjects

  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry

Contributors

  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-

Types of material

  • Broadsides
  • Ephemera
  • Posters