Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.
Justice of the peace, merchant, landowner, and entrepreneur from Prescott and Shutesbury, Massachusetts. Nine volumes contain descriptions of his duties as justice of the peace, a book of deeds and mortgages from local real estate transactions, account books of sales in his general store and from his palm leaf hat business, and notes of accounts with individuals.
Panama hat industry--Massachusetts
Shutesbury (Mass.)--Economic conditions--19th century
A talented musician and member of the UMass Amherst faculty in the Department of Germanic Languages and Literatures, Henry A. Lea was born Heinz Liachowsky in Berlin in 1920. With the rise of the Nazi Party, the Jewish Liachowskys left their home for the United States, settling in Philadelphia and simplifying the family name to Lea. Henry studied French as an undergraduate at the University of Pennsylvania (1942) but shortly after graduation, he began his military service. After training in Alabama and in the Army Specialized Training Program (ASTP) program at Ohio State, he was assinged to duty interrogating prisoners of war with the G2 (intelligence) section of the First U.S. Army; he later served as a translator at the Nuremberg War Crimes trials in 1947-1948 and for the military government in Frankfurt (1948-1949). Lea returned to his alma mater for a masters degree in German (1951), and accepted a position teaching at UMass in the following year. In 1962, he received a doctorate for a dissertation under Adolf Klarmann on the Austrian expatriate writer Franz Werfel. During his tenure at the university he published extensively on Werfel, Wolfgang Hildesheimer, and Gustav Mahler, including a book on the composer and conductor entitled Gustav Mahler: Man on the Margin. Lea remained at UMass until his retirement in 1985.
The Lea Papers consist chiefly of two types of material: research notes and correspondence. The nearly 200 letters written by Henry A. Lea during his military service in the Second World War provide an excellent account, albeit a self-censored account, of his experience from training through deployment and return. Lea’s research notes include notebooks on Werfel and files on Mahler and Hildesheimer. Other items include a pre-war album containing commercial photographs collected during a vacation and a baby book from an American family living in occupation-era Germany.
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Germanic Languages and Literatures
Owner of a general store in Enfield, Massachusetts. Includes notations for the sale of a wide variety of goods (notably Know Nothing hats), names of customers (both individuals, particularly Irish, and businesses), and types of payment (cash, barter, and services).
Enfield (Mass.)--Economic conditions--19th century
Enfield (Mass.)--Ethnic relations--19th century
Irish American Catholics--Massachusetts--Enfield--History--19th century
J.M. Crosby (Firm)
Leonard Woods (Firm)
Minot Manufacturing Company
A devoted reader of newspaper cartoon strips, Jim Powell began collecting Peanuts cartoon books in the mid-1970s, prompted by obtaining two pure-bred beagles for his son.
The Powell cartoon book collection consists of 419 mass market paperback copies of popular cartoon books, representing the work of well-known cartoonists such as Charles M. Schultz, Johnny Hart, Gary Larson, Garry Trudeau, Jim Davis, and Berke Breathed. The collection has particularly rich runs of Peanuts, Garfield, and Doonesbury.
Born in Germany in 1888, Henry Gustave Reinsch became an American citizen in 1912, serving in the military during the First World War, marrying an American girl, and starting a family. In 1942, however, two FBI agents showed up at Reinsch’s office, and a year later, Reinsch’s citizenship was revoked when he was accused by the U.S. government of living a double life — publicly loyal to America, privately loyal to Germany. Reinsch appealed the ruling to the Ninth Circuit Court and won. His citizenship was reinstated in 1945.
The Reinsch Papers contains newspaper clippings, personal and business correspondence, and official documents pertaining to both citizenship trials, that tell of uncommon wartime experiences.
During the late 1830s, James Shearer operated a general store near Palmer, Massachusetts, trading in the gamut of dry goods and commodities that made up the country trade in Massachusetts, from dried fish, butter, rum, and brandy, to soap, nails, chalk, cloth, sugar, molasses, spices, coffee, and tea. Although some customers paid their accounts in cash, most appear bartered goods (e.g, with butter) or services (carting).
The Shearer daybook contains detailed records the transactions of a general store located in or near Palmer, Mass., during the years surrounding the financial panic of 1837. The volume is attributed to Shearer based on a single signature on the last page of the volume, closing out a lengthy account with J. Sedgwick. Although Shearer cannot be identified with certainty, it appears likely that he was a member of the prolific Shearer family of Palmer in Hampden County.
Henry I. Tragle served in the United States Army from 1941 until his retirement in 1964. He was a company commander of the 8th Armored Division during World War II and earned a Bronze Star for singlehandedly capturing a German general and his staff. After his retirement from the Army, he earned a B.A. (1966), M.A. (1967), and Ph.D in history (1971) from the University of Massachusetts, where he became a professor of history and assistant dean of the graduate school. Tragle was born in Richmond, Virginia in 1914 and worked in the Virginia dairy industry before joining the Army. Tragle studied military history but wrote his dissertation on the slave revolt led by Nat Turner in 1831. Tragle continued his historical research after his retirement from the University in 1972, collecting material on General Douglas MacArthur as well as editing several of Jackdraw Publications’ history packets. Tragle died December 15, 1991.
The Henry I. Tragle Papers contain Tragle’s historical research from 1968 until 1978, which includes scrapbooks of photos, notes, and clippings, bound together by research topic. There are also several shrink wrapped editions of Jackdraw Publications packets that Tragle was likely to have edited.
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of History
An obstetrician from Rutherford, N.J., William Carlos Williams (1883-1963) was a key figure in modernist poetry in the United States. Innovative and experimental in his poetry, Williams was a member of the avant garde poetically and politically, writing in a simple though never simplistic style that was unencumbered by the formalism and literary allusion of peers such as T.S. Eliot and Ezra Pound.
This collection consists of a small group of eleven letters and postcards written by Williams during the years 1946-1962, the majority of which were sent to Marie Leone, a nurse at the Passaic General Hospital in Passaic, New Jersey. In these letters Williams thanks Marie and her coworkers for the cards, good wishes, and gifts they sent to cheer him up. The letters are friendly and humorous even though they are for the most part written from Williams’s hospital bed during one of the frequent illnesses he suffered from in the later years of his life.
Influenced by the arts and crafts movement, Frances and Mary Allen began taking photographs of their native Deerfield, Mass., in the mid-1880s. Displaying a finely honed pictorialist aesthetic, the sisters specialized in views of Deerfield and surrounding towns, posed genre scenes of life in colonial times, and the local scenery, earning a reputation as among the best women photographers of the period.
The Allen sisters photograph album contains ten gelatin developing out prints of street scenes in Deerfield, ca.1900-1910. Among these are two shots of the house they inherited from their aunt Kate in 1895, which thereafter became their home and studio.