Results for: “Folk dancing, Polish” (73 collections)SCUA

Dethlefsen, Edwin S.

Association for Gravestone Studies Collection

Edwin S. Dethlefsen Photograph Collection, ca.1965-1970.

1 box (0.25 linear feet).
Call no.: PH 020
Abigail Holman, d. 1702, Milton, Mass.
Abigail Holman, d. 1702, Milton, Mass.

Edwin S. Dethlefsen and his colleague James Deetz did pioneering work in the historical archaeology and material culture of seventeenth- and eighteenth-century gravestones in New England. Through a series of articles in the mid-1960s, based on intensive study of well documented sites in Massachusetts, Deetz and Dethlefsen developed a basic framework for understanding the stylistic evolution of gravestones. Their work was foundational for later studies in material culture and folk art, but also the broader study of death and bereavement and colonial culture.

The Dethlefsen Collection consists of nearly 2,900 negatives (black and white, 35m and 2×2″) of gravestones, primarily from eastern Massachusetts and Newport, R.I. Among the towns documented are Boston, Cambridge, Charlestown, Concord, Dorchester, Harvard, Lexington, Marblehead, Marshfield, Plymouth, Quincy, and Scituate.

Subjects

  • Sepulchral monuments--Massachusetts
  • Sepulchral monuments--Rhode Island
  • Stone carving--Massachusetts
  • Stone carving--Rhode Island

Contributors

  • Association for Gravestone Studies
  • Dethlefsen, Edwin S

Types of material

  • Photographs

Double Edge Theater

Double Edge Theatre Records, 1970-2002.

28 boxes (15.5 linear feet).
Call no.: MS 455
Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts

Contributors

  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"

Types of material

  • Photographs
  • Posters
  • Programs

Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts", 12th-14th century.

1 box (0.25 linear feet).
Call no.: MS 570
Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Subjects

  • Manuscripts, Medieval
  • Paleography

Contributors

  • Ege, Otto F., 1888-1951

Types of material

  • Books of hours
  • Breviaries
  • Missals

Enfield (Mass.)

Enfield (Mass.) Collection, 1800-1939.

8 boxes (4 linear feet).
Call no.: MS 010
Birdseye view of Enfield, ca.1915
Birdseye view of Enfield, ca.1915

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Subjects

  • Enfield (Mass.)--History
  • Enfield (Mass.)--Politics and government
  • Enfield (Mass.)--Religious life and customs
  • Enfield (Mass.)--Social life and customs
  • Quabbin Reservoir Region (Mass.)--History
  • Quabbin Reservoir Region (Mass.)--Social life and customs
  • Women--Societies and clubs

Contributors

  • Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)
  • Enfield (Mass. : Town)
  • Enfield (Mass. : Town). Overseers of the Poor
  • Enfield (Mass. : Town). Prudential Committee
  • Enfield (Mass. : Town). School Committee
  • Enfield Congregational Church (Enfield, Mass.)
  • Enfield Congregational Church (Enfield, Mass.). Women's Auxiliary
  • Enfield Congregational Church (Enfield, Mass.). Women's Missionary Society

Types of material

  • Account books
  • Church records
  • Photographs
  • Sermons

Field, William Franklin, 1922-

William F. Field Papers, 1948-1986.

27 (13.5 linear feet).
Call no.: RG 30/2 F5
William F. Field relaxing on couch, ca. 1971
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

Subjects

  • African American college students--Massachusetts
  • Field, William Franklin, 1922-
  • Race relations--United States
  • Universities and colleges--United States--Administration
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • Vietnam War, 1961-1975--Protest movements--United States

Types of material

  • Correspondence
  • Memorandums

Finkelstein, Sidney Walter, 1909-1974

Sidney Finkelstein Papers, 1914-1974.

11 boxes (5.5 linear feet).
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Subjects

  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources

Contributors

  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham

Types of material

  • Letters (Correspondence)
  • Photographs

Fried, Lewis

Lewis Fried Collection of Jack Conroy, 1969-1995.

1 box (0.25 linear feet).
Call no.: MS 414

A voice of the radical working class during the Great Depression, Jack Conroy was the son of a union organizer, born and raised in the mining camps near Moberly, Mo. His novels The Disinherited (1933) and A World to Win (1935) were among the best known works of “proletarian” American fiction to appear in the 1930s.

The Conroy Collection includes a series of 24 letters from Jack Conroy to Lewis Fried, a professor of English at Kent State University and UMass PhD, along with a small number of letters by associates of Conroy, and a selection of publications associated with or including work by him. Of particular interest are Fried’s oral history interviews with Conroy (1971) and Sally Goodman (1978).

Subjects

  • Anvil
  • Bontemps, Arna Wendell, 1902-1973
  • Communists--United States
  • Depressions--1929
  • New Anvil
  • Working class authors

Contributors

  • Conroy, Jack, 1899-1990
  • Farrell, James T. (James Thomas), 1904-1979
  • Fried, Lewis Frederick, 1943-
  • Gold, Michael, 1894-1967
  • Goodman, Percival
  • Goodman, Sally
  • Snow, Walter

Types of material

  • Oral histories

George H. Gilbert & Company

George H. Gilbert Co. Records, 1842-1931.

26 boxes, 126 vols. (36 linear feet).
Call no.: MS 096

In 1841, George H. Gilbert and Charles A. Stevens formed a partnership to manufacture broadcloth and cloaking in Ware, Massachusetts. Ten years later, the partnership dissolved and each partner carried a part of the business into separate establishments. The newly formed George H. Gilbert Company continued making high-grade woolen flannels, for which it developed a national reputation, until 1930.

Records, consisting of correspondence, financial records and cash books, construction contracts, sales lists, production records, and sample books, document the operation of Gilbert and Stevens and later the Gilbert Company for almost a century. The labor accounts (1851-1930), document the phases of the varying ethnic composition of the workforce — Irish, French-Canadian, and eventually Polish — well as the family orientation of the mills.

Subjects

  • Textile industry--Massachusetts
  • Ware (Mass.)--History

Contributors

  • George H. Gilbert and Co

Types of material

  • Account books

Heath, Gordon, 1918-1991

Gordon Heath Papers, 1913-1992.

44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History

Contributors

  • Abramson, Doris E
  • Heath, Gordon, 1918-1991

Types of material

  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Henry, Carl

Carl and Edith Entratter Henry Papers, ca.1935-2001.

ca.20 boxes (30 linear feet).
Call no.: MS 749
Carl Henry
Carl Henry

Born into an affluent Reform Jewish family in Cincinnati in 1913, Carl Henry Levy studied philosophy under Alfred North Whitehead at Harvard during the height of the Great Depression. A brilliant student during his time at Harvard, a member of Phi Beta Kappa and magna cum laude in the class of 1934, Henry emerged as a radical voice against social inequality and the rise of fascism, and for a brief time, he was a member of the Communist Party. Two days before the attack in Pearl Harbor in December 1941, Henry met Edith Entratter, the daughter of Polish immigrants from the Lower East Side of New York, and barely three weeks later, married her. Shortly thereafter, however, he dropped his last name and enlisted in the military, earning a coveted spot in officer’s candidate school. Although he excelled in school, Henry was singled out for his radical politics and not allowed to graduate, assigned instead to the 89th Infantry Division, where he saw action during the Battle of the Bulge and liberation of the Ohrdruf concentration camp, and was awarded a Bronze Star. After the war, the Henrys started Lucky Strike Shoes in Maysville, Ky., an enormously successful manufacturer of women’s footwear, and both he and Edith worked as executives until their retirement in 1960. Thereafter, the Henrys enjoyed European travel and Carl took part in international monetary policy conferences and wrote under the name “Cass Sander.” He served as a Board member of AIPAC, the American Institute for Economic Research, the Foundation for the Study of Cycles, among other organizations. His last 17 years of life were enlivened by a deepening engagement with and study of traditional Judaism and he continued to express a passion for and to inform others about world affairs and politics through a weekly column he started to write at age 85 for the Algemeiner Journal. Edith Henry died in Sept. 1984, with Carl following in August 2001.

The centerpiece of the Henry collection is an extraordinary series of letters written during the Second World War while Carl was serving in Europe with the 89th Infantry. Long, observant, and exceptionally well written, the letters offer a unique perspective on the life of a soldier rejected for a commission due to his political beliefs, with a surprisingly detailed record of his experiences overseas.

Subjects

  • World War, 1939-1945

Contributors

  • Henry, Edith Entratter

Types of material

  • Letters (Correspondence)
  • Photographs
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