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Burt V Brooks image of young woman
Burt V Brooks image of farmstead
Alton Blackington image of young woman
Alton Blackington image of crystal gazer
Burt V Brooks image of family
Burt Brooks image of young woman
Alton Blackington image of woman and parrot
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SCUA

Results for: “Ephemera” (76 collections)SCUA

Killgrove, Ethel A.

Finding aid

Ethel A. Killgrove Papers, 1948-1962 (Bulk: 1949-1951).

1 box (0.25 linear feet).
Call no.: MS 866
Ethel A. Killgrove and Mr. Braden, Addis Ababa, 1950
Ethel A. Killgrove and Mr. Braden, Addis Ababa, 1950

Between 1948 and 1951, Chicagoan Ethel A. Killgrove worked as a missionary with the Sudan Interior Mission. A graduate of the St. Paul Bible Institute, Killgrove was based in Aden, Yemen, and worked spreading the gospel and in Addis Ababa, Ethiopia. After returning home in 1951, Killgrove studied education at Wheaton College (Bed, 1959) and Roosevelt (MEd., 1963), teaching in elementary schools in Illinois and Chester County, Pa. She died in Lancaster, Pa., in 2002.

The 142 letters that Killgrove wrote home to her parents and brother Tom include fascinating information on life as a missionary in British-controlled Aden and Ethiopia during the transitional years following the end of World War II. From her perspective on the southern rim of the Middle East, Killgore was witness to the of the impact of the formation of the state of Israel and the growing hostility toward colonial domination in the Arab world and Africa. The collection includes an excellent photograph album with 55 images of her time in mission, along with 65 other images.

Subjects

  • Aden (Yemen)--Description and travel
  • Ethiopia--Description and travel
  • Missionaries--Africa
  • Missionaries--Ethiopia
  • Missionaries--Yemen

Contributors

  • Sudan Interior Mission

Types of material

  • Photographs

Labor, work, and industry

Picket line, New Bedford
Picket line, New Bedford, 195
“Teamsters crossed the Hathaway picket line”

Western Massachusetts was an early and important center of both industrialization and the development of organized labor, and in recent years, it has experienced many of traumatic effects of de-industrialization and economic transformation. The Department of Special Collections and University Archives seeks to document the history of organized labor, the experience of work, and business and industry in New England.

At the heart of the SCUA holdings is a suite of collections documenting the organized labor movement in New England. The official records of the Massachusetts AFL-CIO, a large and important collection, is joined by records for trades ranging from clothing and textile workers to carpenters, electrical workers, and granite cutters.

Of particular note is the John W. Bennett Labor History Collection, a large assemblage of labor-related realia and ephemera, including hundreds of badges, pins, watch fobs, lighters, and other artifacts distributed to union members at annual conventions and other union events. The collection is a unique resource for study of the iconography of organized labor and includes items from representative unions and locals ranging from the Knights of Labor in the 1870s to the present. While centered on New England, the Bennett Collection extends nationally.

View our brochure on documenting labor, work, and industry (pdf).

Significant collections

  • Organized Labor
    • From the records of the Massachusetts State AFL-CIO to the papers of union locals and labor leaders.
  • See all Business and industry
    • Manufacturing
      • The industrial heritage of New England is represented in collections ranging from the records of the Clement Co., Lamson and Goodnow, and the Northampton Cutlery Company (manufacturers of cutlery), the American Writing Paper Company, the Rodney Hunt Co. (a manufacturer of textile machinery and waterwheels), and Smith and Wesson. The most recent collection is the papers of Sidney Topol, CEO of Scientific-Atlanta, a corporation at the forefront of the growth of cable television in the United States.
    • Merchants and mercantile exchange
      • Account books and other business records for a number of New England merchants dating back to the eighteenth century, ranging from small scale traders to keepers of rural general stores to shipping merchants trading in the Atlantic economy.

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Lajoie, Coralie Guertin

Digital (+)Finding aid

Coralie Guertin Lajoie Collection, 1950-1951.

4 folders (0.1 linear feet).
Call no.: MS 637 bd
Japanese flutist
Japanese flutist

When Capt. Henry Guertin, a native of Leominster, Mass., was ordered to active duty with the 24th Infantry Division during the Korean War, his wife Rita relocated to Japan to raise their growing family in Kokura (Kyushu), Japan. Just 13 at the time and already used to the regular relocation of a military life, the eldest daughter, Coralie Ann (“Coco”) spent the next two years attending the Kokura Dependent School. As an adult, Coco married golf pro Ray Lajoie and settled in central Massachusetts.

The collection contains ephemera and photographs from young Coco Lajoie’s two-year sojourn on Kyushu. These include a copy of her school yearbook for 1951, a bill for a folk dance performance, and a series of letters from Japanese schoolchildren she met on a visit.

Subjects

  • Japan--Description and travel

Types of material

  • Ephemera
  • Photographs

Levy, Donald

Finding aid

Donald Levy Papers, 1966-1987.

2 boxes (2 linear feet).
Call no.: MS 878
Richie Havens at Krackerjacks, ca. 1968
Richie Havens at Krackerjacks, ca. 1968

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”

Subjects

  • Counterculture--United States--20th century
  • Fashion--United States--20th century
  • Massachusetts--Cambridge--History--20th century
  • Stores, Retail--Massachusetts

Contributors

  • Richman, Jonathan (Vocalist)

Types of material

  • Clippings
  • Petitions
  • Photographs

Libera, John

Digital (+)Finding aid

John Libera Collection, 1934-1988.

1 flat box (0.25 linear feet).
Call no.: MS 048
Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.

Subjects

  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs

Contributors

  • Libera, John

Types of material

  • Photographs

Lichtenstein, Bill

Digital

Bill Lichtenstein Collection, 1965-1976.

2 boxes (3 linear feet).
Call no.: MS 790
Bill Lichtenstein,1973. Photo by Don Sanford
Bill Lichtenstein,1973. Photo by Don Sanford

In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.

The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Jamaica--History--1962-
  • WBCN (Radio station : Boston, Mass.)

Contributors

  • Schechter, Danny

Types of material

  • Photographs
  • Sound recordings
  • Videotapes

Lyons, Louis Martin

Finding aid

Louis Martin Lyons Papers, 1918-1980.

(4.5 linear feet).
Call no.: RG 002/3 L96
Louis M. Lyons
Louis M. Lyons

As a journalist with the Boston Globe, a news commentator on WGBH television, and Curator of the Nieman Foundation for Journalism at Harvard, Louis M. Lyons was an important public figure in the New England media for over fifty years. A 1918 graduate of Massachusetts Agricultural College and later trustee of UMass Amherst, Lyons was an vocal advocate for freedom of the press and a highly regarded commentator on the evolving role of media in American society.

The Lyons Papers contain a selection of correspondence, lectures, and transcripts of broadcasts relating primarily to Lyons’ career in television and radio. From the McCarthy era through the end of American involvement in Vietnam, Lyons addressed topics ranging from local news to international events, and the collection offers insight into transformations in American media following the onset of television and reaction both in the media and the public to events such as the assassinations of John F. Kennedy and Martin Luther King, the war in Vietnam, and the social and political turmoil of the 1960s.

Subjects

  • Boston Globe
  • Civil rights movements
  • Freedom of the Press
  • Frost, Robert, 1874-1963
  • Johnson, Lyndon B. (Lyndon Baines), 1908-1973
  • Journalistic ethics
  • Journalists--Massachusetts--Boston
  • Kennedy, John Fitzgerald, 1917-1963
  • King, Martin Luther, Jr., 1929-1968
  • Television
  • University of Massachusetts. Trustees
  • Vietnam War, 1961-1975
  • WGBH (Television station : Boston, Mass.)
  • World War, 1914-1918

Contributors

  • Lyons, Louis Martin, 1897-

Types of material

  • Letters (Correspondence)
  • Speeches

MassEquality

Finding aid

MassEquality Records, ca.1993-2008.

18 boxes (23.25 linear feet).
Call no.: MS 674
MassEquality sticker
MassEquality sticker

In the late 1990s, MassEquality was formed as a coalition of advocacy groups that sought to build legislative support for same-sex marriage and gay rights in Massachusetts. Formally incorporated as a 501(c)4 advocacy organization in late 2001, the coalition hired its first employee, Campaign Coordinator Marty Rouse, in late 1993, and achieved a landmark success that November when the Supreme Judicial Court of Massachusetts ruled that the state may not “deny the protections, benefits and obligations conferred by civil marriage to two individuals of the same sex who wish to marry.” On May 17, 2004, Massachusetts became the first state in the nation to allow equal marital rights to same-sex couples. Since that time, MassEquality has continued to champion marriage equality nationally.

The MassEquality Records document the origins, operations, and activism of one of the leading organizations in New England advocating for marriage rights and civic equality for all, regardless of sexual orientation. The collection includes some material generated by the Freedom to Marry Coalition, a partner in the coalition, and a series of large banners and posters, some of which were displayed during the event celebrating the arrival of marriage equality in Massachusetts.

Subjects

  • Gay rights--New England
  • Gays--Legal status, laws, etc.--New England
  • Same-sex marriage--Law and legislation--New England

Contributors

  • Freed to Marry Coalition
  • MassEquality

Types of material

  • Banners
  • Posters

McIntosh, Beatrice A.

Beatrice A. McIntosh Cookery Collection, ca.1880-2005.

ca.8,000 items (200 linear feet).
Call no.: MS 395

The McIntosh Cookery Collection includes books, pamphlets, and ephemera relating to the history of cookery in New England. Of particular note are nearly 7,500 cookbooks prepared by community organizations from the 1880s to the present, usually for fund-raising or charitable purposes. These cookbooks were produced by a variety of organizations, including parent-teacher groups, churches and synagogues, social service agencies, private clubs, and historical societies as fund-raising projects.

These cookbooks document important aspects of the lives of families and women in the region, as well as ethnic groups and their adaptation of traditional foods to New England. The collection is focused primarily on New England, but includes cookbooks from other states for comparative purposes.

Subjects

  • Community cookbooks
  • Cookbooks
  • Cookery--New England

McQueen, Madge

Finding aid

Madge McQueen Papers, ca.1935-2015 (Bulk: 1975-2015).

(99 linear feet).
Call no.: MS 825
Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

Subjects

  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists

Types of material

  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)

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