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Field, William Franklin, 1922-

William F. Field Papers, 1948-1986
27 (13.5 linear feet)
Call no.: RG 030/2 F5
William F. Field Papers image
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

Subjects
  • African American college students--Massachusetts
  • Field, William Franklin, 1922-
  • Race relations--United States
  • Universities and colleges--United States--Administration
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • Vietnam War, 1961-1975--Protest movements--United States
Types of material
  • Correspondence
  • Memorandums

Foucher, Lynnette E.

Lynnette E. Foucher Cookbook Collection, 1902-2000
429 items (8 linear feet)
Call no.: MS 684
Lynnette E. Foucher Cookbook Collection image
1929 cookbook

Assembled by Lynnette E. Foucher, this collection consists chiefly of cookbooks produced by food companies between the 1920s-1970s. These cookbooks reflect the changing role of women in the home as well as new food trends and innovative technology. Taken together, the collection offers a glimpse into the way meal preparation changed in the U.S. during the second half of the twentieth century and how this change transformed the way we eat today.

Subjects
  • Convenience foods--United States--History--20th century
  • Cooking, American--History--20th century
  • Cooking--Social aspects
  • Diet--United States--History
  • Food--Social aspects
  • Women consumers--United States--History
  • Women in advertising--United States--History
Contributors
  • Foucher, Lynette E
Types of material
  • Cookbooks

Francis, Robert, 1901-1987

Robert Francis Papers, 1891-1988
17 boxes (8.25 linear feet)
Call no.: MS 403
Robert Francis Papers image
Robert Francis, by Frank A. Waugh,
Nov. 1939

The poet and essayist Robert Francis settled in Amherst, Mass., in 1926, three years after his graduation from Harvard, and created a literary life that stretched for the better part of half a century. An associate of Robert Frost and friend of many other writers, Francis occasionally worked as a teacher or lecturer, including a brief stint on the faculty at Mount Holyoke College, but he sustained himself largely through his writing, living simply in “Fort Juniper,” a cottage he built on Market Hill Road in North Amherst. A recipient of the Shelley Award (1939) and the Academy of American Poets award for distinguished poetic achievement (1984), Francis was a poet in residence at both Tufts (1955) and Harvard (1960) Universities. He died in Amherst in July 1987.

The Francis Papers contains both manuscript and printed materials, drafts and finished words, documenting the illustrious career of the poet. Of particular note is Francis’s correspondence with other writers, publishing houses, and readers, notably Paul Theroux. Also contains personal photographs and Francis family records and a small number of audio recordings of Francis reading his poetry. Letters from Francis to Regina Codey, 1936-1978, can be found in MS 314 along with two typescript poems by Francis.

Connect to another siteListen to interviews with Francis on Poems to a Listener", 1977-1978
Subjects
  • Amherst (Mass.)--History
  • Poetry--Publishing
  • Poets--Massachusetts
  • University of Massachusetts Press
Contributors
  • Brown, Rosellen
  • Ciardi, John, 1916-
  • De Vries, Peter
  • Fitts, Dudley, 1903-
  • Francis, Robert, 1901-1987
  • Hall, Donald, 1928-
  • Humphries, Rolfe
  • Moore, Marianne, 1887-1972
  • Moss, Howard, 1922-
  • Shawn, Ted, 1891-1972
  • Theroux, Paul
  • Wilbur, Richard, 1921-
Types of material
  • Audiotapes
  • Phonograph records
  • Photographs

Goldberg, Maxwell Henry, 1907-

Maxwell Henry Goldberg Papers, 1888-1986
60 boxes (33 linear feet)
Call no.: FS 064
Maxwell Henry Goldberg Papers image
Max Goldberg, photo by Frank Waugh

Professor of English, adviser to student newspaper (The Collegian) and Jewish student organizations, University of Massachusetts, and founding member, College English Association.

The Goldberg Papers contain correspondence, speeches, published writings, papers written as a graduate student, biographical material, book reviews, subject files, newsclippings, and material from committees and projects with which he was involved, including the College English Association, College English Association Institute, Humanities Center for Liberal Education, and American Humanities Seminar.

Subjects
  • College English Association
  • Humanities Center for Liberal Education
  • Jews--Massachusetts
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Goldberg, Maxwell Henry, 1907-

Granville Brothers Aircraft Company Inc.

Granville Brothers Aircraft Company Collection, 1978-1980
2 items
Call no.: MS 911

Between 1929 and 1934, the Granville Brothers Aircraft Company manufactured their distinctive Gee Bee aircraft at the airport in Springfield, Mass., using a hangar converted from a former dance hall as their plant. Originally from New Hampshire, the five brothers drew upon their self-taught mechanical ingenuity in the years after the First World War to transform an automobile and aircraft repair business into aircraft design and production. The brothers flew their first craft in Boston in May 1929, a biplane they advertised as “the fastest and most maneuverable licensed airplane for its horsepower in the United States,” moving operations to Springfield later that year. Although only about two dozen Gee Bees were ever manufactured, the planes gained a wide reputation for their innovative aerodynamic designs, raw power, and extraordinary success on the air racing circuit. Gee Bees claimed speed records and numerous prizes, including the coveted Thompson Trophy in 1931 and 1932 won by pilots Lowell Bayles and Jimmy Doolitte, but the death of the eldest brother in a flying accident and the impact of the Great Depression caused the company to shutter in 1934.

Aviation historian Tom Nallen conducted a series of interviews with former employees of the Granville Airplane Co. beginning in the late 1970s, recording memories of the company and its workers, the Gee Bee planes, and their performance during the golden age of air racing.

Subjects
  • Airplanes--Design and construction
  • Gee-Bee (Racing plane)
Contributors
  • Granville, Robert
  • Nallen, Thomas E.
  • Roberts, Paul
Types of material
  • Audiocassettes
  • Oral histories
  • Sound recordings

Gray Panthers of the Pioneer Valley

Gray Panthers of the Pioneer Valley Records, 1979-1994
12 boxes (7 linear feet)
Call no.: MS 468

Amherst, Massachusetts, chapter of the national Gray Panther organization that sponsored the weekly Amherst Vigil for Peace and Justice, tackled such issues as fair and affordable housing for people of all ages, nursing home reform, Social Security policy, universal health care, safe-sex, and age discrimination, and also worked to improve the everyday life of senior citizens and the community at large, often collaborating with other local organizations to address world peace, environmental concerns, improved child care, educational opportunities, and handicapped accessibility.

Records include charter, by-laws, histories and mission statements, meeting agendas and minutes, correspondence, financial reports, fund raising materials, membership lists, membership questionnaire, newsletters, press releases, leaflets, clippings, a scrapbook, T-shirts, and program files, that document the founding and activities of the Gray Panthers of the Pioneer Valley.

Subjects
  • Older people--Massachusetts
  • Peace movements--Massachusetts
  • Social justice--Massachusetts
Contributors
  • Gray Panthers of the Pioneer Valley
  • Holt, Margaret

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997
17 boxes (19.5 linear feet)
Call no.: FS 142
Barrie B. Greenbie Papers image
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945
Contributors
  • Greenbie, Barrie B

Grillo, Jean Bergantini

Jean Bergantini Grillo Collection, 1969-1974
12 (24 linear feet)
Call no.: MS 950
Jean Bergantini Grillo Collection image
Grillo at the Phoenix office, 1971. Photo by Jeff Albertson

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.

Gift of Jean Bergantini Grillo, 2016
Subjects
  • Counterculture--United States--20th century
  • Journalism--Massachusetts--20th century
  • Politics and culture--Massachusetts
Contributors
  • Boston Phoenix
Types of material
  • Newspapers
  • Notebooks

Gwin, Lucy

Lucy Gwin Papers, 1982-2005
8 boxes (12 linear feet)
Call no.: MS 822

Born in Indiana, the writer Lucy Gwin (1943-2014) lived “a lot of lives,” in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.

Lucy Gwin’s papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin’s other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.

Subjects
  • Disabled--Civil rights
  • Mouth Magazine

Halporn, Roberta

Roberta Halporn Collection, 1978-2002
1 box (1.5 linear feet)
Call no.: MS 847
Roberta Halporn Collection image
Chinese funeral money

A writer, publisher, and expert in the culture of cemeteries and death, Roberta Halporn was born in New York in 1927. Although she entered NYU intending to study medicine, Halporn soon turned to dance, eventually earning a masters degree and working in the field for nearly two decades. When an injury ended her dance career, however, she changed careers to publishing, opening her own house in 1978. Her growing interest in the culture of death meshed well with her job and following her interests, she founded ran the Center for Thanatology Research and Education in 1986. Based in Brooklyn, the Center was a non-profit organization that worked to raise public awareness of the artistic and historical importance of cemeteries, and in addition to a library and museum, the Center ran tours of cemeteries, published books and periodicals, and operated a retail store. Halporn published regularly on topics ranging from Jewish cemeteries to hospice, thanatology libraries, and her passion, gravestone rubbing. Halporn died in 2014.

The collection consists of files relating to Roberta Halporn’s extensive thanatological research, including drafts, correspondence, photographs, and ephemera from two of her projects: on Chinese American funeral practices (resulting in the book Gods, Ghosts, and Ancestors) and on Jewish cemeteries. A significant number of books donated with the collection have been added to the Association for Gravestone Studies Book Collection.

Subjects
  • Funeral rites and ceremonies--China
  • Jewish funeral rites and ceremonies
Contributors
  • Center for Thanatology Research and Education
Types of material
  • Ephemera
  • Photographs

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