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New Victoria Publishers

New Victoria Publishers Records

1974-2009
6 boxes 11 linear feet
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects

  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England

Contributors

  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers

Types of material

  • Photographs
Nopper, John

John Nopper Photograph Collection

2012-2013
25 photographs 0.1 linear feet
Call no.: PH 078
Howard Prussack in a field at High Meadows Farm in Putney, VT
Howard Prussack at High Meadows Farm in Putney, VT

A farmer for over thirty years along the Connecticut River in Vermont, John Nopper came to photography later in life. Drawn to the challenge of capturing individuals and environments in his and surrounding communities, Nopper focuses on portraits and landscapes, and specializes in 11”x17” or larger printing, emphasizing the depth of tone in his black and white photography. His photograph projects often focus on the instruments and individuals of a specific industry or place, and frequently document subjects and vocations he feels warrant increased attention, either due to their methods, like his work documenting traditional maple sugaring and printing practices, or due to current events, such as a more recent project as an embedded photographer within a Vermont city police department.

The John Nopper Photograph Collection currently consists of twenty-five, 11”x17”, black and white prints from the exhibit “Vermont’s Organic Pioneers,” along with the descriptions from the project. In a collaborative effort with interviewer and writer Susan J. Harlow, Nopper photographed the subjects of Harlow’s interviews for an exhibit featuring interview summaries and quotations alongside photographs from six farms and their farmers, all pioneers in the history of organic farm production, marketing, and distribution in Vermont. The collection also includes digital photographs not printed, as well as digital versions of most of the prints.

Gift of John Noper, July 2017

Subjects

  • Northeast Organic Farming Association
  • Organic farmers--Vermont
  • Organic farming--Standards
  • Organic farming--Vermont
  • Sustainable agriculture

Types of material

  • Photographs
Perkins, Carol A.

Carol A. Perkins Collection

2001-2002
1 box 0.5 linear feet
Call no.: PH 033

Carol A. Perkins was born April 25, 1926 in Rochester, N.Y., where she attended Madison High School. Her father, Vernon Perkins, was a World War I Army Air Service photographer in France, and she became interested in photography through his photograph albums. She graduated from a correspondence program at the New York Institute of Photography and graduated from the Rochester Institute of Technology School of Art in 1950. After matriculating from the Rochester General Hospital School of Medical Photography, she was employed at the Toledo Hospital Institute of Medical Research for twenty-two years, and then by the Medical College of Ohio for eleven years. While searching through New England graveyards for her Perkins ancestors, she became interested in gravestone studies and became a member of the Association for Gravestone Studies.

The Carol Perkins Collection consists of 1.5 linear feet of material, primarily color photographs of grave markers in Connecticut, Indiana, Massachusetts, Michigan, New Hampshire, New York, Ohio, Rhode Island, and Vermont. Box 1 has two indices: one alphabetical by deceased’s surnames, and the other alphabetical by state, then town, then cemetery. Box 2 photographs include transcriptions of the deceased’s names, dates of birth/death, and inscriptions, and are organized by state, then town. The collection includes one folder of genealogical material and 20 black & white photographs of markers in England. Photographs taken at AGS conferences include some AGS members and were taken in the following years: 1980, 1981, 1982, 1987, 1988, 1990, 1991, 1992, 1993, 1995, 1996, 1997, and 2003.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Indiana
  • Gravestones--Massachusetts
  • Gravestones--Michigan
  • Gravestones--New Hampshire
  • Gravestones--New York
  • Gravestones--Ohio
  • Gravestones--Vermont

Contributors

  • Association for Gravestone Studies
  • Perkins, Carol A

Types of material

  • Photographs
Simon, Peter, 1947-

Peter Simon Collection

ca. 1945-2016
10 boxes 20 linear feet
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects

  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements

Contributors

  • Simon, Richard L. (Richard Leo), 1899-1960

Types of material

  • Photographs
White Light Communications

White Light Communications Collection

1989-1999
150 items 54 linear feet
Call no.: MS 984

A not-for-profit media company based in Burlington, Vermont, White Light Communications produced dozens of videos during the late 1980s and early 1990s reflecting the voices and experiences of psychiatric survivors. With initial funding from the National Institute of Mental Health, Executive Director Paul Engels and his colleagues, all psychiatric survivors themselves, built a fully-equipped television production studio and conducted nearly one hundred interviews with ex-patients and leaders in the antipsychiatry movement. Although most of the interviews were conducted in Burlington, they also produced documentaries, and covered national events such as the final two Alternatives conferences and “Self Help Live,” a broadcast that focused on highlighting consumer/survivor leaders.

The hundreds of video interviews and other productions that comprise the White Light Communications collection were produced by, for, and about psychiatric survivors. Paul Engels interviewed nearly a hundred ex-patients including important leaders in the movement such as Judi Chamberlin, Sally Zinman, Howie the Harp, and George Ebert, and several episodes focused on the mental health system and activism in Vermont. The subjects of the interviews range widely from homelessness to involuntary treatment, peer support, suicide, surviving the mental health system, and the history of the psychiatric survivors movement.

Gift of Paul Engels, May 2017

Subjects

  • Antipsychiatry
  • Civil rights movements--United States
  • Ex-mental patients
  • Mental health services--United States
  • Mental illness--Alternative treatment
  • Mentally ill--Social conditions
  • Psychiatric survivors movement

Contributors

  • Chamberlin, Judi, 1944-2010
  • Dart, Justin, 1930-2002
  • Ebert, George
  • Engels, Paul
  • Millett, Kate
  • Zinman, Sally

Types of material

  • Oral histories (Document genres)
  • U-matic
  • Videotapes
Acker, Bonnie

Bonnie Acker Collection

1983-2000
1 box 1.5 linear feet
Call no.: MS 582

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

Gift of Bonnie Acker, May 2007

Subjects

  • Antinuclear movement--United States
  • Peace movements

Contributors

  • Acker, Bonnie

Types of material

  • Realia
Agriculture

Founded under the Morrill Land Grant Act of 1862 as the Massachusetts Agricultural College, UMass Amherst has long been dedicated to the study and teaching of agriculture and the natural sciences. One of two land grant institutions in the Commonwealth (along with MIT), the university has played an important role in the development of scientific agriculture in New England and has been a major factor in agricultural instruction through its classes and extension service.

SCUA’s collections contain a wealth of information on the history of agriculture and related fields, including horticulture, botany, entomology, animal husbandry, gardening, and landscape design. The strength of the collection lies in documenting the development of American agricultural sciences with an emphasis upon the northeastern states, but it is supplemented with numerous works on British, French, and German agriculture. Adding additional depth are the records of the several departments at UMass Amherst charged with instruction in the agricultural sciences and the papers of individual agricultural educators.

Currently, SCUA is particularly interested in documenting the growth of organic agriculture, heritage breeds, and the practices of sustainable living.

Notable collecting areas (view all)

  • Agricultural education
    • Papers of faculty members at Massachusetts Agricultural College and UMass Amherst, as well as educational organizations dedicated to instruction in the agricultural sciences. Among the individuals represented are the agricultural educator, Kenyon Butterfield; Levi Stockbridge, the first farm manager and long-time instructor at MAC; and William Smith Clark, William Penn Brooks, and William Wheeler, who were instrumental in the 1870s in establishing the agricultural college in Hokkaido, Japan.
    • Also printed works through the late nineteenth century on agriculture in America, Britain, and Europe, including those by John Fitzherbert, Thomas Hale, Arthur Young, “Columella,” John Smith, Gervase Markham, et al.
  • Animal husbandry
    • Books on sheep culture in the United States (Robert R. Livingston, Samuel Bard) and England (Lord Somerville, John Lawrence); dairy and beef cattle, horses, poultry science.
  • Farming and rural life
    • Correspondence, farm accounts, and other records of farming and rural life, primarily in New England, as well as materials relating to the sociology of rural life.
  • Beekeeping and entomology
    • Among the earliest rare books acquired by the Massachusetts Agricultural Library were a collections of rare books in beekeeping, including key works by Thomas Hill, John Keys, Daniel Wildman, Henry Eddy, from the late 17th through late 19th centuries. Works by Maria Sibylla Merian, John Curtis, Dru Drury, Johann Jakob Romer, Jacob l’Admiral
  • Botany, horticulture, pomology, etc.
    • Collections relating to the scientific study of botany, horticulture, forestry, and related sciences.
    • Important printed works on American botany by Frederick Pursh, Thomas Nuttall, Humphry Marshall’s Arbustrum Americanum, François André Michaux, early editions of Linnaeus, William Prince, William Coxe, William Chorlton, et al.
  • Landscape and gardening
    • The papers and photographs of the landscape designer Frank Waugh, Julius Fabos, Erwin Zube, and other collections.
    • Among many printed works on gardens and landscapes are three editions of Bernard M’Mahon’s seminal American Gardener’s Calendar, William Cobbett, Alexander Jackson Davis, Humphry Repton, and others.
  • Organic and sustainable agriculture
    • Records of the Northeast Organic Farmers Association and others involved in organic agriculture, alternate energy, and sustainability.
  • Other natural sciences
    • Including entomology and geology.

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Alternative Energy Coalition

Alternative Energy Coalition

ca.1975-1985
9 boxes 13.5 linear feet
Call no.: MS 586

A product of the vibrant and progressive political culture of western Massachusetts during the early 1970s, the Alternative Energy Coalition played a key role in the growth of antinuclear activism. In 1974, the AEC helped mobilize support for Sam Lovejoy after he sabotaged a weather tower erected by Northeast Utilities in Montague, Mass., in preparation for a proposed nuclear power plant, and they helped organize the drive for a referendum opposing not only the proposed plant in Montague, but existing plants in Rowe, Mass., and Vernon, Vt. Forming extensive connections with other antinuclear organizations, the AEC also became one of the organizations that united in 1976 to form the Clamshell Alliance, which made an art of mass civil disobedience.

The AEC Records provide insight into grassroots activism of the 1970s and 1980s, galvanized by the seemingly unrestrained growth of the nuclear power industry. The records, emanating from the Hampshire County branch, contain both research materials used by the AEC and organizational and promotional materials produced by them, including publications, minutes of meetings, correspondence, and materials used during protests. Of particular interest are a thick suite of organizational and other information pertaining to the occupation of the Seabrook (N.H.) nuclear power plant in 1979 and minutes, notes, and other materials relating to the founding and early days of the Clamshell Alliance. The collection is closely related to the Antinuclear Collection (MS 547).

Subjects

  • Antinuclear movement--Massachusetts
  • Hampshire County (Mass.)--History
  • Nonviolence--Massachusetts
  • Nuclear energy--Massachusetts
  • Pacifists--Massachusetts
  • Political activists--Massachusetts
  • Renewable energy source
  • Seabrook Nuclear Power Plant (N.H.)
  • Vermont Yankee Nuclear Power Station

Contributors

  • Alternative Energy Coalition
  • Clamshell Alliance

Types of material

  • Realia
Amalgamated Clothing Workers of America. Local 125

Amalgamated Clothing Workers of America, Local 125 Records

1928-1984
16 boxes 8 linear feet
Call no.: MS 001

Based in New Haven, Connecticut, Local 125 was a chapter of the Amalgamated Clothing Workers of America (ACWA) that worked to improve wages and hours of work, to increase job security, to provide facilities for advancing cultural, educational, and recreational interests of its members, and to strengthen the labor movement. Key figures in Local 125 included Aldo Cursi who, with Mamie Santora, organized the Connecticut shirtworkers and served as Manager from 1933 to 1954; John Laurie who served as Business Manager from 1933 to 1963; and Nick Aiello, Business agent in 1963 and Manager from 1964 to 1984.

The collection includes constitution, by-laws, minutes, contracts, piece rate schedules, accounts, subject files, scrapbooks, newsclippings, printed materials, photographs and a phonograph record. These records document the history of Local 125 from its founding in 1933 to 1984, when the Local office in New Haven was closed. Included also are correspondence and case materials pertaining to grievance and arbitration proceedings (access restrictions apply).

Subjects

  • Clothing trade--Labor unions--Connecticut
  • Labor unions--Connecticut
  • Labor unions--Massachusetts
  • Textile industry--Connecticut
  • Textile workers--Labor unions--Connecticut

Contributors

  • Amalgamated Clothing Workers of America. Local 125

Types of material

  • Photographs
  • Scrapbooks
  • Sound recordings
Ambellan, Harold

Harold Ambellan Memoir

2005
1 item (75p.)
Call no.: MS 855

A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.

In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.

Subjects

  • Artists--20th century
  • Democracy
  • Depressions, 1929
  • Expatriate artists--France
  • New Deal, 1933-1939
  • Sculptors--20th century
  • World War, 1939-1945

Contributors

  • Diehl, Victoria
  • Guthrie, Woody, 1912-1967

Types of material

  • Memoirs
  • Oral histories