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Baker, Hugh Potter, 1878-

Hugh Potter Baker Papers, 1919-1951
(4.5 linear feet)
Call no.: RG 003/1 B35
Hugh Potter Baker Papers image
Hugh P. Baker, ca.1945

Hugh Baker served as President during most of the existence of Massachusetts State College, taking office in 1933, two years after it changed name from Massachusetts Agricultural College, and retiring in 1947, just as the college became the University of Massachusetts. A forester by training, Baker began his career as a professor, and later dean, in the College of Forestry at Syracuse University. In 1920, he left Syracuse to become Executive Secretary of the American Paper and Pulp Association, and for nearly a decade, he worked in the forestry industry. He returned to academia in 1930, when he resumed the deanship at the New York State School of Forestry. During his presidency at Massachusetts State College, Baker oversaw the construction of improved housing and classroom facilities for students, a new library, the expansion of the liberal arts curriculum, and a near doubling of student enrollment. Further, chapel services were reorganized to be voluntary, and a weekly convocation was initiated. Baker also founded popular annual conferences on recreation and country life.

The Baker Papers include correspondence with college, state, and federal officials, college suppliers, and alumni; speeches and articles; reports and other papers on topics at issue during Baker’s college presidency, 1933-1947, particularly the building program. Also included are several biographical sketches and memorial tributes; clippings and other papers, relating to Baker’s career as professor of forestry at several colleges, trade association executive, and college president.

Subjects
  • Clock chimes--Massachusetts--Amherst--History
  • College buildings--Massachusetts--Amherst--History
  • Massachusetts State College--Anniversaries, etc
  • Massachusetts State College--Buildings
  • Massachusetts State College--History
  • Massachusetts State College--Student housing
  • Massachusetts State College. President
  • Massachusetts State College. School of Home Economics
  • Massachusetts--Politics and government--1865-1950
  • Old Chapel (Amherst, Mass.)--History
  • Student housing--Massachusetts--Amherst--History
  • University of Massachusetts Amherst--History
Contributors
  • Baker, Hugh Potter, 1878-

Banks, Katherine Bell

Katherine Bell Banks Papers, 1926-1960
1 box (0.25 linear feet)
Call no.: MS 429

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

Subjects
  • African Americans--History--1877-1964
Contributors
  • Banks, Katherine Bell
  • Bell, Thomas, d.1946
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Letters (Correspondence)
  • Photographs

Benedek, Tom

Tom Benedek Collection, 1967-1973
3 boxes (1.5 linear feet)
Call no.: PH 073
Tom Benedek Collection image
Passengers on a plane, ca.1973

A screenwriter and visual artist, Tom Benedek majored in film as an undergraduate at UMass Amherst, earning the distinction of becoming the first graduate of the Bachelor’s Degree with Individual Concentration program in 1971. From early in his college career, Benedek worked as a photographer the newspaper, the Collegian, while studying with faculty such as Jerome Liebling (at Hampshire College) and Jerrold Maddox (at Amherst), and he spent his junior year in Paris studying at the Ecole du Louvre and l’Institut de Formation Cinematographique. In his career in Hollywood, he has written screenplays for the movies Cocoon, Zeus and Roxanne, and The Adventures of Pinocchio and worked with Robert Zemeckis, Lawrence Kasdan, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, and Harold Ramis, among many others. He is a member of the Writers Branch of the Academy of Motion Picture Arts and Sciences and teaches screenwriting at the University of Southern California and the University of Michigan.

The hundreds of images in the Benedek Collection document the development of a talented photographer. While some of the images stem from his work for the Collegian, most were taken on his own around campus and beyond, including trips to Boston and New Orleans, and his year studying abroad in Paris following shortly after the events of 1968. The collection consists entirely of 35mm black and white negatives and color slides.

Subjects
  • Amherst (Mass.)--Photographs
  • Boston (Mass.)--Photographs
  • New Orleans (La.)--Photographs
  • Paris (France)--Photographs
  • University of Massachusetts Amherst--Photographs
Types of material
  • Photographs

Bezanson, Philip, 1916-1975

Philip Bezanson Papers, 1946-1980
9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bezanson, Philip, 1916-1975

Binet, Maurice Emmanuel Hippolyte, 1877-

Maurice Emmanuel Hippolyte Binet Collection, 1784-1852 (Bulk: 1794-1814)
2 boxes (1 linear feet)
Call no.: MS 738
Maurice Emmanuel Hippolyte Binet Collection image

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

Subjects
  • Belgium--History--1794-1814
  • Brabant (Belgium)--History
  • Dyle (Belgium)
  • France--History--1789-1815
  • France--History--Revolution, 1789-1799
  • Napoleonic Wars--1800-1815
  • Police--France--18th century
Contributors
  • Lambrechts, Charles Joseph Matthieu, 1753-1823
  • Mallarmé, François René Augustin, 1755-1831
Types of material
  • Letters (Correspondence)

Bond, Horace Mann, 1904-1972

Horace Mann Bond Papers, 1830-1979
169 boxes (84.5 linear feet)
Call no.: MS 411
Horace Mann Bond Papers image
Horace Mann Bond, ca.1930

Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.

Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.

Subjects
  • Africa--Description and travel
  • African American educators
  • African Americans--Education--History--20th century
  • American Society of African Culture
  • Atlanta University
  • Dillard University
  • Fort Valley State College
  • International African American Corporation
  • Julius Rosenwald Fund
  • Lincoln University
  • Race relations--United States
Contributors
  • Barnes, Albert C. (Albert Coombs), 1872-1951
  • Bond, Horace Mann, 1904-1972
  • Bond, James, 1863-1929
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Nkrumah, Kwame, 1909-1972
Types of material
  • Photographs

Brinley Family

Brinley Family Papers, 1643-1950
(4.75 linear feet)
Call no.: MS 161
Brinley Family Papers image
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects
  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists
Types of material
  • Deeds
  • Realia

Broadside Press

Broadside Press Collection, 1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Broadside Press Collection image
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

Brown, Daniel A.

Daniel A. Brown Photograph Collection, 1968-2003
ca.450 items
Call no.: PH 011
Daniel A. Brown Photograph Collection image
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Subjects
  • Babbitt, Elwood, 1922-
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Metelica, Michael
  • Renaissance Community (Commune)
Contributors
  • Brown, Daniel A
  • Cohen, Gary
Types of material
  • Photographs

Buczko, Thaddeus

Thaddeus Buczko Photographs, ca.1960-1980
1 box (0.25 linear feet)
Call no.: MS 299

Former Massachusetts legislator, state auditor, and justice in the Essex Court, active in the Boston, Massachusetts-area Polish community. Fifty-five photographs including portraits of Judge Buczko with Pope John Paul II, Robert and Edward Kennedy, Carl Yastrzemski, Francis Sargent, Hubert Humphrey, and various Massachusetts politicians and friends.

Subjects
  • Humphrey, Hubert H. (Hubert Horatio), 1911-1978
  • John Paul II, Pope, 1920-
  • Kennedy, Edward Moore, 1932-
  • Kennedy, Robert F., 1925-1968
  • Polish Americans--Massachusetts
  • Sargent, Francis
  • Yastrzemski, Carl
Contributors
  • Buczko, Thaddeus
Types of material
  • Photographs
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