Results for: “Capitalists and financiers--New York (State)--Biography” (429 collections)SCUA

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Bishop, Sam

Sam Bishop Bronx-Lebanon (N.Y.) Incinerator Collection, 1982-1997.

4 boxes (6 linear feet).
Call no.: MS 703

A new medical waste incinerator for New York city hospitals became the focal point of drawn-out controversy in the 1990s. After proposals to place the facility in Rockland County and downtown Manhattan were scotched, a site in the South Bronx was selected. Even before it opened in 1991, the Bronx-Lebanon incinerator touched off fierce opposition. Built to dispose of up to 48 tons per day of medical waste gathered from fifteen regional hospitals, the incinerator was located in a poor and densely populated area, and worse, raising charges of environmental racism. Making matters worse, during its years of operation, it was cited for hundreds of violations of state pollution standards. A coalition of grassroots organizations led an effective campaign to close the facility, and in June 1997 the plant’s owner, Browning Ferris Industries agreed. In an agreement with the state two years later, BFI agreed to disable the plant and remove the emission stacks.

Gathered by an environmental activist and consultant from New York city, Sam Bishop, this collection documents the turbulent history of public opposition to the Bronx-Lebanon medical waste incinerator. In addition to informational materials on medical waste incineration, the collection includes reports and legal filings relative to the facility, some materials on the campaign to close it, and a small quantity of correspondence and notes from activists.

Subjects

  • Bronx (New York, N.Y.)--History
  • Incinerators--Environmental aspects
  • Medical wastes--Incineration

Types of material

  • Legal documents

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection, 1789-1964.

128 items (3 linear feet).
Call no.: RB 023
The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks

Brinley Family

Brinley Family Papers, 1643-1950.

(4.75 linear feet).
Call no.: MS 161
Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects

  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists

Types of material

  • Deeds
  • Realia

Broadside Press

Broadside Press Collection, 1965-1984.

1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects

  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry

Contributors

  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-

Types of material

  • Broadsides
  • Ephemera
  • Posters

Broderick, Warren F.

Association for Gravestone Studies Collection

Warren F. Broderick Photograph Collection, 1982-1983.

1 box (0.25 linear feet).
Call no.: PH 028

A senior archives and records management specialist at the New York State Archives, Warren F. Broderick has published extensively on topics ranging from gravestone carving to the history of the upper Hudson River Valley. He is co-author of Pottery Works (1995), editor of a new edition of Granville Hicks’s Small Town (2004), and a contributor of numerous journal articles of historical subjects.

The Broderick Collection includes photographs of tombstones in Old Catholic Cemeteries in, Lansingburgh and Lebanon Springs, N.Y., and St. Josephs Cemetery, Pittsfield, Mass. The collection includes a folder of slides taken of St. Josephs Cemetery by Barbara Rotundo.

Subjects

  • Sepulchral monuments--Massachusetts
  • Sepulchral monuments--New York
  • Stone carving--New York

Contributors

  • Association for Gravestone Studies
  • Broderick, Warren F

Types of material

  • Photographs

Brooks, Burt V.

Burt V. Brooks Photograph Collection, 1889-1934.

3 boxes (1.5 linear feet).
Call no.: PH 060

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Subjects

  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs

Types of material

  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Brooks, William Penn, 1851-

William Penn Brooks Papers, 1863-1939.

3 boxes (1.5 linear feet).
Call no.: RG 003/1 B76
Sapporo Ag. College students, 1881
Sapporo Ag. College students, 1881

Two years after graduating from Massachusetts Agricultural College in 1875, William Penn Brooks accepted an invitation from the Japanese government — and his mentor, William Smith Clark — to help establish the Sapporo Agricultural School. Spending over a decade in Hokkaido, Brooks helped to introduce western scientific agricultural practices and the outlines of a program in agricultural education, and he built a solid foundation for the School. After his return to the states in 1888, he earned a doctorate at the University of Halle, Germany, and then accepted a position at his alma mater, becoming a leading figure at the Massachusetts Experiment Station until his retirement in 1921.

Brooks’ papers consist of correspondence, photographs, newspaper clippings, an account book, and translations which provide rich detail on Brooks’ life in Japan, the development of Sapporo Agricultural College (now Hokkaido University), and practical agricultural education in the post-Civil War years.

Subjects

  • Agricultural colleges--Japan--History
  • Clark, William Smith, 1826-1886
  • Hokkaido (Japan)--History
  • Hokkaid¯o Daigaku
  • Japan--Description and travel--19th century
  • Japan--History--1868-
  • Massachusetts Agricultural College--History
  • Massachusetts State Agricultural Experiment Station
  • Sapporo N¯ogakk¯o--History
  • Sapporo-shi (Japan)--History

Contributors

  • Brooks, William Penn, 1851-

Types of material

  • Letters (Correspondence)

Butterfield, Kenyon L. (Kenyon Leech), 1868-1935

Kenyon Leech Butterfield Papers, 1889-1945.

(12 linear feet).
Call no.: RG 003/1 B88
Kenyon L. Butterfield
Kenyon L. Butterfield

An agricultural and educational reformer born in 1868, Kenyon Butterfield was the ninth president of Massachusetts Agricultural College and one of the university’s most important figures. An 1891 graduate of Michigan Agricultural College and recipient of MA in Economics and Rural Sociology from the University of Michigan (1902), Butterfield entered university administration early in his career, becoming President of the Rhode Island College of Agriculture and Mechanic Arts in 1903 and, only three years later, of the Massachusetts Agricultural College. Possessed of a Progressive spirit, Butterfield revolutionized the college during his 18 years in Amherst, expanding and diversifying the curriculum, quadrupling the institutional budget, fostering a dramatic increase in the presence of women on campus and expanding the curriculum, and above all, helping to promote the Smith-Lever Act of 1914 and developing the Cooperative Extension Service into a vital asset to the Commonwealth. Nationally, he maintained a leadership role in the field of rural sociology and among Land Grant University presidents. After leaving Amherst in 1924, Butterfield served as President at Michigan Agricultural College for four years and was active in missionary endeavors in Asia before retiring. He died at his home in Amherst on Nov. 25, 1936.

The Butterfield Papers contain biographical materials, administrative and official papers of both of his presidencies, typescripts of his talks, and copies of his published writings. Includes correspondence and memoranda (with students, officials, legislators, officers of organizations, and private individuals), reports, outlines, minutes, surveys, and internal memoranda.

Subjects

  • Agricultural education--Massachusetts--History--Sources
  • Agricultural education--Michigan--History--Sources
  • Agricultural extension work--Massachusetts--History--Sources
  • Agricultural extension work--United States--History--Sources
  • Agriculture--United States--History--Sources
  • Education--United States--History--Sources
  • Food supply--Massachusetts--History--Sources
  • Higher education and state--Massachusetts--History--Sources
  • Massachusetts Agricultural College--Alumni and alumnae
  • Massachusetts Agricultural College--History
  • Massachusetts Agricultural College--Students
  • Massachusetts Agricultural College. President
  • Massachusetts State College--Faculty
  • Michigan Agricultural College--History
  • Michigan Agricultural College. President
  • Rural churches--United States--History--Sources
  • Rural development--Massachusetts--History--Sources
  • Women--Education (Higher)--Massachusetts--History--Sources
  • World War, 1914-1918

Contributors

  • Butterfield, Kenyon L. (Kenyon Leech), 1868-1935

Calidonna, Frank

Association for Gravestone Studies

Frank Calidonna Photograph Collection, 1991.

1 box (0.25 linear feet).
Call no.: PH 021
Charles A. Jones monument, 1858
Charles A. Jones monument, 1858

A teacher at the New York State School for the Deaf since the 1970s, Frank Calidonna is a professional photographer based in Rome, N.Y. A long-time member of the Association for Gravestone Studies, Calidonna has a long standing interest in Victorian cemeteries and, among other projects, made a photographic study of the Victorian Mount Cemetery in Rochester, N.Y., in 1991.

The Calidonna Collection contains 55 black and white prints (5×7″) taken of monuments and gravestones in Mount Hope Cemetery, ca.May 1991, documenting the stylistic variation, ranging from high Victorian to relatively recent. The collection also includes two brochures for Mount Hope.

Subjects

  • Mount Hope Cemetery (Rochester, N.Y.)
  • Sepulchral monuments--New York

Cemetery Inscriptions Collection

Association for Gravestone Studies Collection

Cemetery Inscriptions Collection, 1902-2005.

4 boxes (6 linear feet).
Call no.: MS 669

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

Consisting of self-published and limited-run compilations of gravestone transcriptions from historical cemeteries, the AGS Cemetery Inscriptions Collection offers rich documentation of epitaphs and memorial language, with an emphasis on colonial and early national-era in New England and Ohio. The collection is arranged by state and town.

Subjects

  • Inscriptions
  • Sepulchral monuments

Contributors

  • Association for Gravestone Studies
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