Literature and the arts play a vital role in the culture and traditions of New England. Western Massachusetts in particular has had a rich history of fostering writers and poets, musicians, dancers, and actors. The Department of Special Collections and University Archives seeks to document not only the lives and work of writers and performers in our region, but the creative and artistic process; showing not just the inspiration, but the perspiration as well.
- SCUA houses significant collections for the poets Robert Francis, Madeleine de Frees, and Anne Halley, as well as small collections for William Carlos Williams and Wallace Stevens. The records of the Massachusetts Review are an important literary resource.
- Prose writing
- Collections of note include the papers of writers William J. Lederer (author of The Ugly American, Nation of Sheep, and Their Own Worst Enemy), William Manchester (The Death of a President and American Caesar), Mary Doyle Curran (The Parish and the Hill).
- Journalists associated with traditional print and new media, including an important collection for the Liberation News Service, a media service for the alternative press, and the Social Change Periodicals Collection, which includes alternative and radical small press publications. The papers of Sidney Topol provide insight into the technical development of cable television.
- Literary criticism and linguistics
- The papers of literary scholars associated with the University; records of the Massachusetts Review.
- Performing arts
- The vibrant performing arts community in western Massachusetts is well represented in SCUA through groups ranging from the Arcadia Players Baroque music ensemble to theater troupes such as Double Edge Theater, the Valley Light Opera, and the New World Theater. Among the most significant national collections are the Roberta Uno Asian Women Playwrights Collection and the papers of African American expatriate actor and director Gordon Heath, while the James Ellis Theatre Collection includes nearly 8,000 printed volumes on the English and American stage, 1750-1915, along with numerous broadsides, graphics, and some manuscript materials. Musical collections include the papers of Philip Bezanson and Charles Bestor, the score collection of Julian Olevsky, and the Katanka Fraser Political Music Collection.
Within its holdings, SCUA houses collections of the published works of W.E.B. Du Bois, Robert Francis, Anne Halley, William J. Lederer, William Manchester, Thomas Mann, William Morris, Wallace Stevens, and William Butler Yeats, as well as the personal poetry libraries of Halley, Francis, and Stevens. The department also has an extensive collection of Science Fiction magazine fiction and Scottish literature.
National Arts Policy Archive and Library
National Endowment for the Arts Collection, 1965-2009.
Call no.: MS 686
Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.
- Art and State
- Government aid to the arts
New WORLD Theater Records, 1979-2010.
Call no.: RG 25/F2/N4
New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.
- African Americans--Drama
- American drama--Minority authors
- Asian Americans--Drama
- Ethnic groups--United States--Drama
- Hispanic Americans--Drama
- Minorities--United States--Drama
- University of Massachusetts Amherst
- New WORLD Theater
- Page, Priscilla
- Uno, Roberta, 1956-
Types of material
- Audiovisual materials
- Sound recordings
Ebenezer Pope Ledger, 1810-1821.
Call no.: MS 167 bd
Blacksmith who was prominent in the town affairs of Great Barrington, Massachusetts. Includes debit and credit entries, the method and form of customer payment (cash, services, labor, and goods such as corn, potatoes, wheat, cider brandy, hog, veal, sheep, lambs, and an ox), and an entry noting the building of the Great Barrington and Alford Turnpike in 1812. Also includes documentation of seamstress activity and of African American customers.
- African Americans--Massachusetts--Great Barrington--History--19th century
- Barter--Massachusetts--Great Barrington--History--19th century
- Blacksmiths--Massachusetts--Great Barrington--Economic conditions--19th century
- George, Negro
- Great Barrington (Mass.)--History--19th century
- Great Barrington and Alford Turnpike (Mass.)--History
- Palmer, Anna M
- Toll roads--Massachusetts--History--19th century
- Wages--Men--Massachusetts--Great Barrington--History--19th century
- Wages--Women--Massachusetts--Great Barrington--History--19th century
- Wages-in-kind--Massachusetts--Great Barrington--History--19th century
- Pope, Ebenezer
Types of material
- Account books
Stonewall Center Records, 1962-2005.
Call no.: RG 30/2/6
Following a series of homophobic incidents on the University of Massachusetts Amherst in 1985, the Program for Gay, Lesbian and Bisexual Concerns was established as an administrative center in the Office of Student Affairs. Later renamed after the notorious riots in New York, the Stonewall Center has provided the campus and surrounding community with cultural and educational programming through speakers, films, video and book library, Speakers Bureau on LGBTQ issues, referrals and support, advocacy and community outreach.
The records of the Stonewall Center include documentation of day to day operations, including phone logs, memos, and budget information, as well as posters and press releases for events, publications, campus and external reports, training manuals, surveys, newspaper clippings, and ephemera such as banners, tee-shirts, and buttons.
- Gay college students--Massachusetts
- Gays--Services for
- University of Massachusetts Amherst--Students
- University of Massachusetts Amherst. Program for Gay, Lesbian, and Bisexual Concerns
- Stonewall Center
- Yeskel, Felice
UMass Amherst. Student Body, 1867-2007.
Call no.: RG 45
Since the arrival of the first class of students at Massachusetts Agricultural College in 1867, the student body at UMass has grown to over 20,500 undergraduates and nearly 6,000 graduate students.
Record Group 45 includes the collected records of student activities at UMass Amherst, from student publications and organizations (fraternities and sororities, unions, and honorary societies) to records of student government, student protests, and religious and social groups. Also included are class notes and correspondence of some individual students while enrolled in the University.
- Aggie Life
- Bay State Ruralist
- College Signal
- College students--Massachusetts
- Greek letter societies--Massachusetts
- Student newspapers and periodicals--Massachusetts
- University of Massachusetts Amherst--Students
Valley Peace Center Records, 1965-1973.
Call no.: MS 301
In the summer of 1967, members of University of Massachusetts Amherst campus groups, such as the Faculty Group on War and Peace and the Students for Political Action, joined with individuals from other area colleges and from the community at large to form the Valley Peace Center of Amherst for the purposes of opposing the Vietnam War, providing draft counseling, eliciting pledges from the government to avoid first use of nuclear and biological weapons, and reduction of the power of the “military-industrial complex”. The Center was active for more than five and a half years, drawing its financial support largely from the community and its human resources from student and community volunteers.
Correspondence, minutes, volunteer and membership lists, financial records, newsletters, questionnaires, notes, petitions, clippings, posters, circulars, pamphlets, periodicals, other printed matter, and memorabilia. Includes material relating to alternative service, boycotts, war tax resistance, prison reform, environmental quality, and political candidates.
- Amherst (Mass.)--Social conditions--20th century
- Draft--United States--History
- Peace movements--Massachusetts--Amherst
- Social movements--Massachusetts--Amherst
- Vietnam War, 1961-1975--Protest movements--Massachusetts--Amherst
- Westover Air Force Base (Mass.)--History--20th century
- Valley Peace Center (Amherst, Mass.)
Types of material
Carlos Vega Collection, ca.1966-1995.
Call no.: MS 800
An Ecuadorian-born community activist, Carlos Vega moved to Holyoke, Massachusetts, with his family in 1955. Settling in the working-class “Flats” neighborhood at a time when many of Holyoke’s factories were relocating to the southern United States or Asia, the Vegas were one of the few Spanish-speaking families in the city, but when Carlos began to work on a local tobacco farm at the age of 14, he encountered the new influx of migrants from Puerto Rico who had been lured to the Connecticut Valley as agricultural laborers by the Department of Labor. With the Puerto Rican economy declining in the 1960s, many of these farm workers settled permanently in Springfield and Holyoke, but they soon discovered that the declining economy there combined with racism and urban decay blocked their hopes for upward mobility. Radicalized by the anti-colonial, anti-war, and Civil Rights movements of the late 1960s, Vega emerged as an important community organizer in the 1970s, working with Fair Share, New Unity, Urban Ministry, and other progressive organizations. With a backdrop of riots, arson, and racial tension, these organizations focused on issues relevant to the Puerto Rican community, particularly voter education and registration, fair housing, and education. In 1982, Vega helped found Nueva Esperanza, a non-profit community development organization whose mission was to restore and maintain blighted buildings in South Holyoke. He worked with Nueva Esperanza for over 30 years, continuing until 2010 after a brain cancer diagnosis in 1995. He survived until April 2012.
The materials in this collection reflect Vega’s interests in left wing movements in Central America, the Caribbean, Asia, South America and Africa from the 1960s through 1980s and include leaflets, pamphlets, books, and newsletters. The approximately 300 items offer sometimes scarce documentation of internationalist liberation movements such as the PAIGC in Guinea Bissau and Cape Verde, the Tupamaros in Uruguay, and the EFLNA in Eritrea. Of particular note is a small collection documenting Vega’s participation in the 1974 Venceremos Brigade and a collection of clippings, newsletters, notes, fliers, conference material, and newspapers from various groups such as New England Action Research, Friends of the Filipino People, The Latin American Student Association, and the Ethiopian Students Union of North America. Some printed materials are cataloged and housed with the rare books collection.
- Central America--Foreign relations--United States
- Civil Rights movements--Africa
- Civil Rights movements--Central America
- Civil Rights movements--Chile
- Civil Rights movements--United States
- Civil Rights movements-Asia
- Civil Rights movements-Caribbean
- Latin America--Periodicals
- Radicalism--United States
- Revolutionary literature
- United States--Foreign relations--Central America
- Venceremos Brigade
The Department of Special Collections and University Archives and the Department of Afro-American Studies at UMass Amherst co-sponsor an annual colloquium to commemorate W.E.B. Du Bois. Timed to coincide with the anniversary of his birth (February 23), the departments invite a distinguished Speaker to discuss Dr. Du Bois’ life, work, and legacy.
- Performer: Brian Richardson and Pulse Ensemble Theatre
- Title: “A Man for All Times: W.E.B. Du Bois”
This year’s Du Bois Birthday Celebration features performances of “A Man for All Times: W.E.B. Du Bois,” performed by the Pulse Ensemble Theatre. The one-hour one-man show of the 95-year-long life of W.E.B. Du Bois unfolds in a gripping performance by Brian Richardson, and a moving script by writer/director Alexa Kelly. Learn more about Great Barrington’s native son, civil rights leader, and visionary of equality and democracy at this free performance by Pulse Theatre Ensemble.
Additional free performances will be held on Saturday, February 22, 7:00 p.m., at Mahaiwe Performing Arts Center, in Great Barrington, Massachusetts, and on Sunday, February 23, 10:00 a.m., at St. John’s Congregational Church, Springfield, Massachusetts.
- Speaker: Arthur McFarlane II
- Title: “The Life of W.E.B. Du Bois and Its Relevance to Today
- Colorado Department of Public Health and Envrionment
McFarlane, the great-grandson of W.E.B. Du Bois, will discuss the legacy of W.E.B. Du Bois, civil rights activist, co-founder of the NAACP, and the first African American to receive a PhD from Harvard University.
- Speaker: Derrick Alridge
- Title: “Ideas Have Consequences: The Radical Pedagogy of W.E.B. Du Bois”
- Professor in the Curry School of Education, University of Virginia
Derrick Alridge is author of The Educational Thought of W.E.B. Du Bois: An Intellectual History, lead editor of Message in the Music: Hip Hop, History, and Pedagogy, and Distinguished Lecturer for the Association of the Study of African American Life and History. He is currently completing an intellectual history of Hip Hop as a social movement called The Hip Hop Mind: An Intellectual History of the Social Consciousness of a Generation (University of Wisconsin Press) and is conducting research for a book on the role of education in the civil rights movement.
An educational and intellectual historian, Alridge is associate editor of the Journal of African American History and served as Director of the Institute for African American Studies. Alridge’s areas of scholarship include the history of African America education, African American intellectual history and the history of ideas, and civil rights studies. His work has been published in the Journal of African American History, the Journal of Negro Education, and teh History of Education Quarterly, among others.
- Speaker: Bettina Aptheker
- Title: “W.E.B. Du Bois: Personal Stories/Political Reflections”
- Distinguished Professor of Feminist Studies and History
University of California, Santa Cruz
Bettina Aptheker is Distinguished Professor of Feminist Studies and History at the University of California, Santa Cruz, where she has taught for more than 30 years. Her most recent book is a memoir, Intimate Politics: How I Grew Up Red, Fought for Free Speech and Became a Feminist Rebel (2006). It contains many stories of her early friendship with W.E.B. and Shirley Graham Du Bois. Other major books include, The Morning Breaks: The Trial of Angela Davis (1976; 2nd edition, 1999); Woman’s Legacy: Essays on Race, Sex, and Class in American History (1982) and Tapestries of Life: Women’s Work, Women’s Consciousness, and the Meaning of Daily Experience (1989). She is the biographer of Shirley Graham Du Bois for Notable American Women, and is currently writing a critical essay on Graham Du Bois’ creative career as an opera composer, playwright, biographer, and novelist. She is also at work on a major research project: “Queering the History of the American Left: 1940s-1980s.”
- Speaker: Evelyn Brooks Higginbotham
- Title: “The Many Lives of W.E.B. Du Bois in the New From Slavery to Freedom”
- Victor S. Thomas Professor of History and of African and African American Studies
Evelyn Brooks Higginbotham has been chair of the Department of African and African American Studies at Harvard since 2006. She also served as Acting-Director of Harvard’s W.E.B. Du Bois Institute in the Spring 2008. A prolific author, she is co-editor with Henry Louis Gates, Jr., of the African American National Biography (2008)—a multivolume-reference work that presents African American history through the lives of people, and she and Gates also co-edited African American Lives (2004), which served as the forerunner to the AANB. Professor Higginbotham was the editor-in-chief of The Harvard Guide to African-American History (2001) with general editors Darlene Clark Hine, and Leon Litwack. She also co-edited History and Theory: Feminist Research, Debates and Contestations (1997).
Professor Higginbotham is the author of Righteous Discontent: The Women’s Movement in the Black Baptist Church: 1880-1920 (1993), which won numerous book prizes, most notably from the American Historical Association, the American Academy of Religion, the Association of Black Women Historians, and the Association for Research on Non-Profit and Voluntary Organizations. Righteous Discontent was also included among the New York Times Book Review’s Notable Books of the Year in 1993 and 1994.
- Speaker: Howard Dodson
- Chief of the Schomburg Center for Research in Black Culture
New York Public Library
A scholar, historian, educator, curator, consultant, and lecturer, Howard Dodson, has committed his professional life to the retrieval, preservation, interpretation, and dissemination of the history and culture of African and African American peoples.
Since 1984, Dodson has served as chief of the New York Public Library’s Schomburg Center for Research in Black Culture, the world’s leading and most prestigious repository for materials and artifacts on black cultural life. Under Dodson’s leadership, the Schomburg Center has developed into the world’s most comprehensive public research library devoted exclusively to documenting and interpreting African diasporan and African history and culture.
Dodson’s books include Becoming American: The African American Journey (Sterling Publishing, Inc., 2009), In Motion: The African-American Migration Experience (National Geographic Press, 2004), Jubilee: The Emergence of African-American Culture (National Geographic Press, 2002), and The Black New Yorkers: Four Hundred Years of African American History (Wiley, 2000).
- Speaker: Arnold Rampersad
- Department of English, Stanford University
A distinguished biographer and literary critic, Arnold Rampersad is the Sara Hart Kimball Professor in the Humanities and Professor of English at Stanford University. A scholar of race and American literature and the Harlem Renaissance, Rampersad has written books on W.E.B. Du Bois, Langston Hughes, and most recently, Ralph Ellison. He has been elected a member of the American Academy of Arts and Sciences and the American Philosophical Society, and was a 1991 recipient of a MacArthur “genius grant.” He is a recipient of fellowships from the John D. and Catherine T. MacArthur Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the Rockefeller Foundation.
Professor Rampersad has recently published Ralph Ellison, a biography of the novelist (1914-1994). His other books include The Art and Imagination of W.E.B. Du Bois (1976); The Life of Langston Hughes (2 vols., 1986, 1988); Days of Grace: A Memoir (1993), co-authored with Arthur Ashe; and Jackie Robinson: A Biography (1997). In addition, he has edited several volumes including Collected Poems of Langston Hughes; the Library of America edition of works by Richard Wright, with revised individual editions of Native Son and Black Boy; and (as co-editor with Deborah McDowell) Slavery and the Literary Imagination. He was also co-editor, with Shelley Fisher Fishkin, of the Race and American Culture book series published by Oxford University Press. His teaching covers such areas as nineteenth and twentieth-century American literature; American autobiography; race and American literature; and African-American literature.
- Speaker:James Turner
- Africana Studies and Research Center, Cornell University
- Poster (pdf)
- Speaker: Clayborne Carson
- Stanford University, editor, Papers of Martin Luther King
- Press release (pdf)
- Speaker: Robert Hill
- UCLA, editor, Papers of Marcus Garvey
- Press release (Word file)
- Speaker: John H. Bracey
- Afro-American Studies, UMass Amherst
- Horace Clarence Boyer
- Music, UMass Amherst
- Esther Terry
- Afro-American Studies, UMass Amherst
- Phil Zuckerman, “Du Bois, Religion, and The Souls of Black Folk“
- Sociology, Pitzer College
- David Blight, “A Poet’s Sense of the Past: The Souls of Black Folk as History”
- History, Yale University
- Ernest Allen, “The Education of Black Folk: The Educational Philosophies of W.E.B. Du Bois”
- Afro-American Studies, UMass Amherst
- Gerald Friedman, “Reconstructing the Color Line: The New Economics of Race in the Post-bellum South”
- Economics, UMass Amherst
- Esther Cooper Jackson
- Co-founder, Freedomways
- James Jackson
- Editor, Daily Worker
- Abbott Simon
- Executive director, Peace Information Center and co-defendant with Dr. Du Bois
- Speaker: David Levering Lewis
- History, Rutgers University
- Speaker: Ruth Simmons
- President, Smith College
- Speaker: Ernest Allen
- Afro-American Studies, UMass Amherst
- Speaker: Randolph W. Bromery
- President, Springfield College and former Chancellor, UMass Amherst
- Speaker: David Levering Lewis
- History, Rutgers University
- David Du Bois
- William Strickland
- Michael Thelwell
- Speaker: Herbert Aptheker
- Editor, Complete Published Works of W.E.B. Du Bois
- Listen to a recording of Aptheker’s lecture.
Kenyon Leech Butterfield Papers, 1889-1945.
Call no.: RG 3/1 B88
An agricultural and educational reformer born in 1868, Kenyon Butterfield was the ninth president of Massachusetts Agricultural College and one of the university’s most important figures. An 1891 graduate of Michigan Agricultural College and recipient of MA in Economics and Rural Sociology from the University of Michigan (1902), Butterfield entered university administration early in his career, becoming President of the Rhode Island College of Agriculture and Mechanic Arts in 1903 and, only three years later, of the Massachusetts Agricultural College. Possessed of a Progressive spirit, Butterfield revolutionized the college during his 18 years in Amherst, expanding and diversifying the curriculum, quadrupling the institutional budget, fostering a dramatic increase in the presence of women on campus and expanding the curriculum, and above all, helping to promote the Smith-Lever Act of 1914 and developing the Cooperative Extension Service into a vital asset to the Commonwealth. Nationally, he maintained a leadership role in the field of rural sociology and among Land Grant University presidents. After leaving Amherst in 1924, Butterfield served as President at Michigan Agricultural College for four years and was active in missionary endeavors in Asia before retiring. He died at his home in Amherst on Nov. 25, 1936.
The Butterfield Papers contain biographical materials, administrative and official papers of both of his presidencies, typescripts of his talks, and copies of his published writings. Includes correspondence and memoranda (with students, officials, legislators, officers of organizations, and private individuals), reports, outlines, minutes, surveys, and internal memoranda.
- Agricultural education--Massachusetts--History--Sources
- Agricultural education--Michigan--History--Sources
- Agricultural extension work--Massachusetts--History--Sources
- Agricultural extension work--United States--History--Sources
- Agriculture--United States--History--Sources
- Education--United States--History--Sources
- Food supply--Massachusetts--History--Sources
- Higher education and state--Massachusetts--History--Sources
- Massachusetts Agricultural College--Alumni and alumnae
- Massachusetts Agricultural College--History
- Massachusetts Agricultural College--Students
- Massachusetts Agricultural College. President
- Massachusetts State College--Faculty
- Michigan Agricultural College--History
- Michigan Agricultural College. President
- Rural churches--United States--History--Sources
- Rural development--Massachusetts--History--Sources
- Women--Education (Higher)--Massachusetts--History--Sources
- World War, 1914-1918
- Butterfield, Kenyon L. (Kenyon Leech), 1868-1935