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Massachusetts Agricultural Fairs

Massachusetts Agricultural Fairs Posters Collection

19 items
Call no.: MS 169

With one of the first agricultural fairs in the country taking place in Massachusetts in 1807, the state has a special place in the history of agricultural fairs in the United States. Twenty antebellum posters promoting agricultural fairs in western Massachusetts, primarily from agricultural societies in Hampshire, Hampden, Franklin, and Berkshire Counties.

  • Agricultural exhibitions--Massachusetts--Posters
  • Agricultural exhibitions--Rhode Island--Providence--Posters
  • Agriculture--Social aspects--Massachusetts--History
  • Agriculture--Social aspects--Rhode Island--History
Types of material
  • Posters

Massachusetts Review

David Lenson, editor of the Massachusetts Review, hosts MR2, an hour-long radio show on radio station WMUA (FM 91.1) featuring interviews with local writers, artists, and cultural critics.

Digital copies of the interviews can be purchased through the Massachusetts Review.


  • Sut Jhally, Professor of Communication at UMass Amherst and Director of the Media Education Foundation.
      Broadcast: Jan. 9, 2003 (File size: 13.6 Mb)
  • Bill Streeter, owner of Silver Maple Bindery in Northampton
      Broadcast: Jan. 2, 2003 (13.4 Mb)
  • Hans Teensma, principle of the design firm InPress, Northampton, Mass.
      Broadcast: Jan. 9, 2003 (13.0 Mb)
  • Dara Wier, poet and Professor in the MFA program at UMass Amherst
      Broadcast: Jan. 2, 2003 (12.6 Mb)
  • Matthew Zapruder, Poet and publisher
      Broadcast: March 6, 2003 (14.1 Mb)

Massachusetts. Treasurer and Receiver General

Massachusetts Bay Warrants Collection

6 folders 0.15 linear feet
Call no.: MS 089

On the eve of the Seven Years War in the Province of Massachusetts, town constables shouldered an array of public responsibilities, including announcing town meetings, serving writs for the town clerk, and collecting local taxes. Although they received a commission for the taxes collected, constables were also held personally responsible for any taxes unpaid, authorized by writ of the Provincial Treasurer and enforced by County Sheriffs.

The warrants in this collection, nearly all printed forms completed in manuscript, were issued by the Treasurer and Receiver General of Massachusetts Bay Province, William Foye or his successor Harrison Gray, authorizing the Hampshire County Sheriff, Oliver Partridge, or Deputy Sheriffs Moses Miller or Ephraim Williams, to attach the goods of local constables in arrears: Brimfield, Greenwich, Sheffield, and Westfield, Mass., along with Somers and Suffield, now part of Connecticut. In instances where the taxes were not delivered, the Sheriff was empowered to “levy by Distress and Sale of the Estate real and personal” of the constable to make up the unpaid difference.

  • Brimfield (Mass.)--History
  • Greenwich (Mass.)--History
  • Sheffield (Mass.)--History
  • Somers (Conn.)--History
  • Sufffield (Conn.)--History
  • Taxation--Massachusetts--18th century
  • Westfield (Mass.)--History
  • Massachusetts. Treasurer and Receiver General
Types of material
  • Warrants

McQueen, Madge

Madge McQueen Papers

ca.1935-2017 Bulk: 1975-2017
100 linear feet
Call no.: MS 825
Image of Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists
Types of material
  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)

Meier, August, 1923-2003

August Meier Collection

3 boxes, 329 titles 34.5 linear feet
Call no.: MS 844
Image of

A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.

Organized in two discrete parts, the Meier collection bookends a long career in the study of African American history. The first part of the collection is centered on Meier’s association with the Pioneer Youth summer camp in Rifton, N.Y., and his growing consciousness of the fundamental problems of race and class in American society, with some materials from his wartime years as an undergraduate at Oberlin College. The second part of the collection includes books collected by Meier during his academic career, mostly on African American history and culture. Titles range from works on the Civil Rights movement to literature and poetry of the late nineteenth century and Harlem Renaissance, works on slavery and antislavery, race theory, the South, and African American education and religion.

  • African Americans--History
  • Antislavery movements
  • Camps--New York (State)
  • Civil rights movements
  • Communists--United States
  • Depressions--1929
  • Du Bois, W. E. B. (William Edward Burghardt),1868-1963
  • Oberlin College--Students
  • Pioneer Youth of America
  • Race relations
  • World War, 1939-1945
  • Braunthal, Gerard, 1923-
Types of material
  • Newsletters
  • Songbooks

Metcalf, Frank

Frank Metcalf Papers

1 box 0.25 linear feet
Call no.: MS 529

Of the six letters that make up this collection, five date from 1862-1863 and are addressed to Frank Metcalf, teacher and soldier in the Union Army during the Civil War. These letters are from friends and family in New York, and relay local news, in particular updates on area schools and students. The final letter dated June 30, 1866 is from Hannah J. McLintock, to her brother, John.

  • Education--New York (State)
  • United States--History--Civil War, 1861-1865
  • McLintock, John
  • Metcalf, Frank
Types of material
  • Letters (Correspondence)

Miller Family

Miller Family Photographs

1 boxes, 1 oversize envelope 1.25 linear feet
Call no.: MS 119

Four generations of the Miller family from Roxbury and Hull, Massachusetts. Includes photographs mounted on twenty-eight sheets of posterboard and 158 slides stored in two slide trays that are comprised of formal and informal family portraits; family businesses; church and business gatherings; a wedding announcement; and postcards from the early 1900s depicting public recreation sites. More recent photographs reveal how the public recreation sites have changed over the years. Robert Parker Miller, a graduate of the University of Massachusetts Amherst and a member of the Miller family, displayed these images in an exhibit entitled “Trying to Live the American Dream” (1986, Wheeler Gallery).

  • Family--United States--History
  • Hull (Mass.)--Photographs
  • Massachusetts--Social life and customs--19th century--Photographs
  • Massachusetts--Social life and customs--20th century--Photographs
  • Roxbury (Mass.)--Pictorial works
  • Miller family
Types of material
  • Photographs

Miller, J. Wesley (John Wesley), 1941-

J. Wesley Miller Papers

9 boxes 13.5 linear feet
Call no.: MS 460

A nearly lifelong resident of Springfield, Massachusetts, J. Wesley Miller was actively engaged in the city’s politics. Often described as an eccentric activist, Miller graduated from Colby College and later earned his law degree from Western New England College of Law. Although he never practiced as an attorney, Miller did sue the law school upon graduation for “educational malpractice,” a suit that was settled out of court. Miller taught English at Heidelberg College in Ohio and at the University of Wisconsin, and it is at the latter institution where it seems he formed his habit of collecting street literature, mostly posters and fliers. Evidently consumed by a desire to collect such materials, Miller accrued a vast quantity of street literature by the time of his death in 2005.

The collection consists primarily of flyers and posters collected by Miller in Madison, Wisconsin and throughout western Massachusetts that reflect the contemporary history of the two regions. The literature ranges from announcements of student protests and rallies to advertisements for local pubs. Miller signed each item, possibly as part of a ritual to catalog the collection. Also included is a microfilm copy of Miller’s diaries.

  • Activists--Massachusetts
  • Popular culture
  • Street literature
  • Miller, J. Wesley (John Wesley), 1941-
Types of material
  • Diaries
  • Microfilm

Mission and history


Cattle judging at Mass. Agricultural College
Judging cattle at Mass. Agricultural College

SCUA inspires discovery through the collection and curation of cultural heritage materials for the people of the Commonwealth of Massachusetts and beyond, contributing to the vital conversation between past and future. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, services, programs, and exhibitions to promote free inquiry; the production, exchange, and preservation of knowledge; and joy in learning.

Department history

African dancers
African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. Containing official records of the university’s administrators and faculty and reflecting the life of its students, the College History Collection grew steadily until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s foresight in assembling the College archives coincided roughly with the university’s first efforts to build a collection of rare books to support its educational mission. As early as 1868 — just one year after the arrival of the first students — the college accepted the donation of twenty scarce volumes on bee culture from the apiculturist (and state Adjutant General) Henry K. Oliver. By the time the college issued its first library catalog in 1875, rare books were a small, but notable part of the collections, closely focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Included among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. Each of these volumes remains part of the collections today.

David Axelrod, Class of 1965
David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collection of rare books and manuscripts has co-evolved with the university and its academic programs. In 1973, the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski marked an expansion of scope beyond into personal papers and organizational records of historical significance beyond the narrow confines of the university, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were merged with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, and by 2007, it had evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, with the generous support of the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. Available free to all researchers, Credo is now a robust and heavily used presence on the internet, containing hundreds of thousands of pages of content and dozens of complete collections, including every item in the papers of W.E.B. Du Bois and Horace Mann Bond.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:
Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.
SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.
Two millionth volume:
Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.
A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.
Three millionth volume:
James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.
When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.
Four millionth volume:
The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.
The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

Learn more:

Morehouse, Ward, 1929-

Ward Morehouse Papers

120 boxes 180 linear feet
Call no.: MS 764

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

  • Anti-globalization movement
  • Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984
  • Economics
  • India--Economic conditions
  • Apex Press
  • Center for International and Comparative Studies
  • Council on International and Public Affairs
  • Permanent Peoples' Tribunal
  • Program on Corporations, Law and Democracy