Results for: “International Workers of the World--Music” (422 collections)SCUA

Whisler, Howard C. (Howard Clinton)

Howard C. Whisler Papers, 1963-2007.

5 boxes (7.6 linear feet).
Call no.: MS 716

As an undergraduate at the University of California Berkeley, Howard Whisler was introduced to the study of zoosporic fungi, beginning what would become a lifelong interest in evolutionary protistology. During his graduate work at Berkeley, Whisler focused on fungi associated with invertebrates, receiving his doctorate in 1960 for a study of the entomogenous fungus Amoebidium parasiticum. He joined the faculty at the University of Washington in 1963, where he remained until his retirement in 1999. A prolific researcher, and developer of the fungal research program at the Friday Harbor Marine Biological Laboratory, he became noted for his work on zoosporic fungi and protists, particularly of parasites or commensals in arthropods, with publications ranging from studies of reproduction in the Monoblepharidales to the molecular systematics of Saprolegnia in salmon, and the sexual stages and life cycle of Coelomomyces, a fungal pathogen of mosquitos. An active member of the Mycological Society of America, Whisler was also a founder of the International Society of Evolutionary Protistology with Max Taylor and Lynn Margulis. Whisler died on Sept. 16, 2007, at the age of 76.

The Whisler Papers contain correspondence, notebooks, scanning electron micrographs, and motion pictures dating primarily from the mid- to late 1970s.

Subjects

  • Fungi--Study and teaching
  • International Society of Evolutionary Protistology
  • Mycology

Contributors

  • Whisler, Howard C. (Howard Clinton)

Types of material

  • Motion pictures (Visual work)
  • Scanning electron micrographs

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs

Workmen’s Circle/Arbeter Ring

Workmen's Circle Bulletins Collection, 1926-1928.

1 envelope (0.25 linear feet).
Call no.: MS 164 bd

Created by immigrants as a mutual aid society, the Workmen’s Circle has been around for more than 100 years, and has grown into a national organization with branches throughout the United States. Early issues addressed by the group include building tuberculosis sanitoriums, providing a healthcare and insurance benefit network for members, and creating Labor Lyceums that offered adult education to immigrants and workers.

The collection consists of 10 issues of the group’s publication, the Workmen’s Circle Bulletin, produced in New York City from 1926-1928 and published in Yiddish.

Subjects

  • Jews--Social conditions--United States
  • Mutual aid societies
  • Working class--New York

Wright, John

John Wright Account Books, 1818-1859.

9 vols. (3 linear feet).
Call no.: MS 162

Farmer, freight hauler, laborer, cider-maker, landlord, and town official who was a seventh-generation descendant of Samuel Wright, one of the first English settlers of Northampton, Massachusetts. Nine bound volumes and four folders of loose material include accounts of his businesses with his brother Samuel and son Edwin and activities, as well as letters, and miscellaneous papers and figurings.

Subjects

  • Farmers--Massachusetts--Northampton
  • Freight and freightage--Massachusetts
  • Northampton (Mass.)--Economic conditions--19th century

Types of material

  • Account books

Yantshev, Theodore

Theodore Yantshev Collection, 1947-1958.

1 box (0.5 linear feet).
Call no.: MS 141

A native of Sofia, Bulgaria, Theodore Konstantin Yantshev found himself in danger in the years immediately after the Second World War when his anti-Communist activities became known to the new Communist regime. With the assistance of an American naval officer, Yantshev escaped to the United States as a stowaway aboard the American ship S.S. Juliet Victory in the spring of 1946. In July of 1947, however, Yantshev’s presence came to the attention of United States immigration authorities and a warrant for his deportation back to Bulgaria was issued against him.

This small collection consists chiefly of correspondence documenting Yantshev’s struggle to gain permanent residency and then citizenship in the United States.

Subjects

  • Bulgarians--United States
  • Political refugees--United States

Contributors

  • Yantshev, Theodore

Yarn Finishers Union (Fall River, Mass.)

Yarn Finishers Union (Fall River, Mass.) Records, 1919-1922.

1 flat box (0.5 linear feet).
Call no.: MS 006

The Yarn Finishers Union was one of several autonomous craft bodies affiliated with the Fall River-based American Federation of Textile Operatives (originally known as the National Amalgamation of Textile Workers). Active in several shops — including Durfee Mills, Tecumseh Mills, Union Belt Co., O.B. Wetherell and Son, and Troy Cotton and Woolen Manufactory — the Yarn Finishers included membership from different segments of the work force, including rollers, quillers, and harness markers.

This slender collection documents two years of labor activism by the Yarn Finishers Union in Fall River, Mass. The minutebook begins in May 1919 as the Yarn Finishers voted to strike over low and unequal wages, particularly those to “girls,” and includes references to elections, financial issues such as the proposition to institute a minimum wage scale, and to settling disputes. The minutes continue through the end of a much quieter year, 1922. The second volume consists of a record of union dues collected, arranged loosely by craft.

Subjects

  • Fall River (Mass.)--History
  • Labor unions--Massachusetts
  • Textile workers--Labor unions--Massachusetts

Contributors

  • American Federation of Textile Operatives

Types of material

  • Minutebooks

Yeats, W. B. (William Butler), 1865-1939

Russell K. Alspach Collection of William Butler Yeats, 1888-1984.

ca.475 items (35 linear feet).
Call no.: RB 014

One the great poets of Ireland, W.B. Yeats was a key figure in the Celtic literary revival of the early twentieth century. Born into an artistic family in Dublin in 1865, Yeats was heavily influenced early in his career by Irish folk literature and Theosophical mysticism, but he was simultaneously rooted in the political issues of the day. An Irish nationalist by inclination, he became a two-term Senator in the Irish Free State and he was a key supporter of the arts and theatre in the new nation. His international reputation was cemented when he received the Nobel Prize for literature in 1923. Yeats died in 1939 at the age of 73.

The Alspach collection consists of hundreds of works by and about W.B. Yeats, collected by Yeats scholar Russell K. Alspach, a member of the UMass English faculty. An extensive assemblage with first editions of most of the key works, the collection also includes critical works on Yeats, works by his literary peers, bibliographies, and items published by the Cuala Press, a private press operated by Yeats’s sister Elizabeth that was a strong influence in the Celtic revival. A few items have been added to the collection since its acquisition in 1971.

Subjects

  • Irish poetry--20th century

Contributors

  • Alspach, Russell K. (Russell King), 1901-
  • Cuala Press

Young Women’s City Club (Northhampton, Mass.)

Young Women's City Club Records, 1931-1981.

2 boxes (0.75 linear feet).
Call no.: MS 045

Known as Girl’s City Club until 1954, the Young Women’s City Club was a non-sectarian, self-governing, and largely self-supporting club in Northampton, Massachusetts, that developed educational and recreational opportunities for young women through programs, social events, volunteer services, and fund-raising activities. The club met regularly under the auspices of the People’s Institute until November 1979 when their rooms at James House were taken over by the Highland Valley Elder Service and the club relocated to the People’s Institute.

The records of the Young Women’s City Club document the growth and activities of the club from 1939 to 1981, with the exception of the decade 1961 to 1971. Consisting of photocopies of originals still held by the People’s Institute, the collection includes minutes of council and business meetings and scrapbook pages.

Subjects

  • Women--Societies and clubs--Massachusetts

Contributors

  • Young Women's City Club (Northampton, Mass.)

Zube, Ervin H.

Ervin H. Zube Papers, 1959-1997.

19 boxes (28.5 linear feet).
Call no.: FS 017
Ervin H. Zube
Ervin H. Zube

Ervin H. Zube was the head of the University’s Landscape Architecture and Regional Planning department (LARP) from 1965-1977. His groundbreaking research on landscape architecture and assessment helped define the international importance and influence of the field and his consultancy work, most notably with the National Park Service, brought his intellectual achievements into practical application. Born on April 24, 1931 in Milwaukee, Wisconsin, Zube earned his B.S. at the University of Wisconsin in 1954. After a two year service in the United States Air Force, Zube enrolled in Harvard’s Graduate School of Design where he received his M.L.A in 1959. Zube held teaching positions at the University of Wisconsin and the University of California, Berkeley before beginning his ten year professorship at the University of Massachusetts in 1965. As the head of LARP, Zube established the Environmental Design program, which introduced a revolutionary cross-discipline approach to the study of landscape architecture. Zube became the director of the Institute for Man and the Environment in 1972 and restructured the institute to support academic research in new, important topics including community development and cooperation with the National Park Service, seeding important national and international institutions with progressively educated researchers. As a consultant, Zube helped the National Park Service develop their “master plan” for Yosemite and worked with numerous national and international institutions to manage and assess their environmental resources. Zube ended his career as a professor at the University of Arizona where he retired in 1983. He remained active in the field until his death in 2001.

The Ervin H. Zube papers include Zube’s lecture notes and academic correspondence, research materials and publications representing his work in landscape assessment and architecture, notes and reports from his consultancy work with many institutions and committees, correspondence from his role as a conference planner, as well as correspondence relating to his many book reviews. Zube’s papers also cover his research and teaching while at the University of Arizona and contain photographs from his research on the Connecticut River Valley.

Subjects

  • Institute for Man and the Environment
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning

Contributors

  • Zube, Ervin H.

Ebert, Siegried

Siegfried Ebert Papers, 1933-1986.

2 boxes (0.75 linear feet).
Call no.: MS 576
Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Subjects

  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945

Contributors

  • Ebert, Siegfried
  • Thorndike, Andrew

Types of material

  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters
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