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Sharpe, Wayne G., 1915-1991

Wayne G. Sharpe Papers, 1943-1944
1 box (0.5 linear feet)
Call no.: MS 462

Wayne G. Sharpe was a secretary for Company A in the 1874th Engineers Aviation Battalion of the Army Air Corps and a middle-class family man from Belmont, Massachusetts. Enlisted in February of 1943 at the age of twenty-seven, Wayne left his wife and infant son for a year’s training at home before his Battalion was dispatched to New Guinea in late December. Flown to a hospital on the island in late April 1944, he returned to the United States in August.

The papers of Wayne G. Sharpe, Sr. are primarily made up of his letters and V-mails home during his training and service abroad, but also include his wife’s letters to him from April 1943-August 1944.

Subjects
  • World War, 1939-1945
Contributors
  • Sharpe, Wayne G., 1915-1991

Simon, Peter, 1947-

Peter Simon Collection, ca. 1945-2016
10 boxes (20 linear feet)
Call no.: PH 009
Peter Simon Collection image
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Slonecker, Blake, 1981-

Blake Slonecker Collection, 2008
4 items (0.25 linear feet)
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Gift of Blake Slonecker, Aug. 2013
Subjects
  • Amherst College
  • Babbitt, Elwood, 1922-
  • Bloom, Marshall, 1944-1969
  • Brotherhood of the Spirit (Commune)
  • Clamshell Alliance
  • Green Mountain Post Films
  • Johnson Pasture Community (Vt.)
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Musicians United for Safe Energy
  • Packer Corners Community (Vt.)
  • Students for a Democratic Society (U.S.)
Contributors
  • Fels, Thomas Weston
  • Light, Charles
  • Lovejoy, Sam
  • Wizansky, Richard
Types of material
  • Audiocassettes
  • Oral histories (document genres)

Smedley, Agnes

Agnes Smedley Photograph Collection, Undated
1 flat box (1.5 linear feet)
Call no.: MS 053

With an international reputation for being active on behalf of numerous issues, Agnes Smedley is most often associated with women’s rights, birth control, Indian independence, and China’s Communist revolution.

These black and white mounted prints, many taken by Agnes Smedley with her captions and accompanying narratives, were reproduced from the Smedley Collection at Arizona State University. Most are of China, but the collection also include scenes of the American West and students at the Tempe Normal School. The images were assembled for exhibition, most likely by the Women’s Studies Program at UMass Amherst.

Subjects
  • China--Photographs
  • Tempe Normal School--Photographs
Contributors
  • Smedley, Agnes
Types of material
  • Photographs

Smith and Wesson Company

Smith & Wesson Records, 1920-1973
30 boxes (15 linear feet)
Call no.: MS 267

World famous handgun and handcuff-manufacturing company founded in Springfield, Massachusetts in the 1850s.

The Smith and Wesson records are comprised of incoming sales and service correspondence with some outgoing correspondence and administrative and financial/legal subject files, including categories such as ads and advertising, American Railway Express, audits, counselors at law, debtors, insurance, legal actions, newsletters, patents and trademarks, personnel, photos, sample parts, sideline ventures, stocks and bonds awards, and Western Union Telegrams. Includes correspondence with the National Rifle Association, Small Arms Industry Advisory Committee, and the United States Revolver Association.

Subjects
  • Pistols--Design and construction
Contributors
  • National Rifle Association
  • Small Arms Industry Advisory Committee
  • Smith and Wesson
  • United States Revolver Association

Smith, Lewis

Lewis Smith Account Book, 1784-1828
2 folders (0.15 linear feet)
Call no.: MS 085 b

A resident of Northampton, Mass., directly across the Connecticut River from South Hadley, Lewis Smith ran a substantial farm during the early decades of the nineteenth century. Settling in the village of Smith’s Ferry shortly after service in the American Revolution, Smith owned a part stake in a sawmill and produced and traded in an array of farm products, from grains and vegetables to grain, beef, and pork. A producer of apples and owner of his own mill, he produced large quantities of cider and vinegar.

In a standard double-column account book kept somewhat erratically, Lewis Smith recorded an extensive exchange of goods and services befitting a prosperous Northamptonite. Smith sold an array of goods he produced, from apples to dairy products, grain, beef, lard, and tallow, with cider from his mill (and briefly brandy) being the most consistent producer of revenue.

Subjects
  • Cider industry--Massachusetts--Northampton
  • Farmers--Massachusetts--Northampton
  • Northampton (Mass.)--History
Types of material
  • Account books

Social change

Anti-war sit-in, Whitmore Hall, ca.1971

Anti-war sit-in, Whitmore Hall, ca.1971

Building upon the activist legacy of W.E.B. Du Bois, the Department of Special Collections and University Archives collects primary materials relating to individuals and groups devoted to the political, economic, spiritual, and social transformation of American society. Our intent in taking such a broad collecting scope is to view social change as a totality, rather than as isolated movements and to document how ideas about one set of social issues informs other issues, and how social causes cross-pollinate, organizationally and conceptually. By preserving a record of these activities, SCUA makes it possible for future scholars, activists, and members of the community to continue to engage with the ideas that have motivated so many.

Although our interests extend to any endeavors that reflect the efforts of individuals and groups promote social change, the collections in SCUA provide particularly valuable documentation of the movements for peace, social justice, and racial equality, environmentalism, labor activism, intentional communities, and gay rights.

View our brochure on documenting social change (pdf).

 

Significant collecting areas

  • Antinuclear movement
    • New England has been a hotbed of activity for the antinuclear movement, spawning groups such as the Clamshell Alliance, the Citizens Awareness Network, the Renewable Energy Media Service, and the Musicians United for Safe Energy.
  • Antiracism and civil rights
    • The Du Bois Papers document the lifelong commitment of W.E.B. Du Bois to addressing issues of racial and social injustice in the twentieth century, but SCUA houses a number of other collections that address various aspects of “the problem of the twentieth century,” and the varied approaches to its resolution. See also our research guide for African American history.
  • Community organizations and charities
    • SCUA houses the records of civic organizations involved in relief work, community assistance, and social justice.
  • Environmentalism
    • Collections relating to the history of the environment in New England and of environmentalism in the broad sense. SCUA is also interested in documenting the history of land use, organic farming and sustainability, and similar topics.
  • Intentional Communities
    • Communes seemed to spring up everywhere in New England during the 1960s, but communes of various sorts have been part of our landscape for two centuries. In both its printed and manuscript collections, SCUA documents a wide variety of approaches to communal living and the cultural legacy of communes. The Famous Long Ago Archive focuses intensively on documenting a cluster of related communes in Massachusetts and Vermont, including the Montague Farm, Packer Corners, Wendell Farm, and Tree Frog Farm.
  • Labor activism
  • Peace Collections
    • Among the department’s collections documenting peace and antiwar movements, SCUA holds the records of several regional peace centers, the AFSC Western Massachusetts branch, and a number of peace activists.
  • Political activism
    • As part of its collections on political life and culture, SCUA houses collections for individuals and organizations working within the political system or against it, and several relating to Socialism and Communism and Cold-War era Eastern Europe.
  • Social Justice
    • Social justice is a catchall term that captures the complex relationships between and among a wide variety of movements for economic justice, social and civic equality. In addition to the other collecting areas listed elsewhere on this page, SCUA documents gay rights, Animal rights, prison issues, and social reform in its various guises.

Learn more:

Social Change Colloquium

Student holding academic gown adorned with Black Power symbol, 1970

Barn

Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.

Colloquia are free and open to the public.

Colloquium 2015, (Friday, April 8, 2016)
Documenting Punk: Writing, preserving, watching and listening to the history of an American cultural movement
Documenting punk

April 8, 2016, from 1:00 p.m. to 6:00 p.m., Room 163, UMass Campus Center

Punk, one of the last major youth sub-cultures during the pre-Internet era, was also a decentralized national and international community linked mostly by recordings, zines and the touring of bands. Individual scenes developed across the country in major urban areas, suburban communities and small towns. While each had its own personality and bands, they were linked by a shared distrust of establishment institutions and commercialized popular culture.

In recent years, punk archives have been established at academic repositories and as a result, scholars and the broader public have access to stories that have before only been shared within the punk community. Efforts have also been made to chronicle the history of the movement through the making of films, books and oral histories. The colloquium aims to open a conversation about the documentation of punk. The panel will explore questions including: How can the anti-establishment, anti-institutional, do-it-yourself ethos of punk be reconciled with the desire to collect, preserve and academically study the movement? How can the needs of community access be balanced with the demands of proper conservation? Can the ways scholars, archivists and librarians document a community be reconciled with the ways the movement documents itself?

Keynote speaker Dr. Michael Stewart Foley is the author of Fresh Fruit for Rotting Vegetables and Front Porch Politics, The Forgotten Heyday of American Activism in the 1970s and 1980s. Foley is a professor of American Political Culture and Political Theory at the University of Groningen in the Netherlands. He is also a founding editor of The Sixties: A Journal of History, Politics, and Culture.

Event speakers also include Ramdasha Bikceem, Byron Coley, Lisa Darms, Michael T. Fournier, Deward MacLeod, Sara Marcus and Tanya Pearson. For full speaker bios, visit: www.punkhistory.org.

The colloquium is free and open to the public. RSVP at: http://bit.ly/punksignup The event is co-sponsored by the UMass Amherst Libraries, UMass Amherst Department of History, Amherst College, Hampshire College, and Social Thought & Political Economy (STPEC).

Spaulding, Mary Patricia

Mary Patricia Spaulding Scrapbook, 1956
1 vol. (0.2 linear feet)
Call no.: MS 927

Pat Spaulding camera returning home, 1956 Sept.

In 1956, the graphic designer Pat Spaulding left for a tour of Europe. During her seven months abroad, she and her friend Maureen Jones traveled by motor scooter through France, Italy, Switzerland, Austria, and Germany, staying in hostels and taking in the sights. Perhaps most memorably, Spaulding tore her Achilles tendon while visiting in Siena, Italy, receiving generous care from her hosts during the four-week period of her recovery.

A refreshing record of two young American women traveling alone in Europe during the mid-1950s, this scrapbook is populated with dozens of well laid-out photographs of sites seen, along with Spaulding’s letters home and a raft of ephemera such as picture postcards, copies of ticket stubs and passport pages, an international driver’s license, smallpox immunization certificate, maps, newsclippings, and beer coasters. Notably, the album also includes a number of beautiful, skillfully-rendered line drawings.

Gift of Mary Patricia Spaulding, 2016
Subjects
  • France--Description and travel
  • Germany--Description and travel
  • Italy--Description and travel
  • Italy--Photographs
  • London (England)--Description and travel
  • London (England)--Photographs
  • Paris (France)--Description and travel
  • Paris (France)--Photographs
Contributors
  • Jones, Maureen
Types of material
  • Photographs
  • Postcards
  • Scrapbooks

St. Stanislaus Society (Tuners Falls, Mass.)

St. Stanislaus Society Records, 1959-1969
2 vols. (0.15 linear feet)
Call no.: MS 254 bd

Named for Polish saint Stanislaus Kostka, the St. Stanislaus Society of Turners Falls was most likely a part of a larger fraternal society, possibly the Polish Roman Catholic Union of America. Ethnic parishes and the fraternal societies that often sprang up around them, served as buffers between the customs and language immigrants brought with them and the new traditions and language they were expected to learn upon entering American society. Fraternal socities like St. Stanislaus offered members a place to celebrate their Polish heritage and Roman Catholic faith, while also assisting them with some of the more practical matters of living in a new country, such as securing life insurance and home mortgages.

Subjects
  • Fraternal organizations--Massachusetts
  • Polish Americans--Massachusetts--Turners Falls
  • Turners Falls (Mass.)--History
Contributors
  • St. Stanislaus Society (Tuners Falls, Mass.)
Types of material
  • Account books
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