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Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

With the approach of the American Bicentennial in 1976, concern grew among historic preservationists in Boston that the city’s old cemeteries and grave markers were showing the damage of many decades of harsh weather and poor maintenance. Led by the Boston Parks and Recreation Department, the Boston Landmarks Commission, and The Bostonian Society, with the collaboration of the Massachusetts Historical Commission, and the Association for Gravestone Studies, among others, the Historic Burying Grounds Initiative was established to develop a plan to inventory over 15,000 markers and assemble a master plan (1985, updated 1998) to care for the cemeteries in the long term. Supported by both public and private funds, the HBGI focused initially on stabilization, preservation, and restoration of historic artifacts, tomb structures, and retaining walls, and their efforts continue today.
The HBGI Collection contains reports and inventories from the first phase of work carried out by the Initiative, focusing on the Dorchester North, Central, Copp’s Hill, Eliot, Granary, Kings Chapel, and Phipps Street Burying Grounds. The collection also contains two editions of the Manual for Preservation prepared by the HBGI.

Margaret R. Jenks has been a family genealogist since 1964 and a cemetery transcriber since 1978. A prolific writer, she has published books listing all the cemetery inscriptions of the twenty-seven towns in Rutland County, Vermont, and of Granville, Washington County, New York, and she has conducted research on the stonecarvers of Rutland County. She served six years as a trustee of the Association for Gravestone Studies.

The Jenks collection is comprised of eighteen volumes containing exhaustive documentation of gravestone inscriptions from the following cemeteries in Vermont: Benson, Brandon, Castleton, Chittenden, Clarendon, Danby, Fair Haven, Granville (Washington County), Hubbardston, Ira, Mendon, Middleton, Mount Holly, Mt. Tabor, Pawlet, Pittsfield, Pittsford, Poultney, Proctor, Putney, Rutland, Sherburne, Shrewsbury, Sudbury, Tinmouth, Wallingford, Wells, West Haven, West Rutland.

The botanical illustrator and writer Una Foster Weatherby (1878-1957) was an early student of New England gravestones. Born in Texas in 1878, Una Leonora Foster met a young pteridologist Charles Alfred Weatherby (1875-1949) while traveling abroad in 1910, and seven years later, the couple wed. As Charles advanced in his career to a position at the Gray Herbarium at Harvard, Una became his close associate, working with in the field and as illustrator and photographer. Among the many interests the couple developed was a fascination with photographing early American gravestones, and over the last three decades of her life, Una published occasionally on the subject. She died in Cambridge on August 17, 1957, and is interred with her husband at Center Cemetery in East Hartford, Conn.

The Weatherby collection consists of a substantial typed manuscript illustrating early American gravestones, mostly from New England. Meticulously assembled, the manuscript is divided into six thematic sections based on gravestone design (death’s heads, winged cherubs, wingless cherubs, portrait stones, symbolic stones, and designs and willows). Each stone is represented by a single photograph pasted onto a page, along with a transcription of the epitaph and occasional comments on the design and date on which the information was recorded. Although most stones are from Connecticut and Massachusetts, a few stones from Virginia and South Carolina are included.

A physical education teacher from Rome, New York, Elizabeth W. Whitaker became an avid recorder of gravestone inscriptions in the 1940s. She died in 1992 at the age of 93.

The core of the Whitaker collection consists of 25 receipts and accounts relating to the early marble industry in western Massachusetts. The key figures in this series are Rufus Willson and his father-in-law, John Burghardt, who quarried stone near West Stockbridge, Mass., conveying it to Hudson, N.Y. The collection also includes a selection of photographs and postcards of gravestones, mostly in New England and New York; two folders of typed transcriptions and newspaper clippings of epitaphs from the same region, ranging in date from the early colonial period to the mid-19th century; and a price list of Barre granite from Wetmore and Morse Granite Co., 1934.

A freelance researcher and writer from Hawaii, Nanette Napoleon founded The Cemetery Research Project in 1985 to document graveyards and burials on the island of O‘ahu. She has subsequently completed inventories for the islands of Maui and Moloka‘i, documenting over 300 graveyards and more than 30,000 tombstone inscriptions.

The Napoleon collections consists of an array of articles on cemeteries and the culture of death from popular media assembled by Nanette Napoleon. One folder contains information on the Cemetery Research Project and cemeteries in Hawaii.

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

An historian and photographer, Allan I. Ludwig’s book Graven Images: New England Stonecarving and Its Symbols, 1650-1815 (1966) played a critical role in the rise in interest in gravestone studies in the 1960s. Born in Yonkers, N.Y., in 1933, Ludwig received his PhD in art history from Yale in 1964 and became involved with the Association for Gravestone Studies beginning with the initial Dublin Seminar for New England Folklife in 1976. He received the AGS Forbes Award in 1980 in recognition of his contributions to gravestone studies. He has been a professor of art history at Dickinson College, Bloomfield College, Rhode Island School of Design, Yale University, and Syracuse University. In addition to his books Reflections Out of Time: A Portfolio of Photographs (1981) and Repulsion: Aesthetics of the Grotesque (1986), Ludwig has curated numerous art exhibitions and exhibited his own photographs worldwide.

The Ludwig Collection consists of many hundreds of photographs of New England and English gravemarkers organized either by the deceased’s name or by the town, as well as copies of all photos used in Graven Images. Also included in the collection is a copy of Ludwig’s dissertation on gravestone iconography and offprints of several of his articles.

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

Consisting of self-published and limited-run compilations of gravestone transcriptions from historical cemeteries, the AGS Cemetery Inscriptions Collection offers rich documentation of epitaphs and memorial language, with an emphasis on colonial and early national-era in New England and Ohio. The collection is arranged by state and town.

Born in December 1931, Friedrich Karl Azzola fled with his family to Germany in 1944. Settling in the state of Hesse, he earned a degree in chemistry at the University of Giessen and doctorate at the Technische Hochschule Darmstadt in 1965. After five years in the chemical industry, he was called to the Fachhochschule Wiesbaden-Russelsheim as professor, teaching chemistry and materials science to engineers until his retirement in 1997. Beginning in the 1950s, Azzola earned a wide reputation for his research on gravemarkers and “cemetery culture,” publishing widely on Medieval and early modern monuments in Germany.

Part of the Association for Gravestone Studies Collection, the Azzola collection consists of a run of Friedhof und Denkmal (2000-2009, with a few earlier issues), along with a suite of offprints of articles and pamphlets by Azzola and others on cemeteries and gravemarkers.