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Gershuny, Grace

Grace Gershuny Papers, 1975-1997
2 boxes (3 linear feet)
Call no.: MS 793
Image of Soul of Soil
Soul of Soil

An organizer, consultant, and educator in the alternative agriculture movement, Grace Gershuny has been active in the field since the 1970s when she worked for the Northeast Organic Farming Association (NOFA), developing its first organic certification program. As a leader in the movement, Gershuny helped to establish both the Organic Trade Association and the Organic Farmer: The Digest of Sustainable Agriculture. Today she continues to write and teach on the subject, serving as a faculty member at a number of colleges, most recently Green Mountain College.

The collection consists chiefly of printed material from a run of the Organic Farmer to Appropriate Technology Transfer for Rural Areas (ATTRA) publications and organizational newsletters, such as the Rural Education Center. Amongst these publications are a few small but significant groups of materials including notes from Gershuny’s role as the NOFA VT coordinator in 1979 and her drafts and notes for the second editions of The Soul of Soil.

Subjects
  • Farming--United States
  • Northeast Organic Farming Association
  • Organic farmers
  • Organic farming
Contributors
  • Gershuny, Grace

Harding, William E.

William E. Harding Collection, 1972-2003 (Bulk: 1972-1981)
2 boxes (1 linear feet)
Call no.: MS 843
Image of

As an undergraduate at Williams College, William (Bill) Harding undertook a research project on the Bennington Centre Cemetery in Vermont to document its stones, through which he became engaged in a longer-term study of the most important carvers represented there in the years after the American Revolution, Zerubbabel Collins and Samuel Dwight. Harding’s work was an important contribution to understanding the transition from death’s head imagery to the gentler cherubs of the early national period and he unearthed significant detail on the lives of noted carvers. Harding went on to study medicine, but remained active in the early conferences of the Association for Gravestone Studies and as a lecturer on the topic for several years until the demands of his professional life gradually intervened.

Centered on his study of Vermont carvers and early gravestone iconography, the Harding collection includes photographs, research and lecture notes, some correspondence, and a sampling of published material. The collection contains Harding’s bachelor’s thesis, “The graveyard at Old Bennigton, Vermont, and the gravestones of Zerubbabel Collins” (1972) and his later, more comprehensive study “Bennington Gravestones” (1975), and notably, two fine prints of gravestones by his colleague, Daniel Farber.

Subjects
  • Bennington (Vt.)--History
  • Bennington Centre Cemetery
  • Collins, Zerubbabel
  • Gravestones--Vermont
  • Stone carvers--Vermont
Types of material
  • Photographs

Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer), 1934-2014
Image of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
Subjects
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.

Jenks, Margaret R.

Margaret R. Jenks Collection, 1983-1994
2 boxes (1 linear feet)
Call no.: MS 689

Margaret R. Jenks has been a family genealogist since 1964 and a cemetery transcriber since 1978. A prolific writer, she has published books listing all the cemetery inscriptions of the twenty-seven towns in Rutland County, Vermont, and of Granville, Washington County, New York, and she has conducted research on the stonecarvers of Rutland County. She served six years as a trustee of the Association for Gravestone Studies.

The Jenks collection is comprised of eighteen volumes containing exhaustive documentation of gravestone inscriptions from the following cemeteries in Vermont: Benson, Brandon, Castleton, Chittenden, Clarendon, Danby, Fair Haven, Granville (Washington County), Hubbardston, Ira, Mendon, Middleton, Mount Holly, Mt. Tabor, Pawlet, Pittsfield, Pittsford, Poultney, Proctor, Putney, Rutland, Sherburne, Shrewsbury, Sudbury, Tinmouth, Wallingford, Wells, West Haven, West Rutland.

Subjects
  • Gravestones--Vermont
Contributors
  • Jenks, Margaret R.

Keller, Nina

Nina Keller Papers, 1964-2014
3 boxes (3 linear feet)
Call no.: MS 944

Nina Keller riding in the back of a hay truck, Wendell, 1980.

Currently residing in Wendell, Massachusetts, Nina Keller has had an active role in environmental and social activism in the Pioneer Valley and New England area for the better part of 40 years. Since the 1970s, Keller has played an active role in local and regional activism, from the antinuclear movement to hazardous waste disposal. She was an initial member of the Alternative Energy Coalition (AEC), was part of the Friends of the Earth (FOE) environmental organization, and most notably took part in efforts to close the nearby Vermont Yankee Nuclear Power Plant. At 62, Keller currently chairs the Wendell Board of Health, and has had a recent history of participation in local government.

The Nina Keller Collection is largely organized into five subject areas used by Keller to organize her files: Economics; Environmental Issues; Hazardous Materials; Nuclear Power; and Pesticides and Herbicides. Of note within these files are local, state, and federal reports and documents covering topics such as nuclear emergency evacuation plans, chemical sprays and their health effects, and hazardous waste regulation. Several items reflect Keller’s personal life, most notably two journals from Montague Farm, used communally for diary entries, drawings, clippings, photographs, and account keeping. The collection’s focus spans from the 1970s to the 1980s, as well as the early 2000s.

Gift of Nina Keller, 2017
Subjects
  • Antinuclear movement--Massachusetts
  • Communal living--Massachusetts
  • Environmentalism
  • Franklin County (Mass.)
  • Montague Farm Community (Mass.)
  • Nuclear energy--Massachusetts
  • Political activists--Massachusetts
  • Social action
  • Vermont Yankee Nuclear Power Station
Contributors
  • Keller, Nina
Types of material
  • clippings files
  • journals (accounts)

Lloyd, Richard E., b. 1834

Richard E. Lloyd Daybook, 1859-1862
1 vol. (0.25 linear feet)
Call no.: MS 229 bd

Born in Wales in 1833, Richard E. Lloyd found great financial success after migrating to Vermont in the 1850s. Beginning as the proprietor of a dry goods business in Fair Haven, Vermont, he diversified and expanded his holdings, eventually becoming a senior partner in the slate manufacturing firm Lloyd, Owens, and Co.

The daybooks from Richard Lloyd’s dry goods firm include numbered accounts of customers (many with Welsh surnames), lists of items purchased, price per measure, forms of payment (cash, goods, services, credit, making clothes), and the goods sold. Lloyd dealt in a typical range of goods found in a rural general store, including fabrics, ready-made clothes, eggs and dairy products, fruits and nuts, garden seeds, cutlery and tinware, and jewelry.

Subjects
  • Consumer goods--Vermont--Fair Haven--Prices--19th century
  • Fair Haven (Vt.)--Economic conditions--19th century
  • Fair Haven (Vt.)--History--19th century
  • General stores--Vermont--Fair Haven
  • Welsh Americans--Vermont--Fair Haven--19th century
Contributors
  • Lloyd, Richard E.
Types of material
  • Daybooks

Mosely, Luther, 1807-

Luther Mosely Daybook, 1842-1846
1 vol. (0.25 linear feet)
Call no.: MS 249 bd

Homeopathic physician from Arlington, Vermont. Daybook contains patients’ names, including many women, identification of some cases (such as vaccination, extraction of teeth, treatment of swellings, fractures, and burns, and the delivery of babies), methods of treatment (such as purges, bleeding, cupping, and the use of blistering ointments), prices for his services, and method and form of payment (including goods such as fruits, vegetables, meats, clothes, and services such as butchering and timbering). Also contains personal entries and notation of goods he sold such as poultry, leathers, and fabrics.

Subjects
  • Arlington (Vt.)--Social conditions--19th century
  • Canfield family
  • Contraception--Vermont--Arlington--History--19th century
  • Hard family
  • Homeopathic physicians--Vermont--Arlington
  • Matteson family
  • Medicine--Practice--Vermont--19th century
  • Milligan family
  • Oatman family
  • Pessaries
  • Purdy family
  • Women--Medical care--Vermont--Arlington--19th century
Contributors
  • Mosely, Luther, 1807-
Types of material
  • Account books
  • Daybooks

Mungo, Raymond, 1946-

Raymond Mungo Papers, 1966-2008
6 boxes (3 linear feet)
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah
Contributors
  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-
Types of material
  • Photographs

Simon, Peter, 1947-

Peter Simon Collection, ca. 1945-2016
10 boxes (20 linear feet)
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Slonecker, Blake, 1981-

Blake Slonecker Collection, 2008
4 items (0.25 linear feet)
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Gift of Blake Slonecker, Aug. 2013
Subjects
  • Amherst College
  • Babbitt, Elwood, 1922-
  • Bloom, Marshall, 1944-1969
  • Brotherhood of the Spirit (Commune)
  • Clamshell Alliance
  • Green Mountain Post Films
  • Johnson Pasture Community (Vt.)
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Musicians United for Safe Energy
  • Packer Corners Community (Vt.)
  • Students for a Democratic Society (U.S.)
Contributors
  • Fels, Thomas Weston
  • Light, Charles
  • Lovejoy, Sam
  • Wizansky, Richard
Types of material
  • Audiocassettes
  • Oral histories (document genres)
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