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Communist Party of Massachusetts

Communist Party of Massachusetts Collection
1932-1957
1 box (0.25 linear feet)
Call no.: MS 538

A branch of the Communist Party of the United States of America, the Communist Party of Massachusetts enjoyed strong popularity during the 1930s and 1940s, organizing the textile and other manufacturing industries.

This small collection is comprised of a miscellaneous assemblage of fliers, broadsides, and ephemera issued by the Communist Party of Massachusetts and its affiliates from the mid-1930s through the repression of the McCarthy era. Originating mostly from Boston, the items in the collection center on significant themes in Communist thought, including opposition to Fascism and militarism, labor solidarity against capital, and elections. A small number of items relate to Party-approved cultural productions, including plays and gatherings to celebrate Lenin or the Russian Revolution. Many items are associated with Otis A. Hood, a perpetual candidate for public office on the Communist Party ticket who became a target for McCarthy-era repression in the mid-1950s.

Acquired from Eugene Povirk, 2008
Subjects
  • Antiwar movements--Massachusetts
  • Communists--Massachusetts
  • Elections--Massachusetts
  • World War, 1939-1945
Contributors
  • Communist Party of Massachusetts
Types of material
  • Broadsides
  • Fliers

D’Annunzio, Gabriele, 1863-1938

Gabriele D'Annunzio Collection
1919-1920
1 box (0.1 linear feet)
Call no.: MS 763
Image of Seal of the City of Fiume
Seal of the City of Fiume

An Italian poet, journalist, novelist, and dramatist, Gabriele D’Annunzio enjoyed a flamboyant career in international affairs after the First World War when he raised a small army and seized the port of Fiume (now Rijeka, Croatia). Failing in his attempts to annex his territory to Italy, D’Annunzio reigned as Duce over the micro-state for over a year before being forced to relinquish control.

The fifteen imprints comprising this collection of scarce broadsides, all printed in the short-lived Free State of Fiume. During the brief period of his reign in Fiume, D’Annunzio issued propagandistic broadsides, proclamations, and leaflets almost daily, often distributing them by airplane drop over the city. Included is a rare first edition of D’Annunzio’s most famous piece from the Fiume period, Italia e vita.

Acquired from Steve Resnick, Jan. 2013
Language(s): Italian
Subjects
  • Free State of Fiume--History--20th century
  • Italy--History--1914-1922
  • Rijeka (Croatia)--History--20th century
  • World War, 1914-1918--Baltic State
  • World War, 1914-1918--Italy
Contributors
  • D'Annunzio, Gabriele, 1863-1938
  • Druscovich, Marco
  • Zoll, Corrado
Types of material
  • Broadsides
  • Fliers (Printed material)

Davenport, Janina Smiertka

Janina Smiertka Davenport Papers
1918-1990
7 boxes (3 linear feet)
Call no.: MS 343
Image of Janina Smiertka, 1934
Janina Smiertka, 1934

Raised in a Polish American family from Greenfield, Mass., Janina Smiertka Davenport was the epitome of a life-long learner. After graduating from Greenfield High School in 1933, Davenport received degrees from the Pratt Institute in Food Management and from the Franklin County Public School for Nurses (1937). In 1938, she began work as a nurse in the U.S. Navy, receiving two special commendations for meritorious service during the Second World War. She continued her formal and informal education later in life, receiving degrees from Arizona State University in 1958 and UMass Amherst in Russian and Eastern European Studies (1982). Davenport died in Greenfield in March 2002.

The Davenport Papers contain a thick sheaf of letters and documents pertaining to her Navy service before and during World War II, along with assorted biographical and genealogical data, materials collected during educational trips to Poland and elsewhere, and approximately one linear foot of family photographs and photo albums.

Subjects
  • Nurses--Massachusetts
  • Polish Americans--Massachusetts
  • United States. Navy
  • World War, 1939-1945
Contributors
  • Davenport, Janina Smiertka
Types of material
  • Photographs

Dillon, Robert E.

Robert E. Dillon Papers
1943-1946
1 box (0.5 linear feet)
Call no.: MS 635
Image of Robert E. Dillon, 1943
Robert E. Dillon, 1943

A working class native of Ware, Mass., Robert E. Dillon was a student at Massachusetts State College when he was drafted into the Army in 1943. After his induction at Fort Devens, Mass., and training for the Quartermaster Corps in Virginia and California, Dillon was assigned to duty as a mechanic and driver with the First Service Command. Stationed at Rest Camps number 5 and 6 in Khanspur, India (now Pakistan), Dillon’s company maintained the trucks and other vehicles used to carry supplies over the Himalayas to Chinese Nationalist forces. After he left the service in February 1946, having earned promotion to T/5, Dillon concluded his studies at UMass Amherst on the GI Bill and earned a doctorate in Marketing from Ohio State. He taught at the University of Cincinnati for many years until his death in 1985.

The Dillon Papers consist of 178 letters written by Dillon to his family during his service in World War II, along with several written to him and an assortment of documents and ephemera. Beginning with basic training, the letters provide an essentially comprehensive account of Dillon’s military experience and interesting insight into a relatively quiet, but sparsely documented theater of war.

Gift of Edward O'Day, Sept. 2009
Subjects
  • California--Description and travel
  • India--Description and travel
  • Pakistan--Description and travel
  • World War, 1939-1945
Contributors
  • Dillon, Robert E
Types of material
  • Letters (Correspondence)
  • Menus
  • Photographs

Freeman, William H.

William H. Freeman Collection
1937-1946
2 vols., 1 letter (0.25 linear feet)
Call no.: PH 068
Image of William H. Freeman, ca.1940
William H. Freeman, ca.1940

Attached to the 20th Air Base Group in 1941, Athol-native Bill Freeman was a first-hand witness to the beginnings of the war in the Pacific. Enlisting in the Army Air Corps in 1940, Freeman was stationed at Nichols Field in the Philippines when the Japanese invaded, and after taken as prisoner or war, he was forced on the Bataan Death March. Freeman died of malaria in Cabanatuan Prison Camp in July 1942.

The Freeman scrapbook and photograph album that Bill Freeman kept offer a visually-intensive perspective on the brief life of an American serviceman in the Second World War. Kept during and immediately after high school, the scrapbook includes notices of his musical performances and other activities; the extensive photograph album documents his service in the Army Air Corps from the start of deployment through his travels in Hawaii and Guam to the early months of his service in the Philippines. The collection also includes a letter written from the Philippines during the summer 1941.

Subjects
  • Guam--Photographs
  • Hawaii--Photographs
  • Philippines--Photographs
  • United States. Army. Air Corps
  • World War, 1939-1945
Types of material
  • Photographs

Greenbie, Barrie B.

Barrie B. Greenbie Papers
1934-1997
17 boxes (19.5 linear feet)
Call no.: FS 142
Image of Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953), he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small but interesting batch of correspondence between Greenbie’s parents (1918-1919).

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945
Contributors
  • Greenbie, Barrie B

Healy, Mary Frances

Mary Frances Healy Photograph Album
1919
1 vol., 53 images (0.25 linear feet)
Call no.: PH 069
Image of Etoile Club, 1919
Etoile Club, 1919

Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.

This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.

Gift of John W. Bennett, Dec. 2015
Subjects
  • Belleau, Bois de (France)--Photographs
  • National Catholic War Council---Photographs
  • Nurses--Photographs
  • Paris (France)--Photographs
  • World War, 1914-1919--Photographs
Types of material
  • Photograph albums
  • Photographs

Heinrichs, Waldo H.

Waldo H. Heinrichs Papers
ca.1895-2015
5 boxes (7.5 linear feet)
Call no.: MS 633
Image of Waldo Huntley Heinrichs and Dorothy Peterson, 1919
Waldo Huntley Heinrichs and Dorothy Peterson, 1919

A diplomatic and military historian, Waldo H. Heinrichs was the product of a family with a unique global perspective. A descendant of missionaries to Hawaii and South India and son of a man who led the YMCA mission in Palestine, Heinrichs grew up traveling internationally. After military service during the Second World War, he received both a bachelor’s degree (1949) and doctorate (1960) in history from Harvard, sandwiching in post-baccalaureate study at Brasenose College, Oxford, and stint in the foreign service and advertising. A long-time member of the faculty at Temple University, he has written extensively on U.S. foreign relations in the twentieth century. His first book, Joseph Grew, American Ambassador (1966), was awarded the Allan Nevins Prize and in later works he explored both the diplomatic and military history of the Pacific.

A tireless researcher, Heinrichs left a rich record of correspondence, writing, and notes relating to his work as an historian, and especially to his work on the diplomatic and military background of the Pacific during the Second World War. His collection, however, is still broader, including content relating to his own military service during and after the war and fascinating materials relating to his family. Of particular note are records of his father, Waldo Huntley Heinrichs, including copies of a diary kept as a fighter pilot in the 95th Aero Squadron during the First World War and a memoir of his experiences being shot down and taken as a prisoner of war, along with later materials documenting his YMCA service, and his on faculty at Middlebury College and as an intelligence officer with the 8th Fighter Command during the Second World War.

Gift of Waldo Heinrichs, Mar. 2016
Subjects
  • Historians
  • Temple University--Faculty
  • United States. Army. Air Service. Aero Squadron, 95th
  • World War, 1914-1918
  • World War, 1939-1945--Diplomatic history
  • World War, 1939-1945--Pacific area
Contributors
  • Heinrichs, Jacob
  • Heinrichs, Waldo Huntley
Types of material
  • Photographs

Henry, Carl

Carl and Edith Entratter Henry Papers
ca.1935-2001
ca.20 boxes (30 linear feet)
Call no.: MS 749
Image of Carl Henry
Carl Henry

Born into an affluent Reform Jewish family in Cincinnati in 1913, Carl Henry Levy studied philosophy under Alfred North Whitehead at Harvard during the height of the Great Depression. A brilliant student during his time at Harvard, a member of Phi Beta Kappa and magna cum laude in the class of 1934, Henry emerged as a radical voice against social inequality and the rise of fascism, and for a brief time, he was a member of the Communist Party. Two days before the attack in Pearl Harbor in December 1941, Henry met Edith Entratter, the daughter of Polish immigrants from the Lower East Side of New York, and barely three weeks later, married her. Shortly thereafter, however, he dropped his last name and enlisted in the military, earning a coveted spot in officer’s candidate school. Although he excelled in school, Henry was singled out for his radical politics and not allowed to graduate, assigned instead to the 89th Infantry Division, where he saw action during the Battle of the Bulge and liberation of the Ohrdruf concentration camp, and was awarded a Bronze Star. After the war, the Henrys started Lucky Strike Shoes in Maysville, Ky., an enormously successful manufacturer of women’s footwear, and both he and Edith worked as executives until their retirement in 1960. Thereafter, the Henrys enjoyed European travel and Carl took part in international monetary policy conferences and wrote under the name “Cass Sander.” He served as a Board member of AIPAC, the American Institute for Economic Research, the Foundation for the Study of Cycles, among other organizations. His last 17 years of life were enlivened by a deepening engagement with and study of traditional Judaism and he continued to express a passion for and to inform others about world affairs and politics through a weekly column he started to write at age 85 for the Algemeiner Journal. Edith Henry died in Sept. 1984, with Carl following in August 2001.

The centerpiece of the Henry collection is an extraordinary series of letters written during the Second World War while Carl was serving in Europe with the 89th Infantry. Long, observant, and exceptionally well written, the letters offer a unique perspective on the life of a soldier rejected for a commission due to his political beliefs, with a surprisingly detailed record of his experiences overseas.

Subjects
  • World War, 1939-1945
Contributors
  • Henry, Edith Entratter
Types of material
  • Letters (Correspondence)
  • Photographs

Illustrated Sheet Music

Illustrated Sheet Music Collection
1896-1946
1 box (0.25 linear feet)
Call no.: MS 960
Image of Waiting for the Robert E. Lee
Waiting for the Robert E. Lee

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Subjects
  • African Americans--Pictorial works
  • World War, 1914-1918--Pictorial works
Types of material
  • Scores
  • Sheet music
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