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Barton, Thomas

Thomas Barton Papers
1947-1977 (Bulk: 1960-1974)
4 boxes (2 linear feet)
Call no.: MS 539
Image of YPSL logo
YPSL logo

In the early 1960s, Tom Barton (b. 1935) emerged as a leader in the Left-wing of the Young People’s Socialist League, the national youth affiliate of the Socialist Party. Deeply committed to the civil rights and antiwar struggles and to revolutionary organizing, Barton operated in Philadelphia, Chicago, and New York and was a delegate and National Secretary at the 1964 convention in which tensions within YPSL led to its dissolution.

A small, but rich collection, the Barton Papers provide a glimpse into the career of a long-time Socialist and activist. From Barton’s entry into the Young People’s Socialist League in the latest 1950s through his work with the Wildcat group in the early 1970s, the collection contains outstanding content on the civil rights and antiwar movements and the strategies for radical organizing. The collection is particularly rich on two periods of Barton’s career — his time in the YPSL and Student Peace Union (1960-1964) and in the Wildcat group (1968-1971) — and particularly for the events surrounding the dissolution of YPSL in 1964, following a heated debate over whether to support Lyndon Johnson for president. The collection includes correspondence with other young radicals such as Martin Oppenheimer, Lyndon Henry, Juan McIver, and Joe Weiner.

Subjects
  • Antiwar movements
  • Civil rights movements
  • Communists
  • Revolutionaries
  • Socialist Party of the United States of America
  • Socialists--United States
  • Student Peace Union
  • Students for a Democratic Society (U.S.)
  • Vietnam War, 1961-1975--Protest movements
  • Wildcat
  • Young People's Socialist League
Contributors
  • Barton, Thomas
  • Gilbert, Carl
  • Henry, Lyndon
  • MacFadyen, Gavin
  • McIver, Juan
  • Oppenheimer, Martin
  • Shatkin, Joan
  • Shatkin, Norm
  • Verret, Joe
  • Weiner, Joe

Bascom, Eric

Eric Bascom Collection of Jazz Recordings
ca. 1940-1950
ca. 500 phonograph records (10 linear feet)
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects
  • Bop (Music)
  • Jazz musicians
Contributors
  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955
Types of material
  • 78 rpm records
  • Piano rolls

Belanger, J. William, 1907-1986

J. William Belanger Papers
1932-1986
3 boxes (3 linear feet)
Call no.: MS 117

A leader in organized labor, William Belanger began as an organizer for the AFL’s United Textile Workers in 1932, eventually becoming the New England Regional Director and International Vice President of the TWUA and in 1958, the first President of the Massachusetts AFL-CIO.

The Belanger Papers provide insight into the long career in labor activism, and include correspondence, writings, subject files, and printed materials. Of particular interest is a series of four oversized scrapbooks that cover Belanger’s career from 1934 through his final position as Director of the Massachusetts Department of Employment Security. These are especially enlightening on labor’s political activities, the CIO’s success in thwarting anti-labor referenda in 1948, and the efforts to expel Communists from the labor movement.

Subjects
  • Elections--Massachusetts--History--20th century
  • Labor leaders--New England--Biography
  • Labor unions--Massachusetts
  • Massachusetts--Politics and government--1865-1950
  • New England--Economic conditions--20th century
  • Textile Workers Organizing Committee
  • Textile Workers Union of America
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--New England
Contributors
  • Belanger, J. William, 1907-1986
Types of material
  • Photographs
  • Scrapbooks

Benedek, Tom

Tom Benedek Collection
1967-1973
3 boxes (1.5 linear feet)
Call no.: PH 073
Image of Passengers on a plane, ca.1973
Passengers on a plane, ca.1973

A screenwriter and visual artist, Tom Benedek majored in film as an undergraduate at UMass Amherst, earning the distinction of becoming the first graduate of the Bachelor’s Degree with Individual Concentration program in 1971. From early in his college career, Benedek worked as a photographer the newspaper, the Collegian, while studying with faculty such as Jerome Liebling (at Hampshire College) and Jerrold Maddox (at Amherst), and he spent his junior year in Paris studying at the Ecole du Louvre and l’Institut de Formation Cinematographique. In his career in Hollywood, he has written screenplays for the movies Cocoon, Zeus and Roxanne, and The Adventures of Pinocchio and worked with Robert Zemeckis, Lawrence Kasdan, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, and Harold Ramis, among many others. He is a member of the Writers Branch of the Academy of Motion Picture Arts and Sciences and teaches screenwriting at the University of Southern California and the University of Michigan.

The hundreds of images in the Benedek Collection document the development of a talented photographer. While some of the images stem from his work for the Collegian, most were taken on his own around campus and beyond, including trips to Boston and New Orleans, and his year studying abroad in Paris following shortly after the events of 1968. The collection consists entirely of 35mm black and white negatives and color slides.

Gift of Tom Benedek, 2016
Subjects
  • Amherst (Mass.)--Photographs
  • Boston (Mass.)--Photographs
  • New Orleans (La.)--Photographs
  • Paris (France)--Photographs
  • University of Massachusetts Amherst--Photographs
Types of material
  • Photographs

Benes, Peter

Peter Benes Collection
ca.1975-1986
1 box (1 linear feet)
Call no.: PH 017
Image of Soule Fishwing
Soule Fishwing

Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.

The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.

Subjects
  • Gravestones--Massachusetts
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Benes, Peter
Types of material
  • Photographs

Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection
1902-1941
3 boxes (3.0 linear feet)
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012
Subjects
  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music
Types of material
  • Sheet music

Book of Hours (Use of Rome)

Book of Hours (Use of Rome)
ca.1465
1 vol. (144 fol. linear feet)
Call no.: MS 963
Image of Office of the Blessed Virgin Mary
Office of the Blessed Virgin Mary

Books of hours are the most common surviving form of the medieval book and are as diverse as the patrons who commissioned them. Beginning in the mid-thirteenth century, they flourished as part of a rich array of devotional works used to frame the temporal structure of a community’s spiritual lives. In keeping with individual spiritual and aesthetic preferences, books of hours were often customized to appeal to the particular purchaser, and they vary greatly through time and from region to region.

This diminutive and comparatively austere book of hours (Use of Rome) appears to have been produced near Bruges between about 1460 and 1470, possibly influenced by the prolific illuminator Willem Vrelant. Written in Latin in a skilled Gothic Italic Rotunda hand, the book lacks a calendar and miniatures of any kind, nor is there any evidence that any were ever present.

Acquired from Scott Gwara, Feb. 2017
Language(s): Latin
Subjects
  • Books of hours--Belgium--Early works to 1800
Contributors
  • Catholic Church--Liturgy--Texts--Early works to 1800
  • Catholic Church--Prayers and devotions--Latin--Early works to 1800
  • Hammer, Christian, 1818-1905
  • Virgin, Thore, 1886-1957
Types of material
  • Books of hours
  • Illuminated manuscripts

Boston AIDS Consortium

Boston AIDS Consortium Records
1991-2005
12 boxes (18 linear feet)
Call no.: MS 458

In the fall 1987, a working group was formed in Boston to help coordinate planning for HIV-related services, prevention, and education. The Boston AIDS Consortium began operations the following January with the goal of ensuring effective services for people affected by HIV/AIDS and enabling them to live healthy and productive lives. In its eighteen year existence, the Consortium worked with over seventy public and private agencies and two hundred individuals.

The Records of the Boston AIDS Consortium provide valuable insight into community-based mobilization in response to the AIDS epidemic.

Subjects
  • AIDS (Disease)
  • AIDS activists--Massachusetts
  • Acquired Immunodeficiency Syndrome--Prevention and control
Contributors
  • Boston AIDS Consortium

Brinley Family

Brinley Family Papers
1643-1950
(4.75 linear feet)
Call no.: MS 161
Image of Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects
  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists
Types of material
  • Deeds
  • Realia

Broadside Press

Broadside Press Collection
1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters
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