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Results for: “Stone carving--New York” (266 collections)SCUA

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New Victoria Publishers

Finding aid

New Victoria Publishers Records, 1974-2009.

6 boxes (11 linear feet).
Call no.: MS 883
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that, “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization. Additionally, the shop functioned as a defacto women’s center and lesbian hub for Lebanon and the surrounding area, a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects

  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England

Contributors

  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers

Types of material

  • Photographs

Oglesby, Carl, 1935-

Finding aid

Carl Oglesby Papers, ca.1965-2004.

96 boxes (67.5 linear feet).
Call no.: MS 514
Carl Oglesby, 2006. Photo by Jennifer Fels
Carl Oglesby, 2006. Photo by Jennifer Fels

Reflective, critical, and radical, Carl Oglesby was an eloquent voice of the New Left during the 1960s and 1970s. A native of Ohio, Oglesby was working in the defense industry in Ann Arbor, Michigan, in 1964 when he became radicalized by what he saw transpiring in Vietnam. Through his contacts with the Students for a Democratic Society, he was drawn into the nascent antiwar movement, and thanks to his formidable skills as a speaker and writer, rose rapidly to prominence. Elected president of the SDS in 1965, he spent several years traveling nationally and internationally advocating for a variety of political and social causes.

In 1972, Oglesby helped co-found the Assassination Information Bureau which ultimately helped prod the U.S. Congress to reopen the investigation of the assassination of John F. Kennedy. A prolific writer and editor, his major works include Containment and Change (1967), The New Left Reader (1969), The Yankee and Cowboy War (1976), and The JFK Assassination: The Facts and the Theories (1992). The Oglesby Papers include research files, correspondence, published and unpublished writing, with the weight of the collection falling largely on the period after 1975.

Subjects

  • Assassination Information Bureau
  • Gehlen, Reinhard, 1902-1979
  • Kennedy, John F. (John Fitzgerald), 1917-1963--Assassination
  • King, Martin Luther, Jr., 1929-1968
  • Pacifists
  • Political activists
  • Student movements
  • Students for a Democratic Society (U.S.)
  • United States--Foreign relations
  • Vietnam War, 1961-1975
  • Watergate Affair, 1972-1974

Contributors

  • Oglesby, Carl, 1935-

Reinsch, Henry Gustave

Finding aid

Henry Gustave Reinsch Papers, 1942-1960.

1 box (0.25 linear feet).
Call no.: MS 527

Born in Germany in 1888, Henry Gustave Reinsch became an American citizen in 1912, serving in the military during the First World War, marrying an American girl, and starting a family. In 1942, however, two FBI agents showed up at Reinsch’s office, and a year later, Reinsch’s citizenship was revoked when he was accused by the U.S. government of living a double life — publicly loyal to America, privately loyal to Germany. Reinsch appealed the ruling to the Ninth Circuit Court and won. His citizenship was reinstated in 1945.

The Reinsch Papers contains newspaper clippings, personal and business correspondence, and official documents pertaining to both citizenship trials, that tell of uncommon wartime experiences.

Subjects

  • Citizenship, Loss of--United States
  • Fascists--United States
  • German Americans--Washington
  • Silver Shirts of America (Organization)
  • World War, 1939-1945--German Americans

Contributors

  • Reinsch, Bernice
  • Reinsch, Henry Gustave

Types of material

  • Letters (Correspondence)

Rotundo, Barbara

Digital (+)Finding aid

Barbara Rotundo Photograph Collection, ca.1970-2004.

9 boxes (10 linear feet).
Call no.: PH 050

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Subjects

  • Cemeteries--New York (State)
  • Gravestones--New Jersey
  • Gravestones--New York (State)
  • Gravestones--Pennsylvania

Contributors

  • Rotundo, Barbara

Types of material

  • Photographs

Rural Massachusetts Imprints Collection

Rural Massachusetts Imprints Collection, 1797-1897.

48 items (3 linear feet).
Call no.: RB 012
John Metcalf
John Metcalf

Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living.

This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important gauge of the interests and tastes of New England’s smallest and often poorest communities.

Subjects

  • Children's books--Massachusetts
  • Printers--Massachusetts

Contributors

  • Howe, John, 1783-1845
  • Howe, Solomon, 1750-1835
  • Metcalf, John, 1788-1864
  • Terry, Ezekiel, 1775-1829

Types of material

  • Almanacs
  • Broadsides

Tenney, Thomas W.

Finding aid

Thomas W. and Margaret Tenney Photograph Collection, 1966-1978 (Bulk: 1966-1972).

12 boxes (6 linear feet).
Call no.: PH 045
Submit Gaylord, 1766, Hadley, Mass.
Submit Gaylord, 1766, Hadley, Mass.

A long-time resident of Berkeley, Calif., Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, the Tenneys became full time photographers by about 1964. For over a decade, they took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

The Tenney collection consists of several hundred scrupulously-documented images of gravestones in Massachusetts, Connecticut, and other New England states taken between 1966 and 1978. Selecting stones for “artistic rather than historical reasons,” the Tenney’s focused primarily on details of the carving and inscriptions.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Gravestones--Rhode Island
  • Gravestones--Vermont

Contributors

  • Tenney, Margaret K.
  • Tenney, Thomas W.

Types of material

  • Photographs

Waugh, Frank A. (Frank Albert), 1869-1943

DigitalFinding aid

Frank A. Waugh Papers, 1896-1983.

Frank A Waugh with flute
Frank A Waugh with flute

Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.

The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.

Subjects

  • Landscape architecture--United States--History
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Horticulture

Contributors

  • Waugh, Frank A. (Frank Albert), 1869-1943

Types of material

  • Etchings
  • Lantern slides
  • Photographs

Whitaker, Elizabeth W.

Elizabeth W. Whitaker Collection, 1802-1989.

1 box (0.5 linear feet).
Call no.: MS 682
Gravestone, No. Guilford, Conn.
Gravestone, No. Guilford, Conn.

A physical education teacher from Rome, New York, Elizabeth W. Whitaker became an avid recorder of gravestone inscriptions in the 1940s. She died in 1992 at the age of 93.

The core of the Whitaker collection consists of 25 receipts and accounts relating to the early marble industry in western Massachusetts. The key figures in this series are Rufus Willson and his father-in-law, John Burghardt, who quarried stone near West Stockbridge, Mass., conveying it to Hudson, N.Y. The collection also includes a selection of photographs and postcards of gravestones, mostly in New England and New York; two folders of typed transcriptions and newspaper clippings of epitaphs from the same region, ranging in date from the early colonial period to the mid-19th century; and a price list of Barre granite from Wetmore and Morse Granite Co., 1934.

Subjects

  • Gravestones--Massachusetts
  • Marble industry and trade--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Burghardt, John
  • Whitaker, Elizabeth W
  • Willson, Rufus

Types of material

  • Photographs
  • Receipts (Financial records)

Williams, Gray

Gray Williams Photograph Collection, ca.1988-2000.

3 boxes (1.5 linear feet).
Call no.: PH 027

The editor, writer, and photographer Gray Williams was born in New York City in 1932, and spent most of his life in Chappaqua (Westchester County), N.Y. A 1954 graduate of Yale, Williams worked in the publishing industry for many years, including for the Metropolitan Museum of Art and the Museum of Modern Art, and since 1988, he has been a freelance writer, editor, and photographer. Long dedicated to history and historical preservation, he has served as New Castle Town Historian, chair of the New Castle Landmarks Advisory Committee, trustee of the Westchester County Historical Society, and as a member of the Property Council at the National Trust property Lyndhurst. He is the author of Picturing Our Past: National Register Sites in Westchester County (Westchester County Historical Society, 2003). A specialist in the early stone carvers of New York and Connecticut, as well as the use of grave monuments to illuminate and enrich the study of American history, art, and culture, Williams is a former trustee of the Association for Gravestone Studies and has contributed articles to its annual journal, Markers, and its Quarterly. In 2007, he was awarded the Association’s Harriette Merrifield Forbes Award for contributions to scholarship and preservation in the field.

The photographs and research materials he has contributed to the Association for Gravestone Studies are largely devoted to the subjects of three articles in the AAGS journal, Markers: “‘Md. by Thomas Gold': The Gravestones of a New Haven Carver,” in collaboration with Meredith M. Williams, Markers V (1988); “Solomon Brewer: A Connecticut Valley Yankee in Westchester County,” Markers XI (1994); “By Their Characters You Shall Know Them: Using Styles of Lettering to Identify Gravestone Carvers,” Markers XVII (2000). The collection also includes photographs taken during AGS conferences, principally in New England, as well as a small group taken in Natchez Cemetery in Mississippi.

Subjects

  • Gravestones--New York
  • Stone carving--New York

Contributors

  • Association for Gravestone Studies
  • Williams, Gray

Types of material

  • Photographs

Abbe, Edward H.

Finding aid

Edward H. Abbe Papers, 1828-2004.

22 boxes (28.5 linear feet).
Call no.: MS 736
Ed Abbe in Bora Bora, 1987
Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

Subjects

  • Abbe family
  • Boardman family
  • Booth family
  • Electrical engineers
  • General Electric
  • Gifford family
  • Kent School--Students
  • Peck family
  • Rectory School--Students
  • Yale University--Students

Contributors

  • Abbe, Edward H
  • Abbe, Gladys Howard
  • Abbe, William Parker
  • Peck, Edward F
  • Peck, Mary Booth

Types of material

  • Diaries
  • Letters (Correspondence)
  • Photographs
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