Results for: “Double Edge Theatre” (68 collections)SCUA

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Emmons, Marcus A.

Marcus A. Emmons Papers, 1858-1864.

1 folder (0.1 linear feet).
Call no.: MS 034

A 21 year-old farmer from Hardwick, Mass., Marcus A. Emmons enlisted in the 21st Massachusetts Infantry in August 1861, and saw active service in North Carolina, Virginia, Kentucky, and Tennessee. Having survived many of the great battles of the eastern theatre, Emmons was killed in action at Bethesda Church on June 2, 1864.

The letters and journals that comprise this collection document Emmons’ tragically brief experience in the Civil War. Both letters date from April 1864, while the 21st Massachusetts was stationed in Annapolis, Md., prior to the campaigns of that summer. One journal includes some miscellaneous pre-war accounts, a complete list of the Civil War volunteers from Hardwick and their regiments (some with notation of fate in service); a list of conscripts added to Co. K, 21st Mass., in 1863; a list of Civil War battles; military accounts; recruits added to the regiment in 1862, listing place of residence; and a roster of Co. K, 21st Mass. Infantry, with place of residence and fate in the service. The other journal begins as a spelling exercise book and includes diary entries for Mar.-Sept., 1862, discussing farm work.

Subjects

  • Farmers--Massachusetts--Hardwick
  • Hardwick (Mass.)--History
  • United States--History--Civil War, 1861-1865
  • United States. Army. Massachusetts Infantry Regiment, 21st (1861-1864)

Contributors

  • Emmons, Marcus A.

Types of material

  • Account books
  • Diaries

Events calendar

Double exposure of Steve Diamond
Double exposure of
Steve Diamond, ca.1985

To promote scholarship, raise public awareness of its collections, and encourage discussion of critical issues affecting American society, SCUA sponsors a number of events each year, including two annual colloquiua:

Throughout the year, the department sponsors other events, ranging from exhibit openings to lectures, book signings, and celebrations of donors and new donations. All SCUA events are free and open to the public. Please contact the department for additional information.

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Fischer, Britta

Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection, 1978.

449 items (1 linear feet).
Call no.: PH 054

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Subjects

  • Beijing (China)--Photographs
  • Children--China--Photographs
  • China--Photographs
  • Factories--China--Photographs
  • Great Wall of China (China)--Photographs
  • Jinan (China)--Photographs
  • Shanghai (China)--Photographs
  • Tian'an Men (Beijing, China)--Photographs
  • Yangzhou (China)--Photographs

Types of material

  • Photographs

Fried, Lewis

Lewis Fried Collection of Jack Conroy, 1969-1995.

1 box (0.25 linear feet).
Call no.: MS 414

A voice of the radical working class during the Great Depression, Jack Conroy was the son of a union organizer, born and raised in the mining camps near Moberly, Mo. His novels The Disinherited (1933) and A World to Win (1935) were among the best known works of “proletarian” American fiction to appear in the 1930s.

The Conroy Collection includes a series of 24 letters from Jack Conroy to Lewis Fried, a professor of English at Kent State University and UMass PhD, along with a small number of letters by associates of Conroy, and a selection of publications associated with or including work by him. Of particular interest are Fried’s oral history interviews with Conroy (1971) and Sally Goodman (1978).

Subjects

  • Anvil
  • Bontemps, Arna Wendell, 1902-1973
  • Communists--United States
  • Depressions--1929
  • New Anvil
  • Working class authors

Contributors

  • Conroy, Jack, 1899-1990
  • Farrell, James T. (James Thomas), 1904-1979
  • Fried, Lewis Frederick, 1943-
  • Gold, Michael, 1894-1967
  • Goodman, Percival
  • Goodman, Sally
  • Snow, Walter

Types of material

  • Oral histories

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Hapgood, Beth

Beth Hapgood Papers, 1789-2005.

67 boxes (35 linear feet).
Call no.: MS 434
Beth Hapgood and members of the Brotherhood, ca.1969
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Subjects

  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History

Contributors

  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael

Hollister, Leonard D.

Leonard D. Hollister Collection, 1890-1966.

48 boxes, 94 items (56 linear feet).
Call no.: MS 688
Santa Clara figurative bowl (70.291)
Santa Clara figurative bowl (70.291)

Born in Denver, Colorado, in October 1884, Leonard D. Hollister was a collector of Southwestern Native American pottery and the son of Uriah S. Hollister, a prominent executive with the Continental Oil Company and author of The Navajo and His Blanket (1903), an early work on Navajo textiles.

The Hollister collection is a diverse assemblage of 94 works by Native American potters, representing a cross-section of southwestern cultures and pueblos. According to Fred A. Rosenstock, who purchased the collection after Hollister’s death, the pieces were acquired one or two at a time over several decades, often purchased directly from the artist. Hollister acquired examples from pueblos including Acoma, Cochiti, Hopi, Jemez, Laguna, Maricopa, Picuris, San Ildefonso, San Felipe, San Juan, Santa Clara, Santo Domingo, Taos, Tesusque, Zia, and Zuni. The signed pieces, over a quarter of the collection, includes works by some of the century’s most influential potters.

Subjects

  • Indian pottery--North America
  • Pueblo Indians--Industries

Types of material

  • Pottery (Object genre)

Image collections

Search options







The Department of Special Collections and University Archives has digitized over 13,000 photographs and other works of art from its collections documenting the history of the University of Massachusetts Amherst community, and thousands more depicting individuals, organizations, and localities within its broader collecting scope.

Digital copies of images from SCUA collections are available for a modest fee. Additional information about our collections can be obtained by contacting our reference staff.

Selected Photographs (Not Digitized):

The following MSExcel files represent an index to over 21,000 photographs taken by Campus Creative Services between 1954 and 2004. Please use the reference number when requesting images. Because the University Archives contains additional images, please contact our archivists if you do not find what you are looking for.

Inglis, David R.

David R. Inglis Papers, 1929-2003 (Bulk: 1946-1980).

12 boxes (5.75 linear feet).
Call no.: FS 033
David R. Inglis at Argonne N.L., ca.1953
David R. Inglis at Argonne N.L., ca.1953

David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.

The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.

Subjects

  • Allegiance--United States
  • Argonne National Laboratories
  • Condon, Edward Uhler, 1902-1974
  • Federation of American Scientists
  • Los Alamos National Laboratory
  • Nuclear disarmament
  • Nuclear energy
  • Nuclear warfare
  • Oppenheimer, J. Robert, 1904-1967
  • Physics--Massachusetts
  • United States--History--1945-1953
  • United States--History--1953-1961
  • University of Massachusetts Amherst. Department of Physics
  • University of Massachusetts Amherst. Institute for Man and His Environment
  • World Association of World Federalists
  • World Federation of Scientific Workers

Contributors

  • Bohr, Aage
  • Inglis, David Rittenhouse, 1905-
  • Teller, Edward, 1908-2003
  • Wigner, Eugene Paul, 1902-1995

Types of material

  • Laboratory notes
  • Oral histories
  • Photographs

Jones, Richard

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs
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