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Kenneth R. Feinberg Collection of Classical Music Programs, 1967-2015

6 boxes (9 linear feet)
Call no.: MS 766
Kenneth R. Feinberg Collection of Classical Music Programs image
Program, Metropolitan Opera, 1969

Attorney and UMass alumnus Kenneth R. Feinberg, well known as a mediator, special master of compensation funds, and dedicated public servant, is a longtime devotee of opera and classical music. Since his days as a law student in New York in the late 1960s, continuing through his career practicing law in Washington, D.C., Feinberg has regularly attended operas, concerts, musical theater, and other musical performances. He has also served as president of the Washington National Opera and led a private opera appreciation group.

This extensive collection of more than 1,000 items encompasses a wide range of composers, productions, concerts, companies, and venues, mainly in the United States, with some European performances represented. Documenting more than four decades of concert- and opera-going, and arranged in rough chronological order according to Feinberg’s numbering system, the programs are searchable by composer in an accompanying card index. There is also a small amount of related ephemera, including some vintage programs. Additions to the collection are expected.

  • Music
  • Musical theater
  • Opera
  • Symphony orchestras
  • Feinberg, Kenneth R., 1945-
Types of material
  • Card files
  • Ephemera
  • Playbills

William F. Field Papers, 1948-1986

27 (13.5 linear feet)
Call no.: RG 030/2 F5
William F. Field Papers image
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

  • African American college students--Massachusetts
  • Field, William Franklin, 1922-
  • Race relations--United States
  • Universities and colleges--United States--Administration
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • Vietnam War, 1961-1975--Protest movements--United States
Types of material
  • Correspondence
  • Memorandums

Sidney Finkelstein Papers, 1914-1974

11 boxes (5.5 linear feet)
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources
  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham
Types of material
  • Letters (Correspondence)
  • Photographs


First prize: Emily Esten (2016)
“A Peculiar Project: Ethics and Analysis of the WPA Slave Narrative Collection of Oklahoma”
Honorable mention: Madeline C. Hodgman (2016)
“‘Freedom’ to Freedwomen After the Civil War”


First prize: Joshua Castillo (2015)
“A Life Well Lived”
Honorable mention: Joy Silvey (2015)
“Queering the Institution: A Look at LGB Life at the University in the 1970s and 80s”


First prize: Celeste Guhl (2015)
“Baby, It’s Cold Outside: Curfews for Women at the University of Massachusetts”
Honorable mention: Andrew Clinton (2014)
“Yung Wing, the Chinese Educational Mission, and the Politics of Chinese Exclusion”


First prize: Ken Lefebvre (2013)
‘A Wise Conservator': The Life and Times of Henry Hill Goodell
Honorable mention: Daniel Stein (2013)
“David versus the State: Refusal to Serve in the Israeli Defense Forces during the Lebanon War and the First Intifada: 1982-1993


First prize: Justine DeCamillis (2012)
Liminal Space and Identities: The Transitional and Juxtaposition of Opposites within the Prologue, Bisclavret and Lanval of Marie de France’s Lais
Honorable mention: Peter Arsenault (2012)
Poetic Liminality in the Middle Ages: The Case of Thomas Hoccleve


First prize: Christopher Russell (2010)
A Tale of Two Cities: How the Government Caused and Maintained Racial Inequality in Oakland, ca. 1945-1970”
Honorable mention: Marjorie Connolly (2011)
Anarchy to Activism: Italian Immigrant Politics During Boston’s Great Molasses Flood
Honorable mention: Sarah Goldstein (2012)
Cambodian Immigration and the Cambodian Crisis Committee


First prize: Paul Kinsman
Platonic and Pythagorean Ratios in the Formal Analysis of 15th Century Music”
Honorable mention: Vanessa De Santis
The Emergence of a Class of Informed, Working Italian Immigrant Women in the Early Twentieth Century
Honorable mention: Austin Powell
An Analysis of Gender in Pre to Early Modern Society


First prize: Name removed upon request
Honorable mention: Amy Couto
Treaty of Canandaigua: The political necessity of peace
Honorable mention: Phil Jensen
We are history, we are legend: Perspectives of American volunteers in the Spanish Civil War

William H. Freeman Collection, 1937-1946

2 vols., 1 letter (0.25 linear feet)
Call no.: PH 068
William H. Freeman Collection image
William H. Freeman, ca.1940

Attached to the 20th Air Base Group in 1941, Athol-native Bill Freeman was a first-hand witness to the beginnings of the war in the Pacific. Enlisting in the Army Air Corps in 1940, Freeman was stationed at Nichols Field in the Philippines when the Japanese invaded, and after taken as prisoner or war, he was forced on the Bataan Death March. Freeman died of malaria in Cabanatuan Prison Camp in July 1942.

The Freeman scrapbook and photograph album that Bill Freeman kept offer a visually-intensive perspective on the brief life of an American serviceman in the Second World War. Kept during and immediately after high school, the scrapbook includes notices of his musical performances and other activities; the extensive photograph album documents his service in the Army Air Corps from the start of deployment through his travels in Hawaii and Guam to the early months of his service in the Philippines. The collection also includes a letter written from the Philippines during the summer 1941.

  • Guam--Photographs
  • Hawaii--Photographs
  • Philippines--Photographs
  • United States. Army. Air Corps
  • World War, 1939-1945
Types of material
  • Photographs

Lewis Fried Collection of Jack Conroy, 1969-1995

1 box (0.25 linear feet)
Call no.: MS 414

A voice of the radical working class during the Great Depression, Jack Conroy was the son of a union organizer, born and raised in the mining camps near Moberly, Mo. His novels The Disinherited (1933) and A World to Win (1935) were among the best known works of “proletarian” American fiction to appear in the 1930s.

The Conroy Collection includes a series of 24 letters from Jack Conroy to Lewis Fried, a professor of English at Kent State University and UMass PhD, along with a small number of letters by associates of Conroy, and a selection of publications associated with or including work by him. Of particular interest are Fried’s oral history interviews with Conroy (1971) and Sally Goodman (1978).

  • Anvil
  • Bontemps, Arna Wendell, 1902-1973
  • Communists--United States
  • Depressions--1929
  • New Anvil
  • Working class authors
  • Conroy, Jack, 1899-1990
  • Farrell, James T. (James Thomas), 1904-1979
  • Fried, Lewis Frederick, 1943-
  • Gold, Michael, 1894-1967
  • Goodman, Percival
  • Goodman, Sally
  • Snow, Walter
Types of material
  • Oral histories

Marcellus H. Goodwin Scrapbook, 1841-1879

1 vol. (0.25 linear feet)
Call no.: MS 484 bd
Marcellus H. Goodwin Scrapbook image
Fashion plate

In the early 1870s, twenty year-old Marcellus H. Goodwin was listed as a music teacher in city directories for Newburyport, Mass., residing at 32 Federal Street in the home of his father, Abel L. Goodwin. In later years, Marcellus worked as an upholsterer, but died died prematurely in 1883.

The Goodwin scrapbook is a typical production of the period in which the pages in a bound volume (in this case containing work records from 1841) are pasted over with newsclippings, mostly from the early 1870s. Goodwin favored poetry, aphorisms, and brief tales — sometimes humorous, but other times including curious facts — which, as far as can be discerned, were clipped from the Boston Courier, Newburyport Herald. Goodwin also pasted in three colorful fashion plates, a small series of illustrations of buildings at the Philadelphia Centennial Exposition, and an original poem, “A short sermon.”

  • Newburyport (Mass.)--History--19th century
Types of material
  • Scrapbooks

Beth Hapgood Papers, 1789-2005

67 boxes (35 linear feet)
Call no.: MS 434
Beth Hapgood Papers image
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History
  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael

Gordon Heath Papers, 1913-1992

44 boxes (22.75 linear feet)
Call no.: MS 372 and 372 bd
Gordon Heath Papers image
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History
  • Abramson, Doris E
  • Heath, Gordon, 1918-1991
Types of material
  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Adeline Hicks Papers, 1917-1987

3 boxes (1.25 linear feet)
Call no.: FS 070

Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.

Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Physical Education
  • Hicks, Adeline

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