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American Revolution Documentary Collection

The American Revolution Documentary Collection

ca.1968-2010
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On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Selected recordings from the American Revolution Documentary Collection are available to stream through Airtime Pro, a web-based radio platform. ​Hear the music, news reports, ads, rare live musical broadcasts, station ID’s, interviews, zaniness, and more, as broadcast from WBCN-FM’s launch in 1968 and over the next seven years. You can listen using the player below or go directly to the Airtime Pro site, here: https://amrev.airtime.pro/

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings
Antislavery

Antislavery Pamphlet Collection

1725-1911
7.5 linear feet
Call no.: RB 003

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

Subjects

  • Abolitionists--Massachusetts
  • Antislavery movements--United States
  • Slavery--United States

Contributors

  • American Anti-Slavery Society
  • American Colonization Society
Restrictions: Collection currently unavailable due to renovations in SCUA
Argentina

Argentine Political Ephemera Collection

1930-1974
2 boxes 1 linear feet
Call no.: MS 359
Image of Anti-American flier, 1944
Anti-American flier, 1944

In 1943 Col. Juan Peron took part in a successful military coup in Argentina, beginning over a decade in which he dominated the nation’s political life. After promoting populist policies as Minister of Labor under the military government, Peron built a deep well of support among the working classes that enabled him to win election to the presidency in 1946 and 1951, however political opposition to what was perceived as his Fascist sympathies, demagoguery, and authoritarianism increased. In 1955, Peron was ousted in a military coup and driven into exile in Spain.

Consisting of materials produced in Argentina just prior to and during the era of Juan Peron (1946-1974), this collection of pamphlets, fliers, broadsides, news clippings, and campaign literature provides a unique window onto political developments in the South American nation. The ephemera addresses a wide range of subject matter, from World War II to economics, political controversies, relations with the United States, the election of 1951, the Revolucion Libertadora coup of 1955, and Juan and Eva Peron. Both Peron’s Partido Justicialista and his opponents, including Communists and Socialists, are represented.

Gift of Robert Potash
Language(s): Spanish

Subjects

  • Argentina--History--Coup d'etat, 1955
  • Argentina--Politics and government--1943-1955
  • Communists--Argentina
  • Peron, Eva, 1919-1952
  • Peron, Juan Domingo, 1895-1974
  • Presidents--Argentina--Elections, 1951
  • Socialists--Argentina

Types of material

  • Broadsides
  • Ephemera
  • Fliers (Printed matter)
  • Posters
Baszak, Mark A.

Mark A. Baszak Papers

1991-1992
1 box 0.25 linear feet
Call no.: MS 653

Born in Springfield in 1960 and raised in the Pioneer Valley, Mark A. Baszak received a bachelors degree in music composition and MEd. from UMass Amherst. Beginning shortly after completing graduate study, Baszak played a prominent part for over two decades in promoting the arts at his alma mater, serving as Acting Director of the Performing Arts Division (1987-1989), Coordinator and then Director of the Jazz in July program (1990-2008), Associate Director of Multicultural Programs (1993), and organizer of the Black Musicians Conferences and Festival (1989-1999). As an arts and culture representative of the Massachusetts Hokkaido Sister State Association in the early 1990s, Baszak helped foster exchanges between the sister states, visiting Hokkaido with the first official state delegation in 1991. Baszak died after a brief illness on September 25, 2008.

Documenting the early efforts to build upon the 1990 designation of Hokkaido and Massachusetts as sister states, the Baszak collection includes materials concentrated on the first Hokkaido Week in Amherst and the delegation that accompanied Gov. William Weld to Hokkaido in 1991. In addition to correspondence and memos, the collection includes ephemera collected by Baszak during the various ceremonies and transcripts of speeches delivered.

Subjects

  • Massachusetts-Hokkaido Sister State Association

Contributors

  • Baszak, Mark A
  • Weld, William F
Belanger, J. William, 1907-1986

J. William Belanger Papers

1932-1986
3 boxes 3 linear feet
Call no.: MS 117

A leader in organized labor, William Belanger began as an organizer for the AFL’s United Textile Workers in 1932, eventually becoming the New England Regional Director and International Vice President of the TWUA and in 1958, the first President of the Massachusetts AFL-CIO.

The Belanger Papers provide insight into the long career in labor activism, and include correspondence, writings, subject files, and printed materials. Of particular interest is a series of four oversized scrapbooks that cover Belanger’s career from 1934 through his final position as Director of the Massachusetts Department of Employment Security. These are especially enlightening on labor’s political activities, the CIO’s success in thwarting anti-labor referenda in 1948, and the efforts to expel Communists from the labor movement.

Subjects

  • Elections--Massachusetts--History--20th century
  • Labor leaders--New England--Biography
  • Labor unions--Massachusetts
  • Massachusetts--Politics and government--1865-1950
  • New England--Economic conditions--20th century
  • Textile Workers Organizing Committee
  • Textile Workers Union of America
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--New England

Contributors

  • Belanger, J. William, 1907-1986

Types of material

  • Photographs
  • Scrapbooks
Black Mass Communications Project

Black Mass Communications Project Collection

ca.1970-1985
10 boxes 15 linear feet
Call no.: RG 045/30 B4

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.

Subjects

  • African American college students
  • African American music
  • College radio stations--Massachusetts
  • WFCR (Radio station : Amherst, Mass.)
  • WMUA (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings
Broadside

Broadside and Poster Collection

1798-2012
5 folders, tube 1 linear feet
Call no.: RB 034
Image of Advertisement for E. S. Hayden's daguerreotypes, ca.1850
Advertisement for E. S. Hayden's daguerreotypes, ca.1850

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

Gift of various donors
Language(s): RussianYiddish

Subjects

  • Antiwar movements--Posters
  • Communism--Posters
  • Soviet Union--History--1985-1991
  • Vietnam War, 1961-1975--Protest movements--Posters

Types of material

  • Broadsheets (Formats)
  • Broadsides (Notices)
  • Fliers (Printed matter)
  • Posters
Broadside Press

Broadside Press Collection

1965-1984
1 box, 110 vols. 3.5 linear feet
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008

Subjects

  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry

Contributors

  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-

Types of material

  • Broadsides
  • Ephemera
  • Posters
Butterfield, Kenyon L. (Kenyon Leech), 1868-1935

Kenyon Leech Butterfield Papers

1889-1945
26 boxes 12 linear feet
Call no.: RG 003/1 B88
Image of Kenyon L. Butterfield
Kenyon L. Butterfield

An agricultural and educational reformer born in 1868, Kenyon Butterfield was the ninth president of Massachusetts Agricultural College and one of the university’s most important figures. An 1891 graduate of Michigan Agricultural College and recipient of MA in Economics and Rural Sociology from the University of Michigan (1902), Butterfield entered university administration early in his career, becoming President of the Rhode Island College of Agriculture and Mechanic Arts in 1903 and, only three years later, of the Massachusetts Agricultural College. Possessed of a Progressive spirit, Butterfield revolutionized the college during his 18 years in Amherst, expanding and diversifying the curriculum, quadrupling the institutional budget, fostering a dramatic increase in the presence of women on campus and expanding the curriculum, and above all, helping to promote the Smith-Lever Act of 1914 and developing the Cooperative Extension Service into a vital asset to the Commonwealth. Nationally, he maintained a leadership role in the field of rural sociology and among Land Grant University presidents. After leaving Amherst in 1924, Butterfield served as President at Michigan Agricultural College for four years and was active in missionary endeavors in Asia before retiring. He died at his home in Amherst on Nov. 25, 1936.

The Butterfield Papers contain biographical materials, administrative and official papers of both of his presidencies, typescripts of his talks, and copies of his published writings. Includes correspondence and memoranda (with students, officials, legislators, officers of organizations, and private individuals), reports, outlines, minutes, surveys, and internal memoranda.

Subjects

  • Agricultural education--Massachusetts--History--Sources
  • Agricultural education--Michigan--History--Sources
  • Agricultural extension work--Massachusetts--History--Sources
  • Agricultural extension work--United States--History--Sources
  • Agriculture--United States--History--Sources
  • Education--United States--History--Sources
  • Food supply--Massachusetts--History--Sources
  • Higher education and state--Massachusetts--History--Sources
  • Massachusetts Agricultural College--Alumni and alumnae
  • Massachusetts Agricultural College--History
  • Massachusetts Agricultural College--Students
  • Massachusetts Agricultural College. President
  • Massachusetts State College--Faculty
  • Michigan Agricultural College--History
  • Michigan Agricultural College. President
  • Rural churches--United States--History--Sources
  • Rural development--Massachusetts--History--Sources
  • Women--Education (Higher)--Massachusetts--History--Sources
  • World War, 1914-1918

Contributors

  • Butterfield, Kenyon L. (Kenyon Leech), 1868-1935
Campbell, Sadie

Sadie Campbell Papers

1812-2002
19 boxes 10.25 linear feet
Call no.: MS 439
Image of Sadie Campbell and sons Harold and Robert Leslie
Sadie Campbell and sons Harold and Robert Leslie

A housewife, mother and active community member, Sadie Campbell was born in 1881 and lived at 1 Depot Street in Cheshire, Massachusetts for most of her life until she died in 1971. Sadie was closely tied to the Cheshire community where she had a large circle of friends and acquaintances, and was active in a a number of organizations, such as: the Cheshire Ladies Reading Club, the Merry Wives of Cheshire Shakespeare Club, and the Cheshire Cash Tearoom.

The collection documents three generations of a western Massachusetts family. The variety and nature of the materials in this collection offer a good view into the local and social history of western Massachusetts through the lives of Sadie Campbell and her family.

Subjects

  • Cheshire (Mass.)--History
  • Cheshire Cash Tearoom
  • Family--Massachusetts--History--19th century
  • Family--Massachusetts--History--20th century
  • Housekeeping--Massachusetts--Cheshire
  • Housewives--Massachusetts--Cheshire
  • Massachusetts--Social life and customs--19th century
  • Merry Wives of Cheshire Shakespeare Club
  • Small business--Massachusetts
  • Tyrell, Augustus
  • Williams Manufacturing Company
  • Women--Societies and clubs--History--19th century

Contributors

  • Campbell, Sadie

Types of material

  • Account books
  • Invitations
  • Letters (Correspondence)
  • Pamphlets
  • Photographs
  • Recipes