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Kleckner, Susan

Susan Kleckner Papers, ca. 1870-2010 (Bulk: 1970-2010)
89 (ca. 180 linear feet)
Call no.: MS 725
Image of Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Gift of Linda Cummings and Susan Jahoda, Dec. 2011
Subjects
  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center
Contributors
  • Kleckner, Susan
Types of material
  • Artists' films
  • Drawings (Visual works)
  • Photographs

Lapolice, Aubrey D.

Aubrey D. Lapolice Collection, 1910-1981
1 box (0.25 linear feet)
Call no.: PH 070
Image of 'Our first students, 1921'
'Our first students, 1921'

Born in Chicopee Falls, Mass., Aubrey D. Lapolice (1893-1981) was a maintenance superintendent at the Belchertown State School for a forty year period, from the time of its establishment through his retirement in 1961. A veteran of the First World War, he oversaw a campus of nearly 850 acres and a physical plant of nearly one hundred buildings and structures. He died in February 1981.

The Lapolice collection includes 35 images of the physical plant and construction projects at the Belchertown State School during its first two decades of operation and 21 images of the welcome home parade in Belchertown in 1946 for returning American troops.

Gift of Dani McGrath, Feb. 2016
Subjects
  • Belchertown State School--Photographs
  • Construction projects--Massachusetts--Belchertown--Photographs
  • Hampden Railroad--Photographs
  • Mentally disabled--Massachusetts--Belchertown
  • Parades--Massachusetts--Belchertown--Photographs
  • Psychiatric hospitals--Massachusetts--Belchertown--Photographs
  • World War, 1939-1945--Veterans
Types of material
  • Photographs

Laymen’s Academy for Oecumenical Studies (LAOS)

Laymen's Academy for Oecumenical Studies Records, 1956-1976
22 boxes (11.5 linear feet)
Call no.: MS 020

An oecumenical ministry based in Amherst, Massachusetts, that sought to inspire local citizens to act upon their religious faith in their daily lives and occupations, and to reinvigorate religious dialogue between denominations.

Includes by-laws, minutes, membership records, news clippings, press releases, treasurer’s reports, letters to and from David S. King, correspondence between religious leaders and local administrators, and printed materials documenting programs and organizations in which the Laymen’s Academy for Oecumenical Studies (L.A.O.S.) participated or initiated, especially Faith and Life Meetings. Also contains questionnaires, announcements, bulletins, and photographs.

Subjects
  • Christian union--Massachusetts--History
  • Interdenominational cooperation--Massachusetts--History
Contributors
  • King, David S., 1927-
  • Laymen's Academy for Oecumenical Studies (Amherst, Mass.)
Types of material
  • Photographs

Lyman, Benjamin Smith, 1835-1920

Benjamin Smith Lyman Papers, 1831-1921
52 boxes (42 linear feet)
Call no.: MS 190
Image of Benjamin Smith Lyman, 1902
Benjamin Smith Lyman, 1902

A native of Northampton, Massachusetts, Benjamin Smith Lyman was a prominent geologist and mining engineer. At the request of the Meiji government in Japan, Lyman helped introduce modern geological surveying and mining techniques during the 1870s and 1880s, and his papers from that period illuminate aspects of late nineteenth century Japan, New England, and Pennsylvania, as well as the fields of geology and mining exploration and engineering. From his earliest financial records kept as a student at Phillips Exeter Academy through the journal notations of his later days in Philadelphia, Lyman’s meticulous record-keeping provides much detail about his life and work. Correspondents include his classmate, Franklin B. Sanborn, a friend of the Concord Transcendentalists and an active social reformer, abolitionist, and editor.

The papers, 1848-1911, have been organized into nine series: correspondence, financial records, writings, survey notebooks, survey maps, photographs, student notes and notebooks, collections, and miscellaneous (total 25 linear feet). A separate Lyman collection includes over 2,000 books in Japanese and Chinese acquired by Lyman, and in Western languages pertaining to Asia.

Language(s): EnglishJapanese
Subjects
  • Geological surveys--Alabama
  • Geological surveys--Illinois
  • Geological surveys--India--Punjab
  • Geological surveys--Japan
  • Geological surveys--Japan--Maps
  • Geological surveys--Maryland
  • Geological surveys--Nova Scotia
  • Geological surveys--Pennsylvania
  • Geological surveys--Pennsylvania--Maps
  • Geologists--United States
  • Geology--Equipment and supplies--Catalogs
  • Geology--Japan--History--19th century
  • Japan--Description and travel--19th century
  • Japan--Maps
  • Japan--Photographs
  • Japan--Social life and customs--1868-1912
  • Mining engineering--Equipment and supplies--Catalogs
  • Mining engineering--Japan--History--19th century
  • Mining engineers--United States
Contributors
  • Lyman, Benjamin Smith, 1835-1920
  • Sanborn, F. B. (Franklin Benjamin), 1831-1917
Types of material
  • Account books
  • Book jackets
  • Field notes
  • Letterpress copybooks
  • Maps
  • Notebooks
  • Photographs
  • Scrapbooks
  • Trade catalogs

MacConnell, William Preston, 1918-

William P. MacConnell Aerial Photograph Collection, ca.1950-2000
ca.24,000 items
Call no.: Map Collection

In the 1950s, William P. MacConnell (Class of 1943), and his photogrammetry students in the Dept. of Forestry began using aerial photography to map forests, agricultural fields, wetlands, and other land cover in Massachusetts. Their work was eventually expanded to include the mapping of all land use for Massachusetts, making this state the first in the nation to be completely mapped in this fashion, and laying the foundation for the U.S. Fish and Wildlife Service’s National Wetlands Inventory.

The MacConnell Collection includes a comprehensive set of stereopair photographs derived from multiple transects of the state taken between 1950 and 2000. In addition to some original field notes, a stereoscope, and other project materials, the collection includes the following series:

  • 1951: Massachusetts, black and white prints (1:20,000 scale)
  • 1971: Massachusetts, black and white prints (1:20,000)
  • 1985: Massachusetts and Rhode Island, infrared transparencies (1:25,000)
  • 1990: Boston, Cape Cod, Buzzard’s Bay, infrared transparencies (1:12,000)
  • 1991-1992: Massachusetts, infrared transparencies (1:40,000)
  • 1991-1992: Merrimack River Valley, North Shore, MDC-1, infrared transparencies (1:12,000)
  • 1993: Massachusetts, Cape Cod, MDC-2, Nantucket, Dukes and Plymouth Counties, Naushon, West Metro, infrared transparencies (1:12,000)
  • 1999: Massachusetts. infrared transparencies and prints (1:25,000)

The collection is housed in the Map Collection on the 2nd Floor of the library.

Subjects
  • Land use--Massachusetts
  • MacConnell, William Preston, 1918-
  • Maps--Massachusetts
  • Wetlands--Massachusetts
Types of material
  • Aerial photography
  • Maps

Massachusetts Governmental Activities Exposition

Massachusetts Governmental Activities Exposition Photograph Album, 1930
88 images (0.25 linear feet)
Call no.: PH 043
Image of Library exhibit
Library exhibit

To celebrate its tercentenary in 1930, the Commonwealth of Massachusetts organized over two thousand events in 253 communities, drawing over eleven million visitors. One of the most elaborate of these events was the Exposition of Governmental Activities held at the Commonwealth Armory in Boston between September 29 and October 11. A celebration more of contemporary governmental activity than the historical precedents, the exposition featured displays representing nearly every branch of government, from the Department of Education to the state police, mental and public health, public welfare, transportation, agriculture, labor, and industry.

P.E. (Paul) Genereux (1892-1977), a commercial photographer from East Lynn, was hired to document the exhibits and displays in the Exposition of Governmental Activities, producing commemorative albums containing silver gelatin prints, carefully numbered and backed on linen. This disbound album includes 88 of the original 175 prints, including interior and exterior shots, with an additional image by Hildebrand.

Subjects
  • Massachusetts Governmental Activities Exposition--Photographs
  • Massachusetts--Centennial celebrations, etc.
Contributors
  • Genereux, P. E.
Types of material
  • Photographs

Nahan, Ken

Ken and Sherri Nahan Collection, 1971-1990
13 items (0.5 linear feet)
Call no.: MS 848
Image of Max Papart, Araire orange, 1972
Max Papart, Araire orange, 1972

Ken and Sherri Nahan operated the Nahan Art galleries in New York City, New Orleans, and Tokyo for many years, exhibiting, publishing, and selling works by a international stable of contemporary artists. They remain active in the art world, as agents and publishers and providing consultation and curatorial services.

The prints in the Nahan collection represent the high state of achievement in French fine art printing in the 1970s and 1980s, and includes works on handmade paper by four master printmakers: Max Papart, James Coignard, Theo Tobiasse, and Nissan Engel.

Contributors
  • Coignard, James
  • Papart, Max
  • Tobiasse, Theo
Types of material
  • Prints (Visual works)

Nanney, David Ledbetter, 1925-

David Ledbetter Nanney Papers, 1948-2008
13 boxes (6.5 linear feet)
Call no.: MS 592
Image of Tracy M. Sonneborn
Tracy M. Sonneborn

The experimental ciliatologist David L. Nanney spent much of his career studying the protozoan Tetrahymena. Under Tracy M. Sonneborn at Indiana University, he completed a dissertation in 1951 on the mating habits of Paramecium, but soon after joining the faculty at the University of Michigan, he turned his attention to Tetrahymena. During his subsequent career in Ann Arbor (1951-1959) and at the University of Illinois (1959-1991), Nanney made a series of fundamental contributions to the cytology, genetics, developmental biology, and evolution of ciliates, influencing the work of other biologists such as Joe Frankel, Janina Kaczanowska, Linda Hufnagel, and Nicola Ricci. Since his retirement in 1991, Nanney has remained in Urbana.

The Nanney Papers include a dense run of professional correspondence with ciliatologists, geneticists, students and colleagues regarding his pioneering research on ciliates and other professional matters. Of particular note is an extensive correspondence with Sonneborn, accompanied by several biographical essays written after Sonneborn’s death, and a large body of correspondence of the controversial reorganization of the biological sciences departments at the University of Illinois in the 1970s. The collection also includes a selection of Nanney’s writings and a handful of photographs.

Subjects
  • Developmental biology
  • Evolution (Biology)
  • Protozoans--Genetics
  • Tetrahymena--Genetics
  • University of Illinois--Faculty
Contributors
  • Allen, Sally
  • Bleyman, Lea K
  • Corliss, John O
  • Frankel, Joseph, 1935-
  • Kaczanowski, Andrzej
  • McKoy, J. Wynne
  • Nanney, David Ledbetter, 1925-
  • Nyberg, Dennis Wayne, 1944-
  • Orias, Eduardo
  • Ricci, Nicola
  • Siegel, Richard
  • Sonneborn, T. M. (Tracy Morton), 1905-

New Victoria Publishers

New Victoria Publishers Records, 1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs

New York Farm Bureau

New York Farm Bureau Photograph Collection, 1915-1916
5 images (0.1 linear feet)
Call no.: PH 053
Image of Ilion, N.Y. detail)
Ilion, N.Y. detail)

Founded as a non-governmental, volunteer organization in 1911, the New York Farm Bureau offers resources to support and enrich rural life and encourages farmers to work collaboratively for better marketing and production.

This small collection of photographs documents inspection tours conducted by the New York Farm Bureau of farms, apparently in the Mohawk River Valley, in 1915-1916. The intent, as the caption of one photograph suggests, was to bring “science into the field.”

Subjects
  • Automobiles--Photographs
  • Fort Plain (N.Y.)--Photographs
  • Ilion (N.Y.)--Photographs
  • Street-railroads--New York (State)--Photographs
Types of material
  • Photographs
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