University of Massachusetts Amherst
Special Collections and University Archives
UMass Amherst Libraries
SCUA

Collection area: Arts & literature (page 4 of 18)

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 18

Common Reader Bookshop (New Salem, Mass.)

Common Reader Bookshop Collection, 1978-1997
1 box (0.5 linear feet)
Call no.: MS 472

Co-owned by Dorothy Johnson and Doris Abramson, the Common Reader Bookshop in New Salem, Massachusetts, specialized in women’s studies materials, or in their words, “books by, for, and about women.” A couple for almost 40 years and married in 2004, Johnson and Abramson, a professor in the theater department at UMass, opened the store in 1977. After nearly twenty-five years in operation, the book shop closed its doors for business in 2000. Comprised mostly of photographs, the collection highlights not only the shop as a place, but also the community it fostered.

Subjects
  • Booksellers and Bookselling--Massachusetts
  • New Salem (Mass.)--History
  • Women--Massachusetts
Contributors
  • Abramson, Doris
  • Common Reader Bookshop (New Salem, Mass.)
  • Johnson, Dorothy

Copeland, Thomas W.

Thomas W. Copeland Papers, 1923-1979
22 boxes (10 linear feet)
Call no.: FS 050
Image of Thomas W. Copeland, 1940
Thomas W. Copeland, 1940

A scholar of eighteenth century British literature and culture, Thomas W. Copeland began what would become more than half a century of research on the statesman and political philosopher Edmund Burke while studying for his doctorate at Yale (1933). After publication of his dissertation in 1949 as Our Eminent Friend Edmund Burke, Copeland was named managing editor of the ten-volume Correspondence (1958-1978). After academic appointments at Yale and the University of Chicago, he joined the faculty at UMass in 1957, remaining here until his retirement in 1976. A chair was established in his name in the Department of English.

The Copeland Papers are a rich collection of personal and professional correspondence, journals and writings from Copeland’s Yale years, manuscripts, typescripts, notes, and draft revisions of his works on Edmund Burke, and a journal chronicling Copeland’s four-year exercise in the daily practice of writing.

Subjects
  • Burke, Edmund, 1729-1797
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Golden, Morris

The Cosby Radio Program

The Bill Cosby Radio Program Collection, 1968 Jan-Jul
12 phonograph records (.3 linear feet)
Call no.: MS 981

“The Bill Cosby Radio Program” was a daily syndicated radio series of roughly 5-minute comedy inserts by Cosby and produced by Frank Buxton (who also served as the show’s announcer and comedic “straight man”). Along with sound man Gene Twombly, Cosby and Buxton improvised the episodes, which were syndicated to more than 200 top-40 radio stations around the nation on transcription discs by The Coca-Cola Company and distributed by McCann-Erikson (Coke’s ad agency). The show marked the beginning of Cosby’s long association with Coca-Cola and was the debut of many characters from Cosby’s comedy.

This collection features twelve radio broadcast transcription discs (one 12-inch disc and eleven 16-inch discs) of “The Bill Cosby Radio Program” containing programs #21-130 (1968 Jan 29-Jun 24) and programs #141-145 (1968 Jul 15). The disc labels contain the original program description and art.

Gift of Jerry Reed, June 2017.
Subjects
  • African American comedians
  • Buxton, Frank
  • Coca-Cola Company
  • Cosby, Bill, 1937-
  • Radio comedies
  • Radio programs
Types of material
  • Phonograph records
Restrictions: SCUA does not currently have the appropriate media to play these records.

Craig, Edward Gordon, 1872-1966

Edward Gordon Craig Collection, 1951-1956
1 box (0.5 linear feet)
Call no.: MS 344

A noted figure in modernist theater, Edward Gordon Craig was born in Stevenage, Hertfordshire, on Jan. 16, 1872, the illegitimate son of the renowned actress Ellen Terry and the architect Edward William Craig. Although the most productive portion of his career was brief, he exerted a strong influence on the field of set design and lighting, and was fairly prolific as a writer on theatre.

The six audio recordings that comprise the Craig collection originated from a series of BBC radio talks in the early 1950s. The reel to reel tapes include Craig’s reminiscences of Ellen Terry, Isadora Duncan, the old school of acting, celebrities, and how he played Hamlet in Salford, Lancashire.

Subjects
  • Duncan, Isadora, 1877-1927
  • Terry, Ellen, Dame, 1847-1928
  • Theater--Great Britain
Types of material
  • Oral histories
  • Sound recordings

Culley, Margo

Margo Culley Papers, 1973-1985
1 box (1.5 linear feet)
Call no.: FS 103

A former Professor of English at UMass Amherst and contributor to the Program in Women’s Studies, Margaret (Margo) Culley was a specialist in women’s literature, particularly in women’s autobiography and diaries as a literary form. Her research drew variously upon work in literature, history, American studies, and religion, exploring gender and genre, language, subjectivity, memory, cultural diversity, and narrative. Between 1985 and 1994, she edited three volumes on American women’s autobiographical writing, and another on feminist teaching in the college classroom.

The Culley Papers offer a somewhat fragmentary glimpse into Culley’s academic career and her commitments to women’s literature. The collection includes selected notes for research and teaching, annotated bibliographies of women’s literature, a performance script for The Voices of Lost New England Women Writers, a federal grant proposal for The Black Studies/Women’s Studies Faculty Development Project (1981), and notes related to a study on minority women in the classroom. Letters collected by Culley’s students (late 18th and early 19th century) have been separated from the collection and designated as manuscript collections.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Women
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women's Studies
Contributors
  • Culley, Margo

Cummington School of the Arts

Cummington School of the Arts Records, 1908-1993
30 boxes (45 linear feet)
Call no.: MS 891
Image of Poster, ca.1925
Poster, ca.1925

In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.

The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.

Transferred from Springfield Museums through Margaret Humberston, Dec. 2015

Curran, Mary Doyle, 1917-1981

Mary Doyle Curran Papers, 1917-1980
7 boxes (3.5 linear feet)
Call no.: MS 435

Mary Curran Doyle and dog

Born in Holyoke, Massachusetts in 1917 and a graduate of Massachusetts State College, Mary Doyle Curran was an author, editor, and professor, who published her only novel, The Parish and the Hill, in 1948. Curran taught English and Irish Literature at Wellesley College, Queens College, and UMass Boston before retiring; she died in 1981.

The collection includes unpublished drafts of novels and short stories; photographs; correspondence from family and friends; publishers and literary associates such as Saul Bellow and Josephine Herbst. The Parish and the Hill, Curran’s only published novel, is today considered a classic among Irish American literature.

Subjects
  • Holyoke (Mass.)--History
  • Irish American literature
  • Irish American women--History
  • Women authors--Massachusetts
Contributors
  • Bellow, Saul
  • Curran, Mary Doyle, 1917-1981
  • Halley, Anne
  • Herbst, Josephine, 1892-1969
Types of material
  • Photographs

D’Annunzio, Gabriele, 1863-1938

Gabriele D'Annunzio Collection, 1919-1920
1 box (0.1 linear feet)
Call no.: MS 763
Image of Seal of the City of Fiume
Seal of the City of Fiume

An Italian poet, journalist, novelist, and dramatist, Gabriele D’Annunzio enjoyed a flamboyant career in international affairs after the First World War when he raised a small army and seized the port of Fiume (now Rijeka, Croatia). Failing in his attempts to annex his territory to Italy, D’Annunzio reigned as Duce over the micro-state for over a year before being forced to relinquish control.

The fifteen imprints comprising this collection of scarce broadsides, all printed in the short-lived Free State of Fiume. During the brief period of his reign in Fiume, D’Annunzio issued propagandistic broadsides, proclamations, and leaflets almost daily, often distributing them by airplane drop over the city. Included is a rare first edition of D’Annunzio’s most famous piece from the Fiume period, Italia e vita.

Acquired from Steve Resnick, Jan. 2013
Language(s): Italian
Subjects
  • Free State of Fiume--History--20th century
  • Italy--History--1914-1922
  • Rijeka (Croatia)--History--20th century
  • World War, 1914-1918--Baltic State
  • World War, 1914-1918--Italy
Contributors
  • D'Annunzio, Gabriele, 1863-1938
  • Druscovich, Marco
  • Zoll, Corrado
Types of material
  • Broadsides
  • Fliers (Printed material)

Dalsimer, Susan

Susan Dalsimer Papers, 1969-1970
1 box (0.25 linear feet)
Call no.: MS 578
Image of Steve Diamond, Ray Mungo, and Susan Dalsimer, ca.1969
Steve Diamond, Ray Mungo, and Susan Dalsimer, ca.1969

Famous Long Ago launched the literary career of Raymond Mungo with a splash, but even before the book had reached the shelves, he turned to his next project. In October 1969, Mungo began planning for a memoir of his life at the Packer Corners commune. Soon entitled Total Loss Farm, the book would become a classic in the literature of the 1960s counterculture. Signing a contract in November with E.P. Dutton, he worked with a young and sympathetic editor, Susan Stern (later Susan Dalsimer).

This small, but rich collection consists of a series of letters between Raymond Mungo and his editor at E.P. Dutton, Susan Stern, regarding his ideas on writing and life. Beginning in October 1969 with editorial commentary on Famous Long Ago and Mungo’s additions, the Dalsimer Papers offer insight into the development of Total Loss Farm from concept to printed page.

Gift of Susan Dalsimer, Nov. 2008
Subjects
  • Bloom, Marshall, 1944-1969
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Diamond, Stephen
  • McLardy, Peter
  • Montague Farm Community (Mass.)
  • Mungo, Raymond, 1946- . Famous Long Ago
  • Mungo, Raymond, 1946- . Total Loss Farm
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Simon, Peter, 1947-
Contributors
  • Dalsimer, Susan
  • Mungo, Raymond, 1946-
Types of material
  • Photographs

Davis, Bobby

Bobby Davis Photograph Collection, 1980-1983
1 box (0.2 linear feet)
Call no.: PH 065

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.

Gift of Bobby Davis, Jan. 2015
Subjects
  • Jazz musicians--Photographs
Types of material
  • Photographs
  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 18

© 2017 * SCUA * UMass Amherst Libraries

Site policies