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Massachusetts. Treasurer and Receiver General

Massachusetts Bay Warrants Collection

1743-1767
6 folders 0.15 linear feet
Call no.: MS 089

On the eve of the Seven Years War in the Province of Massachusetts, town constables shouldered an array of public responsibilities, including announcing town meetings, serving writs for the town clerk, and collecting local taxes. Although they received a commission for the taxes collected, constables were also held personally responsible for any taxes unpaid, authorized by writ of the Provincial Treasurer and enforced by County Sheriffs.

The warrants in this collection, nearly all printed forms completed in manuscript, were issued by the Treasurer and Receiver General of Massachusetts Bay Province, William Foye or his successor Harrison Gray, authorizing the Hampshire County Sheriff, Oliver Partridge, or Deputy Sheriffs Moses Miller or Ephraim Williams, to attach the goods of local constables in arrears: Brimfield, Greenwich, Sheffield, and Westfield, Mass., along with Somers and Suffield, now part of Connecticut. In instances where the taxes were not delivered, the Sheriff was empowered to “levy by Distress and Sale of the Estate real and personal” of the constable to make up the unpaid difference.

Subjects

  • Brimfield (Mass.)--History
  • Greenwich (Mass.)--History
  • Sheffield (Mass.)--History
  • Somers (Conn.)--History
  • Sufffield (Conn.)--History
  • Taxation--Massachusetts--18th century
  • Westfield (Mass.)--History

Contributors

  • Massachusetts. Treasurer and Receiver General

Types of material

  • Warrants
MassEquality

MassEquality Records

ca.1993-2008
18 boxes 23.25 linear feet
Call no.: MS 674
Image of MassEquality sticker
MassEquality sticker

In the late 1990s, MassEquality was formed as a coalition of advocacy groups that sought to build legislative support for same-sex marriage and gay rights in Massachusetts. Formally incorporated as a 501(c)4 advocacy organization in late 2001, the coalition hired its first employee, Campaign Coordinator Marty Rouse, in late 1993, and achieved a landmark success that November when the Supreme Judicial Court of Massachusetts ruled that the state may not “deny the protections, benefits and obligations conferred by civil marriage to two individuals of the same sex who wish to marry.” On May 17, 2004, Massachusetts became the first state in the nation to allow equal marital rights to same-sex couples. Since that time, MassEquality has continued to champion marriage equality nationally.

The MassEquality Records document the origins, operations, and activism of one of the leading organizations in New England advocating for marriage rights and civic equality for all, regardless of sexual orientation. The collection includes some material generated by the Freedom to Marry Coalition, a partner in the coalition, and a series of large banners and posters, some of which were displayed during the event celebrating the arrival of marriage equality in Massachusetts.

Subjects

  • Gay rights--New England
  • Gays--Legal status, laws, etc.--New England
  • Same-sex marriage--Law and legislation--New England

Contributors

  • Freed to Marry Coalition
  • MassEquality

Types of material

  • Banners
  • Posters
McQueen, Madge

Madge McQueen Papers

ca.1935-2017 Bulk: 1975-2017
100 linear feet
Call no.: MS 825
Image of Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

Subjects

  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists

Types of material

  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)
Men’s Resource Center for Change

Men's Resource Center Records

ca. 1982-2007
6 boxes 7.5 linear feet
Call no.: MS 813

In 1982, Steven Botkin, who had done his doctoral work in the social justice program at UMass Amherst’s School of Education, co-founded the Men’s Resource Connection (MRC) in Amherst, Mass., to promote healthy ideas of masculinity and male leadership by challenging harmful stereotypes involving violence, sexism, and oppression and creating a local network of men as well as of men and women. In 1983 MRC started a newsletter, Valley Men, which became the magazine Voice Male, with a circulation of 10,000. Incorporated as a nonprofit in 1988, MRC developed programs to serve and educate men, with a focus on violence and domestic violence in particular, notably Men Overcoming Violence (MOVE), later called Moving Forward. In 1993 the MRC changed its name to the Men’s Resource Center of Western Massachusetts, and by 2005 it was known as the Men’s Resource Center for Change. Both a social service agency and a social justice organization, MRC made an impact in communities around and far beyond western Massachusetts. It offered workshops, classes, support groups, trainings, and consultations for adult men and youths, on issues relating to violence, anger, surviving abuse, emotional well-being, race, fatherhood, sexuality, and more. In 2016, after several years of financial struggle in the wake of the recession of the late 2000s, MRC announced its plans to merge with Men’s Resources International (MRI), founded by Botkin in 2004, to form MERGE for Equality, Inc. Voice Male, now a national magazine, has a robust online presence as an independent publication.

The MRC Records span most of the organization’s history and include correspondence and memos, background reading and training material, fliers and other ephemera, annual reports, newsletters and copies of Voice Male, clippings (including Voice Male articles organized by subject), and audio and video tapes.

Subjects

  • Masculinity
  • Men’s movement
  • Violence in men

Contributors

  • Okun, Rob A.

Types of material

  • Annual reports
  • Clippings (information artifacts)
  • Fliers (printed matter)
  • Newsletters
Metcalf, Frank

Frank Metcalf Papers

1862-1866
1 box 0.25 linear feet
Call no.: MS 529

Of the six letters that make up this collection, five date from 1862-1863 and are addressed to Frank Metcalf, teacher and soldier in the Union Army during the Civil War. These letters are from friends and family in New York, and relay local news, in particular updates on area schools and students. The final letter dated June 30, 1866 is from Hannah J. McLintock, to her brother, John.

Subjects

  • Education--New York (State)
  • United States--History--Civil War, 1861-1865

Contributors

  • McLintock, John
  • Metcalf, Frank

Types of material

  • Letters (Correspondence)
Millers River Publishing Co.

Millers River Publishing Co. Records

1983-1989
2 boxes 3 linear feet
Call no.: MS 805

The journalist and activist Allen Young founded Millers River Publishing Co. in 1983 to produce “fine books about New England.” Nearly a one person shop, the company began in Athol, Mass., with what would become the most successful of its publications, North of Quabbin, Young’s own guidebook to the nine towns rimming the Quabbin Reservoir. Over the next five years, Millers River issued at least fifteen titles in regional and local history, fiction, and children’s books. Soon after Young left his job at the Athol Daily News in 1989 to accept a position in public relations at the community hospital, the company ceased its operations.

The records of the Millers River Publishing Co. document the active years of a small regional press in northern Massachusetts. In addition business records, the collection includes correspondence from authors and readers along with book proposals and manuscripts, including some for works not published. Most of the Millers River publications are available in SCUA.

Gift of Allen Young, Dec. 2013

Subjects

  • Publishers and publishing--Massachusetts

Contributors

  • Young, Allen, 1941-
Mission and history

Mission

Cattle judging at Mass. Agricultural College
Judging cattle at Mass. Agricultural College

SCUA inspires discovery through the collection and curation of cultural heritage materials for the people of the Commonwealth of Massachusetts and beyond, contributing to the vital conversation between past and future. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, services, programs, and exhibitions to promote free inquiry; the production, exchange, and preservation of knowledge; and joy in learning.

Department history

African dancers
African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. Containing official records of the university’s administrators and faculty and reflecting the life of its students, the College History Collection grew steadily until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s foresight in assembling the College archives coincided roughly with the university’s first efforts to build a collection of rare books to support its educational mission. As early as 1868 — just one year after the arrival of the first students — the college accepted the donation of twenty scarce volumes on bee culture from the apiculturist (and state Adjutant General) Henry K. Oliver. By the time the college issued its first library catalog in 1875, rare books were a small, but notable part of the collections, closely focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Included among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. Each of these volumes remains part of the collections today.

David Axelrod, Class of 1965
David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collection of rare books and manuscripts has co-evolved with the university and its academic programs. In 1973, the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski marked an expansion of scope beyond into personal papers and organizational records of historical significance beyond the narrow confines of the university, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were merged with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, and by 2007, it had evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, with the generous support of the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. Available free to all researchers, Credo is now a robust and heavily used presence on the internet, containing hundreds of thousands of pages of content and dozens of complete collections, including every item in the papers of W.E.B. Du Bois and Horace Mann Bond.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:
Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.
SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.
Two millionth volume:
Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.
A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.
Three millionth volume:
James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.
When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.
Four millionth volume:
The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.
The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

Learn more:

Morehouse, Ward, 1929-

Ward Morehouse Papers

ca.1950-2012
120 boxes 180 linear feet
Call no.: MS 764
Image of Ward Morehouse at his desk in the Educational Resources Center, New Delhi, 1966
Ward Morehouse at his desk in the Educational Resources Center, New Delhi, 1966

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

Gift of Ward Morehouse and Carolyn Oppenheim, Nov. 2013

Subjects

  • Anti-globalization movement
  • Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984
  • Economics
  • India--Economic conditions

Contributors

  • Apex Press
  • Center for International and Comparative Studies
  • Council on International and Public Affairs
  • Permanent Peoples' Tribunal
  • Program on Corporations, Law and Democracy
Morley, Cathrin

Cathrin Morley Poetry Album

1832-1837
1 vol. 0.25 linear feet
Call no.: MS 136 bd

Possibly a worker who boarded in Van Duesenville, a growing industrial area of Great Barrington, Massachusetts. Notebook consists of poems, most of which concern religious faith and local events that were written in Cathrin Morley’s hand but may not have been created by her. Also includes a list of significant family dates.

Subjects

  • Christian poetry, American--Massachusetts--Great Barrington
  • Death--Poetry
  • Great Barrington (Mass.)--History
  • Morley family
  • Sex role--Massachusetts--Great Barrington--Poetry
  • Spiritual life--Poetry
  • Van Duesenville (Great Barrington, Mass.)
  • Women--Poetry

Contributors

  • Morley, Cathrin

Types of material

  • Notebooks
  • Poems
Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile

ca.1894
1 item 0.1 linear feet
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects

  • Kelmscott Press

Contributors

  • Morris, William, 1834-1896

Types of material

  • Holographs (Autographs)