An attorney from Hadley, Mass., Alexandra D. Dawson was known throughout New England for her work in conservation law and environmental activism. Born in Maryland in 1931, Dawson married shortly after graduating from Barnard College and after raising a family of three, she resumed her education, earning a law degree from Harvard in 1966. Early in her legal career, she took up the cause of protecting “wildlife, wetlands, and woodlands.” She was among the earliest employees of the Conservation Law Foundation and later served as general counsel for the Metropolitan Area Planning Council. The author of a string of influential works in environmental law, including (1978), (1982), and the (1978-2006), she was also an educator, teaching at Antioch College (where she launched the environmental studies program), Tufts, the Kennedy School of Government, and Rhode Island School of Design. Among other commitments, Dawson was a key figure in the Kestrel Trust and served long stints on the Massachusetts Association of Conservation Commissions (MACC) and the Hadley Conservation Commission. Dawson died of complication from emphysema on Dec. 30, 2011.

The product of a forty year commitment to conservationism, Dawson’s papers provide valuable documentation of land preservation efforts in New England, with a focus on the evolution of the legal context. Dawson was a formidable figure in efforts to protect wetlands, agricultural land, and open space, and her papers offer insight into land use planning, her teaching, writing, and speaking.

Wildwood Cemetery, Amherst, Non. 2004

An historical archaeologist with an MA in Anthropology from UMass Amherst, Bob Drinkwater has recorded, photographed, and reported on the eighteenth- and early nineteenth-century gravestones and stonecutters of western Massachusetts for over four decades, and he has identified a number of Connecticut River Valley carvers. A charter member of the Association for Gravestone Studies, he has been active in nearly every aspect of the organization, contributing scholarly articles to its journals, organizing and presenting at its conferences, and serving terms as President and Trustee. He offers a workshop, “Gravestone Studies 101: A Survey of Gravestone Art in the Pioneer Valley”, at Greenfield Community College.

Focused on Bob Drinkwater’s research on western Massachusetts, the collection contains several hundred images recording early gravestones in the cemeteries of Amherst and Hadley, photo documentation of the stonecutters of Berkshire County and the Quabbin region, and two longer works written by Drinkwater: “From quarry to graveyard: a schematic reconstruction of early New England gravestone-carving technology” (his honor’s thesis, ca.1975) and “Notes on Methods of Collection, Classification, Recording, and Analysis of Data for Stylistic and Demographic Studies of Early New England Gravestones.”

Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a few posters, and a thick sheaf of material from the Tri-County Fair.

Lucille “Sidney” Eslinger was born in Albany, Missouri, on November 9, 1922, the daughter of Delano R. and Alice M. Willoughby Eslinger. After graduating from high school in 1941, Eslinger turned down an opportunity to attend college to work at Caterpillar Tractor Company in Peoria, lll., partly for the opportunity to play for the Caterpillar Dieselettes, the fast-pitch softball team. Through a co-worker, Eslinger developed an interest in history, becoming an active proponent of historic preservation in central Illinois, including graveyards. After retiring from Caterpillar, she and a friend operated a dog grooming business and she was active in the Humane Society. Sidney died in Peoria on August 14, 2011.

The Eslinger Collection contains materials relating to Sidney Eslinger’s interests in gravestone studies, including four books; a research notebook about Springdale Cemetery in Peoria; a photo album of Old Peoria State Hospital; correspondence and miscellaneous materials about stone quarries and symbolism; and a photo scrapbook, “Coin Harvey: A Legend in His Time.” States represented include Illinois and Indiana.

Tulip poplar leaf Arthur Mange Collection

Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.

Current Exhibit

Future exhibits

W.E.B Du Bois at 150

Exhibits online
Class of 1967 Memorial and Monuments Tour Highlights the rich legacy of alumni giving and participation on the UMass Amherst campus from 1867 to today. See the buildings, structures, monuments, plaques, gardens, sculptures, trees, and benches that tell the story of a century and a half of generosity. Exhibit courtesy of the Class of 1967; prepared by Cheryl Harned.
100 photos: Arthur Mange Photographs from the collection of Arthur Mange.	Through the Photographer’s Eyes: The Diana Mara Henry Collection (20th Century Photographer Photographs taken by Henry along with a rich array of related materials—speeches, press releases, brochures, and her personal notes—collected over the years, which document the political and cultural scene of the second half of the twentieth century
Photographer: Diana Mara Henry Photographs from the collection of Diana Mara Henry. An exhibit by Chuck Abel.	E.D. Hudson: an Abolitionist Life An examination of social reform and antislavery in Antebellum New England. An exhibit by Charles Weisenberger.
Rhetoric or Research interprets student protests against CIA recruitment at UMass Amherst during the 1980s through a selection of images taken by student photojournalists. By Tom Hohenstein (ETHIR recipient, 2011).	Source, History, Story: Teaching U.S. History in the Archives A digital curriculum for teaching U.S. history using archival resources. An exhibit by Emily Oswald (ETHIR recipient, 2011).
Behold And See As You Pass By An online exhibit on gravestones and mortuary art in Early New England drawn from the Association for Gravestones Studies Collections. By Molly Campbell (ETHIR recipient, 2011)	Uncertain Futures Science fiction readership in the Cold War and beyond. An exhibit by Morgan Hubbard.
Fifteen letters Conrad D. Totman’s letters home from Korea, 1954-1955. An exhibit by Alex McKenzie.	Du Bois: The Activist Life An online exhibit on the life and legacy of W.E.B. Du Bois based on his papers.
Herbals and Insects A selection of rare botanical and entomological books from the SCUA collections.	Apiculture and culture Books on bees and beekeeping. An exhibit by Richard A. Steinmetz.

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Jonathan Butterfield, Chelmsford, 1750

A businessman from Worcester, Mass., Daniel Farber (1906-1998) was among the best known photographers of early American gravestone art. Over the course of twenty years beginning in about 1970, he and his wife Jessie Lie Farber (a faculty member at Mount Holyoke College) took thousands of photographs of gravestones throughout New England and the eastern United States, eventually extending their work internationally. Interested in both the artistic and cultural value of gravestones, the Farbers were founding members of the Association for Gravestone Studies in 1976 and influenced a generation of fellow researchers in gravestone studies.

Printed in 1973, the Farber Collection includes 326 black and white prints (5×7″),mounted on rag board, of of colonial and early national gravestones in Massachusetts. The towns represented, most by multiple images, include Auburn, Billerica, Boylston, Brookfield, Cambridge, Charlestown, Chelmsford, Concord. Holden, Leicester, Lexington, Marlboro, Northboro, North Brookfield, Oxford, Paxton, Rutland, Shrewsbury, Sudbury, Watertown, Wayland, and Westboro.

Ann Ferguson began her tenure at UMass as an Instructor in 1964 as she completed the last year of her doctoral work at Brown under supervision of R.M. Chisolm. With academic interests in ethics, aesthetics, women’s studies, and social and political philosophy, Ferguson has been politically engaged in human rights and social justice initiatives since the 1960s, supporting organizations such as Feminist Aid to Central America, Marxist Activist Philosophers, and the Radical Philosopher’s Association. In 1995, Ferguson accepted a three-year term as Director of Women’s Studies, describing the program as one with the “roots in political activism to fight social injustice.” Despite her 2008 retirement, Ferguson continues to teach in both Philosophy and Women’s Studies.

The Ferguson Papers document Ann Ferguson’s academic career at the University of Massachusetts Amherst as well as her commitment to political activism and social change. The papers include material relating to campus politics, the women’s movement and other social movements, Philosophy Department files (1971-1997) from Ferguson’s tenure as Head of the Philosophy Department, and course materials from both Women’s Studies and Philosophy. Also included among the papers are professional correspondence, feminist pamphlets (1970s-1980s), and several posters from Ferguson’s office.

Charles H. Fernald

During a long and productive career in natural history, Charles Fernald conducted important research in economic entomology and performed equally important work as a member of the faculty and administration at Massachusetts Agricultural College. Arriving at MAC in 1886 as a professor of zoology, Fernald served as acting President of the College (1891-1892) and as the first Director of the Graduate School (1908-1912), and perhaps most importantly, he helped for many years to nurture the Hatch Experiment Station.

Correspondence, published writings, publication notes, newspaper clippings, Massachusetts Board of Agriculture Reports, and biographical material including personal recollections of former student and colleague Charles A. Peters.

Henry T. Fernald

Henry T. Fernald received his doctorate in Zoology from Johns Hopkins University in 1890, and after nine years on faculty at the Pennsylvania State College, he joined his father on the faculty of the Massachusetts Agricultural College. Like his father, Henry Fernald was an industrious and avid entomologist, and together the two expanded both the undergraduate and graduate curriculum in entomology. In addition to serving as Head of the Department of Entomology, Fernald followed his father as Director of the Graduate School at Massachusetts Agricultural College (1927-1930). A specialist in economic entomology and the systematics of the Hemiptera and Hymenoptera, Fernald also served as President of the Association of Economic Entomologists (1914).

Correspondence with colleagues, College administrators, including President Lewis, and alumni; biographical materials, news clippings and published writings.

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.