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Goldspinner, Jay

Jay Goldspinner Periodicals Collection, 1974-2012
1 box (1 linear feet)
Call no.: MS 909
1977 Spring Equinox cover of WomenSpirit
1977 Spring Equinox cover of WomenSpirit

All social change and cultural movements have their associated resources for the exchange of information, ideas, stories, and art. Particularly in the women’s movement, the effort to create newsletters, journals, and other forms of information dissemination was a proactive step taken to assert women’s stories and to locate the power of the press within women-run communities. These periodicals, both large and small in scale, reveal the ways women connected to each other and to larger spiritual and cultural concepts. Local artist, activist, and feminist Jay Goldspinner was engaged with many of these communities, particularly those characterizing the spiritual elements of the women’s liberation and feminist movements, and collected and saved their periodicals. Her collection includes journals focusing on feminist linguistics, goddess myths and spirituality, Wiccan and witch traditions, progressive politics, and women’s spirituality and community in local and international settings. Each is a unique window into discourses of women’s history, feminist movements, and social change work.

The Jay Goldspinner Periodicals Collection consists of issues of feminist and progressive periodicals, journals, and newsletters from four decades. The titles represented include Always in Season, Goddessing, The Lonesome Node, The People’s Voice of Franklin County, Themis/Thesmophoria, Wicked Word, and an almost complete run, including the two indexes, of the seminal magazine of feminist spirituality, WomenSpirit.

Subjects
  • Feminism--Periodicals
  • Franklin County (Mass.) --Periodicals
  • Goddess religion--Periodicals
  • Neopaganism--Periodicals
  • Spiritual feminism--Periodicals
  • Wicca--Periodicals
  • Witchcraft--Periodicals
  • Women and spiritualism--Periodicals
  • Women's rights and spiritualism--Periodicals
Types of material
  • Periodicals

Howes, Jeanne C., 1916-

Jeanne Howes Papers, 1967-2006
2 boxes (0.75 linear feet)
Call no.: MS 471

Independent Melville scholar, Jeanne Howes proved that Herman Melville’s first book, Redburn, or, The Schoolmaster of Morning, was published anonymously in 1844. This collection contains her published articles and book about Melville, as well as a self-published work about Nathan and Seth Howes who were credited with creating the first American tented circus.

Also a poet, her papers include letters from Robert Francis, with whom she carried on a regular correspondence for nearly a decade, as well as unpublished typescripts of her own poems.

Subjects
  • Poetry
Contributors
  • Francis, Robert, 1901-1987
  • Howes, Jeanne C., 1916-

Kotker, Zane

Zane and Norman Kotker Papers, 1961-2014
29 boxes (32 linear feet)
Call no.: MS 948
Zane and Norman Kotker Papers image
Zane Kotker, photo taken by her husband Norman, ca. 1972

The writer Zane Kotker was born Mary Zane Hickcox in Southbury, Connecticut, in 1934. After graduating from Middlebury College (1956), Kotker led a busy life working short stints in and out of Manhattan as a secretary, researcher, writer, teacher, and editor, collaborating on the side with a friend to publish a little magazine while earning a master’s degree in history from Columbia University. In 1965, she married a fellow writer, Norman Kotker, and while raising their two children, David (born 1967) and Ariel (1969), the couple began writing in earnest. An editor at Horizon Books, Norman used his weekends to write his first book, The Holy Land in the Time of Jesus (1967), following up with two novels, Miss Rhode Island (1978) and Learning About God (1988). A stay-at-home, free-lancing mother, Zane used her “free” time for writing as well, completing her first novel by taking advantage of a babysitter on Tuesday and Friday mornings, and going on to publish five other novels, numerous short stories, and a volume of poetry. Norman Kotker died in 1999 years after first being diagnosed with multiple sclerosis. Zane Kotker continues to write and publish; her novella Goodnight Ladies was released in 2016.

The records of a highly productive literary couple, the Zane and Norman Kotker Papers contain manuscript drafts, notes, research materials, correspondence, and reviews. Reflecting both the co-operation and the competition connecting married writers, the collection offers insight issues ranging from the financial challenges of supporting the writing careers of two novelists to the challenges of a woman attempting to define herself professionally during the early 1970s and the publishing scene in New York City in the 1970s through 1990s. The collection also include materials related to the founding of the Well Spouse Association–Zane was a founding member of the organization created to provide a support system for individuals caring for chronically ill and/or disabled spouses–including her nonfiction writing published under the name Maggie Strong.

Gift of Zane Kotker, Sept. 2016
Subjects
  • Well Spouse Association
  • Women writers
Contributors
  • Kotker, Norman
  • Kotker, Zane

Massachusetts Review

Massachusetts Review Records, 1959-2013
49 boxes (73 linear feet)
Call no.: MS 555

The Massachusetts Review is an independent quarterly of literature, the arts, and public affairs. Co-founded by Jules Chametzky and Sidney Kaplan in 1959 to promote eclectic, nontraditional, and underrepresented literary and intellectual talent, the Review has been an important venue for African American, Native American, and feminist writers and poets, mixing new and established authors.

The records of the Massachusetts Review document the history and operations of the magazine from its founding to the present, including general correspondence and nearly complete editorial files for published works. The collection also includes a small number of audio recordings of MR2, a radio show hosted by Review editor David Lenson with interviews of writers, artists, and cultural critics.

Subjects
  • Criticism--20th century--Periodicals
  • Literature--20th century--Periodicals
  • Poetry--20th century--Periodicals
Contributors
  • Abramson, Doris E
  • Chametzky, Jules
  • Massachusetts Review

MFA Program for Poets and Writers (University of Massachusetts Amherst)

MFA Program for Poets and Writers (University of Massachusetts Amherst) Collection, 1963-2014
(18 linear feet)
Call no.: RB 023

One of the oldest programs of its kind in the country, the MFA Program for Poets and Writers at UMass Amherst was established by the poet Joseph Langland in 1963, offering students an opportunity for intensive focus on their creative work. Unlike the Iowa Writers Workshop, where Langland had studied, students in the UMass program were required to take coursework outside of writing workshops. Over its first fifty years, the program has grown into one of the top ten in the nation and its graduates and faculty have been recognized with awards from the Pulitzer to the National Book Award, Pushcart Prize, the PEN/Faulkner Award, and US Poet Laureate.

The MFA collection contains a growing body of work from students, alumni, and faculty affiliated with the Program for Poets and Writers at UMass Amherst. Among the hundreds of volumes are novels, collections of short stories, plays, and poetry, including a large number of chapbooks and small press imprints.

Subjects
  • Fiction
  • Poetry

Morris, Mary McGarry

Mary McGarry Morris Papers, 1958-2012 (Bulk: 1987-2012)
25 boxes (31.25 linear feet)
Call no.: MS 912

When her first novel, Vanished, was published in 1988, Mary McGarry Morris was immediately celebrated as a haunting and powerful writer of character-rich novels. A finalist for the National Book Award and the PEN/Faulkner Award for Fiction, Vanished was followed by seven more acclaimed novels: A Dangerous Woman (1991; released as a feature film in 1993), Songs in Ordinary Time (1995; a selection of Oprah’s Book Club), Fiona Range (2000), A Hole in the Universe (2004), The Lost Mother (2005), The Last Secret (2009), and Light from a Distant Star (2011). Morris was born in Connecticut, grew up in Rutland, Vermont, and with her lawyer husband, Michael, has long lived—and raised five children—in Andover, Massachusetts. In her forties when Vanished was published after years of writing in near-secret, Morris has a gift for illuminating and shading the banalities, the urges, and the often fragile relationships that define and disrupt her characters’ lives and the fictional New England towns they inhabit. Her work has drawn comparisons to Steinbeck and McCullers.

The Mary McGarry Morris Papers consist of numerous drafts of her novels, including many handwritten pages and notes, as well as correspondence, book covers, clippings, and other material relating to the publication and promotion of her works. In addition, there are many early stories and some poems.

Gift of Mary McGarry Morris, 2016
Subjects
  • Fiction--20th century--Stories, plots, etc
  • Fiction--21st century--Stories, plots, etc
Contributors
  • Morris, Mary McGarry

Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile, ca.1894
1 item (0.1 linear feet)
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects
  • Kelmscott Press
Contributors
  • Morris, William, 1834-1896
Types of material
  • Holographs (Autographs)

New Victoria Publishers

New Victoria Publishers Records, 1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
New Victoria Publishers Records image
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that, “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a defacto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs

Nineteenth Century Theatre

Nineteenth Century Theatre Records, 1987-1996
4 boxes (6 linear feet)
Call no.: MS 469

Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.

The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.

Subjects
  • Theater--History and criticism
  • Theater--History--19th century
  • Theater--Periodicals

Swedish Book Design

Swedish Book Design Collection, 1922-1961 (Bulk: 1922-1942)
ca.250 vols. (17 linear feet)
Call no.: RB 026
Swedish Book Design Collection image
Ivan Bunin, Herrn Fran San Francisco

James H. Fraser and his wife Sibylle were eclectic and sometimes omnivorous collectors of the book arts, dedicated to the scholarly exploration of visual culture, the book, and the avant garde. A former Director of the Library at Farleigh Dickinson University and a consultant to many other academic libraries, James Fraser developed an omnivorous passion for German and Eastern European graphic design and book culture and had interests that ranged from Socialist children’s books to Judaica, the American left, Mongolian printing, and Japanese posters of the 1980s. James Fraser died in the fall 2013 and was survived by Sibylle and their two children.

This unusual collection of over 250 volumes is a product of the Frasers’ interest in Swedish book jacket design. Consisting nearly entirely of soft cover volumes printed between the 1920s and 1960s, primarily pre-war, and not necessarily written by Swedish authors, the collection reflects the work of many illustrators drawing on a range of graphic styles, from avant garde modernism to the later parts of the collection, which includes translations of popular works by writers such as Ian Fleming and Agatha Christie.

Subjects
  • Book jackets--Sweden
Contributors
  • Fraser, James H.
  • Fraser, Sibylle

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