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Men’s Resource Center for Change

Men's Resource Center Records

ca. 1982-2007
6 boxes 7.5 linear feet
Call no.: MS 813

In 1982, Steven Botkin, who had done his doctoral work in the social justice program at UMass Amherst’s School of Education, co-founded the Men’s Resource Connection (MRC) in Amherst, Mass., to promote healthy ideas of masculinity and male leadership by challenging harmful stereotypes involving violence, sexism, and oppression and creating a local network of men as well as of men and women. In 1983 MRC started a newsletter, Valley Men, which became the magazine Voice Male, with a circulation of 10,000. Incorporated as a nonprofit in 1988, MRC developed programs to serve and educate men, with a focus on violence and domestic violence in particular, notably Men Overcoming Violence (MOVE), later called Moving Forward. In 1993 the MRC changed its name to the Men’s Resource Center of Western Massachusetts, and by 2005 it was known as the Men’s Resource Center for Change. Both a social service agency and a social justice organization, MRC made an impact in communities around and far beyond western Massachusetts. It offered workshops, classes, support groups, trainings, and consultations for adult men and youths, on issues relating to violence, anger, surviving abuse, emotional well-being, race, fatherhood, sexuality, and more. In 2016, after several years of financial struggle in the wake of the recession of the late 2000s, MRC announced its plans to merge with Men’s Resources International (MRI), founded by Botkin in 2004, to form MERGE for Equality, Inc. Voice Male, now a national magazine, has a robust online presence as an independent publication.

The MRC Records span most of the organization’s history and include correspondence and memos, background reading and training material, fliers and other ephemera, annual reports, newsletters and copies of Voice Male, clippings (including Voice Male articles organized by subject), and audio and video tapes.

Subjects
  • Masculinity
  • Men’s movement
  • Violence in men
Contributors
  • Okun, Rob A.
Types of material
  • Annual reports
  • Clippings (information artifacts)
  • Fliers (printed matter)
  • Newsletters

Metcalf, Frank

Frank Metcalf Papers

1862-1866
1 box 0.25 linear feet
Call no.: MS 529

Of the six letters that make up this collection, five date from 1862-1863 and are addressed to Frank Metcalf, teacher and soldier in the Union Army during the Civil War. These letters are from friends and family in New York, and relay local news, in particular updates on area schools and students. The final letter dated June 30, 1866 is from Hannah J. McLintock, to her brother, John.

Subjects
  • Education--New York (State)
  • United States--History--Civil War, 1861-1865
Contributors
  • McLintock, John
  • Metcalf, Frank
Types of material
  • Letters (Correspondence)

Miller Family

Miller Family Photographs

ca.1880-1980
1 boxes, 1 oversize envelope 1.25 linear feet
Call no.: MS 119

Four generations of the Miller family from Roxbury and Hull, Massachusetts. Includes photographs mounted on twenty-eight sheets of posterboard and 158 slides stored in two slide trays that are comprised of formal and informal family portraits; family businesses; church and business gatherings; a wedding announcement; and postcards from the early 1900s depicting public recreation sites. More recent photographs reveal how the public recreation sites have changed over the years. Robert Parker Miller, a graduate of the University of Massachusetts Amherst and a member of the Miller family, displayed these images in an exhibit entitled “Trying to Live the American Dream” (1986, Wheeler Gallery).

Subjects
  • Family--United States--History
  • Hull (Mass.)--Photographs
  • Massachusetts--Social life and customs--19th century--Photographs
  • Massachusetts--Social life and customs--20th century--Photographs
  • Roxbury (Mass.)--Pictorial works
Contributors
  • Miller family
Types of material
  • Photographs

Millers River Publishing Co.

Millers River Publishing Co. Records

1983-1989
2 boxes 3 linear feet
Call no.: MS 805

The journalist and activist Allen Young founded Millers River Publishing Co. in 1983 to produce “fine books about New England.” Nearly a one person shop, the company began in Athol, Mass., with what would become the most successful of its publications, North of Quabbin, Young’s own guidebook to the nine towns rimming the Quabbin Reservoir. Over the next five years, Millers River issued at least fifteen titles in regional and local history, fiction, and children’s books. Soon after Young left his job at the Athol Daily News in 1989 to accept a position in public relations at the community hospital, the company ceased its operations.

The records of the Millers River Publishing Co. document the active years of a small regional press in northern Massachusetts. In addition business records, the collection includes correspondence from authors and readers along with book proposals and manuscripts, including some for works not published. Most of the Millers River publications are available in SCUA.

Gift of Allen Young, Dec. 2013
Subjects
  • Publishers and publishing--Massachusetts
Contributors
  • Young, Allen, 1941-

Mission and history

Mission

Cattle judging at Mass. Agricultural College
Judging cattle at Mass. Agricultural College

SCUA inspires discovery through the collection and curation of cultural heritage materials for the people of the Commonwealth of Massachusetts and beyond, contributing to the vital conversation between past and future. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, services, programs, and exhibitions to promote free inquiry; the production, exchange, and preservation of knowledge; and joy in learning.

Department history

African dancers
African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. Containing official records of the university’s administrators and faculty and reflecting the life of its students, the College History Collection grew steadily until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s foresight in assembling the College archives coincided roughly with the university’s first efforts to build a collection of rare books to support its educational mission. As early as 1868 — just one year after the arrival of the first students — the college accepted the donation of twenty scarce volumes on bee culture from the apiculturist (and state Adjutant General) Henry K. Oliver. By the time the college issued its first library catalog in 1875, rare books were a small, but notable part of the collections, closely focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Included among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. Each of these volumes remains part of the collections today.

David Axelrod, Class of 1965
David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collection of rare books and manuscripts has co-evolved with the university and its academic programs. In 1973, the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski marked an expansion of scope beyond into personal papers and organizational records of historical significance beyond the narrow confines of the university, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were merged with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, and by 2007, it had evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, with the generous support of the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. Available free to all researchers, Credo is now a robust and heavily used presence on the internet, containing hundreds of thousands of pages of content and dozens of complete collections, including every item in the papers of W.E.B. Du Bois and Horace Mann Bond.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:
Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.
SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.
Two millionth volume:
Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.
A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.
Three millionth volume:
James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.
When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.
Four millionth volume:
The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.
The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

Learn more:

Morley, Cathrin

Cathrin Morley Poetry Album

1832-1837
1 vol. 0.25 linear feet
Call no.: MS 136 bd

Possibly a worker who boarded in Van Duesenville, a growing industrial area of Great Barrington, Massachusetts. Notebook consists of poems, most of which concern religious faith and local events that were written in Cathrin Morley’s hand but may not have been created by her. Also includes a list of significant family dates.

Subjects
  • Christian poetry, American--Massachusetts--Great Barrington
  • Death--Poetry
  • Great Barrington (Mass.)--History
  • Morley family
  • Sex role--Massachusetts--Great Barrington--Poetry
  • Spiritual life--Poetry
  • Van Duesenville (Great Barrington, Mass.)
  • Women--Poetry
Contributors
  • Morley, Cathrin
Types of material
  • Notebooks
  • Poems

Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile

ca.1894
1 item 0.1 linear feet
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects
  • Kelmscott Press
Contributors
  • Morris, William, 1834-1896
Types of material
  • Holographs (Autographs)

Morton, Cyrus

Cyrus Morton Account Book

1828-1838
1 vol. 0.25 linear feet
Call no.: MS 185 bd

The physician Cyrus Morton, (1797-1873) came from a notable medical family from Plymouth County, Mass. His father Nathaniel and son Thomas were both physicians, and his sister-in-law, Julia A.W. (Drew) Winslow was one of the first female medical doctors in the Commonwealth. Morton’s second wife, Lydia Hall (Drew) Morton, was one of the first teachers at the Perkins School for the Blind, and a member of the first graduating class of the Lexington Normal School. Morton died in Halifax on May 18, 1873.

Morton’s account book contains records of frequent visits to his patients, dispensing medicine, his fees and receipts for payment (often received in kind as pigs, fish, beef, hay, wood, the use of a horse, spinning done by widows or wives, digging a well, carpentry, etc.), and a copy of a prayer in Morton’s hand. Among Morton’s patients were Timothy Wood, Stafford Sturtevant, Jacob Thompson, Capts. Knapp and Cushman, and Cyrus Munroe.

Subjects
  • Halifax (Mass.)--Social life and customs--19th centur
  • Physicians--Massachusetts--Halifax--19th century
Contributors
  • Morton, Cyrus, 1797-1873
Types of material
  • Account books

Moss, Bernard

Bernie Moss Photograph Collection

ca. 1960-1978
7 boxes 10.5 linear feet
Call no.: PH 062
Image of Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects
  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs
Types of material
  • Color prints (photographs)

Mungo, Raymond, 1946-

Raymond Mungo Papers

1966-2008
6 boxes 3 linear feet
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah
Contributors
  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-
Types of material
  • Photographs