Results for: “Vietnam--Photographs” (347 collections)SCUA

Geisler, Bruce

Bruce Geisler Collection, 1969-1984.

14 boxes (21 linear feet).
Call no.: PH 049
Renaissance Community, ca.1974
Renaissance Community, ca.1974

In the early 1970s, the documentary filmmaker Bruce Geisler dropped out of Pomona College one semester short of graduation, drove across country, and joined the Brotherhood of the Spirit commune, then the largest commune in the eastern United States. During his four years living with the Brotherhood, later renamed the Renaissance Community, Geisler learned the craft of filmmaking, before returning west to earn an MFA at the film school of the University of Southern California. Geisler has received a number of awards as a screenwriter and filmmaker including the Grand Prize for Best Screenplay from Worldfest Houston and the Dominique Dunne Memorial Prize for Filmmaking, and, in 2007, he released his feature-length documentary, Free Spirits, about the Brotherhood of the Spirit/Renaissance Community and its ill-fated founder, Michael Metelica Rapunzel. Geisler is currently a Senior Lecturer in the UMass Amherst Department of Communication.

A collection collection documenting everyday life in the commune and performances by the commune band (Spirit in Flesh and Rapunzel), the Geisler collection was assembled largely during the making of Free Spirits. In addition to many hours of raw and edited footage taken by members of the Brotherhood of the Spirit and Renaissance Community, the collection includes approximately 1.5 feet each of ephemera and newspaper clippings relating to the commune.

Subjects

  • Brotherhood of the Spirit
  • Communal living--Massachusetts
  • Renaissance Community

Contributors

  • Geisler, Bruce

Types of material

  • Photographs
  • Videotapes

Glow, Lewis L.

Lewis L. Glow Photograph Album, 1936-1939.

1 photograph album (0.25 linear feet).
Call no.: RG 050 G53
Lewis L. Glow, May 1939
Lewis L. Glow, May 1939

Born in East Pepperell, Mass., on May 1, 1916, the son of Edward and Angela Glow, Lewis Lyman Glow studied chemistry at Massachusetts State College during the latter years of the Great Depression. Graduating with the class of 1939, Glow continued his studies at Norwich University before serving aboard the USS New Jersey during the Second World War and Korean conflict. Glow died in East Pepperell on Sept. 23, 1986.

A well-labeled, thorough, and thoroughly personal photograph album, this documents the four years spent at Mass. State College. In addition to numerous images of Glow’s classmates and friends, his rooms at the Colonial Inn, beer parties and student highjinks such as the annual rope pull and horticultural show, the album includes numerous images of the cattle barn fire of September 1937 and the extensive damage to the MSC campus and surrounding town from the Hurricane of 1938.

Subjects

  • Fires--Massachusetts--Amherst
  • Massachusetts State College--Students
  • New England Hurricane, 1938

Contributors

  • Glow, Lewis L.

Types of material

  • Photographs

Greenfield (Mass.) Peace Center

Greenfield Peace Center Records, 1962-1978.

1 box (0.5 linear feet).
Call no.: MS 121

Formed in 1963, the Greenfield Peace Center viewed itself as an educational organization teaching about and advocating for world peace. Their activities included organizing peace marches, warning against the dangers of nuclear war, conducting teach-ins, campaigning against war toys, and counseling on the alternatives to the draft.

Correspondence, administrative documents, and news clippings relating to peace activism centered in Greenfield, Massachusetts and in the upper Pioneer Valley, especially by the Greenfield Community Peace Center, William Hefner, and Turn Toward Peace.

Subjects

  • Peace movements--Massachusetts
  • Turn Toward Peace
  • Vietnam War, 1961-1975--Protest movements--Massachusetts

Contributors

  • Hefner, William K

Harris, Carl C.

Carl C. Harris Papers, 1898-1960.

12 boxes (18 linear feet).
Call no.: MS 667
A slencil
A slencil

An inventor, entrepreneur, and corporate executive, Carl C. Harris was the third of four generations of his family to help manage the Rodney Hunt Company, a major manufacturer of waterwheels, turbines, and textile machinery based in Orange, Mass. While still in high school in 1898, Harris already displayed a sharp business and technical eye, establishing the first telephone company in Orange, and he began his career after graduation from Worcester Polytechnical Institute, working as a draftsman for GE and then as a superintendent at Rodney Hunt. After a brief stint at the Simplex Time Recorder Company in Gardner, Harris returned to Rodney Hunt for good in 1912. After acquiring a controlling interest in 1917, he remained with the company in several capacities through the Depression and Second World War, serving as general manager, vice president, and treasurer, and from 1938-1947, as president. Throughout his career, Harris remained active in developing or improving a variety of new products and processes, registering a total of 99 patents, and he regularly used his offices at Rodney Hunt to launch other, smaller enterprises, including the Slencil Company,which manufactured mechanical pencils; Riveto, which produced toys and a paper fastening device; and Speed-Mo, a manufacturer of a moistening pad system. Harris retired in 1956 and died four years later in Orange at the age of 79.

The Harris Papers are centered closely on the entrepreneurial activity of Carl C. Harris, and include a particularly thick set of business records for the Slencil Company (ca.1935-1960) and the Riveto Company (1930s-1940s), and the slender record book of the Home Telephone Company. In addition to these, the collection includes many dozen slencils, including prototypes, speciality models, presentation sets, store displays, and marketing designs; examples of Riveto toys, Simplex inventions, flotation devices, and other oddities invented by Harris, along with the associated patents.

Subjects

  • Orange (Mass.)--Economic conditions
  • Orange (Mass.)--History
  • Toys

Contributors

  • Harris, Carl C.
  • Riveto Company
  • Rodney Hunt Company
  • Slencil Company
  • Speed-Mo Company

Types of material

  • Realia

Josephs, Stephen

Stephen Josephs Photograph Collection, 1972-1978.

13 images
Call no.: PH 013
Stephen Josephs
Stephen Josephs

The Guru Ram Das Ashram was founded in Montague, Massachusetts, in 1972 by Steve Josephs under the inspiration of Yogi Bhajan. Affiliated with the 3HO (Healthy Happy Holy Organization) and the Sikh Dharma Brotherhood, the ashram provided instruction in Kundalini Yoga and Tantric meditation, and at one point, there were as many as 21 residents of the house. Yogi Bhajan married Josephs and his wife Alice in an arranged marriage in 1972, and the couple (then called Gurushabd Singh and Gurushabd Kaur) left the ashram in 1983.

The Josephs Collection includes 13 digital images depicting the Montague ashram and its residents. The collection includes images of Yogi Bhajan and the Josephs.

Subjects

  • Ashrams--Massachusetts
  • Guru Ramdas Ashram (Montague, Mass.)
  • Josephs, Stephen
  • Montague (Mass.)--Photographs

Types of material

  • Photographs

Katanka, Michael

Katanka-Fraser Political Music Collection, 1885-1975.

10 boxes (7 linear feet).
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

Subjects

  • Communists--Music
  • International Workers of the World--Music
  • Political ballads and songs
  • Protest songs
  • Radicalism--Songs and music
  • Socialists--Music
  • Working class--Music

Contributors

  • Fraser, James
  • Katanka, Michael

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931.

3 boxes (1.5 linear feet).
Call no.: PH 048
New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Subjects

  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs

Contributors

  • Klaw, Alonzo

Types of material

  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs

Knowlton Brothers

Mill River Flood Stereographs, 1874.

19 items (0.25 linear feet).
Call no.: PH 019
Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.

Subjects

  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs

Contributors

  • Knowlton Brothers
  • Moore, F. J.

Types of material

  • Photographs
  • Stereographs

Maki, John M. (John McGilvrey), 1909-

John M. Maki Papers, ca.1933-2005.

25 boxes (37.5 linear feet).
Call no.: FS 120
Jack Maki, ca.1983
Jack Maki, ca.1983

Born to Japanese parents in Tacoma, Washington, in 1909, John Maki was adopted as an infant by a white couple and raised on their farm. After receiving both his bachelors (1932) and masters (1936) in English literature at the University of Washington, Maki was persuaded to switch fields to the study of Japan. Following a fellowship from the Japanese government to study in Tokyo in the late 1930s, the war interrupted his plans. After being ordered to internment, he served with the Foreign Broadcast Intelligence Service of the Federal Communications Commission and in psychological warfare planning with the Office of War Information, and after the war, he took a position with the occupation authority, assisting in the drafting of the Japanese Constitution. Returning stateside, he resumed his academic career, earning his doctorate in political science at Harvard in 1948. After eighteen years on the faculty at the University of Washington, Maki moved to UMass in 1966, where he served as chair of the Asian Studies Program and in administrative posts, including as vice dean of the College of Arts and Sciences. In recognition of his efforts to promote relations between the U.S. and Japan, he was awarded the Third Class Order of the Sacred Treasure by the emperor of Japan in 1983. Although he retired from the faculty in 1980, Maki remained active as a scholar until the time of his death in Amherst in December 2006.

The Maki Papers reflect a long career in the study of contemporary Japanese politics and culture. Beginning with his earliest academic work on Japan in the 1930s, the collection documents the range of Maki’s interests, from the origins of Japanese militarism and nationalism to the development of the post-war Constitution and his later studies of William Smith Clark and the long history of Japanese-American relations. The collection includes valuable documents from the early period of the Allied Occupation, including the extensive correspondence with his wife Mary (1946).

Subjects

  • Clark, William Smith, 1826-1886
  • Constitutional law--Japan
  • Japan--History--Allied occupation, 1945-1952
  • Japan--Politics and government--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Political Science

Contributors

  • Maki, John M. (John McGilvrey), 1909-
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