Results for: “Vietnam--Photographs” (359 collections)SCUA

Zickler Family

Zickler Family Scrapbook, 1952.

1 vol. (1.5 linear feet).
Call no.: MS 446
Zicklers on a picnic
Zicklers on a picnic

Mr. and Mrs. Ernest Zickler of Leominster, Massachusetts began a 3 month cross-country road trip on March 27, 1952. Mrs. Zickler created a scrapbook to document the trip. The scrapbook includes souvenir and original photographs, postcards, maps, and other miscellaneous memorabilia from the journey. Their stops include various tourist attractions as well as scenic areas throughout the Midwest and Southwest of the United States. Most of their time was spent in Oraibi, the oldest continuously inhabited community in North America, on the Navajo Gospel Mission. The Zicklers returned to Leominster in July of 1952, having traveled a total of 10,404 miles.

Subjects

  • Arizona--Description and travel
  • Automobile travel
  • California--Description and travel
  • Grand Canyon (Ariz.)
  • Navajo Gospel Mission
  • Nevada--Description and travel
  • Oraibi (Ariz.)
  • United States--Description and travel
  • Yellowstone National Park
  • Zickler family

Contributors

  • Zickler, Ernest

Types of material

  • Photographs
  • Scrapbooks

Zube, Ervin H.

Ervin H. Zube Papers, 1959-1997.

19 boxes (28.5 linear feet).
Call no.: FS 017
Ervin H. Zube
Ervin H. Zube

Ervin H. Zube was the head of the University’s Landscape Architecture and Regional Planning department (LARP) from 1965-1977. His groundbreaking research on landscape architecture and assessment helped define the international importance and influence of the field and his consultancy work, most notably with the National Park Service, brought his intellectual achievements into practical application. Born on April 24, 1931 in Milwaukee, Wisconsin, Zube earned his B.S. at the University of Wisconsin in 1954. After a two year service in the United States Air Force, Zube enrolled in Harvard’s Graduate School of Design where he received his M.L.A in 1959. Zube held teaching positions at the University of Wisconsin and the University of California, Berkeley before beginning his ten year professorship at the University of Massachusetts in 1965. As the head of LARP, Zube established the Environmental Design program, which introduced a revolutionary cross-discipline approach to the study of landscape architecture. Zube became the director of the Institute for Man and the Environment in 1972 and restructured the institute to support academic research in new, important topics including community development and cooperation with the National Park Service, seeding important national and international institutions with progressively educated researchers. As a consultant, Zube helped the National Park Service develop their “master plan” for Yosemite and worked with numerous national and international institutions to manage and assess their environmental resources. Zube ended his career as a professor at the University of Arizona where he retired in 1983. He remained active in the field until his death in 2001.

The Ervin H. Zube papers include Zube’s lecture notes and academic correspondence, research materials and publications representing his work in landscape assessment and architecture, notes and reports from his consultancy work with many institutions and committees, correspondence from his role as a conference planner, as well as correspondence relating to his many book reviews. Zube’s papers also cover his research and teaching while at the University of Arizona and contain photographs from his research on the Connecticut River Valley.

Subjects

  • Institute for Man and the Environment
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning

Contributors

  • Zube, Ervin H.

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.


Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

Baker, James

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects

  • Berry, Chuck
  • Brotherhood of the Spirit
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs

Contributors

  • Geisler, Bruce

Types of material

  • Photographs

Benes, Peter

Association for Gravestone Studies Collection

Peter Benes Collection, ca.1975-1986.

1 box (1 linear feet).
Call no.: PH 017
Soule Fishwing
Soule Fishwing

Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.

The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.

Subjects

  • Sepulchral monuments--Massachusetts
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Benes, Peter

Types of material

  • Photographs

Blackington, Alton H.

Alton H. Blackington Photograph Collection, 1898-1943.

15 boxes (4 linear feet).
Call no.: PH 061
Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of Blackington’s glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Subjects

  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

  • Photographs

Calidonna, Frank

Association for Gravestone Studies Collection

Frank Calidonna Photograph Collection, 1991.

1 box (0.25 linear feet).
Call no.: PH 021
Charles A. Jones monument, 1858
Charles A. Jones monument, 1858

A teacher at the New York State School for the Deaf since the 1970s, Frank Calidonna is a professional photographer based in Rome, N.Y. A long-time member of the Association for Gravestone Studies, Calidonna has a long standing interest in Victorian cemeteries and, among other projects, made a photographic study of the Victorian Mount Cemetery in Rochester, N.Y., in 1991.

The Calidonna Collection contains 55 black and white prints (5×7″) taken of monuments and gravestones in Mount Hope Cemetery, ca.May 1991, documenting the stylistic variation, ranging from high Victorian to relatively recent. The collection also includes two brochures for Mount Hope.

Subjects

  • Mount Hope Cemetery (Rochester, N.Y.)
  • Sepulchral monuments--New York

Construyamos Juntos

Construyamos Juntos Collection, 1986.

1 box (1.5 linear feet).
Call no.: PH 052
Parrot in Nicaragua
Parrot in Nicaragua

In May 1985, a group of activists in Western Massachusetts opposed to the interventionist U.S. foreign policy of the Reagan era formed a construction brigade to assist with basic human needs and express solidarity with the people of Central America. Modeled on the Venceremos Brigade, Construyamos Juntos, Building Peace of Nicaragua, raised over $20,000 for construction supplies in addition to funds for individual travel. Between January and March 1986, the 17 activists joined a smaller brigade from West Virginia in constructing the Carlos Armin Gonzales elementary school in San Pedro de Lovago. During their first month in Nicaragua, they witnessed a Contra assault on the town that left one assailant dead and two residents of the town wounded.

This exhibit includes 55 mounted images and 99 35mm slides taken during the brigade’s time in Nicaragua, documenting the brigade’s construction work and providing a valuable visual record of life in Nicaragua during the Contra war. Used in public talks about Contruyamos Juntos, the collection includes exhibit labels that explain the purpose and activity of the brigade, the history of Nicaragua, and the Contra attack in January 1986.

Subjects

  • Nicaragua--History--1979-1990

Types of material

  • Photographs

Famous Long Ago Archive

Famous Long Ago Collection, ca.1960-2005.

The barn, Montague Farm Photo by Roy Finestone, Oct. 1976
The barn, Montague Farm Photo by Roy Finestone, Oct. 1976

Ray Mungo’s Famous Long Ago (1970) and Steve Diamond’s What the Trees Said (1971) are classic visions of late 1960s counterculture and of life in New England communes. The communes on which Mungo and Diamond settled, Packer Corner and the Montague Farm, became the center of what might be considered a single extended community, embracing the Wendell Farm and Johnson Pasture and Tree Frog Farm in Vermont. The Farmers themselves were, and remain, a diverse group, including photographers, novelists, and poets, artists, actors, and activists.

An umbrella collection, the Famous Long Ago Archive contains a growing number of collections relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. These range from the papers of Steve Diamond, Raymond Mungo, and Jonathan Maslow to Randy Kehler and Betsy Corner (the latter of whom lived at Montague Farm), the records of the Liberation News Service, the Alternative Energy Coalition, and Musicians United for Safe Energy, to the photographic collections of Roy Finestone and Stephen Josephs. View all the Famous Long Ago Collections.

Collections include:

Subjects

  • Antinuclear movement--Massachusetts
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Johnson Pasture Community (Vt.)
  • Montague Farm Community (Mass.)
  • Packer Corners Community (Vt.)
  • Political activists--Massachusetts

Feinberg, Kenneth R., 1945-

Kenneth R. Feinberg Papers, 1980-2011.

217 boxes (325.5 linear feet).
Call no.: MS 755
Ken Feinberg at JFK Library
Ken Feinberg at JFK Library

One of the most prominent and dedicated attorneys of our time, Kenneth R. Feinberg has assumed the important role of mediator in a number of complex legal disputes, often in the aftermath of public tragedies. Frequently these cases necessitate not only determining compensation to victims and survivors but also confronting the very question of the value of human life. A native of Brockton, Massachusetts, and a graduate of UMass Amherst (1967) and New York University School of Law (1970), Feinberg served as a clerk to Chief Judge Stanley H. Fuld, as a federal prosecutor, and as Chief of Staff for Senator Edward M. Kennedy. After acting as the mediator and special master of the high-profile Agent Orange settlement, he administered the September 11th Victim Compensation Fund, Virginia Tech’s Hokie Spirit Memorial Fund, and the BP Gulf Coast Claims Facility (GCCF). Feinberg has taught at several law schools; is the author of the books What is Life Worth? and Who Gets What and numerous articles; and is a devotee of opera and classical music. He practices law in Washington, D.C., and continues to be guided by a commitment to public service.

The Feinberg Papers contain correspondence, memos, drafts, reports, research files, and memorabilia. The collection is arriving in stages and is being processed. Some materials will be restricted.

Subjects

  • Compensation (Law)--United States
  • Compromise (Law)--United States
  • Damages--United States
  • Products liability--Agent Orange
  • Public Policy (Law)--United States
  • Reparation (Criminal justice)--United States
  • September 11 Terrorist Attacks, 2001

Contributors

  • Feinberg, Kenneth R., 1945-

Types of material

  • Correspondence (letters)
  • Legal files
  • Videotapes
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