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Green Mountain Post Films

Green Mountain Post Films Records
1968-ca.1985
10 boxes (13 linear feet)
Call no.: MS 516

Co-founded by Charles Light and Daniel Keller, Green Mountain Post Films has produced and distributed films for more than twenty-five years. Their first documentary film released in 1975, Lovejoy’s Nuclear War, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, and their films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental and other related issues.

The collection contains very little that documents the activities of GMP Films, chiefly research files, correspondence, and proposals relating to film projects either produced or under consideration. The bulk of the collection consists of alternative press publications from the 1960s-1970s.

Subjects
  • Antinuclear movement--Massachusetts
  • Nuclear energy--Law and legislation--New England
  • Social action--Massachusetts--History
Contributors
  • Green Mountain Post Films

Grillo, Jean Bergantini

Jean Bergantini Grillo Collection
1969-1974
12 (24 linear feet)
Call no.: MS 950

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.

Gift of Jean Bergantini Grillo, 2016
Subjects
  • Counterculture--United States--20th century
  • Journalism--Massachusetts--20th century
  • Politics and culture--Massachusetts
Contributors
  • Boston Phoenix
Types of material
  • Newspapers
  • Notebooks

Haley, Michael

Michael Haley Papers
1968-2003
18 boxes (27 linear feet)
Call no.: MS 670
Image of Mike Haley
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects
  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike
Contributors
  • Haley, Michael
Types of material
  • Photographs
  • Screenplays

Halley, Anne

Anne Halley Papers
1886-2004
11 boxes (7 linear feet)
Call no.: MS 628

Writer, editor, and educator, Anne Halley was born in Bremerhaven, Germany in 1928. A child during the Holocaust, she relocated with her family to Olean, New York during the late 1930s so that her father, who was Jewish, could resume his practice of medicine. Graduating from Wellesley and the University of Minnesota, Halley married a fellow writer and educator, Jules Chametzky, in 1958. Together they raised three sons in Amherst, Massachusetts where Chametzky was a professor of English at UMass and Halley taught and wrote. It was during the late 1960s through the 1970s that she produced the first two of her three published collections of poetry. The last was published in 2003 the year before she died from complications of multiple myeloma at the age of 75.

Drafts of published and unpublished short stories and poems comprise the bulk of this collection. Letters to and from Halley, in particular those that depict her education at Wellesley and her professional life during the 1960s-1980s, make up another significant portion of her papers. Publisher’s correspondence and a draft of Halley’s afterward document the Chametzkys effort to release a new edition of Mary Doyle Curran’s book, The Parish and the Hill, for which Halley and Chametzky oversaw the literary rights. Photographs of Halley’s childhood in Germany and New York as well as later photographs that illustrate the growth of her own family in Minnesota and Massachusetts offer a visual representation of her remarkable professional and pesonal life.

Subjects
  • Curran, Mary Doyle, 1917-1981
  • Jews--Germany--History--1933-1945
  • Poets, American--20th century
  • Women authors, American
  • Women poets, American
  • World War, 1939-1945
Contributors
  • Chametzky, Jules
  • Halley, Anne

Hasen, Irwin, 1918-

Irwin Hasen: A Legacy Portfolio
2005
10 items (0.1 linear feet)
Call no.: MS 744
Image of

A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.

Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.

Subjects
  • Cartoons and comics
Contributors
  • Hasen, Irwin, 1918-
  • Lichtenstein, Gary
Types of material
  • Cartoons (Humorous images)
  • Comic strips
  • Prints (Visual works)
  • Screen prints

Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer)
1934-2014
(75 linear feet)
Call no.: PH 051
Image of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
Subjects
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.

Hicks, Adeline

Adeline Hicks Papers
1917-1987
3 boxes (1.25 linear feet)
Call no.: FS 070

Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.

Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Physical Education
Contributors
  • Hicks, Adeline

Hoagland, Everett

Everett Hoagland Papers
1966-2016
4 boxes, 28 books (3 linear feet)
Call no.: MS 910
Everett Hoagland
Everett Hoagland at the PAWA World Poetry Conference in Accra, Ghana, 1999.

Poet Everett Hoagland was born and raised in Philadelphia and attended and graduated from Lincoln University, and later Brown University on a full fellowship for pursuing his Masters of Arts. Hoagland’s poetry came of age during the civil rights struggles of the 1960s and the Black Arts Movement, and is often powerfully political. Driven by the history, music, rhythms, and both collective and individual stories from African and African American culture and experiences, Hoagland is one of the most significant African American poets of the late twentieth century. His second chapbook, Black Velvet, was published by the pioneering Broadside Press in 1970, and he has remained widely published and anthologized through to the present day, including his most recent anthology addition, a poem about the Black Lives Matter movement. In addition to his writing, Hoagland has given readings across the nation and globe, and also served as a teacher and mentor to many, primarily in his position as a Professor of English at the University of Massachusetts Dartmouth for over thirty years. He has won numerous awards and honors, including the Gwendolyn Brooks Award for Fiction, two state-wide poetry competitions for Massachusetts Artists Foundation fellowships, the Distinguished Service to University award from UMass Dartmouth, two MA Local Cultural Council grants for book publications, ForeWord Magazine’s Best Poetry Book award, and most recently in 2015, the Langston Hughes Society Award. Hoagland also served, from 1994 to 1998, as the inaugural poet laureate of his adopted hometown of New Bedford, MA.

The Everett Hoagland Papers include manuscript materials and over twenty books documenting Hoagland’s decades-long career as a poet and writer on racial politics and African American experiences. They consist of photographs; performance and presentation programs, reviews, and recordings; interviews and articles; and unpublished and published writings including copies of Hoagland’s column in the New Bedford The Standard Times, a draft of his Master’s thesis, short fiction stories, a scrapbook of unpublished poetry, and poetry in magazines, periodicals, Hoagland’s authored poetry books, and numerous anthologies.

Subjects
  • African American poets
  • African American writers
  • African Americans--Poetry
  • American poetry--African American authors
  • Black Arts Movement
  • Poetry--New England--Massachusetts
Types of material
  • Anthologies
  • Books
  • Poems

Hollister, Leonard D.

Leonard D. Hollister Collection
1890-1966
48 boxes, 94 items (56 linear feet)
Call no.: MS 688
Image of Santa Clara figurative bowl (70.291)
Santa Clara figurative bowl (70.291)

Born in Denver, Colorado, in October 1884, Leonard D. Hollister was a collector of Southwestern Native American pottery and the son of Uriah S. Hollister, a prominent executive with the Continental Oil Company and author of The Navajo and His Blanket (1903), an early work on Navajo textiles.

The Hollister collection is a diverse assemblage of 94 works by Native American potters, representing a cross-section of southwestern cultures and pueblos. According to Fred A. Rosenstock, who purchased the collection after Hollister’s death, the pieces were acquired one or two at a time over several decades, often purchased directly from the artist. Hollister acquired examples from pueblos including Acoma, Cochiti, Hopi, Jemez, Laguna, Maricopa, Picuris, San Ildefonso, San Felipe, San Juan, Santa Clara, Santo Domingo, Taos, Tesusque, Zia, and Zuni. The signed pieces, over a quarter of the collection, includes works by some of the century’s most influential potters.

Subjects
  • Indian pottery--North America
  • Pueblo Indians--Industries
Types of material
  • Pottery (Object genre)

Howes, Jeanne C., 1916-

Jeanne Howes Papers
1967-2006
2 boxes (0.75 linear feet)
Call no.: MS 471

Independent Melville scholar, Jeanne Howes proved that Herman Melville’s first book, Redburn, or, The Schoolmaster of Morning, was published anonymously in 1844. This collection contains her published articles and book about Melville, as well as a self-published work about Nathan and Seth Howes who were credited with creating the first American tented circus.

Also a poet, her papers include letters from Robert Francis, with whom she carried on a regular correspondence for nearly a decade, as well as unpublished typescripts of her own poems.

Subjects
  • Poetry
Contributors
  • Francis, Robert, 1901-1987
  • Howes, Jeanne C., 1916-

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