Dan Hyde Journal, 1837.
1 vol. (0.1 linear feet).
Call no.: MS 035
Little is known about Dan Hyde other than he appears to have been a resident of Ontario County, New York, during the period of the Second Great Awakening, probably in either the town of Farmington or Manchester.
This small paper-bound booklet includes some miscellaneous accounts along with three poems, “The Genesee song,” “Remember Lot’s wife,” and “Encouragement to pray.”
- Ontario County (N.Y.)--History
- Religious poetry
Types of material
Independent Film and Video Monthly Collection, 1975-2006.
28 boxes (42 linear feet).
Call no.: MS 771
Begun in 1978 by the Association of Independent Video and Filmmakers, The Independent is a leading source of information for independent, grassroots, and activist media-makers. Published monthly, The Independent carries articles and criticism on documentary and independent films and fulfills an important role in providing inspiration and connections for the independent media community. Although the AIVF shut its doors in July 2006, suspending print publication of The Independent, Independent Media Publications acquired the rights to the publications and archives of The Independent Film & Video Monthly in 2007 and will continue the journal online.
In addition to a nearly complete run of The Independent, now fully digitized, the collection contains the surviving editorial and production records for the journal.
- Documentary films--Periodicals
- Experimental films--Periodicals
- Association of Independent Video and Filmakers
- Foundation for Independent Video and Film (U.S.)
Jamaica Plain Gazette Photograph Collection, 1990-2013.
11 boxes (16.5 linear feet).
Call no.: PH 064
Sandra Storey has been an active resident of Jamaica Plain since 1973. In 1985, she was elected chairperson of the Jamaica Plain Neighborhood Council. Storey founded Gazette Publications Inc. in 1990 which published the Jamaica Plain Gazette (1990-current), Mission Hill Gazette (1990-current), and Hyde Park Today (1994-1997). Storey founded and edited the newspapers until 2010 when the Jamaica Plain Gazette and Mission Hill Gazette were sold to the Independent Newspaper Group.
This collection contains two series which contain photographs and corresponding notes used in the publications of the Jamaica Plain Gazette (with Hyde Park Today) and Mission Hill Gazette. The third series contains print issues of the Jamaica Plain Gazette and Mission Hill Gazette from June 15, 2011 to December 7, 2011. Materials from 1995 to 1997 are limited.
- Community newspapers--Massachusetts--Boston
- Jamaica Plain (Boston, Mass.)--Social life and customs--Photographs
- Mission Hill (Boston, Mass.)--Social life and customs--Photographs
- Flynn, Raymond L.
- Menino, Thomas M., 1942-2014
Types of material
Richard Jones Papers, ca.1970-1991.
2 boxes (1 linear feet).
Call no.: FS 006
Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.
The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.
- Admans Theatre
- University Dancers (University of Massachusetts Amherst)
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
Types of material
Paul S. Kahn Papers, 1964-2009.
10 boxes (17 linear feet).
Call no.: MS 786
An artist, writer, and activist for the disabled, Paul S. Kahn was born on Nov. 6, 1945, into a second-generation family of Jewish immigrants in Auburndale, Mass. Early in life, Kahn rebelled against the perceived “powerlessness” of the neuromuscular disorder with which he was born, pursuing an artistic, academic, and activist life. While studying drawing, painting, and sculpture at Boston University and earning a MA in counseling at Northeastern (1982), Kahn became an activist in the independent living movement and a pioneer in advocating for personal care assistance. Living independently from 1979, he worked as staff therapist at the Beth Israel-Deaconess Medical Center, as leader of a support group for the Muscular Dystrophy Association, and as a member of the Massachusetts Governor’s Advisory Commission on Disability Policy. In 1980, Kahn met Ruth Stern, who would become his frequent collaborator and wife of 21 years. As Kahn’s physical condition weakened after 1987 and he became dependent upon a ventilator, his creative focus shifted increasingly from art to writing and editing. The last two decades of his life were remarkably productive, resulting in over twenty plays and dozens of published essays and poems, and he was the long-time editor of the newsletter Disability Issues. Kahn died on Jan. 1, 2010.
Paul Kahn’s papers are a reflection of the intensely creative life of a committed activist. The collection centers on Kahn’s literary work, including manuscripts of his plays, essays, and poetry, but it includes numerous examples of his artwork and a number of home movies and tape recordings from his childhood.
- People with disabilities and the arts
- People with disabilities--Civil rights
Types of material
Susan Kleckner Papers, ca.1970-2010.
65 (ca.100 linear feet).
Call no.: MS 725
A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.
A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.
- Antinuclear movements
- Feminists--New York (State)
- Greenham Common Women’s Peace Camp
- Peace movements
- Performance artists--New York (State)
- Photographers--New York (State)
- Women's Interart Center
Types of material
- Drawings (Visual works)
Krakowiak Polish Dancers of Boston Records, 1937-1997.
1 box (0.5 linear feet).
Call no.: MS 466
The oldest active Polish folk dance ensemble in the United States, the Krakowiak Polish Dancers of Boston was formed in 1937 by a group of young ladies of Polish heritage interested in promoting Polish culture through the mediums of song and dance. The club opened its membership to young men in 1947, and was offcially incorporated in 1957. Since its formation, the dancers have appeared throughout the U.S., Canada, and Poland, and the group has received recognition and awards worldwide, including a special performance before his Holiness Pope John Paul II in 1983.
The collection includes programs for performances from the club’s earliest days, tickets, newspaper clippings featuring articles about the group, and copies of the organization’s constitution describing the group’s mission and membership.
- Folk dancing, Polish
- Polish Americans--Massachusetts
- Krakowiak Polish Dancers of Boston
William Lederer Papers, ca. 1930-1985.
91 boxes (61 linear feet).
Call no.: MS 158
William J. Lederer began his long career in the Navy in 1930. During his twenty-eight years of service he traveled throughout Asia on some 30 trips, acquiring several books worth of experience, criticisms, and insight. In 1948, Lederer attended the Bread Loaf Writer’s Conference in Vermont and met fellow author and political theorist Eugene Burdick. Disillusioned with the style and substance of America’s diplomatic efforts in Southeast Asia, Lederer and Burdick openly sought to demonstrate their belief that American officials and civilians could make a substantial difference in Southeast Asian politics if they were willing to learn local languages, follow local customs and employ regional military tactics. Together they co-authored two widely influential books, The Ugly American (1958) and Sarkhan (1965).
The collection includes materials related to most of his major publications including, A Nation of Sheep, The Ugly American, Sarkhan, Our Own Worst Enemy, I, Giorghos, Mirages of Marriage, and Martial Choices. A substantial series of correspondence traces Lederer’s associations and communications throughout his entire career. Area files, research materials, and photographs are also include, but not yet fully processed.
- Southeast Asia--Economic conditions
- Southeast Asia--Politics and government--1945-
- United States--Foreign relations
- United States--Politics and government--1945-
- Vietnam War, 1961-1975
- Burdick, Eugene
- Lederer, William J., 1912-
Types of material
Michael Lenson Collection, 1969-1970.
12 items (0.1 linear feet).
Call no.: MS 745
Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.
Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.
- Blake, William , 1757-1827
- Browning, Robert, 1812-1889
- Burns, Robert, 1759-1796
- Byron, George Gordon Byron, Baron, 1788-1824
- Chaucer, Geoffrey, d. 1400
- Donne, John, 1572-1631
- Eliot, T. S. (Thomas Stearns), 1888-1965
- Keats, John, 1795-1821
- Milton, John, 1608-1674
- O'Casey, Sean, 1880-1964
- Pope, Alexander, 1688-1744
- Shelley, Percy Bysshe, 1792-1822
- Lenson, Michael, 1903-1971
Types of material
David Levering Lewis Papers, ca.1955-2012.
54 boxes (81 linear feet).
Call no.: MS 827
The historian David Levering Lewis is the author of eight remarkably diverse monographs. Raised in an academic family, his father was president of Morris Brown College, Lewis enrolled at Fisk University at the age of 15 and was only 26 when he was awarded a doctorate in modern European history from the London School of Economics (1962). Through an academic career that has included numerous stops, including Morgan State, Notre Dame, Howard, the University of the District of Columbia (1970-1980), and Rutgers (1985-2003), Lewis remained consistently productive. Author of the first academic biography of Martin Luther King (1970) and a history of the Dreyfus Affair (1974), he wrote an influential study of the Harlem renaissance (1981) and important works on colonialism in Africa (1987) and Islamic Spain (2008), but he is best known for his two monumental biographies of W.E.B. Du Bois (1993, 2000), each of which was awarded a Pulitzer Prize. One of the most lauded African American historians of his generation, Lewis was recipient of the Bancroft Prize, the Francis Parkman Prizes, the 2009 National Humanities Medal, and a MacArthur Foundation Fellowship, and he was elected as a Fellow of both the American Academy of Arts and Sciences and the American Philosophical Society. Lewis was Julius Silver University Professor in History at New York University from 2003 until his retirement.
The papers of David Levering Lewis document a long and productive career as an academic historian and scholar of African American history and culture. Beginning with his years in college and graduate school, the collection offers a rich perspective on the evolution of his career. Lewis’s essential biographies of W.E.B. Du Bois are particularly well documented, however the collection includes abundant materials for each of his earlier projects, including correspondence, research notes, and drafts.
- African Americans--History
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
- Harlem Renaissance
- Historians--United States
- King, Martin Luther, Jr., 1929-1968
- United States--History--20th century
Types of material