Results for: “Underground literature--Soviet Union” (345 collections)SCUA

Massachusetts State College Glee Club

Massachusetts State College Glee Club, ca.1935.

1 sound recording (78 rpm)
Call no.: RG 185/1

The Massachusetts State College Glee Club recorded ten songs onto 78 r.p.m. disk in the mid-1930s. One of the few early recordings of the group, the recording includes the Massachusetts State College alma mater, fight songs, and other typical collegiate fare.

Subjects

  • Massachusetts State College--Students
  • Men’s choral societies--Massachusetts

Contributors

  • Massachusetts State College. Glee Club

Types of material

  • Sound recordings

McCarthy, Harold T.

Harold T. McCarthy Papers, 1958-1989.

4 boxes (2 linear feet).
Call no.: FS 028

Author, English professor at the University of Massachusetts, and alumnus of the same school. Includes correspondence, typescript manuscripts, poems, travel journals, and class materials including syllabi and lecture notes.

Subjects

  • American literature--Study and teaching (Higher)--United States
  • Amherst (Mass.)--Intellectual life--20th century
  • College teachers--Massachusetts--Amherst
  • McCarthy, Harold T. Expatriate perspective
  • University of Massachusetts Amherst--Alumni and alumnae
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • McCarthy, Harold T

Types of material

  • Diaries
  • Lecture notes
  • Letters (Correspondence)

Mexican Playwrights

Mexican Playwrights Collection, 1967-1978.

1 box (0.5 linear feet).
Call no.: MS 399

Photocopies of typescripts of plays by Mexican playwrights, such as Carlos Ancira, Wilberto Canton, Marcela del Rio, and Margarita Urueta.

Subjects

  • Plays--Mexican

Types of material

  • Plays

MFA Program for Poets and Writers (University of Massachusetts Amherst)

MFA Program for Poets and Writers (University of Massachusetts Amherst) Collection, 1963-2014.

(18 linear feet).
Call no.: RB 023

One of the oldest programs of its kind in the country, the MFA Program for Poets and Writers at UMass Amherst was established by the poet Joseph Langland in 1963, offering students an opportunity for intensive focus on their creative work. Unlike the Iowa Writers Workshop, where Langland had studied, students in the UMass program were required to take coursework outside of writing workshops. Over its first fifty years, the program has grown into one of the top ten in the nation and its graduates and faculty have been recognized with awards from the Pulitzer to the National Book Award, Pushcart Prize, the PEN/Faulkner Award, and US Poet Laureate.

The MFA collection contains a growing body of work from students, alumni, and faculty affiliated with the Program for Poets and Writers at UMass Amherst. Among the hundreds of volumes are novels, collections of short stories, plays, and poetry, including a large number of chapbooks and small press imprints.

Subjects

  • Fiction
  • Poetry

Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile, ca.1894.

1 item (0.1 linear feet).
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects

  • Kelmscott Press

Contributors

  • Morris, William, 1834-1896

Types of material

  • Holographs (Autographs)

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensbury Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)

National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library, 1965-2013.


Call no.: NAPAAL

The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects

  • Art and state
  • Arts--Management
  • Government aid to the arts

Contributors

  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts

New WORLD Theater

New WORLD Theater Records, 1979-2010.

41 boxes (61.5 linear feet).
Call no.: RG 025/F2/N4
Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects

  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst

Contributors

  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-

Types of material

  • Audiovisual materials
  • Sound recordings

Nineteenth Century Theatre

Nineteenth Century Theatre Records, 1987-1996.

4 boxes (6 linear feet).
Call no.: MS 469

Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.

The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.

Subjects

  • Theater--History and criticism
  • Theater--History--19th century
  • Theater--Periodicals

Olevsky, Julian, 1926-1985

Julian Olevsky Score Collection, 1898-1966.

2 boxes (3 linear feet).
Call no.: MS 438

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.

Subjects

  • Music--18th century
  • Music--19th century
  • Music--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Olevsky, Estela
  • Olevsky, Julian, 1926-1985
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