Harold Ambellan Memoir, 2005.
1 item (75p.)
Call no.: MS 855
A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.
In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.
- Artists--20th century
- Depressions, 1929
- Expatriate artists--France
- New Deal, 1933-1939
- Sculptors--20th century
- World War, 1939-1945
- Diehl, Victoria
- Guthrie, Woody, 1912-1967
Types of material
American Writing Paper Company Records, 1851-1960.
19 boxes (9.5 linear feet).
Call no.: MS 062
Paper company based in Holyoke, Massachusetts that at one time controlled 75% of the total United States fine paper output. Records include board of directors’ minutes, by-laws, blueprints, land transactions, merger agreements, and publications. Labor files (1936-1960) comprise the bulk of the collection and include contracts, correspondence, grievances, and negotiations.
- Collective bargaining--Paper industry--Massachusetts--Holyoke
- Holyoke (Mass.)--Economic conditions--19th century
- Holyoke (Mass.)--Economic conditions--20th century
- Labor unions--Massachusetts--Holyoke
- Paper industry workers--Labor unions--Massachusetts
- Paper industry--Massachusetts--Holyoke
- Strikes and lockouts--Paper industry--Massachusetts--Holyoke
- American Writing Paper Company
Types of material
Vivian M. Barfield Papers, 1972-1977.
3 boxes (1.25 linear feet).
Call no.: FS 098
Vivian Barfield was the first female Assistant Athletic Director at the University of Massachusetts Amherst. Dedicated to the advancement of women’s athletics, Barfield began her tenure at UMass in January 1975. Charged with upgrading the women’s’ athletic program and contributing to the decision-making process in men’s athletics, Barfield made strides to bring UMass into compliance with Title IX of the Higher Education Act of 1972. Barfield was ultimately unsuccessful in her efforts after a disagreement with Athletic Director Frank McInerney about her job description led to her resignation. After leaving UMass, Barfield became the Director of the Department of Intercollegiate Athletics for Women (established 1975) at the University of Minnesota.
Although Barfield’s tenure at UMass was relatively brief, her papers are representative of a specific time in the country and at the University. With materials relating to Title IX, affirmative action, and perhaps most importantly, Barfield’s class action complaint against the University, the Barfield Papers speak to issues of second-wave feminism, women in sports, and discrimination at UMass in the mid-1970s.
- Sex discrimination in sports--Massachusetts
- University of Massachusetts Amherst--Athletics
- University of Massachusetts Amherst--Women
- Women physical education teachers
George W. Barton Papers, 1889-1984 (Bulk: 1914-1920).
(4.5 linear feet).
Call no.: RG 050 B37
George W. Barton was born in Sudbury, Massachusetts in 1896. After attending Concord High School in Concord, Barton began his studies in horticulture and agriculture at Massachusetts Agricultural College in Amherst. The collection includes diaries, scrapbooks, photographs, newspaper clippings, programs, announcements, and his herbarium, and relates primarily to his career at the Massachusetts Agricultural College where he studied horticulture and agriculture from 1914-1918.
- Botany--Study and teaching
- Horticulture--Study and teaching
- Massachusetts Agricultural College--Students
Types of material
Sam Bishop Bronx-Lebanon (N.Y.) Incinerator Collection, 1982-1997.
4 boxes (6 linear feet).
Call no.: MS 703
A new medical waste incinerator for New York city hospitals became the focal point of drawn-out controversy in the 1990s. After proposals to place the facility in Rockland County and downtown Manhattan were scotched, a site in the South Bronx was selected. Even before it opened in 1991, the Bronx-Lebanon incinerator touched off fierce opposition. Built to dispose of up to 48 tons per day of medical waste gathered from fifteen regional hospitals, the incinerator was located in a poor and densely populated area, and worse, raising charges of environmental racism. Making matters worse, during its years of operation, it was cited for hundreds of violations of state pollution standards. A coalition of grassroots organizations led an effective campaign to close the facility, and in June 1997 the plant’s owner, Browning Ferris Industries agreed. In an agreement with the state two years later, BFI agreed to disable the plant and remove the emission stacks.
Gathered by an environmental activist and consultant from New York city, Sam Bishop, this collection documents the turbulent history of public opposition to the Bronx-Lebanon medical waste incinerator. In addition to informational materials on medical waste incineration, the collection includes reports and legal filings relative to the facility, some materials on the campaign to close it, and a small quantity of correspondence and notes from activists.
- Bronx (New York, N.Y.)--History
- Incinerators--Environmental aspects
- Medical wastes--Incineration
Types of material
Joseph Laurence Black History of the Book Collection, 1789-1964.
128 items (3 linear feet).
Call no.: RB 023
A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.
The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.
- Books--History--United States
- Dime novels, American
Types of material
Geoffrey Boothroyd Papers, 1978-1980.
1 box (0.5 linear feet).
Call no.: FS 041
After receiving a doctorate from the University of London in 1962, Geoffrey Boothroyd was invited to join the faculty in Mechanical Engineering at UMass in 1967. An expert in automated assembly, mechanization, and automation, Boothroyd quickly became a leading figure in manufacturing engineering at the University. Active in a variety of professional organizations, he was author of dozens of articles and two textbooks.
The Boothroyd collection consists almost exclusively of two of his major publications from the late 1970s: Feeding and Orienting Techniques for Small Parts and Design for Assembly.
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Mechanical Engineering
- Boothroyd, G. (Geoffrey), 1932-
Benjamin Briggs Account Book, 1805-1820.
1 vol. (0.25 linear feet).
Call no.: MS 173 bd
Ship’s captain and cobbler from Scituate, Massachusetts. Includes list of ship expenses (harbor master’s fees, wages, wharf fees, provisions, carpenter and blacksmith bills, and bills for loading labor, rigging, and mending the sails), debt accounts with individuals, and accounts for making and mending shoes and boots.
- Barter--Massachusetts--Scituate--19th century
- Brown, Jonathan
- Cook, Ichabod
- Debtor and creditor--Massachusetts--Scituate--19th century
- Litchfield, Nathaniel
- Ozbon, Absalom
- Scituate (Mass.)--Economic conditions--19th century
- Ship captains--Massachusetts--Scituate--19th century
- Shipping--Massachusetts--Scituate--19th century
- Shoemakers--Massachusetts--Scituate--19th century
- Talon, Lewis
- Wilcott, Daniel
- Briggs, Benjamin, 1760-1834
Types of material
Brinley Family Papers, 1643-1950.
(4.75 linear feet).
Call no.: MS 161
A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.
The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.
- American loyalists--Massachusetts
- Book collectors--United States--History--19th century
- Brinley family
- Brinley, George, 1817-1875--Library
- Businessmen--Rhode Island--History
- Craddock family
- Landowners--Rhode Island--History
- Libraries--Rhode Island--18th century
- Massachusetts--Economic conditions--18th century
- Massachusetts--Politics and government--19th century
- Rhode Island--Economic conditions--18th century
- Rhode Island--Genealogy
- Rhode Island--Politics and government--19th century
- Slavery--United States--History
- Tyng family
- United Empire Loyalists
Types of material
Burt V. Brooks Photograph Collection, 1889-1934.
3 boxes (1.5 linear feet).
Call no.: PH 060
The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.
The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
- Carriages and carts--Massachusetts--Greenwich--Photographs
- Dana (Mass.)--Photographs
- Enfield (Mass.)--Photographs
- Greenwich (Mass.)--Photographs
- Hillside School (Marlborough, Mass.)
- New Salem (Mass.)--Photographs
- Prescott (Mass.)--Photographs
Types of material
- Dry plate gelatin negatives
- Gelatin silver negatives