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Western Massachusetts Library Club

Western Massachusetts Library Club Records, 1898-2006
7 boxes (3.25 linear feet)
Call no.: MS 492
Western Massachusetts Library Club Records image
Deerfield Public Library

Situated in a region known for its progressive spirit, the Western Massachusetts Library Club was established in 1898 to respond to the unique needs of librarians overseeing small or rural libraries, and to foster camaraderie among local colleagues. Almost immediately, however, the club expanded its focus, taking positions on issues ranging from modern library practices to national legislation and leading the way in the expansion of services for public libraries, all while maintaining its identity as an advocate for local libraries and librarians.

The collection is richest in records that document the early history of the club including detailed meeting minutes, news clippings, programs, and circulars. Beginning in the late 1960s, the club’s activities are captured primarily through membership lists and meeting notices and programs. Taken together, the records trace the growth of the WMLC for more than a century from its establishment to the present.

Subjects
  • Cutter, Charles A. (Charles Ammi), 1937-1903
  • Libraries--Massachusetts--History
Contributors
  • Western Massachusetts Library Club

New Approaches to History

New Approaches to History Collection, 1967-1985
23 boxes (10.5 linear feet)
Call no.: MS 182

The collection documents the creation and content of a course entitled New Approaches to History, which relied almost exclusively on the use of primary sources in teaching undergraduates history at UMass.

The collection includes the course proposal, correspondence, syllabi, course assignments, and resources for three units: Salem witchcraft, Shay’s Rebellion, and Lizzie Borden.

Subjects
  • History--Study and teaching
  • University of Massachusetts Amherst. Department of History

Vietnamese Students Association (University of Massachusetts Amherst)

Vietnamese Students Association New Year's Day Celebration Collection, 1985
1 envelope (0.1 linear feet)
Call no.: MS 106 bd

The Vietnamese Students Association hosted a Vietnamese New Year celebration at the Campus Center of the University of Massachusetts Amherst on February 20, 1985. Collection contains twelve photographs and a program listing sponsors, speakers, performers, the sequence of events, descriptions of ancestor worship, the legend of the earth and the sky cakes, the menu, and some song lyrics.

Gift of Lucy Nguyen, 1985
Subjects
  • Amherst (Mass.)--Social life and customs
  • University of Massachusetts Amherst--Students--Social life and customs
  • Vietnamese New Year--Massachusetts--Photographs
  • Vietnamese Students Association (University of Massachusetts at Amherst)
  • Vietnamese students--Massachusetts--Folklore
  • Vietnamese students--Massachusetts--Social life and customs
Types of material
  • Photographs
  • Songs

McQueen, Madge

Madge McQueen Papers, ca.1935-2017 (Bulk: 1975-2017)
(100 linear feet)
Call no.: MS 825
Madge McQueen Papers image
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

Subjects
  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists
Types of material
  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)

New England Yearly Meeting of Friends

New England Yearly Meeting of Friends Quaker History Collection, 1783-1950
1 box (0.5 linear feet)
Call no.: MS 926

During the early twentieth century, the library at the Moses Brown School (formerly the Friends Boarding School) became an informal repository for Quaker manuscripts reflecting the history and work of the Society of Friends. Most of these materials were later transferred for custody to the school’s governing body, the New England Yearly Meeting of Friends.

This miscellaneous assortment of letters was apparently set aside by the staff at the Moses Brown School due to their historical content and preserved in the “vault.” Many of the letters appear to have been retained as good examples of Quaker expression of family and friendly bonds or as documentation about significant periods in Quaker history, particularly the Gurneyite-Wilburite controversy of the 1840s, and several touch on Quaker involvement in the antislavery and peace movements. Of special note are four interesting letters from the Quaker minister and social reformer, Elizabeth Comstock, written during and just after the Civil War; a series of nine lengthy letters from a visiting English minister Isaac Stephenson, traveling through New England meetings; a substantial series of letters from prominent Friend Samuel Boyd Tobey; and three letters from Harriet Beecher Stowe to Sarah F. Tobey regarding attempts to connect Stowe with Alexander T. Stewart in hopes of raising funds for her plans for the education of women.

Gift of New England Yearly Meeting of Friends, 2016
Subjects
  • Antislavery movements--United States
  • Gurney, James Joseph
  • Society of Friends--History
  • Wilbur, John,
Contributors
  • Comstock, Elizabeth L.
  • Stewart, Alexander Turney, 1803-1876
  • Stowe, Harriet Beecher, 1811-1896
  • Tobey, Samuel Boyd, 1805-1867

Rotundo, Barbara

Barbara Rotundo Photograph Collection, ca.1970-2004
9 boxes (10 linear feet)
Call no.: PH 050
Barbara Rotundo Photograph Collection image

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Subjects
  • Cemeteries--New York (State)
  • Gravestones--New Jersey
  • Gravestones--New York (State)
  • Gravestones--Pennsylvania
Contributors
  • Rotundo, Barbara
Types of material
  • Photographs

Akin, Ebenezer, Jr. (Fairhaven, Mass.)

Ebenezer Akin Account Book, 1842-1869
1 vol. (0.25 linear feet)
Call no.: MS 220 bd

Businessman, town clerk, owner or part-owner of many ships, merchant, lawyer, and involved citizen in the town of Fairhaven, Massachusetts. Includes activities as town clerk, accounts for ships he may have owned, entries made as the executor of several estates, accounts of expenditures for clothing and incidentals, and accounts of lot purchases and loans. Also contains genealogical information about the Blossom family of Bridgewater and the family of Benjamin and Eunice Akin.

Acquired from Charles Apfelbaum, 1987
Subjects
  • Akin, Benjamin, 1715-1802
  • Akin, Eunice
  • Blossom family
  • Clothing and dress--Prices--Massachusetts--Fairhaven
  • Fairhaven (Mass.)--Economic conditions--19th century
  • Fairhaven (Mass.)--Politics and government--19th century
  • Hesper (Bark)
  • Merchants--Massachusetts--Fairhaven
  • Napoleon (Ship)
  • Shipowners--Massachusetts--Fairhaven
  • Shipping--Massachusetts--Fairhaven
  • William Rotch (Ship)
  • Winthrop (Bark)
Contributors
  • Akin, Ebenezer, 1816-
Types of material
  • Account books
  • Genealogies
  • Inventories of decedents estates

Bestor, Charles

Charles Bestor Papers, 1971-2002
2 boxes (0.75 linear feet)
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bestor, Charles

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection, 1789-1964
128 items (3 linear feet)
Call no.: RB 023
Joseph Laurence Black History of the Book Collection image
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects
  • Books--History--United States
  • Dime novels, American
Types of material
  • Almanacs
  • Scrapbooks

Brooks, Burt V.

Burt V. Brooks Photograph Collection, 1889-1934
3 boxes (1.5 linear feet)
Call no.: PH 060
Burt V. Brooks Photograph Collection image

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014
Subjects
  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs
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