Results for: “Stone carving--New York” (240 collections)SCUA

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Inglis, David R.

David R. Inglis Papers, 1929-2003 (Bulk: 1946-1980).

12 boxes (5.75 linear feet).
Call no.: FS 033
David R. Inglis at Argonne N.L., ca.1953
David R. Inglis at Argonne N.L., ca.1953

David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.

The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.

Subjects

  • Allegiance--United States
  • Argonne National Laboratories
  • Condon, Edward Uhler, 1902-1974
  • Federation of American Scientists
  • Los Alamos National Laboratory
  • Nuclear disarmament
  • Nuclear energy
  • Nuclear warfare
  • Oppenheimer, J. Robert, 1904-1967
  • Physics--Massachusetts
  • United States--History--1945-1953
  • United States--History--1953-1961
  • University of Massachusetts Amherst. Department of Physics
  • University of Massachusetts Amherst. Institute for Man and His Environment
  • World Association of World Federalists
  • World Federation of Scientific Workers

Contributors

  • Bohr, Aage
  • Inglis, David Rittenhouse, 1905-
  • Teller, Edward, 1908-2003
  • Wigner, Eugene Paul, 1902-1995

Types of material

  • Laboratory notes
  • Oral histories
  • Photographs

Judice, Edward

Edward Judice Photograph Collection, 1973-2010.

281 digital images, 2 videos
Call no.: PH 046
Lathe operator, Rodney Hunt co., 1974
Lathe operator, Rodney Hunt co., 1974

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

Subjects

  • Foundry workers--Massachusetts--Orange
  • Northampton (Mass.)
  • Rodney Hunt Company
  • Serrazina, Joe
  • Shoemakers--Massachusetts--Northampton
  • Shu-Fix (Northampton, Mass.)
  • Strojny, Benny.
  • Wendell (Mass.)--Centennial celebrations, etc.

Contributors

  • Judice, Edward

Types of material

  • Digital images
  • Video recordings

Locke, Samuel A.

Samuel A. Locke Account Book, 1821-1829.

1 vol. (0.25 linear feet).
Call no.: MS 168

Businessman from West Cambridge, Massachusetts with additional dealings in Charlestown, Quincy, Waltham, and Tyngsboro.

The volume includes lists of personal and business purchases, services provided for his family, and business services such as whitewashing, carting coal, sawing wood, carrying letters, collecting debts, relaying a brick fireplace, and “work loading Sloop Rapid,” and barter and cash transactions. References made to Locke’s involvement with Universalism and members of the Tufts family of Cambridge and Middlesex County.

Subjects

  • Arlington (Mass.)--Economic conditions--19th century
  • Barter--Massachusetts--History
  • Building materials industry--Massachusetts--Arlington
  • Building trades--Massachusetts--Arlington
  • Charlestown (Boston, Mass.)--Economic conditions--19th century
  • Quincy (Mass.)--Economic conditions--19th century
  • Tufts family
  • Tyngsboro (Mass.)--Economic conditions--19th century
  • Universalism
  • Universalist churches--United States--History--19th century
  • Waltham (Mass.)--Economic conditions--19th century

Contributors

  • Locke, Samuel A

Types of material

  • Account books

Machmer, William L.

William L. Machmer Papers, 1899-1953.

18 boxes (9 linear feet).
Call no.: RG 6/1 M33
William L. Machmer
William L. Machmer

Enjoying one of the longest tenures of any administrator in the history of the University of Massachusetts, William Lawson Machmer served under five presidents across 42 years, helping to guide the university through an economic depression, two world wars, and three name changes. During his years as Dean, Machmer witnessed the growth of the university from fewer than 500 students to almost 3,800, and helped guide its transformation from a small agricultural college into Massachusetts State College (1931) and finally into the University of Massachusetts (1947).

Machmer’s papers chronicle the fitful development of the University of Massachusetts from the days of Kenyon Butterfield’s innovations of the 1920s through the time of the GI Bill. The collection is particularly strong in documenting the academic experience of students and the changes affecting the various departments and programs at the University, with particular depth for the period during and after the Second World War.

Connect to another siteView selected records on women's affairs at UMass, 1924-1951

Subjects

  • Agricultural education
  • Fort Devens (Mass.)
  • Massachusetts Agricultural College
  • Massachusetts State College
  • University of Massachusetts Amherst
  • University of Massachusetts Amherst. Dean
  • University of Massachusetts Amherst. Department of Mathematics
  • World War, 1939-1945

Contributors

  • Baker, Hugh Potter, 1878-
  • Butterfield, Kenyon L. (Kenyon Leech), 1868-1935
  • Lewis, Edward M
  • Machmer, William L
  • Van Meter, Ralph Albert, 1893-

Types of material

  • Letters (Correspondence)
  • Student records

Mange, Arthur P.

Arthur P. Mange Photograph Collection, 1965-2010.

3 boxes (4.5 linear feet).
Call no.: PH 044
Fern fronds
Fern fronds

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Subjects

  • Amherst (Mass.)--Pictorial works
  • Cemeteries--Pictorial works
  • Hadley (Mass.)--Pictorial works
  • New England--Pictorial works
  • New Salem (Mass.)--Pictorial works
  • New York (N.Y.)--Pictorial works

Types of material

  • Photographs

National Endowment for the Arts

National Arts Policy Archive and Library

National Endowment for the Arts Collection, 1965-2009.

5 boxes (7.5 linear feet).
Call no.: MS 686

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects

  • Art and State
  • Arts--Management
  • Government aid to the arts

Reinsch, Henry Gustave

Henry Gustave Reinsch Papers, 1942-1960.

1 box (0.25 linear feet).
Call no.: MS 527

Born in Germany in 1888, Henry Gustave Reinsch became an American citizen in 1912, serving in the military during the First World War, marrying an American girl, and starting a family. In 1942, however, two FBI agents showed up at Reinsch’s office, and a year later, Reinsch’s citizenship was revoked when he was accused by the U.S. government of living a double life — publicly loyal to America, privately loyal to Germany. Reinsch appealed the ruling to the Ninth Circuit Court and won. His citizenship was reinstated in 1945.

The Reinsch Papers contains newspaper clippings, personal and business correspondence, and official documents pertaining to both citizenship trials, that tell of uncommon wartime experiences.

Subjects

  • Citizenship, Loss of--United States
  • Fascists--United States
  • German Americans--Washington
  • Silver Shirts of America (Organization)
  • World War, 1939-1945--German Americans

Contributors

  • Reinsch, Bernice
  • Reinsch, Henry Gustave

Types of material

  • Letters (Correspondence)

Rotundo, Barbara

Association for Gravestone Studies Collection

Barbara Rotundo Photograph Collection, ca.1970-2004.

9 boxes (10 linear feet).
Call no.: PH 050

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Subjects

  • Cemeteries--New York (State)
  • Sepulchral monuments--New Jersey
  • Sepulchral monuments--New York (State)
  • Sepulchral monuments--Pennsylvania

Contributors

  • Rotundo, Barbara

Types of material

  • Photographs

Tenney, Thomas W.

Association for Gravestone Studies

Thomas W. and Margaret Tenney Photograph Collection, 1966-1978 (Bulk: 1966-1972).

12 boxes (6 linear feet).
Call no.: PH 045
Submit Gaylord, 1766, Hadley, Mass.
Submit Gaylord, 1766, Hadley, Mass.

A long-time resident of Berkeley, Calif., Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, the Tenneys became full time photographers by about 1964. For over a decade, they took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

The Tenney collection consists of several hundred scrupulously-documented images of gravestones in Massachusetts, Connecticut, and other New England states taken between 1966 and 1978. Selecting stones for “artistic rather than historical reasons,” the Tenney’s focused primarily on details of the carving and inscriptions.

Subjects

  • Sepulchral monuments--Connecticut
  • Sepulchral monuments--Massachusetts
  • Sepulchral monuments--Rhode Island
  • Sepulchral monuments--Vermont

Contributors

  • Tenney, Margaret K.
  • Tenney, Thomas W.

Types of material

  • Photographs

Waugh, Frank A. (Frank Albert), 1869-1943

Frank A. Waugh Papers, 1896-1983.


Call no.: FS 088
Frank A Waugh with flute
Frank A Waugh with flute

Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.

The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.

Subjects

  • Landscape architecture--United States--History
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Horticulture

Contributors

  • Waugh, Frank A. (Frank Albert), 1869-1943

Types of material

  • Etchings
  • Lantern slides
  • Photographs
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