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Mosely, Luther, 1807-

Luther Mosely Daybook, 1842-1846
1 vol. (0.25 linear feet)
Call no.: MS 249 bd

Homeopathic physician from Arlington, Vermont. Daybook contains patients’ names, including many women, identification of some cases (such as vaccination, extraction of teeth, treatment of swellings, fractures, and burns, and the delivery of babies), methods of treatment (such as purges, bleeding, cupping, and the use of blistering ointments), prices for his services, and method and form of payment (including goods such as fruits, vegetables, meats, clothes, and services such as butchering and timbering). Also contains personal entries and notation of goods he sold such as poultry, leathers, and fabrics.

Subjects
  • Arlington (Vt.)--Social conditions--19th century
  • Canfield family
  • Contraception--Vermont--Arlington--History--19th century
  • Hard family
  • Homeopathic physicians--Vermont--Arlington
  • Matteson family
  • Medicine--Practice--Vermont--19th century
  • Milligan family
  • Oatman family
  • Pessaries
  • Purdy family
  • Women--Medical care--Vermont--Arlington--19th century
Contributors
  • Mosely, Luther, 1807-
Types of material
  • Account books
  • Daybooks

Mungo, Raymond, 1946-

Raymond Mungo Papers, 1966-2008
6 boxes (3 linear feet)
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah
Contributors
  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-
Types of material
  • Photographs

New Victoria Publishers

New Victoria Publishers Records, 1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs

Perkins, Carol A.

Carol A. Perkins Collection, 2001-2002
1 box (0.5 linear feet)
Call no.: PH 033

Carol A. Perkins was born April 25, 1926 in Rochester, N.Y., where she attended Madison High School. Her father, Vernon Perkins, was a World War I Army Air Service photographer in France, and she became interested in photography through his photograph albums. She graduated from a correspondence program at the New York Institute of Photography and graduated from the Rochester Institute of Technology School of Art in 1950. After matriculating from the Rochester General Hospital School of Medical Photography, she was employed at the Toledo Hospital Institute of Medical Research for twenty-two years, and then by the Medical College of Ohio for eleven years. While searching through New England graveyards for her Perkins ancestors, she became interested in gravestone studies and became a member of the Association for Gravestone Studies.

The Carol Perkins Collection consists of 1.5 linear feet of material, primarily color photographs of grave markers in Connecticut, Indiana, Massachusetts, Michigan, New Hampshire, New York, Ohio, Rhode Island, and Vermont. Box 1 has two indices: one alphabetical by deceased’s surnames, and the other alphabetical by state, then town, then cemetery. Box 2 photographs include transcriptions of the deceased’s names, dates of birth/death, and inscriptions, and are organized by state, then town. The collection includes one folder of genealogical material and 20 black & white photographs of markers in England. Photographs taken at AGS conferences include some AGS members and were taken in the following years: 1980, 1981, 1982, 1987, 1988, 1990, 1991, 1992, 1993, 1995, 1996, 1997, and 2003.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Indiana
  • Gravestones--Massachusetts
  • Gravestones--Michigan
  • Gravestones--New Hampshire
  • Gravestones--New York
  • Gravestones--Ohio
  • Gravestones--Vermont
Contributors
  • Association for Gravestone Studies
  • Perkins, Carol A
Types of material
  • Photographs

Simon, Peter, 1947-

Peter Simon Collection, ca. 1945-2016
10 boxes (20 linear feet)
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Slonecker, Blake, 1981-

Blake Slonecker Collection, 2008
4 items (0.25 linear feet)
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Gift of Blake Slonecker, Aug. 2013
Subjects
  • Amherst College
  • Babbitt, Elwood, 1922-
  • Bloom, Marshall, 1944-1969
  • Brotherhood of the Spirit (Commune)
  • Clamshell Alliance
  • Green Mountain Post Films
  • Johnson Pasture Community (Vt.)
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Musicians United for Safe Energy
  • Packer Corners Community (Vt.)
  • Students for a Democratic Society (U.S.)
Contributors
  • Fels, Thomas Weston
  • Light, Charles
  • Lovejoy, Sam
  • Wizansky, Richard
Types of material
  • Audiocassettes
  • Oral histories (document genres)

White Light Communications

White Light Communications Collection, 1989-1999
150 items (54 linear feet)
Call no.: MS 984

A not-for-profit media company based in Burlington, Vermont, White Light Communications produced dozens of videos during the late 1980s and early 1990s reflecting the voices and experiences of psychiatric survivors. With initial funding from the National Institute of Mental Health, Executive Director Paul Engels and his colleagues, all psychiatric survivors themselves, built a fully-equipped television production studio and conducted nearly one hundred interviews with ex-patients and leaders in the antipsychiatry movement. Although most of the interviews were conducted in Burlington, they also produced documentaries, and covered national events such as the final two Alternatives conferences and “Self Help Live,” a broadcast that focused on highlighting consumer/survivor leaders.

The hundreds of video interviews and other productions that comprise the White Light Communications collection were produced by, for, and about psychiatric survivors. Paul Engels interviewed nearly a hundred ex-patients including important leaders in the movement such as Judi Chamberlin, Sally Zinman, Howie the Harp, and George Ebert, and several episodes focused on the mental health system and activism in Vermont. The subjects of the interviews range widely from homelessness to involuntary treatment, peer support, suicide, surviving the mental health system, and the history of the psychiatric survivors movement.

Gift of Paul Engels, May 2017
Subjects
  • Antipsychiatry
  • Civil rights movements--United States
  • Ex-mental patients
  • Mental health services--United States
  • Mental illness--Alternative treatment
  • Mentally ill--Social conditions
  • Psychiatric survivors movement
Contributors
  • Chamberlin, Judi, 1944-2010
  • Dart, Justin, 1930-2002
  • Ebert, George
  • Engels, Paul
  • Millett, Kate
  • Zinman, Sally
Types of material
  • Oral histories (Document genres)
  • U-matic
  • Videotapes

Acker, Bonnie

Bonnie Acker Collection, 1983-2000
1 box (1.5 linear feet)
Call no.: MS 582

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

Gift of Bonnie Acker, May 2007
Subjects
  • Antinuclear movement--United States
  • Peace movements
Contributors
  • Acker, Bonnie
Types of material
  • Realia

Alternative Energy Coalition

Alternative Energy Coalition, ca.1975-1985
9 boxes (13.5 linear feet)
Call no.: MS 586

A product of the vibrant and progressive political culture of western Massachusetts during the early 1970s, the Alternative Energy Coalition played a key role in the growth of antinuclear activism. In 1974, the AEC helped mobilize support for Sam Lovejoy after he sabotaged a weather tower erected by Northeast Utilities in Montague, Mass., in preparation for a proposed nuclear power plant, and they helped organize the drive for a referendum opposing not only the proposed plant in Montague, but existing plants in Rowe, Mass., and Vernon, Vt. Forming extensive connections with other antinuclear organizations, the AEC also became one of the organizations that united in 1976 to form the Clamshell Alliance, which made an art of mass civil disobedience.

The AEC Records provide insight into grassroots activism of the 1970s and 1980s, galvanized by the seemingly unrestrained growth of the nuclear power industry. The records, emanating from the Hampshire County branch, contain both research materials used by the AEC and organizational and promotional materials produced by them, including publications, minutes of meetings, correspondence, and materials used during protests. Of particular interest are a thick suite of organizational and other information pertaining to the occupation of the Seabrook (N.H.) nuclear power plant in 1979 and minutes, notes, and other materials relating to the founding and early days of the Clamshell Alliance. The collection is closely related to the Antinuclear Collection (MS 547).

Subjects
  • Antinuclear movement--Massachusetts
  • Hampshire County (Mass.)--History
  • Nonviolence--Massachusetts
  • Nuclear energy--Massachusetts
  • Pacifists--Massachusetts
  • Political activists--Massachusetts
  • Renewable energy source
  • Seabrook Nuclear Power Plant (N.H.)
  • Vermont Yankee Nuclear Power Station
Contributors
  • Alternative Energy Coalition
  • Clamshell Alliance
Types of material
  • Realia

American Express Company. Florence (Mass.) Office

American Express Company Florence Office Records, 1867-1890
3 boxes (3 linear feet)
Call no.: MS 298

Records of express agent Watson L. Wilcox of Simsbury, Connecticut, and Florence, Massachusetts, documenting Wilcox’s work for the American Express Company and the evolution of the company from a small shipping business to a delivery organization whose services contributed to the growth of the local and regional economy. Records consist of agent books, receipt books, and waybills listing accounts of local companies and residents for the sending, receiving, and delivery of freight, telegraph messages, express cash, goods, and packages.

Subjects
  • American Merchant's Union Express Company
  • Express service--Massachusetts--Florence--History
  • Florence (Mass.)--Economic conditions
  • Florence Manufacturing Company
  • Florence Sewing Machine Company
  • Hill, Samuel L
  • Industries--Massachusetts--Florence--History
  • New York, New Haven, and Hartford Railroad Company
  • Nonotuck Silk Company
  • Parsons, I. S
  • Simsbury (Conn.)--Economic conditions
  • Williston, A. L
Contributors
  • American Express Company (Florence, Mass.)
  • Wilcox, Watson L., 1832 or 3-1896

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