Association for Gravestone Studies Book Collection, 1812-2005.
269 items (14 linear feet).
Call no.: RB 004
Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.
The AGS Books Collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The AGS Books Collection also includes the AGS publication, Markers. The collection is divided into three series: Series 1 (Monographs and Offprints), Series 2 (Theses and Dissertations), and Series 3 (Markers).
- Association for Gravestone Studies
Eric Bascom Collection of Jazz Recordings, ca. 1940-1950.
ca. 500 phonograph records (10 linear feet).
Call no.: MS 882
When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.
The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.
- Bop (Music)
- Jazz musicians
- Basie, Count, 1904-1984
- Christian, Charlie, 1916-1942
- Fitzgerald, Ella
- Parker, Charlie, 1920-1955
Types of material
- 78 rpm records
- Piano rolls
Arthur Cleveland Bent Collection, 1880-1942.
8 boxes (5.5 linear feet).
Call no.: MS 413
An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).
The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.
- American Ornithologists' Union
- Bent, Arthur Cleveland, 1866-1954. Life Histories of North American Birds
- Bristol County Agricultural School (Bristol County, Mass.)
- Massachusetts Audubon Society
- United States National Museum
- Bent, Arthur Cleveland, 1866-1954
- Durfee, Owen
Types of material
Charles Bestor Papers, 1971-2002.
2 boxes (0.75 linear feet).
Call no.: FS 126
Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
Burt V. Brooks Photograph Collection, 1889-1934.
3 boxes (1.5 linear feet).
Call no.: PH 060
The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.
The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
- Carriages and carts--Massachusetts--Greenwich--Photographs
- Dana (Mass.)--Photographs
- Enfield (Mass.)--Photographs
- Greenwich (Mass.)--Photographs
- Hillside School (Marlborough, Mass.)
- New Salem (Mass.)--Photographs
- Prescott (Mass.)--Photographs
Types of material
- Dry plate gelatin negatives
- Gelatin silver negatives
Robert L. Coffin Ornithological Journal, 1912-1922.
1 vol. (0.1 linear feet).
Call no.: MS 593 bd
Robert L. Coffin (1889-1976) began a long association with the Massachusetts Agricultural College when he arrived on campus in 1912 to begin work as an assistant photographer for the East Experiment Station. His skill as a technical photographer and his artistic eye, however, soon made him a valuable commodity on campus and within a few years of his arrival, Coffin had branched out to work for a wide range of departments across campus and, in the late 1920s, for the US Department of Agriculture in Pennsylvania and New Jersey as well. An avid birder and naturalist, Coffin was particularly known for his nature photography, using a battery of different cameras to capture everything from scenic vistas to photomicrographs. Although he established a commercial photographic studio in Amherst in 1931, Coffin continued to accept a wide range of assignments at UMass, earning recognition as the unofficial campus photographer. He remained active almost to the time of his death in 1976 at the age of 86.
Containing the meticulously detailed records of an avid birder, the Coffin journal contains records of sightings and first and last occurrences of birds observed in the years 1912 and 1917-1922. The records in the journal reflect Coffin’s many birding trips in western Massachusetts, mostly in the Connecticut River Valley, however the journal also contains records from the Swift River Valley, the Harvard Forest, the Boston area, and the Connecticut coast. In a few cases, Coffin recorded the numbers of birds observed.
- Bird watching--Massachusetts
- University of Massachusetts Amherst
Types of material
Siegfried Ebert Papers, 1933-1986.
2 boxes (0.75 linear feet).
Call no.: MS 576
The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.
The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.
- Germany, East--Social life and customs
- Graphic artists--Germany, East
- Motion pictures--Germany, East
- Prisoners of War--Germany
- Television--Germany, East
- World War, 1939-1945
- Ebert, Siegfried
- Thorndike, Andrew
Types of material
- Animation drawings
Lynnette E. Foucher Cookbook Collection, 1902-2000.
429 items (8 linear feet).
Call no.: MS 684
Assembled by Lynnette E. Foucher, this collection consists chiefly of cookbooks produced by food companies between the 1920s-1970s. These cookbooks reflect the changing role of women in the home as well as new food trends and innovative technology. Taken together, the collection offers a glimpse into the way meal preparation changed in the U.S. during the second half of the twentieth century and how this change transformed the way we eat today.
- Convenience foods--United States--History--20th century
- Cooking, American--History--20th century
- Cooking--Social aspects
- Diet--United States--History
- Food--Social aspects
- Women consumers--United States--History
- Women in advertising--United States--History
Types of material
Madeline and Winthrop Goddard Hall Papers, 1907-1957 (Bulk: 1907-1914).
1 box (0.5 linear feet).
Call no.: MS 603
Residents of Worcester, Mass., Madeline and Winthrop Goddard Hall were part of an extended community of young friends and family associated with the American Board of Commissioners of Foreign Missions, including Charlotte and Edwin St. John Ward, Margaret Hall, and Ruth Ward Beach. From 1907 to 1914, Edwin Ward was sent as a missionary to the Levant, working as a physician and teacher at Aintab College in present-day Turkey and Syrian Protestant College in Beirut. Margaret Hall and Ruth Beach were stationed in China, teaching in Tientsin, at the Ponasang Women’s College in Fuzhou, and at the Bridgeman School in Shanghai.
The Hall Papers include 67 lengthy letters from the Ottoman Empire and China, the majority from Charlotte and Edwin Ward. Intimate and often intense, the correspondence provides insight into the social and family life of missionaries and gives a strong sense of the extended community of missionaries.
- American Board of Commissioners for Foreign Missions
- Lebanon--Description and travel
- Missionaries--Middle East
- Turkey--Description and travel
- Beach, Ruth Ward
- Hall, Madeline
- Hall, Margaret
- Hall, Winthrop Goddard, 1881-1977
- Ward, Charlotte
- Ward, Edwin St. John
Types of material
Beth Hapgood Papers, 1789-2005.
67 boxes (35 linear feet).
Call no.: MS 434
Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.
- Brotherhood of the Spirit
- Channeling (Spiritualism)
- Communal living--Massachusetts
- Hapgood family--Correspondence
- Massachusetts--Social life and customs--20th century
- Nineteen sixties--Social aspects
- Occultism--Social aspects
- Popular culture--History--20th century
- Renaissance Community
- Rock music--1971-1980
- Warwick (Mass.)--History
- Babbitt, Elwood, 1922-
- Boyce, Neith, 1872-1951
- Hapgood, Beth--Correspondence
- Hapgood, Charles H
- Hapgood, Elizabeth Reynolds
- Hapgood, Hutchins, 1869-1944
- Hapgood, Norman, 1868-1937
- Metelica, Michael