Author Tom Fels and media artist Mark Tribe will speak on Tuesday, March 5, 2013, from 4:00 p.m. to 6:00 p.m., in Room 2601 on Floor 26, of the Du Bois Library at UMass Amherst. The event, “Peace and War: Assessing the Legacies of Sixties Activism Today,” marks the completion of the eighth annual Social Change Colloquium.
Longtime independent writer and researcher Tom Fels’ new book Buying the Farm: Peace and War on a Sixties Commune (UMass Press, 2012) explores the long history of Montague Farm, north of Amherst, one of the era’s iconic experiments in social change. Before drawing his own conclusions about it in the book, he recounts the farm’s many early contributions to the counterculture, and later the farm’s devolution at the hands of competing farm-family factions, inviting us to question the balance between idealism and effectiveness. “For today’s young,” says Tom Hayden, author of The Long Sixties, “the economic future is far more bleak and global warming an unprecedented threat. Out of necessity, many will be searching for meaningful forms of communal self-sufficiency, healthful food, and renewable energy. Tom Fels’ captivating and profound reflection on one earlier commune, Montague Farm, founded in the 1960s, offers hard-learned reflections, some practical, some eternal, from a time when communes were the chosen path of many.” In the first hour of the colloquium Fels will read from Buying the Farm. There will be a question and answer period following the reading.
Mark Tribe is part of the next generation to be inspired by sixties activism. His Port Huron Project (2006-2009) is a series of reenactments of protest speeches from the New Left movements of the Vietnam era. Enacted at the site of the original event, each speech was delivered by an actor or performance artist. Videos of these performances have been screened on campuses, exhibited in art spaces, and distributed online as open-source media. As Julia Bryan-Wilson wrote in Artforum, in January 2008, “More than just recovering the past, these re-speaking projects use archival speeches to ask questions about the current place of stridency and forceful dissent, and the possibilities of effective, galvanizing political discourse.” In bringing the words of Cesar Chavez, Angela Davis, Stokely Carmichael, and others to the public through contemporary media, Tribe, in this portion of his work, creatively recycles earlier activism to relate it to issues of today. In the second hour of the colloquium, Tribe will show and discuss some of his work.
Delevingne will discuss the mass media’s role in the nuclear power issue and his own responsibility before and after the Three Mile Island accident and Chernobyl disaster. Anna Gyorgy will discuss citizen action and democracy, with international examples based on her work with the Clamshell Alliance, and, more recently, with the strong German anti-nuclear/pro-solar movements.
New England was an epicenter of the antinuclear movement of the 1970s and 1980s. Sparked by the proposed construction of nuclear power plants in Montague, Massachusetts, and Seabrook, New Hampshire, a grass-roots movement blossomed in the region, drawing on a long tradition of non-violent political protest. Shortly after arriving in the United States from his native France in 1975, the photojournalist Lionel Delevingne began covering the antinuclear movement, including the history of civil disobedience and occupation at Seabrook, the aftermath of the Three Mile Island disaster, and other protests from New York to South Carolina and Europe.
Delevingne is the co-author of Drylands, a Rural American Saga (University of Nebraska Press, 2011); Northampton: Reflections on Paradise (Nouveau Monde Press, 1988); and Franco-American Viewpoints (Nouveau Monde Press/Wistariahurst Museum, 1988). His work has been exhibited frequently in the U.S. and abroad and published widely in the mainstream and alternative press, including the New York Times, Newsweek, Mother Jones, Vanity Fair, Le Figaro Magazine, and Die Zeit. Delevingne has participated in many award-winning projects sponsored by National Endowment of the Arts/Humanities (NEA), Massachusetts Endowment for the Humanities, University & College Designers Association (UCDA), University Professional & Continuing Education Association (UPCEA), and Council for Advancement and Support of Education (CASE).
Anna Gyorgy was active in the early movement against nuclear power, and is the author-editor of the classic work NO NUKES: Everyone’s Guide to Nuclear Power (South End Press, 1979/1981). She is in the process of returning to the U.S. after 25 years abroad, where she has since 1999 coordinated the multi-lingual website project: “Women and Life on Earth” (www.wloe.org).
The related exhibit “To the Village Square” includes some of the movement’s most memorable images, shot by Delevingne, along with materials drawn from the rich anti-nuclear collections held in the UMass Amherst Libraries’ Department of Special Collections and University Archives.
Why These Stories Need to be Told in their Variety, their Intensity and their Honesty” (Nov. 10)
Social justice activist Tom Weiner will give a talk on his recently published book Called to Serve: Stories of Men and Women Confronted by the Vietnam War Draft. The book is the fruit of years of extensive interviews with chapters for people who made different choices among the available options: to serve, to resist, to leave the country, to become a conscientious objector, or to find a way around the draft altogether as well as a chapter for those who loved, counseled and supported. His presentation will include several of his interview subjects who will share parts of their testimonies. Weiner recently donated the tapes of the interviews and the transcripts to Special Collections and University Archives.
On Friday, October 1, Steve Lerner will talk about his new book Sacrifice Zones: The Front Lines of Toxic Chemical Exposure in the United States. The event will be held from 1.30-3pm in the Gordon Hall, 418 N. Pleasant Street, Amherst.
Across the United States, thousands of people, most of them in low-income or minority communities, live next to heavily polluting industrial sites. Many of them reach a point at which they say “Enough is enough.” In Sacrifice Zones, published by MIT Press in 2010, Steve Lerner tells the stories of twelve communities, from Brooklyn to Pensacola, that rose up to fight the industries and military bases causing disproportionately high levels of chemical pollution.
Steve Lerner is research director of Commonweal and the author of Eco-Pioneers: Practical Visionaries Solving Today’s Environmental Problems.
This event is co-sponsored by the Political Economy Research Institute’s Environmental Working Group and Special Collections & University Archives
On Thurs. October 28, Amy Bass will talk on “Whose Broad Stripes and Bright Stars? The 1968 Olympics and the Creation of the Black Athlete,” in Room 803, Campus Center, UMass Amherst. The event is co-sponsored by the Feinberg Family Lecture Series organized by the UMass Amherst Department of History, and is free and open to the public.
Amy Bass is professor of history at the College of New Rochelle. She is the author of Not the Triumph But the Struggle: 1968 Olympics and the Making of the Black Athlete and Those About Him Remained Silent: The Battle over W. E. B. Du Bois. She is the editor of In the Game: Race, Identity, and Sports in the Twentieth Century. Bass has an M.A. and a Ph.D. in history from Stony Brook University. Her research interests include African American history, modern American culture, identity politics, and historical theory and methodology. She has served as research supervisor for the NBC Olympic unit at the Atlanta, Sydney, Salt Lake, Athens, and Torino Olympic Games.
Dr. Bass’s talk will explore the black power protest at the Mexico City Olympic Games by Americans Tommie Smith and John Carlos in 1968. Their moment on the victory dais effectively linked American sports and racial politics in the U.S. She will examine how the black power protest in Mexico became the defining image of the 1968 Olympics. She will also explore how the Olympic Project for Human Rights mobilized black athletes to assume a new set of responsibilities alongside their athletic prowess, forcing Americans, and the world, to reconsider the role of sports within civil rights movements.
- Raymond Mungo
- Raymond Mungo was a key figure in the literary world of the late 1960s counterculture. A founder of the Liberation News Service — an alternative press agency that distributed news reflecting a left-oriented, antiwar, countercultural perspective — Mungo moved to Vermont during the summer of 1968 and settled on a commune. A novelist and writer, his first book, Famous Long Ago: My Life and Hard Times With Liberation News Service (1970) is considered a classic account of the countercultural left, and his follow-up Total Loss Farm (1971), based on his experiences on the Packer Corners commune, was nominated for the Pulitzer Prize. Mungo has written several novels, screenplays, dozens of essays, and hundreds of newspaper and magazine articles during a literary career of more than four decades. For the past ten years, he has worked as a social worker in Los Angeles, tending primarily to AIDS patients and the severely mentally ill.
- Todd Gitlin
- While a college student in the early 1960s, Todd Gitlin rose to national prominence as a writer and theorist of the New Left. A president of Students for a Democratic Society in 1963-1964, he was a central figure in the civil rights and antiwar movements, helping to organize the first national mobilization against the war in Vietnam, the March on Washington of 1965. After receiving degrees from the University of Michigan and the University of California Berkeley, Gitlin joined the faculty at Columbia University, where he is currently Professor of Journalism and Sociology and Chair of the doctoral program in Communications. Over the past thirty years, he has written extensively on mass communication, the media, and journalism. The author of twelve books, Gitlin is today a noted public intellectual and prominent critic of both the left and right in American politics, arguing that pragmatic coalition building should replace ideological purity and criticizing the willingness of those on both sides to use violence to reach ends to power.
- Talk II:
- Thurs, Oct. 29, 2009, 4 p.m., Blake Slonecker, Assistant Professor of History at Waldorf College, will present a talk, “Living the Moment: Liberation News Service, Montague Farm, and the New Left, 1967-1981.
- Junius Williams
- Writer and activist.
- Parker Donham
- Journalist and former press secretary for Eugene McCarthy
- Tom Hayden
- Fmr President of Students for a Democratic Society
For nearly fifty years, Tom Hayden’s name has been synonymous with social change. As a founding member of the Students for a Democratic Society in 1961, he was author of its visionary call, the Port Huron Statement, the touchstone for a generation of activists. As a Freedom Rider in the Deep South in the early 1960s, he was arrested and beaten in rural Georgia and Mississippi. As a community organizer in Newark’s inner city in 1964, he was part of an effort to create a national poor people’s campaign for jobs and empowerment.
When the Vietnam War invaded American lives, Hayden became a prominent voice in opposition, organizing teach-ins and demonstrations, writing, and making one of the first trips to Hanoi in 1965 to meet with the other side. One of the leaders of the street demonstrations against the war at the 1968 Chicago Democratic Convention, he was one of eight organizers indicted — and eventually acquitted — on charges of conspiracy and incitement.
After the political system opened in the 1970s, Hayden organized the grass-roots Campaign for Economic Democracy in California, which won dozens of local offices and shut down a nuclear power plant through a referendum for the first time. He was elected to the California state assembly in 1982, and the state senate ten years later, serving eighteen years in all, and he has twice served on the national platform committee of the Democratic Party.
- Johnny Flynn, Tim Koster, Sheila Lennon, Karen Smith
As part of its annual Colloquium on Social Change, the Department of Special Collections and University Archives of UMass Amherst presents a panel discussion and readings from a new book, Time it Was: American Stories from the Sixties, a set of short memoirs written by people who participated in a wide variety of Sixties-era movements and events. Join us for speakers Johnny Flynn (American Indian Movement), Sheila Lennon (Woodstock), Tim Koster (Draft Lottery “Winner” and Conscientious Objector), and Karen Manners Smith, who spent five years in a religious cult.
For students, the readings and discussion provide an opportunity to hear stories that move beyond Sixties mythology towards an appreciation of the real — but no less exciting — experiences of young people in that tumultuous era. Non-students and members of the Five College and surrounding communities will find this panel discussion a chance to reconnect with their own memories of the period.
- Eric Mann and Lian Hurst Mann
- Labor/Community Strategy Center, Los Angeles
- Flier announcing the event (pdf)
- Carl Oglesby
- Writer, antiwar activist, former President of SDS
- Tom Fels
- Curator, writer, fmr resident of Montague Farm Commune
- Catherine Blinder
- Activist, writer, fmr resident of Tree Frog Farm Commune
- Flier announcing the event (pdf)
Arvo A. Solander Papers, 1930-1958.
Call no.: MS 587
Graduating from Harvard in the thick of the Great Depression, Arvo A. Solander worked as a civil and sanitary engineer for a variety of state and federal agencies, including the Civil Works Administration and the Civilian Conservation Corps. During the 1930s, as opportunity arose, he filled positions as a road engineer, in the design and construction of water and sewage plants, in pollution control, as a safety engineer in the shellfish industry, and in mosquito control, taking jobs throughout Massachusetts and as far away as Tennessee. After using his talents as an officer in the Sanitary Corps during the Second World War, based primarily in Arkansas, Solander returned home to Massachusetts and opened a private engineering office in South Hadley. He worked as a civil engineer and surveyor until his death in January 1976.
The Arvo Solander Papers consists of twenty-four bound volumes documenting thirty years of varied work as an engineer, including his contributions to the construction of the Quabbin Reservoir. Within the bound volumes are a wide range of reports, typescripts, sketches and diagrams, graphs, contracts and design specifications, photographs, and postcards.
- Civil engineers
- Civilian Conservation Corps (U.S.)
- Quabbin Reservoir (Mass.)
- Roads--Design and construction
- Sanitary engineers
- Sewage disposal plants--Design and construction
- United States. Federal Civil Works Administration
- Westfield State Sanatorium
- World War, 1939-1945
- Wrentham State School
- Solander, Arvo A
Types of material
Swedish Book Design Collection, 1922-1961 (Bulk: 1922-1942).
Call no.: RB 026
James H. Fraser and his wife Sibylle were eclectic and sometimes omnivorous collectors of the book arts, dedicated to the scholarly exploration of visual culture, the book, and the avant garde. A former Director of the Library at Farleigh Dickinson University and a consultant to many other academic libraries, James Fraser developed an omnivorous passion for German and Eastern European graphic design and book culture and had interests that ranged from Socialist children’s books to Judaica, the American left, Mongolian printing, and Japanese posters of the 1980s. James Fraser died in the fall 2013 and was survived by Sibylle and their two children.
This unusual collection of over 250 volumes is a product of the Frasers’ interest in Swedish book jacket design. Consisting nearly entirely of soft cover volumes printed between the 1920s and 1960s, primarily pre-war, and not necessarily written by Swedish authors, the collection reflects the work of many illustrators drawing on a range of graphic styles, from avant garde modernism to the later parts of the collection, which includes translations of popular works by writers such as Ian Fleming and Agatha Christie.
- Book jackets--Sweden
- Fraser, James H.
- Fraser, Sibylle
Frederick Tillis Papers, 1970-2010.
Call no.: FS 156
A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.
The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.
- African American composers
- African American musicians
- Fine Arts Center (University of Massachusetts Amherst)
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
- Tillis, Frederick, 1930-
Types of material
Sidney Topol Papers, 1944-1997.
Call no.: MS 374
An innovator and entrepreneur, Sidney Topol was a contributor to several key developments in the telecommunications industries in the latter half of the twentieth century. A graduate of the University of Massachusetts (1947) and an engineer and executive at Raytheon and later Scientific-Atlanta, Topol’s expertise in microwave systems led to the development of the first effective portable television relay links, allowing broadcasts from even remote areas, and his foray into satellite technologies in the 1960s provided the foundation for building the emerging cable television industry, permitting the transmission of transoceanic television broadcasts. Since retiring in the early 1990s, Topol has been engaged in philanthropic work, contributing to the educational and cultural life in Boston and Atlanta.
The product of a pioneer in the telecommunications and satellite industries and philanthropist, this collection contains a rich body of correspondence and speeches, engineering notebooks, reports, product brochures, and photographs documenting Sidney Topol’s forty year career as an engineer and executive. The collection offers a valuable record of Topol’s role in the growth of both corporations, augmented by a suite of materials stemming from Topol’s tenure as Chair of the Electronic Industries Association Advanced Television Committee (ATV) in the 1980s and his service as Co-Chair of a major conference on Competitiveness held by the Carter Center in 1988.
- Boston (Mass.)--Social conditions--20th century
- Cable television
- Electronic Industries Association
- Raytheon Company
- Topol, Sidney
Valley Peace Center Records, 1965-1973.
Call no.: MS 301
In the summer of 1967, members of University of Massachusetts Amherst campus groups, such as the Faculty Group on War and Peace and the Students for Political Action, joined with individuals from other area colleges and from the community at large to form the Valley Peace Center of Amherst for the purposes of opposing the Vietnam War, providing draft counseling, eliciting pledges from the government to avoid first use of nuclear and biological weapons, and reduction of the power of the “military-industrial complex”. The Center was active for more than five and a half years, drawing its financial support largely from the community and its human resources from student and community volunteers.
Correspondence, minutes, volunteer and membership lists, financial records, newsletters, questionnaires, notes, petitions, clippings, posters, circulars, pamphlets, periodicals, other printed matter, and memorabilia. Includes material relating to alternative service, boycotts, war tax resistance, prison reform, environmental quality, and political candidates.
- Amherst (Mass.)--Social conditions--20th century
- Draft--United States--History
- Peace movements--Massachusetts--Amherst
- Social movements--Massachusetts--Amherst
- Vietnam War, 1961-1975--Protest movements--Massachusetts--Amherst
- Westover Air Force Base (Mass.)--History--20th century
- Valley Peace Center (Amherst, Mass.)
Types of material
Frank A. Waugh Papers, 1896-1983.
Call no.: FS 088
Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.
The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.
- Landscape architecture--United States--History
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Horticulture
- Waugh, Frank A. (Frank Albert), 1869-1943
Types of material
- Lantern slides
WFCR Radio Broadcast Collection, 1954-1987 (Bulk: 1964-1987).
Call no.: MS 741
The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment.
The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children’s programming, news and current events, scholarly lectures, classical music, and jazz.
- Amherst (Mass.)
- Pioneer Valley (Mass.)
- Radio stations--Massachusetts
- WFCR (Radio station : Amherst, Mass.)
Types of material
- Sound recordings
Lawrence D. Yeomans Papers, 1895-1946 (Bulk: 1917-1919).
Call no.: MS 873
A native of Ontario, Lawrence D. Yeomans was working in New York when he volunteered for service in the U.S. Army Signal Corps during the First World War. For eighteen months, Yeomans served as a chauffeur with the Signal Corps in France, driving senior officers around Paris and to and from the front.
This small collection documents Lawrence Yeomans’ time as a chauffeur with the Signal Corps during the First World War. In addition to a handful of official documents relating to his service, Yeomans held onto a few pieces of ephemera as souvenirs, some postcards, and a set of photographs, including three depicting him in uniform and ten showing a display of German war materiel confiscated at war’s end.
- World War, 1914-1918
Types of material