Beth Hapgood Papers, 1789-2005.
67 boxes (35 linear feet).
Call no.: MS 434
Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.
- Brotherhood of the Spirit
- Channeling (Spiritualism)
- Communal living--Massachusetts
- Hapgood family--Correspondence
- Massachusetts--Social life and customs--20th century
- Nineteen sixties--Social aspects
- Occultism--Social aspects
- Popular culture--History--20th century
- Renaissance Community
- Rock music--1971-1980
- Warwick (Mass.)--History
- Babbitt, Elwood, 1922-
- Boyce, Neith, 1872-1951
- Hapgood, Beth--Correspondence
- Hapgood, Charles H
- Hapgood, Elizabeth Reynolds
- Hapgood, Hutchins, 1869-1944
- Hapgood, Norman, 1868-1937
- Metelica, Michael
Gordon Heath Papers, 1913-1992.
44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.
The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.
- Abbaye (Nightclub : Paris, France)
- African American actors--France--Paris--History
- African American singers--France--Paris--History
- African Americans in the performing arts--History
- African-American theater--History--20th century
- Baldwin, James, 1924-
- Chametzky, Jules
- Dodson, Owen, 1914-
- Expatriate musicians--France--Paris--History
- Hughes, Langston, 1902-1967
- Musicians--United States--History
- Paris (France)--Intellectual life--20th century
- Payant, Lee--Correspondence
- Primus, Pearl
- Rive gauche (Paris, France)--Intellectual life--20th century
- Studio Theater of Paris
- Theater--Production and direction--France--Paris--History
- Abramson, Doris E
- Heath, Gordon, 1918-1991
Types of material
- Sheet music
Archibald MacLeish Papers, 1938-1982.
1 box (0.25 linear feet).
Call no.: MS 494
American poet, writer, and Librarian of Congress, Archibald MacLeish was associated with the modernist school of poetry and awarded the Pulitzer Prize three times. The collection features a manuscript of “An Evening’s Journey To Conway, Massachusetts,” written to commemorate the bicentennial anniversary of the town, as well as correspondence with Kenneth Murdoch documenting their friendship over three decades.
Miscellaneous Manuscripts, 1717-2003.
3 boxes (1.5 linear feet).
Call no.: MS 719
Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.
- Massachusetts--Economic conditions--18th century
- Massachusetts--Economic conditions--19th century
- Massachusetts--Politics and government
- Massachusetts--Social conditions--18th century
- Massachusetts--Social conditions--19th century
- Massachusetts--Social conditions--20th century
Types of material
- Account books
Carl Oglesby Papers, ca.1965-2004.
96 boxes (67.5 linear feet).
Call no.: MS 514
Reflective, critical, and radical, Carl Oglesby was an eloquent voice of the New Left during the 1960s and 1970s. A native of Ohio, Oglesby was working in the defense industry in Ann Arbor, Michigan, in 1964 when he became radicalized by what he saw transpiring in Vietnam. Through his contacts with the Students for a Democratic Society, he was drawn into the nascent antiwar movement, and thanks to his formidable skills as a speaker and writer, rose rapidly to prominence. Elected president of the SDS in 1965, he spent several years traveling nationally and internationally advocating for a variety of political and social causes.
In 1972, Oglesby helped co-found the Assassination Information Bureau which ultimately helped prod the U.S. Congress to reopen the investigation of the assassination of John F. Kennedy. A prolific writer and editor, his major works include Containment and Change (1967), The New Left Reader (1969), The Yankee and Cowboy War (1976), and The JFK Assassination: The Facts and the Theories (1992). The Oglesby Papers include research files, correspondence, published and unpublished writing, with the weight of the collection falling largely on the period after 1975.
- Assassination Information Bureau
- Gehlen, Reinhard, 1902-1979
- Kennedy, John F. (John Fitzgerald), 1917-1963--Assassination
- King, Martin Luther, Jr., 1929-1968
- Political activists
- Student movements
- Students for a Democratic Society (U.S.)
- United States--Foreign relations
- Vietnam War, 1961-1975
- Watergate Affair, 1972-1974
Samizdat Collection, 1955-1983.
12 boxes (6 linear feet).
Call no.: MS 404
In the mid-1970s, the Center for the Study of New Russian Literature in the Department of Slavic Languages and Literatures at UMass Amherst began collecting the self-published and underground literature of the Soviet Union as a means of documenting social and political dissent in the Communist state.
The Samizdat collection includes writings in several genres — chiefly fiction, poetry, drama, and literary, social, and political criticism — in handwritten, photocopied, and printed form, as well as photos, a passport application for Mikhail Baryshnikov, and memorabilia from an American production of one of the plays in the collection.
- Underground literature--Soviet Union
Roberta Uno Collection of Asian American Women Playwrights' Scripts, 1924-2005.
25 boxes (9 linear feet).
Call no.: MS 345
Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.
Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.
- Asian American women authors
- New WORLD Theater
Types of material
Carlos Vega Collection, ca.1966-1995.
148 volumes, 1 box, (0.5 linear feet).
Call no.: MS 800
An Ecuadorian-born community activist, Carlos Vega moved to Holyoke, Massachusetts, with his family in 1955. Settling in the working-class “Flats” neighborhood at a time when many of Holyoke’s factories were relocating to the southern United States or Asia, the Vegas were one of the few Spanish-speaking families in the city, but when Carlos began to work on a local tobacco farm at the age of 14, he encountered the new influx of migrants from Puerto Rico who had been lured to the Connecticut Valley as agricultural laborers by the Department of Labor. With the Puerto Rican economy declining in the 1960s, many of these farm workers settled permanently in Springfield and Holyoke, but they soon discovered that the declining economy there combined with racism and urban decay blocked their hopes for upward mobility. Radicalized by the anti-colonial, anti-war, and Civil Rights movements of the late 1960s, Vega emerged as an important community organizer in the 1970s, working with Fair Share, New Unity, Urban Ministry, and other progressive organizations. With a backdrop of riots, arson, and racial tension, these organizations focused on issues relevant to the Puerto Rican community, particularly voter education and registration, fair housing, and education. In 1982, Vega helped found Nueva Esperanza, a non-profit community development organization whose mission was to restore and maintain blighted buildings in South Holyoke. He worked with Nueva Esperanza for over 30 years, continuing until 2010 after a brain cancer diagnosis in 1995. He survived until April 2012.
The materials in this collection reflect Vega’s interests in left wing movements in Central America, the Caribbean, Asia, South America and Africa from the 1960s through 1980s and include leaflets, pamphlets, books, and newsletters. The approximately 300 items offer sometimes scarce documentation of internationalist liberation movements such as the PAIGC in Guinea Bissau and Cape Verde, the Tupamaros in Uruguay, and the EFLNA in Eritrea. Of particular note is a small collection documenting Vega’s participation in the 1974 Venceremos Brigade and a collection of clippings, newsletters, notes, fliers, conference material, and newspapers from various groups such as New England Action Research, Friends of the Filipino People, The Latin American Student Association, and the Ethiopian Students Union of North America. Some printed materials are cataloged and housed with the rare books collection.
- Central America--Foreign relations--United States
- Civil Rights movements--Africa
- Civil Rights movements--Central America
- Civil Rights movements--Chile
- Civil Rights movements--United States
- Civil Rights movements-Asia
- Civil Rights movements-Caribbean
- Latin America--Periodicals
- Radicalism--United States
- Revolutionary literature
- United States--Foreign relations--Central America
- Venceremos Brigade
George W. Barton Papers, 1889-1984 (Bulk: 1914-1920).
(4.5 linear feet).
Call no.: RG 050 B37
George W. Barton was born in Sudbury, Massachusetts in 1896. After attending Concord High School in Concord, Barton began his studies in horticulture and agriculture at Massachusetts Agricultural College in Amherst. The collection includes diaries, scrapbooks, photographs, newspaper clippings, programs, announcements, and his herbarium, and relates primarily to his career at the Massachusetts Agricultural College where he studied horticulture and agriculture from 1914-1918.
- Botany--Study and teaching
- Horticulture--Study and teaching
- Massachusetts Agricultural College--Students
Types of material
Vincent Brann Papers, ca.1917-2005.
(7.5 linear feet).
Call no.: FS 094
Vincent Clinton Brann was a Professor of Dramaturgy and Directing at UMass Amherst. Born Feb. 19, 1927 in Knoxville, Iowa, Brann served in the United States Army during WWII. After completing his B.A. at the University of Iowa in 1950 he was again called to serve in the Army during the Korean Conflict (1950-1951). Brann held faculty positions at Carnegie Institute of Technology, University of Maryland Overseas Program Europe, and Smith College before joining the faculty at the University of Massachusetts Amherst in the Speech Department in 1964. Brann remained in the Speech Department until 1972 when it became the Department of Theater; he continued to teach in the Department of Theater until his retirement in 1988. Brann was well-known for his oral interpretation and performance classes as well as his productions and original scripts. At the time of his death in 2007 he was Professor Emeritus of Dramaturgy and Directing.
The Brann Papers are a collection of genealogical materials dating to the early 20th century, correspondence, family and travel photographs (particularly of Spain and France), play scripts with director’s notes, musical theater scores, and Brann’s college yearbooks.
- Brann family
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Speech
- University of Massachusetts Amherst. Department of Theater