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Aronson, James

James Aronson Collection of W.E.B. Du Bois

1946-1983
2 boxes 1.5 linear feet
Call no.: MS 292

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.

Subjects

  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Death and burial
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on Pan-Africanism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on pacifism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on socialism
  • National Guardian
  • Socialism--Africa

Contributors

  • Du Bois, Shirley Graham, 1896-1977
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Photographs
  • Speeches
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)
Association for Gravestone Studies

Association for Gravestone Studies Collection

1975-2008
25 collections
Call no.: MS 610

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to the study and preservation of gravestones of all periods and styles. Based in Greenfield, Mass., the AGS sponsors conferences, workshops and exhibits, and publishes an annual journal, Markers, and quarterly bulletin. Their mission is to promote the study of gravestones from historical and artistic perspectives, expand public awareness of the significance of historic grave markers, and encourage individuals and groups to record and preserve gravestones.

The AGS Collection consists of the central records of the organization plus a growing number of photographic archives of gravestone art donated by members and associates. Offering critical documentation of gravestones, tombs, and cemeteries throughout the country, but especially New England.

Collections include:

Or View all

Gift of the Association for Gravestone Studies, 2009-2017
Connect to another siteThe AGS publications, Markers
and Newsletter of the AGS are digitized and available online through Credo

Subjects

  • Sepulchral monuments
  • Stone carving

Contributors

  • Association for Gravestone Studies
Association for Gravestone Studies

Association for Gravestone Studies Book Collection

1812-2005
269 items 14 linear feet
Call no.: RB 004

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Books Collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The AGS Books Collection also includes the AGS publication, Markers. The collection is divided into three series: Series 1 (Monographs and Offprints), Series 2 (Theses and Dissertations), and Series 3 (Markers).

Subjects

  • Cemeteries
  • Epitaphs
  • Gravestones

Contributors

  • Association for Gravestone Studies
Bailey, Ebenezer

Ebenezer Bailey Papers

1852-1882
1 box 0.25 linear feet
Call no.: MS 448

Ebenezer Bailey was a wholesale shoe purchaser and distributor from Massachusetts. The collection comprises just over 100 items, the bulk of which are receipts for the purchase and sale of shoes and slippers, covering the period from 1852 to 1882.

Acquired from Peter Masi, Mar. 2005

Subjects

  • Business records--Massachusetts
  • Dearborn, J. J
  • Lynn (Mass.)--History
  • Shoe industry--Massachusetts--Lynn
  • Shoe industry--New England--History--19th century

Contributors

  • Bailey, Ebenezer

Types of material

  • Receipts (Financial records)
Barton, Thomas

Thomas Barton Papers

1947-1977 Bulk: 1960-1974
4 boxes 2 linear feet
Call no.: MS 539
Image of YPSL logo
YPSL logo

In the early 1960s, Tom Barton (b. 1935) emerged as a leader in the Left-wing of the Young People’s Socialist League, the national youth affiliate of the Socialist Party. Deeply committed to the civil rights and antiwar struggles and to revolutionary organizing, Barton operated in Philadelphia, Chicago, and New York and was a delegate and National Secretary at the 1964 convention in which tensions within YPSL led to its dissolution.

A small, but rich collection, the Barton Papers provide a glimpse into the career of a long-time Socialist and activist. From Barton’s entry into the Young People’s Socialist League in the latest 1950s through his work with the Wildcat group in the early 1970s, the collection contains outstanding content on the civil rights and antiwar movements and the strategies for radical organizing. The collection is particularly rich on two periods of Barton’s career — his time in the YPSL and Student Peace Union (1960-1964) and in the Wildcat group (1968-1971) — and particularly for the events surrounding the dissolution of YPSL in 1964, following a heated debate over whether to support Lyndon Johnson for president. The collection includes correspondence with other young radicals such as Martin Oppenheimer, Lyndon Henry, Juan McIver, and Joe Weiner.

Subjects

  • Antiwar movements
  • Civil rights movements
  • Communists
  • Revolutionaries
  • Socialist Party of the United States of America
  • Socialists--United States
  • Student Peace Union
  • Students for a Democratic Society (U.S.)
  • Vietnam War, 1961-1975--Protest movements
  • Wildcat
  • Young People's Socialist League

Contributors

  • Barton, Thomas
  • Gilbert, Carl
  • Henry, Lyndon
  • MacFadyen, Gavin
  • McIver, Juan
  • Oppenheimer, Martin
  • Shatkin, Joan
  • Shatkin, Norm
  • Verret, Joe
  • Weiner, Joe
Bascom, Eric

Eric Bascom Collection of Jazz Recordings

ca. 1940-1950
ca. 500 phonograph records 10 linear feet
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects

  • Bop (Music)
  • Jazz musicians

Contributors

  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955

Types of material

  • 78 rpm records
  • Piano rolls
Beach, Samuel

Samuel and Harriett Beach Papers

1829-1903
2 boxes 0.75 linear feet
Call no.: MS 1032
Image of Business card for J.S. Stannard Oysters, ca.1885
Business card for J.S. Stannard Oysters, ca.1885

Spread out across the early national landscape, the Beach and Cooke families were bound by the ties of family, friendship, and business. The brothers-in-law Samuel Beach, from Branford, Conn., and Samuel G. Cooke, from Mendon, Illinois, both served in the Civil War. As a corporal in the 27th Connecticut Infantry, Beach saw action at the battles of Fredericksburg and Chancellorsville, while Cooke served in the west with the 50th Illinois before taking a captain’s commission in the 44th U.S. Colored Troops. Farmers and fruit growers, the two settled in Branford after the war, with Beach establishing Pawson Park, a day resort and picnic grounds that prospered in the 1880s.

The paper of Samuel and Harriett Beach contain family correspondence from two generations of Connecticut family in the mid-nineteenth century. Of particular note are 31 war-date letters and a post-war memoir of the battle of Fredericksburg from Samuel Beach, and three war-date letters from Samuel G. Cooke. The collection also includes an interesting, though scattered series of letters relating to the creation and operation of the day resort, Pawson Park.

Acquired from William Reese, April 2018
Berke, David M.

David M. Berke Collection of Nuremberg Trials Depositions

1944-1945
1 box 0.25 linear feet
Call no.: MS 804

During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army’s War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war’s end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke.

The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners — both political prisoners and prisoners of war — with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, “labor reform” prisons, and police prisons, and the sheer scale of wartime inhumanity.

Gift of Cathy Abrams

Subjects

  • Buchenwald (Concentration camp)
  • Dachau(Concentration camp)
  • Flossenburg (Concentration camp)
  • Innsbruck-Reichenau (Labor reform camp)
  • Ravensbruck (Concentration camp)
  • Sachsenhausen (Concentration camp)
  • World War, 1939-1945--Atrocities
  • World War, 1939-1945--Prisoners and prisons

Contributors

  • Franz, Edmund F.
  • United States. Army. Counter Intelligence Corps
  • United States. Army. Office of Special Services

Types of material

  • Depositions
Bestor, Charles

Charles Bestor Papers

1971-2002
2 boxes 0.75 linear feet
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bestor, Charles