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Rubin, Emanuel, 1935-

Emanuel Rubin Papers, 1964-2006
5 boxes (7.5 linear feet)
Call no.: FS 155
Emanuel Rubin Papers image
Emanuel Rubin

Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.

The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.

Subjects
  • Glees, catches, rounds, etc.--History and criticism
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Judaic and Near Eastern Studies
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Rubin, Emanuel, 1935-
Types of material
  • Photographs
  • Scores

Illustrated Sheet Music

Illustrated Sheet Music Collection, 1896-1946
1 box (0.25 linear feet)
Call no.: MS 960
Illustrated Sheet Music Collection image
Waiting for the Robert E. Lee

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Subjects
  • African Americans--Pictorial works
  • World War, 1914-1918--Pictorial works
Types of material
  • Scores
  • Sheet music

University of Massachusetts Amherst. Photographs

University of Massachusetts Amherst. Photographs, ca.1867-2007

The archives of UMass Amherst contain tens of thousands of formal and informal photographic images of the campus community from its founding in the 1860s to the present. The collections have been organized into over twenty discrete series. Digitized version of approximately 13,000 of images are available online.

Subjects
  • University of Massachusetts Amherst
Types of material
  • Photographs

Arcadia Players

Arcadia Players Records, 1989-2005
18 boxes (27 linear feet)
Call no.: MS 451

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.

Subjects
  • Music--17th century
  • Music--18th century
  • Musicians--Massachusetts
Contributors
  • Arcadia Players

Boston Jazz Society

Boston Jazz Society Records, ca. 1973-2014
6 boxes (10 linear feet)
Call no.: MS 880
Boston Jazz Society Records image

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Subjects
  • Jazz musicians--Massachusetts--Boston
  • Jazz--Massachusetts--Boston
Contributors
  • Berklee School of Music
  • Haynes, Roy
  • Henderson, Aureldon Edward
  • New England Conservatory of Music

Broadside Press

Broadside Press Collection, 1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Broadside Press Collection image
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

Butterfield, Kenyon L. (Kenyon Leech), 1868-1935

Kenyon Leech Butterfield Papers, 1889-1945
(12 linear feet)
Call no.: RG 003/1 B88
Kenyon Leech Butterfield Papers image
Kenyon L. Butterfield

An agricultural and educational reformer born in 1868, Kenyon Butterfield was the ninth president of Massachusetts Agricultural College and one of the university’s most important figures. An 1891 graduate of Michigan Agricultural College and recipient of MA in Economics and Rural Sociology from the University of Michigan (1902), Butterfield entered university administration early in his career, becoming President of the Rhode Island College of Agriculture and Mechanic Arts in 1903 and, only three years later, of the Massachusetts Agricultural College. Possessed of a Progressive spirit, Butterfield revolutionized the college during his 18 years in Amherst, expanding and diversifying the curriculum, quadrupling the institutional budget, fostering a dramatic increase in the presence of women on campus and expanding the curriculum, and above all, helping to promote the Smith-Lever Act of 1914 and developing the Cooperative Extension Service into a vital asset to the Commonwealth. Nationally, he maintained a leadership role in the field of rural sociology and among Land Grant University presidents. After leaving Amherst in 1924, Butterfield served as President at Michigan Agricultural College for four years and was active in missionary endeavors in Asia before retiring. He died at his home in Amherst on Nov. 25, 1936.

The Butterfield Papers contain biographical materials, administrative and official papers of both of his presidencies, typescripts of his talks, and copies of his published writings. Includes correspondence and memoranda (with students, officials, legislators, officers of organizations, and private individuals), reports, outlines, minutes, surveys, and internal memoranda.

Subjects
  • Agricultural education--Massachusetts--History--Sources
  • Agricultural education--Michigan--History--Sources
  • Agricultural extension work--Massachusetts--History--Sources
  • Agricultural extension work--United States--History--Sources
  • Agriculture--United States--History--Sources
  • Education--United States--History--Sources
  • Food supply--Massachusetts--History--Sources
  • Higher education and state--Massachusetts--History--Sources
  • Massachusetts Agricultural College--Alumni and alumnae
  • Massachusetts Agricultural College--History
  • Massachusetts Agricultural College--Students
  • Massachusetts Agricultural College. President
  • Massachusetts State College--Faculty
  • Michigan Agricultural College--History
  • Michigan Agricultural College. President
  • Rural churches--United States--History--Sources
  • Rural development--Massachusetts--History--Sources
  • Women--Education (Higher)--Massachusetts--History--Sources
  • World War, 1914-1918
Contributors
  • Butterfield, Kenyon L. (Kenyon Leech), 1868-1935

Clark, William Smith, 1826-1886

William Smith Clark Papers, 1814-2003 (Bulk: 1844-1886)
(14.75 linear feet)
Call no.: RG 003/1 C63
William Smith Clark Papers image
William Smith Clark

Born in Ashfield, Massachusetts, in 1826, William Smith Clark graduated from Amherst College in 1848 and went on to teach the natural sciences at Williston Seminary until 1850, when he continued his education abroad, studying chemistry and botany at the University of Goettingen, earning his Ph.D in 1852. From 1852 to 1867 he was a member of Amherst College’s faculty as a Professor of Chemistry, Botany, and Zoology. As a leading citizen of Amherst, Clark was a strong advocate for the establishment of the new agricultural college, becoming one of the founding members of the college’s faculty and in 1867, the year the college welcomed its first class of 56 students, its President. During his presidency, he pressured the state government to increase funding for the new college and provide scholarships to enable poor students, including women, to attend. The college faced economic hardship early in its existence: enrollment dropped in the 1870s, and the college fell into debt. He is noted as well for helping to establish an agricultural college at Sapporo, Japan, and building strong ties between the Massachusetts Agricultural College and Hokkaido. After Clark was denied a leave of absence in 1879 to establish a “floating college” — a ship which would carry students and faculty around the world — he resigned.

The Clark Papers include materials from throughout his life, including correspondence with fellow professors and scientists, students in Japan, and family; materials relating to his Civil War service in the 21st Massachusetts Infantry; photographs and personal items; official correspondence and memoranda; published articles; books, articles, television, and radio materials relating to Clark, in Japanese and English; and materials regarding Hokkaido University and its continuing relationship with the University of Massachusetts.

Subjects
  • Agricultural colleges--Japan--History
  • Agricultural colleges--Massachusetts--History
  • Agriculturists--Japan
  • Agriculturists--Massachusetts
  • Amherst (Mass.)--History
  • Amherst College--Faculty
  • Amherst College--Students--Correspondence
  • Hokkaido (Japan)--History
  • Hokkaid¯o Daigaku--History
  • Hokkaid¯o Teikoku Daigaku--History
  • Japan--Relations--United States
  • Massachusetts Agricultural College--History
  • Sapporo N¯ogakk¯o--History
  • Sapporo N¯ogakk¯o. President
  • T¯ohoku Teikoku Daigaku. N¯oka Daigaku--History
  • United States--History--Civil War, 1861-1865
  • United States--Relations--Japan
  • Universität Göttingen--Students--Correspondence
Contributors
  • Clark, William Smith, 1826-1886
  • Massachusetts Agricultural College. President
Types of material
  • Drawings
  • Photographs
  • Realia
  • Scrapbooks

Concordance to the Archives

Title Record group See and see also
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Finkelstein, Sidney Walter, 1909-1974

Sidney Finkelstein Papers, 1914-1974
11 boxes (5.5 linear feet)
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Subjects
  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources
Contributors
  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham
Types of material
  • Letters (Correspondence)
  • Photographs
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