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Moss, Bernard

Bernie Moss Photograph Collection

ca. 1960-1978
7 boxes 10.5 linear feet
Call no.: PH 062
Image of Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects
  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs
Types of material
  • Color prints (photographs)

Mungo, Raymond, 1946-

Raymond Mungo Papers

1966-2008
6 boxes 3 linear feet
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah
Contributors
  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-
Types of material
  • Photographs

Obrebski, Joseph, 1907-1967

Joseph Obrebski Papers

1923-1974
48 boxes 24 linear feet
Call no.: MS 599

A student of Bronislaw Malinowski, the Polish ethnographer Jozef Obrebski was a keen observer of cultural change among eastern European peasantry in the years before the Second World War. After working with the resistance in Warsaw during the war, Obrebski went on to do additional ethnographic research in Jamaica (with his wife Tamara), taught at Brooklyn and Queens College and C.W. Post University, and from 1948-1959, he was senior social affairs officer with the United Nations. He died in 1967.

The Obrebski collection consists largely of ethnographic data collected by Obrebski in Macedonia (1931-1932), Polesia (1934-1936), and Jamaica (1947-1948), including field and interview notes, genealogies, government documents relating to research sites, and ca. 1000 photographs; together with correspondence (1946-1974), drafts of articles, analyses of collected data, and tapes and phonograph records, largely of folk music; and papers of Obrebski’s wife, Tamara Obrebski (1908-1974), also an ethnologist and sociologist.

Language(s): Polish
Subjects
  • Anthropologists--Poland
  • Ethnology--Jamaica
  • Ethnology--Macedonia
  • Ethnology--Poland
  • Peasantry--Macedonia
  • Peasantry--Poland
Contributors
  • Obrebski, Joseph, 1907-1967
Types of material
  • Photographs

Shattuck, Louise F.

Louise F. Shattuck Papers

1881-2006
31 boxes 24 linear feet
Call no.: MS 563
Image of Louise Shattuck
Louise Shattuck

A life-long resident of Lake Pleasant, Massachusetts, and a third-generation Spiritualist, Louise Shattuck was an artist, teacher, and noted breeder of English cocker spaniels.

Shattuck’s work as a teacher, writer, artist, and dog breeder are documented in this collection through decades of correspondence and diaries, artwork, publications, and newspaper clippings. Of particular note are the materials associated with the Spiritualist history of Lake Pleasant, including three turn of the century spirit slates, samples of Louise’s automatic writing, a ouija board and dowsing rods, and an excellent photograph album with associated realia for the Independent Order of Scalpers, a Lake Pleasant.

Subjects
  • Dogs--Breeding
  • English Cocker spaniels
  • Lake Pleasant (Mass.)--History
  • Mediums--Massachusetts
  • Montague (Mass.)--History
  • Spiritualism
Contributors
  • Shattuck, Louise F
  • Shattuck, Sarah Bickford
Types of material
  • Diaries
  • Photograph albums
  • Photographs
  • Spirit slates
  • Spirit writing

Simon, Peter, 1947-

Peter Simon Collection

ca. 1945-2016
10 boxes 20 linear feet
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Thacher-Channing families

Thacher-Channing Family Papers

1757-1930
3 boxes, books 22.5 linear feet
Call no.: MS 1005
Image of Stephen Thacher, ca.1853
Stephen Thacher, ca.1853

A graduate of Yale, failed schoolmaster, and politically-connected customs collector in eastern Maine during the antebellum period, Stephen Thacher raised a large family with grand intellectual ambitions. Thacher’s sons made the most of their collegiate educations in their careers in law and the ministry, his eldest daughter Mary married Thomas Wentworth Higginson, while a granddaughter Alice Thacher married the Harvard historian Edward Channing, son of William Ellery Channing and nephew of Margaret Fuller.

These relics of a prominent New England family contain nearly 150 letters, dozens of photographs and other visual materials, and a large assortment of books from three generations of Thachers and Channings. The letters are a rich resource for understanding the life of Stephen Thacher from the uncertainty of youth in Connecticut to political and financial success in the ports of eastern Maine. Assembled by Stephen’s son Peter, the collection includes a number of noteworthy items, including an excellent letter from Timothy Goodwin in July 1775, describing his experiences during the failed expedition on Quebec and the retreat to Crown Point, and a series of letters from Congressman Martin Kinsley on the major issues of the day, including the extension of slavery to the territories and formation of the state of Maine.

Gift of Ben Forbes and Fran Soto, 2017
Subjects
  • Channing family
  • Maine--Politics and government--19th century
  • Massachusetts--Politics and government--19th century
  • Thacher family
Types of material
  • Ambrotypes
  • Daguerreotypes
  • Photographs
  • Silhouettes

Wolf, Lloyd

Lloyd Wolf Photograph Collection

1989
13 digital color prints
Call no.: PH 008
Image of Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects
  • Deadheads (Music fans)--Photographs
Contributors
  • Wolf, Lloyd
Types of material
  • Photographs

Bestor, Charles

Charles Bestor Papers

1971-2002
2 boxes 0.75 linear feet
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bestor, Charles

Bezanson, Philip, 1916-1975

Philip Bezanson Papers

1946-1980
9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bezanson, Philip, 1916-1975

Jones, Richard, 1937-1991

Richard Jones Papers

ca.1970-1991
2 boxes 1 linear feet
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects
  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Jones, Richard
Types of material
  • Photographs