Results for: “African-American theater” (362 collections)SCUA

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Trent family

Trent Family Papers, 1850-1996.

3 boxes (1.5 linear feet).
Call no.: MS 373

Five generations of an African-American family that achieved commercial success and wealth through the restaurant and catering business as well as extensive real estate investments at the turn of the 20th century in New York City, Brooklyn, and Sea Cliff, Long Island, New York. Includes letters, public and church records, news clippings, ephemera, a videotape, and 87 photographs.

Subjects

  • African American capitalists and financiers--New York (State)--Biography
  • African American families--New York (State)--History
  • African Americans--Genealogy--Handbooks, manuals, etc
  • African Americans--New York (State)--Biography
  • African Americans--New York (State)--Social life and customs
  • Burleigh, H. T. (Harry Thacker), 1866-1949
  • Capitalists and financiers--New York (State)--Biography
  • Fuller, Meta Warrick, 1877-1968
  • Landowners--New York (State)--Biography
  • Restauranteurs--New York (State)--Biography
  • Smith family
  • Smith, William H. (William Henry), 1836-1923
  • Trent family

Types of material

  • Baptismal certificates
  • Deeds
  • Genealogies
  • Photographs
  • Vital statistics records
  • Wills

UMass Amherst. Dean of Students

UMass Amherst. Dean of Students, 1948-1987. 27 boxes (13.25 linear feet).

The Office of the Dean of Students at UMass Amherst was established by President John Lederle in 1961 to replace the separately structured offices of the Dean of Men and Dean of Women, and to provide more effective, more flexible support for a growing and changing student body. In the 1960s, the Dean of Students had responsibility for almost all operational units related to student life, including Admissions, Records, Residence Halls, Dining Halls, Student Union, Student Activities, Placement, and Financial Aid. As the University became a statewide administrative unit with the opening of UMass Boston and the Medical School, there was an increasing conflict between the Office of the Dean of Students on the Amherst campus and the growing demands for a responsive administrative hierarchy. In 1970, the Office of the Vice Chancellor for Student Affairs was therefore created to provide an appropriate level of supervision for the various Student Affairs divisions with regard to budget, personnel and administration. The Office of the Dean of Students then became a student contact-based office, which cooperated and collaborated with the other divisions. The first Dean of Students, William Field came to UMass in 1951 as a guidance counselor and assistant professor of psychology. His tenure coincided with the massive expansion of campus and the turbulent years of the late 1960s and early 1970s, during which he played an important mediating role. The recipient of the Chancellor’s Medal in 1983, Field retired from office in 1988.

An important series of records documenting student life on the UMass Amherst campus, with an emphasis on the 1960s and 1970s. Among these are an extensive series of bylaws and charters for residence halls and registerred student organizations (RSOs) at UMass, as well as subject files on campus protests and demonstrations, students of color, and student groups of various sorts.

Subjects

  • African American students–Massachusetts.
  • Field, William.
  • Student movements–Massachusetts.
  • University of Massachusetts Amherst. Dean of Students.
  • University of Massachusetts Amherst–Students.
Call no.: RG 30/2

Double Edge Theater

Double Edge Theatre Records, 1970-2002.

28 boxes (15.5 linear feet).
Call no.: MS 455
Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts

Contributors

  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"

Types of material

  • Photographs
  • Posters
  • Programs

Advanced search

Literature & the arts

MAC baseball team, 1878
MAC baseball team, 1878

Literature and the arts play a vital role in the culture and traditions of New England. Western Massachusetts in particular has had a rich history of fostering writers and poets, musicians, dancers, and actors. The Department of Special Collections and University Archives seeks to document not only the lives and work of writers and performers in our region, but the creative and artistic process; showing not just the inspiration, but the perspiration as well.

Significant collections

  • Poetry
    • SCUA houses significant collections for the poets Robert Francis, Madeleine de Frees, and Anne Halley, as well as small collections for William Carlos Williams and Wallace Stevens. The records of the Massachusetts Review are an important literary resource.
  • Prose writing
    • Collections of note include the papers of writers William J. Lederer (author of The Ugly American, Nation of Sheep, and Their Own Worst Enemy), William Manchester (The Death of a President and American Caesar), Mary Doyle Curran (The Parish and the Hill).
  • Journalism
    • Journalists associated with traditional print and new media, including an important collection for the Liberation News Service, a media service for the alternative press, and the Social Change Periodicals Collection, which includes alternative and radical small press publications. The papers of Sidney Topol provide insight into the technical development of cable television.
  • Literary criticism and linguistics
    • The papers of literary scholars associated with the University; records of the Massachusetts Review.
  • Performing arts
    • The vibrant performing arts community in western Massachusetts is well represented in SCUA through groups ranging from the Arcadia Players Baroque music ensemble to theater troupes such as Double Edge Theater, the Valley Light Opera, and the New World Theater. Among the most significant national collections are the Roberta Uno Asian Women Playwrights Collection and the papers of African American expatriate actor and director Gordon Heath, while the James Ellis Theatre Collection includes nearly 8,000 printed volumes on the English and American stage, 1750-1915, along with numerous broadsides, graphics, and some manuscript materials. Musical collections include the papers of Philip Bezanson and Charles Bestor, the score collection of Julian Olevsky, and the Katanka Fraser Political Music Collection.
Printed materials

Within its holdings, SCUA houses collections of the published works of W.E.B. Du Bois, Robert Francis, Anne Halley, William J. Lederer, William Manchester, Thomas Mann, William Morris, Wallace Stevens, and William Butler Yeats, as well as the personal poetry libraries of Halley, Francis, and Stevens. The department also has an extensive collection of Science Fiction magazine fiction and Scottish literature.

National Endowment for the Arts

National Arts Policy Archive and Library

National Endowment for the Arts Collection, 1965-2009.

5 boxes (7.5 linear feet).
Call no.: MS 686

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects

  • Art and State
  • Arts--Management
  • Government aid to the arts

Stonewall Center

Stonewall Center Records, 1962-2005.

22 boxes (33 linear feet).
Call no.: RG 030/2/6

Following a series of homophobic incidents on the University of Massachusetts Amherst in 1985, the Program for Gay, Lesbian and Bisexual Concerns was established as an administrative center in the Office of Student Affairs. Later renamed after the notorious riots in New York, the Stonewall Center has provided the campus and surrounding community with cultural and educational programming through speakers, films, video and book library, Speakers Bureau on LGBTQ issues, referrals and support, advocacy and community outreach.

The records of the Stonewall Center include documentation of day to day operations, including phone logs, memos, and budget information, as well as posters and press releases for events, publications, campus and external reports, training manuals, surveys, newspaper clippings, and ephemera such as banners, tee-shirts, and buttons.

Subjects

  • Gay college students--Massachusetts
  • Gays--Services for
  • University of Massachusetts Amherst--Students
  • University of Massachusetts Amherst. Program for Gay, Lesbian, and Bisexual Concerns

Contributors

  • Stonewall Center
  • Yeskel, Felice

Swados, Harvey, 1920-1972

Harvey Swados Papers, 1933-1983.

49 boxes (23 linear feet).
Call no.: MS 218

The author and social critic Harvey Swados (1920-1972) was a graduate of the University of Michigan who embarked on a literary life after service in the merchant Marine during the Second World War. His first novel, Out Went the Candle (1955), introduced the themes to which Swados would return throughout his career, the alienation of factory workers and the experience of the working class in industrial America. His other works include a widely read collection of stories set in an auto plant, On the Line, the novels False Coin (1959), Standing Fast (1970), and Celebration (1975), and a noted collection of essays A Radical’s America (1962). His essay for Esquire magazine, “Why Resign from the Human Race?,” is often cited as inspiring the formation of the Peace Corps.

The Swados collection includes journals, notes, typewritten drafts of novels and short stories, galley proofs, clippings, and correspondence concerning writings; letters from family, publishers, literary agents, colleagues, friends, and readers, including Richard Hofstadter, Saul Bellow, James Thomas Farrell, Herbert Gold, Irving Howe, Bernard Malamud, and Charles Wright Mills; letters from Swados, especially to family, friends, and editors; book reviews; notes, background material, and drafts of speeches and lectures; financial records; biographical and autobiographical sketches; bibliographies.

Subjects

  • Authors, American--20th century--Biography
  • Jewish authors--United States--Biography
  • National Book Awards--History--20th century
  • Socialists--United States--Biography

Contributors

  • Bellow, Saul
  • Farrell, James T. (James Thomas), 1904-1979
  • Gold, Herbert, 1924-
  • Hofstadter, Richard, 1916-1970
  • Howe, Irving
  • Malamud, Bernard
  • Mills, C. Wright (Charles Wright), 1916-1962
  • Swados, Harvey, 1920-1972

Volbach, Walther R. (Walther Richard), 1897-

Walther R. Volbach Papers, 1897-1996.

2 boxes (1 linear feet).
Call no.: FS 087
Walther R. Volbach
Walther R. Volbach

Born in Mainz, Germany on December 24, 1897, the theater historian and stage director Walther R. Volbach began directing operas and plays at the age of 17. After his immigration to the United States in 1936, he worked for several colleges, coming to the University of Massachusetts Amherst for five years as a visiting professor following his retirement in 1965. Noted as a director of operas and plays and for his set design, Volbach was author of three books: The Problems of Opera Production (1953), Adolphe Appia : The Prophet of The Modern Theatre (1968), and Memoirs of Max Reinhardt’s Theaters (1972).

The Volbach collection includes personal and professional correspondence in English and German, mostly from Volbach’s later years, regarding family, publishing, lectures, and employment. The collection also includes photographs of set designs, an image of Volbach teaching a class, publications, and lecture and research notes on theater history.

Subjects

  • Appia, Adolphe, 1862-1928
  • Drama--Study and teaching
  • Set designers
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Theater

Contributors

  • Volbach, Walther R. (Walther Richard), 1897-

Banks, Katherine Bell

Katherine Bell Banks Papers, 1926-1960.

1 box (0.25 linear feet).
Call no.: MS 429

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

Subjects

  • African Americans--History--1877-1964

Contributors

  • Banks, Katherine Bell
  • Bell, Thomas, d.1946
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Letters (Correspondence)
  • Photographs
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