Miscellaneous Manuscripts, 1717-2003.
3 boxes (1.5 linear feet).
Call no.: MS 719
Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.
- Massachusetts--Economic conditions--18th century
- Massachusetts--Economic conditions--19th century
- Massachusetts--Politics and government
- Massachusetts--Social conditions--18th century
- Massachusetts--Social conditions--19th century
- Massachusetts--Social conditions--20th century
Types of material
- Account books
Roxbury Action Program Collection, 1944-1975 (Bulk: 1966-1974).
2 boxes (1 linear feet).
Call no.: MS 765
The Roxbury Action Program and Black Panther Party of Boston were both founded in the Roxbury section of Boston following the riots of 1968. RAP pursued community revitalization through Black self-determination and enjoyed success in its housing initiatives and in providing social services ranging from support for Black businesses to Black draft counseling, health and legal referrals, a Black library, and community awareness program.
Although the exact provenance of this small collection is uncertain, the materials appear to have been collected by an individual, possibly a woman, associated with the early days of the Roxbury Action Program and Boston branch of the Black Panther Party. Steeped in Black Power ideology, the collection includes publications of the Black Panther Party, the Nation of Islam, and other organizations, as well as an insightful series of transcripts of Roxbury Action Program meetings held during its first few months of operation.
- African Americans--Massachusetts--Boston
- Black Panther Party
- Black power
- Nation of Islam (Chicago, Ill.)
- Roxbury (Boston, Mass.)--History
Types of material
Frederick Tillis Papers, 1970-2010.
10 boxes (8 linear feet).
Call no.: FS 156
A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.
The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.
- African American composers
- African American musicians
- Fine Arts Center (University of Massachusetts Amherst)
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
Types of material