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Uno, Roberta

Roberta Uno Collection of Asian American Women Playwrights' Scripts

1924-2005
25 boxes 9 linear feet
Call no.: MS 345
Image of Coconut masquerade postcard
Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Subjects

  • Asian American women authors
  • New WORLD Theater
  • Playwrights

Contributors

  • Uno, Roberta, 1956-

Types of material

  • Scripts (Documents)
Africa-America Institute

Africa-America Institute Records

ca.1953-2014
439 boxes 658.5 linear feet
Call no.: MS 849
Image of Studying in Lesotho, 1963
Studying in Lesotho, 1963

Founded in 1953 by a multi-racial collective of educators including Horace Mann Bond, then President of Lincoln University, and William Leo Hansberry, a professor of history at Howard University, the Africa American Institute has encouraged and supported African students in pursuit of higher education in the United States. From its early years, AAI provided financial and social support for African students studying in the U.S., but it has expanded its activities in scope with the goal of helping to building leadership for Africa within the academic, professional, business, and policy making classes. It has become a vibrant intellectual center for developing human capacity, drawing together thought leaders, researchers, and entrepreneurs interested in issues relating to the continent.

A massive body of material documenting the history of the AAI from its founding in the early 1950s to the present, the collection is a remarkable resource for study of American relations with Africa as the continent emerged from colonial domination. With a focus on the history of educational support and exchange between the continents, the collection contains a vibrant record of the growth of leadership in Africa.

Gift of Africa America Institute, 2014-2015

Subjects

  • Africa--Foreign relations--United States
  • Education, Higher--Africa
  • United States--Foreign relations--Africa

Contributors

  • Bond, Horace Mann, 1904-1972

Types of material

  • Photographs
Allen, Dwight William, 1931-

Dwight William Allen Papers

1967-1975
7 boxes 8.5 linear feet
Call no.: FS 165
Image of Dwight Allen in classroom
Dwight Allen in classroom

A influential and flamboyant educational reformer, Dwight W. Allen served as Director of Teacher Education at his alma mater Stanford from 1959 until accepting a position as Dean of the School of Education at UMass Amherst in 1967. A proponent of integrating technology into teaching and co-developer of the technique of microteaching, Allen cemented his reputation as an innovator during his time at UMass (1968-1975), a time that coincided with the rapid expansion of the university. Allen helped recruit students of color to the graduate program in significant numbers, opened admissions to students with unconvential credentials, allowed students a voice in directing and governing the program, and abolished grading, among other initiatives, but while supporters lauded the creativity and excitement of the period, his radical ideas elicited considerable opposition as well. He resigned in 1975, in part due to the increasing demands his international consulting, later accepting a position at Old Dominion University, where he remained until his retirement in 2008. Allen is author of nine books, including American Schools: The $100 Billion Challenge, written with his former graduate student Bill Cosby.

The Allen papers contain a wealth of materials pertaining to the tumultuous years at UMass, including Allen’s curricular and teaching reforms, special projects, and his efforts to recruit African American students and address institutional racism. The correspondence, memos, and private reports that Allen maintained are particularly valuable for understanding the period as are the various surveys, studies, and reports on the state of the School of Education. The collection also includes material relating to some of Allen’s academic interests in education, including microteaching, alternative schools, and certification.

Gift of Dwight Allen, Aug. 2013

Subjects

  • Alternative education
  • Educational change
  • Racism in education
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. School of Education
Antislavery

Antislavery Pamphlet Collection

1725-1911
7.5 linear feet
Call no.: RB 003

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

Subjects

  • Abolitionists--Massachusetts
  • Antislavery movements--United States
  • Slavery--United States

Contributors

  • American Anti-Slavery Society
  • American Colonization Society
Restrictions: Collection currently unavailable due to renovations in SCUA
Aronson, James

James Aronson Collection of W.E.B. Du Bois

1946-1983
2 boxes 1.5 linear feet
Call no.: MS 292

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.

Subjects

  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Death and burial
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on Pan-Africanism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on pacifism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on socialism
  • National Guardian
  • Socialism--Africa

Contributors

  • Du Bois, Shirley Graham, 1896-1977
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Photographs
  • Speeches
Banks, William S. M.

William S. M. Banks, From beginnings in the Sip

1997
1 vol. 0.1 linear feet
Call no.: MS 997 bd

Born in Amite County, Miss., in 1914, William S. M. Banks received his early education from his mother at home, who instilled in him an abiding respect for education. Despite the hardships of the Depression years, Banks used his athletic skills and work ethic to earn a degree at Dillard College, where he attracted the attention of Horace Mann Bond. Bond encouraged him to continue for a MA in Sociology and helped him land a position at Fort Valley State. After service during the Second World War, where he rose to rank of Captain and was awarded a Silver Star, Banks returned to Fort Valley State, completed a doctorate at Ohio State. He retired from Fort Valley after 38 years in 1978.

In his autobiography, a study of the impact of racial and class attitudes as much as personal achievement, William Banks describes his experiences growing up in a poor African American family in rural Mississippi and working his way up through distinguished military service and concerted effort to earn a doctorate at Ohio State and a career as a professor of sociology at Fort Valley State University.

Gift of Bil Banks, Oct. 2017

Subjects

  • African Americans--Georgia
  • African Americans--Mississippi
  • Bond, Horace Mann, 1904-1972
  • Fort Valley State University

Types of material

  • Autobiographies
Black Mass Communications Project

Black Mass Communications Project Collection

ca.1970-1985
10 boxes 15 linear feet
Call no.: RG 045/30 B4

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.

Subjects

  • African American college students
  • African American music
  • College radio stations--Massachusetts
  • WFCR (Radio station : Amherst, Mass.)
  • WMUA (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings
Bond, Horace Mann, 1904-1972

Horace Mann Bond Papers

1830-1979
169 boxes 84.5 linear feet
Call no.: MS 411
Image of Horace Mann Bond, ca.1930
Horace Mann Bond, ca.1930

Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.

Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.

Subjects

  • Africa--Description and travel
  • African American educators
  • African Americans--Education--History--20th century
  • American Society of African Culture
  • Atlanta University
  • Dillard University
  • Fort Valley State College
  • International African American Corporation
  • Julius Rosenwald Fund
  • Lincoln University
  • Race relations--United States

Contributors

  • Barnes, Albert C. (Albert Coombs), 1872-1951
  • Bond, Horace Mann, 1904-1972
  • Bond, James, 1863-1929
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Nkrumah, Kwame, 1909-1972

Types of material

  • Photographs
Culley, Margo

Margo Culley Papers

1973-1985
1 box 1.5 linear feet
Call no.: FS 103

A former Professor of English at UMass Amherst and contributor to the Program in Women’s Studies, Margaret (Margo) Culley was a specialist in women’s literature, particularly in women’s autobiography and diaries as a literary form. Her research drew variously upon work in literature, history, American studies, and religion, exploring gender and genre, language, subjectivity, memory, cultural diversity, and narrative. Between 1985 and 1994, she edited three volumes on American women’s autobiographical writing, and another on feminist teaching in the college classroom.

The Culley Papers offer a somewhat fragmentary glimpse into Culley’s academic career and her commitments to women’s literature. The collection includes selected notes for research and teaching, annotated bibliographies of women’s literature, a performance script for The Voices of Lost New England Women Writers, a federal grant proposal for The Black Studies/Women’s Studies Faculty Development Project (1981), and notes related to a study on minority women in the classroom. Letters collected by Culley’s students (late 18th and early 19th century) have been separated from the collection and designated as manuscript collections.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Women
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women's Studies

Contributors

  • Culley, Margo
Heath, Gordon, 1918-1991

Gordon Heath Papers

1913-1992
44 boxes 22.75 linear feet
Call no.: MS 372 and 372 bd
Image of Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History

Contributors

  • Abramson, Doris E
  • Heath, Gordon, 1918-1991

Types of material

  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches