Results for: “Photographs” (301 collections)SCUA

Harris, Carl C.

Carl C. Harris Papers, 1898-1960.

12 boxes (18 linear feet).
Call no.: MS 667
A slencil
A slencil

An inventor, entrepreneur, and corporate executive, Carl C. Harris was the third of four generations of his family to help manage the Rodney Hunt Company, a major manufacturer of waterwheels, turbines, and textile machinery based in Orange, Mass. While still in high school in 1898, Harris already displayed a sharp business and technical eye, establishing the first telephone company in Orange, and he began his career after graduation from Worcester Polytechnical Institute, working as a draftsman for GE and then as a superintendent at Rodney Hunt. After a brief stint at the Simplex Time Recorder Company in Gardner, Harris returned to Rodney Hunt for good in 1912. After acquiring a controlling interest in 1917, he remained with the company in several capacities through the Depression and Second World War, serving as general manager, vice president, and treasurer, and from 1938-1947, as president. Throughout his career, Harris remained active in developing or improving a variety of new products and processes, registering a total of 99 patents, and he regularly used his offices at Rodney Hunt to launch other, smaller enterprises, including the Slencil Company,which manufactured mechanical pencils; Riveto, which produced toys and a paper fastening device; and Speed-Mo, a manufacturer of a moistening pad system. Harris retired in 1956 and died four years later in Orange at the age of 79.

The Harris Papers are centered closely on the entrepreneurial activity of Carl C. Harris, and include a particularly thick set of business records for the Slencil Company (ca.1935-1960) and the Riveto Company (1930s-1940s), and the slender record book of the Home Telephone Company. In addition to these, the collection includes many dozen slencils, including prototypes, speciality models, presentation sets, store displays, and marketing designs; examples of Riveto toys, Simplex inventions, flotation devices, and other oddities invented by Harris, along with the associated patents.

Subjects

  • Orange (Mass.)--Economic conditions
  • Orange (Mass.)--History
  • Toys

Contributors

  • Harris, Carl C.
  • Riveto Company
  • Rodney Hunt Company
  • Slencil Company
  • Speed-Mo Company

Types of material

  • Realia

Henry, Diana Mara

Diana Mara Henry Collection, ca.1960-2012.


Call no.: PH 051
Diana Mara Henry, ca.1985<br/>Photo by Jean Cartier
Diana Mara Henry, ca.1985
Photo by Jean Cartier

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.

Connect to another siteSee the exhibit Photographer: DMH

Subjects

  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs

Types of material

  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)

Josephs, Stephen

Stephen Josephs Photograph Collection, 1972-1978.

13 images
Call no.: PH 013
Stephen Josephs
Stephen Josephs

The Guru Ram Das Ashram was founded in Montague, Massachusetts, in 1972 by Steve Josephs under the inspiration of Yogi Bhajan. Affiliated with the 3HO (Healthy Happy Holy Organization) and the Sikh Dharma Brotherhood, the ashram provided instruction in Kundalini Yoga and Tantric meditation, and at one point, there were as many as 21 residents of the house. Yogi Bhajan married Josephs and his wife Alice in an arranged marriage in 1972, and the couple (then called Gurushabd Singh and Gurushabd Kaur) left the ashram in 1983.

The Josephs Collection includes 13 digital images depicting the Montague ashram and its residents. The collection includes images of Yogi Bhajan and the Josephs.

Subjects

  • Ashrams--Massachusetts
  • Guru Ramdas Ashram (Montague, Mass.)
  • Josephs, Stephen
  • Montague (Mass.)--Photographs

Types of material

  • Photographs

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931.

3 boxes (1.5 linear feet).
Call no.: PH 048
New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Subjects

  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs

Contributors

  • Klaw, Alonzo

Types of material

  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs

Knowlton Brothers

Mill River Flood Stereographs, 1874.

19 items (0.25 linear feet).
Call no.: PH 019
Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.

Subjects

  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs

Contributors

  • Knowlton Brothers
  • Moore, F. J.

Types of material

  • Photographs
  • Stereographs

Maki, John M. (John McGilvrey), 1909-

John M. Maki Papers, ca.1933-2005.

25 boxes (37.5 linear feet).
Call no.: FS 120
Jack Maki, ca.1983
Jack Maki, ca.1983

Born to Japanese parents in Tacoma, Washington, in 1909, John Maki was adopted as an infant by a white couple and raised on their farm. After receiving both his bachelors (1932) and masters (1936) in English literature at the University of Washington, Maki was persuaded to switch fields to the study of Japan. Following a fellowship from the Japanese government to study in Tokyo in the late 1930s, the war interrupted his plans. After being ordered to internment, he served with the Foreign Broadcast Intelligence Service of the Federal Communications Commission and in psychological warfare planning with the Office of War Information, and after the war, he took a position with the occupation authority, assisting in the drafting of the Japanese Constitution. Returning stateside, he resumed his academic career, earning his doctorate in political science at Harvard in 1948. After eighteen years on the faculty at the University of Washington, Maki moved to UMass in 1966, where he served as chair of the Asian Studies Program and in administrative posts, including as vice dean of the College of Arts and Sciences. In recognition of his efforts to promote relations between the U.S. and Japan, he was awarded the Third Class Order of the Sacred Treasure by the emperor of Japan in 1983. Although he retired from the faculty in 1980, Maki remained active as a scholar until the time of his death in Amherst in December 2006.

The Maki Papers reflect a long career in the study of contemporary Japanese politics and culture. Beginning with his earliest academic work on Japan in the 1930s, the collection documents the range of Maki’s interests, from the origins of Japanese militarism and nationalism to the development of the post-war Constitution and his later studies of William Smith Clark and the long history of Japanese-American relations. The collection includes valuable documents from the early period of the Allied Occupation, including the extensive correspondence with his wife Mary (1946).

Subjects

  • Clark, William Smith, 1826-1886
  • Constitutional law--Japan
  • Japan--History--Allied occupation, 1945-1952
  • Japan--Politics and government--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Political Science

Contributors

  • Maki, John M. (John McGilvrey), 1909-

Massachusetts Governmental Activities Exposition

Massachusetts Governmental Activities Exposition Photograph Album, 1930.

88 images (0.25 linear feet).
Call no.: PH 043
Library exhibit
Library exhibit

To celebrate its tercentenary in 1930, the Commonwealth of Massachusetts organized over two thousand events in 253 communities, drawing over eleven million visitors. One of the most elaborate of these events was the Exposition of Governmental Activities held at the Commonwealth Armory in Boston between September 29 and October 11. A celebration more of contemporary governmental activity than the historical precedents, the exposition featured displays representing nearly every branch of government, from the Department of Education to the state police, mental and public health, public welfare, transportation, agriculture, labor, and industry.

P.E. (Paul) Genereux (1892-1977), a commercial photographer from East Lynn, was hired to document the exhibits and displays in the Exposition of Governmental Activities, producing commemorative albums containing silver gelatin prints, carefully numbered and backed on linen. This disbound album includes 88 of the original 175 prints, including interior and exterior shots, with an additional image by Hildebrand.

Subjects

  • Massachusetts Governmental Activities Exposition--Photographs
  • Massachusetts--Centennial celebrations, etc.

Contributors

  • Genereux, P. E.

Types of material

  • Photographs

Mountain House (South Deerfield, Mass.)

Views from and of the Mountain House, summit of Sugar-Loaf Mountain, South Deerfield, Mass., ca.1865.

3 photographs (0.1 linear feet).
Call no.: PH 042
Mountain House, ca.1865
Mountain House, ca.1865

A popular tourist destination during the post-Civil War years, the Mountain House hotel was built on the summit of Sugar Loaf Mountain, in South Deerfield, Mass., by Granville Wardwell in 1864 on property owned by his father-in-law Dwight Jewett. Positioned near the southern end of the mountain, the hotel provided tourists with a stunning panoramic vista of the Connecticut River Valley.

This small collection consists of three scenic cartes de visite from a larger series featuring views from the Mountain House. The images include No. 6, a view of five persons perched on the southeast promontory of Sugar Loaf with a view to the northeast across the Connecticut River to Mt. Toby; No. 10, Mountain House with a group of nine men and women posed on the lawn with telescope and tripod; No. 18, view of barns at the southern base of Sugar Loaf Mountain.

Subjects

  • Mountain House (South Deerfield, Mass.)--Photographs
  • South Deerfield (Mass.) -- Pictorial works
  • Sugar Loaf Mountain (Mass.)--Photographs

Contributors

  • Wardwell, Granville

Types of material

  • Photographs

Rausch, Jane M., 1940-

Jane M. Rausch Papers, 1968-2009.

6 boxes (9 linear feet).
Call no.: FS 146

A long-time historian at UMass Amherst, Jane Meyer Rausch was widely recognized for her work on the frontier history of Colombia. A graduate of DePauw University (1962), Rausch joined a growing program in Latin American studies at UMass in 1969, shortly after receiving her doctorate in comparative tropical history from the University of Wisconsin Madison. The recipient of a Fulbright Award in 1987, she taught widely in the history of Latin America and the Caribbean, and wrote four major monographs on the Colombian frontier in the colonial and national periods: A Tropical Plains Frontier : the Llanos of Colombia, 1531-1831 (1984); The Llanos Frontier in Colombian history, 1830-1930 (1993); Colombia : Territorial Rule and the Llanos Frontier (1999); and From Frontier Town to Metropolis: A History of Villavicencio, Colombia, Since 1842 (2007).

Centered on the research and teaching, this collection documents the career of Jane Rausch from her days as a graduate student in the late 1960s through her retirement. In addition to a range of professional correspondence, unpublished works, teaching materials, and student notes, the collection includes several hundred 35mm slides taken by Rausch while traveling in Colombia.

Subjects

  • Colombia--History
  • Latin America--History
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History

Contributors

  • Rausch, Jane M., 1940-
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