Daniel M. J. and Joyce Stokes Papers, 1984-1996.
3 boxes (1.25 linear feet).
Call no.: MS 661
From 1987 through early 1988, Daniel and Joyce Stokes published Into the Night, “a newsletter for freedom for political prisoners held in the United States.” Based in Brooklyn, N.Y., this simply-produced publication offered updates and commentary on Americans imprisoned for politically-motivated acts. Reflecting both the legacy of 1960s radicalism and the resurgent activism associated with U.S. imperialism in Central America, Into the Night offered news on the Ohio 7 sedition trial, the MOVE organization, and the fate of Plowshares war resisters.
The Stokes collection contains correspondence from subscribers and supporters of Into the Night, fleshing out their political philosophy and the conditions of imprisonment. Drawn from groups including the MOVE organization, the United Freedom Front, Black Liberation Army, and Plowshares, the correspondents include Ramona Africa, Alberto Aranda, Philip Berrigan, Marilyn Buck, Carl Kabat, Ray Luc Levasseur, Ruchell Cinque Magee, and Carol Manning. The collection also includes copies of other radical publications and a complete run of Into the Night itself.
- African American prisoners
- African American radicals
- Anti-imperialist movements
- Into the Night
- MOVE (Group)
- Ohio 7
- Political prisoners
- United Freedom Front
- Africa, Ramona
- Aranda, Alberto
- Berrigan, Philip
- Buck, Marilyn
- Gelabert, Ana Lucia
- Hernandez, Alvaro L
- Kabat, Carl
- Levasseur, Ray Luc
- Magee, Ruchell Cinque
- Stokes, Daniel M. J.
- Stokes, Joyce
Types of material
Stonewall Center Records, 1962-2005.
22 boxes (33 linear feet).
Call no.: RG 030/2/6
Following a series of homophobic incidents on the University of Massachusetts Amherst in 1985, the Program for Gay, Lesbian and Bisexual Concerns was established as an administrative center in the Office of Student Affairs. Later renamed after the notorious riots in New York, the Stonewall Center has provided the campus and surrounding community with cultural and educational programming through speakers, films, video and book library, Speakers Bureau on LGBTQ issues, referrals and support, advocacy and community outreach.
The records of the Stonewall Center include documentation of day to day operations, including phone logs, memos, and budget information, as well as posters and press releases for events, publications, campus and external reports, training manuals, surveys, newspaper clippings, and ephemera such as banners, tee-shirts, and buttons.
- Gay college students--Massachusetts
- Gays--Services for
- University of Massachusetts Amherst--Students
- University of Massachusetts Amherst. Program for Gay, Lesbian, and Bisexual Concerns
- Stonewall Center
- Yeskel, Felice
Harvey Swados Papers, 1933-1983.
49 boxes (23 linear feet).
Call no.: MS 218
The author and social critic Harvey Swados (1920-1972) was a graduate of the University of Michigan who embarked on a literary life after service in the merchant Marine during the Second World War. His first novel, Out Went the Candle (1955), introduced the themes to which Swados would return throughout his career, the alienation of factory workers and the experience of the working class in industrial America. His other works include a widely read collection of stories set in an auto plant, On the Line, the novels False Coin (1959), Standing Fast (1970), and Celebration (1975), and a noted collection of essays A Radical’s America (1962). His essay for Esquire magazine, “Why Resign from the Human Race?,” is often cited as inspiring the formation of the Peace Corps.
The Swados collection includes journals, notes, typewritten drafts of novels and short stories, galley proofs, clippings, and correspondence concerning writings; letters from family, publishers, literary agents, colleagues, friends, and readers, including Richard Hofstadter, Saul Bellow, James Thomas Farrell, Herbert Gold, Irving Howe, Bernard Malamud, and Charles Wright Mills; letters from Swados, especially to family, friends, and editors; book reviews; notes, background material, and drafts of speeches and lectures; financial records; biographical and autobiographical sketches; bibliographies.
- Authors, American--20th century--Biography
- Jewish authors--United States--Biography
- National Book Awards--History--20th century
- Socialists--United States--Biography
- Bellow, Saul
- Farrell, James T. (James Thomas), 1904-1979
- Gold, Herbert, 1924-
- Hofstadter, Richard, 1916-1970
- Howe, Irving
- Malamud, Bernard
- Mills, C. Wright (Charles Wright), 1916-1962
- Swados, Harvey, 1920-1972
Sarah J. Swift Papers, 1890-1942.
1 box (0.5 linear feet).
Call no.: MS 932
A Quaker and philanthropist from Worcester, Mass., Sarah J. Swift was a noted supporter of Friends’ missions in Palestine and Jamaica for over half a century. The wife of D. Wheeler Swift, an innovator in the manufacture of envelopes, Swift began to support the Friends’ foreign missions by the 1890s, becoming a major benefactor of the Eli and Sibyl Jones Mission and girls’ school in Ramallah and of the small Quaker mission at Buff Bay, Jamaica.
The Swift papers contain a thick series of letters from the Society of Friends’ Eli and Sybil Jones Mission in Ramallah, Palestine, documenting their activity between 1890 and 1942, with a much smaller series of letters relating to the mission at Buff Bay, Jamaica. The missionaries’ letters — including circular letters to supporters and others addressed to Swift personally — discuss school operations and local affairs in Palestine and Jamaica. Of particular note are letters discussing the work at Ramallah around the turn of the twentieth century and several letters discussing the hardships of wartime and recovery from war.
- Eli and Sybil Jones Mission (Ramallah, Palestine)
- Jamaica--History--20th century
- Palestine--History--20th century
- World War, 1914-1918
- World War, 1939-1945
- Jones, Alice W.
- Kelsey, A. Edward
- Vincent, Charles S.
Thayer Family Industries Ledger, 1847-1855.
1 vol. (0.2 linear feet).
Call no.: MS 238 bd
The Thayer family operated a small manufacturing complex on the Deerfield River in Charlemont, Massachusetts. Businesses included a sawmill, a foundry, a shop for the manufacture of axes and edged tools, and a tannery. Ledger documents their businesses and reflects the exchange economy of rural Massachusetts.
- Axe industry--Massachusetts--Charlemont--History--19th century
- Barter--Massachusetts--Charlemont--History--19th century
- Charlemont (Mass.)--Economic conditions--19th century
- Charlemont (Mass.)--Rural conditions--19th century
- Foundries--Massachusetts--Charlemont--History--19th century
- Kingsley, Edmond
- Manufacturing industries--Massachusetts--Charlemont--History--19th century
- Sawmills--Massachusetts--Charlemont--History--19th century
- Tanneries--Massachusetts--Charlemont--History--19th century
- Thayer family
- Thayer, Alonzo, 1817-
- Thayer, Ruel, 1785-
- Thayer, Ruel, 1824-
- Tinsmiths--Massachusetts--Charlemont--History--19th century
Types of material
Frederick Tillis Papers, 1970-2010.
10 boxes (8 linear feet).
Call no.: FS 156
A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.
The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.
- African American composers
- African American musicians
- Fine Arts Center (University of Massachusetts Amherst)
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
Types of material
Oswald Tippo Papers, ca.1930-1990.
20 boxes (30 linear feet).
Call no.: FS 106
A 1932 graduate of Massachusetts State College (later University of Massachusetts Amherst), Oswald Tippo earned his doctorate in botany from Harvard in 1937. A respected plant anatomist, Tippo’s career was divided relatively evenly between the laboratory and higher administrative offices. Joining the faculty at the University of Illinois in 1937, he was eventually tabbed to become Dean of the Graduate School. After moving to Yale as Eaton Professor of Botany (1955-1960), he served as Provost at the University of Colorado and Executive Dean of Arts and Sciences at New York University (1963), before returning to UMass Amherst in 1964. As Provost under President John W. Lederle, Tippo oversaw a period of rapid expansion at the University, and in 1970, he was appointed as the first Chancellor of the Amherst campus. One year later, he was named Commonwealth Professor of Botany, remaining in that position until his retirement in June 1982. After his retirement, Tippo was often seen “holding court” at his regular table at the University Club. He remained in Amherst with his wife Emmie until his death in 1999.
The Tippo Papers are a robust collection of professional and administrative correspondence, speeches, research notes, notes from Tippo’s student years, photographs, and several of his publications. The collection documents Tippo’s unique relationship with UMass as both Provost and Chancellor as well as his tenure as a Professor of Botany.
- University of Massachusetts Amherst--Alumni and alumnae
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Botany Department
- University of Massachusetts Amherst. Chancellor
Conrad D. Totman Papers, 1800-2005.
65 boxes (53 linear feet).
Call no.: MS 447
A scholar of the history and culture of early modern Japan, Conrad Totman began his career as a student of ornamental horticulture at the University of Massachusetts. After graduation in 1953, Totman served in the army for three years in South Korea where got his first taste of Japanese culture during leave. His experiences in Japan piqued his scholarly interest, and upon his return to the states with his new wife Michiko, he finished college at UMass and did his graduate work at Harvard where he received a doctorate in 1964 for a study of politics during the Tokugawa period. Totman held academic positions at UC Santa Barbara, Northwestern, and Yale before retiring in 1997.
The bulk of the collection documents Professor Totman’s education and professional work as a scholar and teacher of Japanese history. Dispersed throughout is a treasure trove of information on Japan in general, and particularly on his specialties: early modern Japan and forestry and environmental management. An enormous, highly influential, and cherished part of Totman’s life is his family, and the Totman clan is well represented in this collection. Reams of genealogical material document the rich heritage of the Totman family, including the transcribed love letters and diaries of his paternal grandmother and biographies of Totman ancestors, as well as hundreds of letters written between Michiko and her family in Japan.
- Conway (Mass.)--Genealogy
- Dairy farms--Massachusetts
- Family farms--United States
- Farm life--United States
- Forest management--Japan--Akita-ken--History
- Forest policy--Japan
- Forests and forestry--Japan
- Human ecology--Japan--History
- Human ecology--Korea--History
- Japan--Civilization--American influences
- Japan--Environmental conditions
- Japan--History--Restoration, 1853-1870
- Japan--History--Tokugawa period, 1600-1868
- Japan--Politics and government--1600-1868
- Korea--American influences
- Korea--Environmental conditions
- Lumber trade--Japan--History
- Tokugawa, Ieyasu, 1543-1616
- Totman family
- United States--Army--Medical personnel--Correspondence
- Drew, Raymond Totman, 1923-1981
- Lewis, Gertrude Minnie, 1896-
- Totman, Conrad D
- Totman, Ruth J
Types of material
- Letters (Correspondence)
Recent applicants for FLURA
Although scholarship in the humanities and social sciences is grounded in the skillful use of primary sources, few undergraduates ever have the opportunity to engage with original historical materials. To encourage scholarly and creative research and promote the use of our collections, the Friends of the Library and Department of Special Collections and University Archives (SCUA) have established an award for undergraduates at UMass Amherst recognizing excellence in the use of primary sources.
Students are invited to submit papers or projects they have completed at UMass Amherst during the 18 months prior to the deadline for submission. Submissions will be considered by the Evaluation Committee and winners will be announced in early April. The first place award will be presented to the recipient at the Library’s annual Dinner with Friends. All winning papers/projects will be published on the SCUA web site and added to the University Archives.
||Projects must represent work completed for a class or independent study in any field within the 18 months prior to the application deadline and while the student was enrolled as an undergraduate at UMass Amherst.
||First place: $1000 scholarship awarded at the Library’s annual Dinner with Friends on Apr. 2, 2016
Honorable mention: $250 scholarship
- Papers or projects must draw upon primary sources either from collections in SCUA, other archives, or from other Library resources.
What is a primary source?
A primary source is a record of an event, an occurrence, or a time period produced by a participant or observer at the time. Typically, one thinks of primary sources as unique documents or manuscript material (such as letters, diaries, journals, writings, speeches, photographs, scrapbooks, etc.), or the historic records (archives) of an organization (such as correspondence, memoranda, minutes, annual reports, etc.). Primary sources may also include government documents, artwork, artifacts, maps, music, audiovisual materials (film, audiotape, and video tape), and electronic computer files.
- Creativity and originality
- Clarity and effectiveness of writing
|Deadline for submission:
||Monday, Mar. 7, 2016 by 5 p.m.
Special Collections and University Archives (SCUA) and the UMass Amherst Libraries reserve the right to extend the deadline or cancel the contest if too few entries are received. The determination of number of entries required to award a winner is at the sole discretion of SCUA and the UMass Amherst Libraries.
|How to apply:
||Complete the cover sheet and submit a copy of your paper/project as two separate files. Note: your name must not appear on the paper itself. Submissions should be delivered to the following with “FLURA” in the subject line:
United Hatters, Cap and Millinery Workers International Union Local 4 Records, 1945-1995.
10 boxes (15 linear feet).
Call no.: MS 415
The United Hatters, Cap and Millinery Workers International Union (UHCMW) was formed in 1934 by the merger of the United Hatters of North America and the Cloth Hat, Cap and Millinery Workers International Union, settling deep rifts between the competing unions. For five decades, the UHCMW organized the declining hat and millinery trade in the United States until it merged into the Amalgamated Clothing and Textile Workers Union (ACTWU) in 1983, which merged in 1995 into the International Ladies Garment Workers Union to form UNITE (Union of Needletrades, Industrial and Textile Employees).
The collection documents UHCMW Local 4, representing workers in Boston and Framingham, from 1945 through the time of its merger into the ACTWU. The series of ledgers and documents in the collection include documents concerning health and retirement benefits for union members, bargaining agreements, and financial records for the local, as well as a small assortment of correspondence, memoranda, and minutes of meetings.
- Hat trade--Labor unions--Massachusetts
- Labor unions--Massachusetts
- United Hatters, Cap, and Millinery Workers International Union