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Morehouse, Ward, 1929-

Ward Morehouse Papers, ca.1950-2012
120 boxes (180 linear feet)
Call no.: MS 764

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

Subjects
  • Anti-globalization movement
  • Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984
  • Economics
  • India--Economic conditions
Contributors
  • Apex Press
  • Center for International and Comparative Studies
  • Council on International and Public Affairs
  • Permanent Peoples' Tribunal
  • Program on Corporations, Law and Democracy

Mount Toby Meeting of Friends

Mount Toby Meeting of Friends Collection, 1977-1991
1 box (1.5 linear feet)
Call no.: MS 694

The Northampton Monthly Meeting of the Society of Friends (later the Middle Connecticut Valley Monthly Meeting) was formally established in 1939, bringing together the small community of Friends in Western Massachusetts. In 1959, the small preparative meetings in Amherst, Greenfield, Northampton, and South Hadley agreed to consolidate to create a more vital gathering. After five years without a fixed location, a Friend was moved to donate three acres of land on Long Plain Road in Leverett on which to build a proper meetinghouse. When that building opened in 1964, the meeting was renamed the Mt Toby Meeting.

Reflecting a strong history of promoting peace social justice, the Mt. Toby collection documents Friends’ involvement in a wide variety of issues ranging from war tax resistance (Randy Kehler and Betsy Corner), the “Colrain action” when the Kehler/Corner house was seized by the IRS), peace education and civil disobedience, refugee resettlement, the Sanctuary movement, and support for LGBT issues and racial equality. The collection consists largely of fliers and newsletters, ephemera, and newspaper clippings.

Subjects
  • Corner, Betsy
  • Kehler, Randy
  • Mount Toby Meeting of Friends (Quakers)
  • Pacifists
  • Peace movements--Massachusetts
  • Sanctuary movement
  • War tax resistance--Massachusetts

Mountain House (South Deerfield, Mass.)

Views from and of the Mountain House, summit of Sugar-Loaf Mountain, South Deerfield, Mass., ca.1865
3 photographs (0.1 linear feet)
Call no.: PH 042
Views from and of the Mountain House, summit of Sugar-Loaf Mountain, South Deerfield, Mass. image
Mountain House, ca.1865

A popular tourist destination during the post-Civil War years, the Mountain House hotel was built on the summit of Sugar Loaf Mountain, in South Deerfield, Mass., by Granville Wardwell in 1864 on property owned by his father-in-law Dwight Jewett. Positioned near the southern end of the mountain, the hotel provided tourists with a stunning panoramic vista of the Connecticut River Valley.

This small collection consists of three scenic cartes de visite from a larger series featuring views from the Mountain House. The images include No. 6, a view of five persons perched on the southeast promontory of Sugar Loaf with a view to the northeast across the Connecticut River to Mt. Toby; No. 10, Mountain House with a group of nine men and women posed on the lawn with telescope and tripod; No. 18, view of barns at the southern base of Sugar Loaf Mountain.

Subjects
  • Mountain House (South Deerfield, Mass.)--Photographs
  • South Deerfield (Mass.) -- Pictorial works
  • Sugar Loaf Mountain (Mass.)--Photographs
Contributors
  • Wardwell, Granville
Types of material
  • Photographs

Murdock, Charles N., 1836-

Charles N. Murdock Ledger, 1866-1869
1 vol. (0.25 linear feet)
Call no.: MS 251

Grocer from Stow, Massachusetts, who catered principally to farmers. Includes mention of products sold (groceries and other items) and payment (lard, eggs, fruit, butter, potatoes, cigars, beans, cash, and labor).

Subjects
  • Barter--Massachusetts--Stow--History--19th century
  • Derby, Reuben
  • Grocers--Massachusetts--Stow--Economic conditions--19th century
  • Grocery trade--Massachusetts--Stow--History--19th century
  • Stow (Mass.)--Economic conditions--19th century
  • Stow (Mass.)--Rural conditions--19th century
  • Temple, Rufus
  • Wages-in-kind--Massachusetts--Stow--History--19th century
Contributors
  • Murdock, Charles N., 1836-
Types of material
  • Account books

National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library, 1965-2013
National Arts Policy Archive and Library image

The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects
  • Art and state
  • Arts--Management
  • Government aid to the arts
Contributors
  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts

National Endowment for the Arts

National Endowment for the Arts Collection, 1965-2016
5 boxes (7.5 linear feet)
Call no.: MS 686
National Endowment for the Arts Collection image

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects
  • Art and State
  • Arts--Management
  • Government aid to the arts

National Priorities Project

National Priorities Project Records, 1983-2015
15 boxes (22.5 linear feet)
Call no.: MS 913

A national non-partisan, not-for-profit organization based in Northampton, Mass., the National Priorities Project was founded in 1983 by Greg Speeter, Brenda Loew, Ricky Fogel, and Alwin Schmidt to conduct research into the depths of the federal budget. Their first effort was to analyze the dramatic reductions affecting many social programs, but the organization grew around the principle of making the complex federal budget transparent and more publicly accessible so that the public can better influence how their tax dollars are spent. Nominated for the Nobel Peace Prize in 2014 in recognition of its pioneering work in tracking military spending, the NPP continues to work toward a federal budget that reflects Americans’ priorities, including funding for issues such as inequality, unemployment, education, healthcare, and the need to build a green economy.

The NPP collection documents over thirty years of a not-for-profit organization devoted to research-informed advocacy for a federal budget that reflects the priorities of most Americans. In addition to a run of NPP publications, the collection includes a series of topical files from Greg Speeter and his associates, selected correspondence, talks, and notes on their work.

Gift of Kris Elinevsky, 2016
Subjects
  • Military spending
  • United States--Appropriations and expenditures
Contributors
  • Speeter, Greg

Negatives file

The index of photographic negatives taken by campus photographers was compiled by the photographers themselves as a working document and remains a work in progress. Although we have begun the process of standardization and have attempted to verify the accuracy of the titles when possible, the entries are often incomplete and contain numerous misspellings and misattributions.

Neg. no. Title Category Date
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New England Homestead

New England Homestead Farm Accounts Collection, 1883-1884
2 vols. (0.5 linear feet)
Call no.: MS 113

The New England Homestead, a magazine published in Springfield, Massachusetts from 1842 to 1969, conducted a contest in 1884 to which farmers submitted notebooks recording their farm accounts for the one year period, April 1, 1883 to March 31, 1884.

The collection includes bound and unbound farm accounts submitted as entries to the contest contest. The Library holds The New England Homestead, 1842-1850 on microfilm, and 1894-1968 in bound volumes.

Subjects
  • Agriculture--Accounting--Competitions--New England
  • Agriculture--Economic aspects--New England--History--19th century
  • Agriculture--New England--Accounting--History--19th century
  • Contests--New England
  • Farm management--Competitions--New England
  • Farm management--New England--History--19th century
  • Farmers--Competitions--New England
  • Farmers--New England--Economic conditions--19th century
  • New England--Economic conditions--19th century
Contributors
  • New England Homestead

New Victoria Publishers

New Victoria Publishers Records, 1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
New Victoria Publishers Records image
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs
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