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Artists-Research-Technology, Inc.

Artists-Research-Technology, Inc., Collection, 1977-2013
2 boxes (3 linear feet)
Call no.: MS 832
Artists-Research-Technology, Inc., Collection image
John Roy, Three Cows

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Subjects
  • Art and technology
  • Lithography
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Art, Architecture, and Art History
Contributors
  • Davies, Hanlyn
  • Feshbach, Oriole Farb
  • Michaud, Ronald
  • Murata, Hiroshi, 1941-
  • Roy, John
  • Schläppi, Dale
Types of material
  • Lithographs
  • Photographs

Ashcraft, Barr G.

Barr G. Ashcraft Photograph Collection, 1972-1975
2 boxes, ca.125 items
Call no.: PH 007
Barr G. Ashcraft Photograph Collection image
Vietnamese soldiers, ca.1973

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

Subjects
  • Cambodia--Photographs
  • Photojournalists
  • Vietnam War, 1961-1975
  • Vietnam--Photographs
Contributors
  • Ashcraft, Barr G
Types of material
  • Photographs

Avakian, Arlene Voski

Arlene Voski Avakian Papers, 1974-2010
14 boxes (21 linear feet)
Call no.: FS 150
Arlene Voski Avakian Papers image
Arlene Avakian

Arlene Avakian arrived at UMass in 1972 as a graduate student working on the social history of American women, but quickly became a key figure in the creation of the university’s new program in Women’s Studies. As she completed her MA in History (1975) and EdD (1985), she helped in the early organization of the program, later joining the faculty as professor and program director. Through her research and teaching, she contributed to an engaging departmental culture in which the intersection of race, class, gender, ethnicity, and sexuality were placed at the center, building the program over the course of 35 years into the nationally-recognized Department of Women, Gender, and Sexuality Studies. Avakian has written and taught on topics ranging from the lives and experiences of Armenian American and African American women to culinary history and the construction of whiteness. She retired in May 2011.

Documenting the growth and development of Women’s Studies at UMass Amherst, the collection includes valuable material on the creation of the department (and Women’s Studies more generally), second- and third-wave feminism, and Avakian’s teaching and research. The collection includes a range of correspondence, memoranda, notes, and drafts of articles, along with several dozen oral historical interviews with Armenian American women. Also noteworthy is the extensive documentation of ABODES, the Amherst Based Organization to Develop Equitable Shelter, which established the Pomeroy Lane Cooperative Housing Community in South Amherst in 1994.

Subjects
  • ABODES
  • Armenian American women
  • Cornell University. Program in Female Studies
  • Feminism
  • Housing, Cooperative
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Women, Gender, and Sexuality Studies
  • Zoryan Institute
Contributors
  • Avakian, Arlene Voski
Types of material
  • Audio recordings

Banfield, Walter

Walter Banfield Papers, ca.1945-1999
12 boxes (6.75 linear feet)
Call no.: FS 117

The plant pathologist Walter M. Banfield joined the faculty at UMass Amherst in 1949 after service in the Army Medical Corps during World War II. A native of New Jersey with a doctorate from the University of Wisconsin, Banfield’s research centered on diseases affecting shade trees in the United States, and he is widely credited with identifying the origin of Dutch elm disease. As early as 1950, he emerged as a prominent advocate for the protection of open space and farmland, becoming a founder of the Metacomet-Monadnock Trail. An avid hiker and canoeist, he remained in Amherst following his retirement. He died at age 95.

The Banfield Papers include records from his Army service, family records, and professional and family correspondence – particularly between Banfield and his wife Hertha whom he met in Germany during WWII. The professional correspondence documents Banfield’s commitment to land preservation, and include many applications for land to be set aside for agricultural or horticultural use. Banfield was also a talented landscape photographer, and the collection includes a large number of 35mm slides reflecting his varied interests, including images of Europe at the end of World War II and various images of landscape, trees, forests, and other natural features that he used in teaching.

Subjects
  • Dutch elm disease
  • Plant pathology
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Plant Pathology
  • World War, 1939-1945
Contributors
  • Banfield, Walter M

Barfield, Vivian M.

Vivian M. Barfield Papers, 1972-1977
3 boxes (1.25 linear feet)
Call no.: FS 098
Vivian M. Barfield Papers image
Vivian Barfield

Vivian Barfield was the first female Assistant Athletic Director at the University of Massachusetts Amherst. Dedicated to the advancement of women’s athletics, Barfield began her tenure at UMass in January 1975. Charged with upgrading the women’s’ athletic program and contributing to the decision-making process in men’s athletics, Barfield made strides to bring UMass into compliance with Title IX of the Higher Education Act of 1972. Barfield was ultimately unsuccessful in her efforts after a disagreement with Athletic Director Frank McInerney about her job description led to her resignation. After leaving UMass, Barfield became the Director of the Department of Intercollegiate Athletics for Women (established 1975) at the University of Minnesota.

Although Barfield’s tenure at UMass was relatively brief, her papers are representative of a specific time in the country and at the University. With materials relating to Title IX, affirmative action, and perhaps most importantly, Barfield’s class action complaint against the University, the Barfield Papers speak to issues of second-wave feminism, women in sports, and discrimination at UMass in the mid-1970s.

Subjects
  • Sex discrimination in sports--Massachusetts
  • University of Massachusetts Amherst--Athletics
  • University of Massachusetts Amherst--Women
  • Women physical education teachers
Contributors
  • Barfield, Vivian M

Barkin, Solomon, 1907-

Solomon Barkin Papers, 1930-1988
(11 linear feet)
Call no.: FS 100

Born in 1902, Solomon Barkin was an economist, education director for the Textile Workers Union of America (TWUA ), and from 1968 to 1978 a professor at the University of Massachusetts and research associate at the Labor Center.

The bulk of the Barkin collection, over 10.5 linear feet, consists of bound notebooks containing speeches, typescripts, and printed versions of articles, book reviews, congressional testimony, forewords, and introductions — nearly 600 in all — written by Barkin. One box (0.5 linear foot) contains correspondence, bibliographies, tributes and awards, and a biography. Generally, the collection illustrates Barkin’s life as both a union organizer and an economist. His writings reflect his attempts to create “a system of trade union economics” as a counterpoise to standard “enterprise economics,” as well as his belief that labor should not be viewed as a commodity.

Subjects
  • Labor unions--Massachusetts
  • Textile Workers Union of America
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Labor Relations and Research Center
Contributors
  • Barkin, Solomon, 1907-

Barnard, Ellsworth, 1907-

Ellsworth Barnard Papers, 1924-2004
(12.25 linear feet)
Call no.: FS 002
Ellsworth Barnard Papers image
Ellsworth Barnard

Ellsworth “Dutchy” Barnard attended Massachusetts Agricultural College, and received his Bachelor of Science degree in 1928. Barnard began teaching college English in 1930 at Massachusetts State College. In the fall of 1957 he took a position at Northern Michigan University (NMU). As chairman of the English department, Barnard presided over a selection committee which brought the first African-American faculty member to NMU. During the 1967-1968 academic year, he led the faculty and student body in protesting the dismissal of Bob McClellan, a history professor. Although the effort to reappoint McClellan was successful, Barnard had already tendered his resignation at NMU and returned to the University of Massachusetts at Amherst for the 1968-1969 academic year. He ended his career at UMass as the Ombudsperson, the first to fill that office. Barnard retired in 1973 and lived in Amherst until his death in December 2003.

Barnard’s papers document his distinguished career as an English professor and author, as well as his social activism, particularly on behalf of the environment. They consist of course materials, personal and professional correspondence, drafts of essays, lectures and chapters, published works, a collection of political mailings, a number of artifacts both from the University of Massachusetts and other educational institutions and organizations, and a number of poems by Barnard and others.

Subjects
  • English--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Barnard, Ellsworth, 1907-2003

Barnard, Mary Taylor

Mary Taylor Barnard Papers, 1924-2004
1 box (0.5 linear feet)
Call no.: FS 008

Born in Groton, Massachusetts. In 1930, Mary Taylor became a student of botany at Massachusetts State College in 1930. While there, she struck up a romance with Professor Ellsworth “Dutchie” Barnard, and the two were married on December 31, 1936. The Barnards served on the University Millennium Time Capsule Committee and contributed memorabilia to the capsule. Both were Friends of the Library and for many years, Ellsworth served on the library’s Board of Trustees.

The Mary Taylor Barnard Papers include notes from Barnard’s Botany classes, newsclippings about the University of Massachusetts Amherst, and documents related to the Friends of the W.E.B. Du Bois Library.

Subjects
  • University of Massachusetts Amherst. Botany Department
  • University of Massachusetts Amherst. Students
Contributors
  • Barnard, Ellsworth., 1907-
  • Barnard, Mary Taylor

Barton, George W.

George W. Barton Papers, 1889-1984 (Bulk: 1914-1920)
(4.5 linear feet)
Call no.: RG 050 B37

George W. Barton was born in Sudbury, Massachusetts in 1896. After attending Concord High School in Concord, Barton began his studies in horticulture and agriculture at Massachusetts Agricultural College in Amherst. The collection includes diaries, scrapbooks, photographs, newspaper clippings, programs, announcements, and his herbarium, and relates primarily to his career at the Massachusetts Agricultural College where he studied horticulture and agriculture from 1914-1918.

Subjects
  • Botany--Study and teaching
  • Horticulture--Study and teaching
  • Massachusetts Agricultural College--Students
Contributors
  • Barton, George W
Types of material
  • Diaries
  • Herbaria
  • Photographs
  • Scrapbooks

Benedek, Tom

Tom Benedek Collection, 1967-1973
3 boxes (1.5 linear feet)
Call no.: PH 073
Tom Benedek Collection image
Passengers on a plane, ca.1973

A screenwriter and visual artist, Tom Benedek majored in film as an undergraduate at UMass Amherst, earning the distinction of becoming the first graduate of the Bachelor’s Degree with Individual Concentration program in 1971. From early in his college career, Benedek worked as a photographer the newspaper, the Collegian, while studying with faculty such as Jerome Liebling (at Hampshire College) and Jerrold Maddox (at Amherst), and he spent his junior year in Paris studying at the Ecole du Louvre and l’Institut de Formation Cinematographique. In his career in Hollywood, he has written screenplays for the movies Cocoon, Zeus and Roxanne, and The Adventures of Pinocchio and worked with Robert Zemeckis, Lawrence Kasdan, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, and Harold Ramis, among many others. He is a member of the Writers Branch of the Academy of Motion Picture Arts and Sciences and teaches screenwriting at the University of Southern California and the University of Michigan.

The hundreds of images in the Benedek Collection document the development of a talented photographer. While some of the images stem from his work for the Collegian, most were taken on his own around campus and beyond, including trips to Boston and New Orleans, and his year studying abroad in Paris following shortly after the events of 1968. The collection consists entirely of 35mm black and white negatives and color slides.

Gift of Tom Benedek, 2016
Subjects
  • Amherst (Mass.)--Photographs
  • Boston (Mass.)--Photographs
  • New Orleans (La.)--Photographs
  • Paris (France)--Photographs
  • University of Massachusetts Amherst--Photographs
Types of material
  • Photographs
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