Born in the coal mining town of Blossburg, Pa., in 1913, Laura Ross (nee Kaplowitz) grew up in poverty as one of seven children of Lithuanian immigrants. In about 1932, Ross married Harry Naddell, a wine merchant, and settled into a comfortable life Brooklyn, N.Y., raising a son and daughter. During the Second World War, however, she became intensely politicized through her work with Russian War Relief, joining the Communist Party and eventually divorcing her les radical husband. Moving to the Boston area, she married Max Ross in 1963, an attorney for the Massachusetts Bay Transportation Authority, and became a noted presence in a wide range of political activities, working for civil rights, the antiwar movement, and for many years, helping to run the Center for Marxist Education in Central Square , Cambridge. Perhaps most notably, between 1974 and 1984, Ross ran for Congress three times on the Communist Party ticket, taking on the powerful incumbent Tip O’Neill and winning almost a quarter of the vote. An activist to the end, Ross died in Cambridge on August 5, 2007.
The Ross papers are the legacy of a highly visible activist, organizer, educator, and member of the Communist Party USA. Heavily concentrated in the period 1967-1990, the collection includes material relating to her affiliation with CPUSA and her work with the Center for Marxist Education in Cambridge, Mass., including information on party membership, platforms, and conventions, minutes from various district committee meetings, material relating to the People’s Daily World, and course information and syllabi. Scattered throughout the collection are materials pertaining to contemporary political issues and elections, particularly the policies associated with Ronald Reagan. Ross was a vocal and persistent opponent of Reaganomics and the nuclear arms race that Reagan accelerated.
Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.
As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.
A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.
The Ashcraft Photograph Collection represents a small fraction of the images he took as a free lance photographer in southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.
A worker in the struggle against poverty and racism for five decades, David Entin was raised in Queens, N.Y., but moved to Jacksonville, Florida, with his family in 1953. As a student at the University of North Carolina in 1964, Entin took part in antipoverty work with the North Carolina Volunteers, parlaying that experience into a position with the Durham County Welfare Department and then with antipoverty groups in Jacksonville. His new career, however, was interrupted by Vietnam War service with the United States Agency for International Development (USAID). Stationed in Quang Ngai Province, a Vietcong stronghold, and Da Nang between 1966 and 1968, Entin oversaw redevelopment projects and while not caught up in the fight itself, he was charged with assessing damage in Region One following the Tet Offensive. After returning home to Florida, Entin resumed his antipoverty work.
The collection centers around 51 detailed letters describing the two years that David Entin spent in Vietnam working with USAID; these letters serve as a diary recording Entin’s daily activities and observations and accompany several hundered slides and photosgraphs. Also included in the collection are a series of short autobiographical essays that detail his childhood, early career, and service in Vietnam.
Economic assistance, American--Vietnam
Technical assistance, American--Vietnam
United States. Agency for International Development
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.
People and Cultures of Indo-China Collection, 1955-1987.
4 boxes (1.5 linear feet). Call no.: MS 043
Photographs of individuals from and scenes of Laos taken by Joel Halpern and Sam Pettingill dating from the 1950s. Also includes grant applications, correspondence, and publicity materials related to an exhibition of the photographs.
United States Information Service Photographs of Laos, 1961-1969.
1 envelope (0.25 linear feet). Call no.: MS 145
Photographs taken in the 1960s by the United States Information Service depicting Lao dignitaries, the funeral of King Sisavongvong, the cremation of Prince Ratsamphanthavong at Luong Prabong, a Pathet Lao soldier, a Yao woman, and a Lao woman.
University of Massachusetts Amherst. Photographs, ca.1867-2007.
The archives of UMass Amherst contain tens of thousands of formal and informal photographic images of the campus community from its founding in the 1860s to the present. The collections have been organized into over twenty discrete series. Digitized version of approximately 13,000 of images are available online.
Anthony “Tony” Campano and Shizuko Shirai met by chance in January 1955 as Tony was passing through Yokohama en route to his new post in Akiya. Recently transferred to Japan, Tony enlisted in the U.S. Army a little over a year earlier, serving first in Korea. As their relationship blossomed, Tony and Shizuko set up housekeeping until his enlistment ended and he returned home to Boston. Determined to get back to Japan quickly and marry Shizuko, the two continued their courtship by mail, sending letters through Conrad Totman and Albert Braggs, both stationed in Japan. By the summer of 1956, Tony re-enlisted in the Army, this time stationed in the Medical Battalion of the 24th Division located in Seoul, Korea. There he remained until August 1957 when he was finally able to secure official authorization to marry Shizuko. Cutting their honeymoon short to deal with her medical emergency, Tony returned to his post in Korea. The couple reunited in November of that year after Tony secured a new assignment in Yokohama.
The letters of Tony Campano to Shizuko Shirai during the year or more they were separated document their unlikely romance. Soon after Tony returned home when his first enlistment ended, friends and family tried to discourage him from pursuing a relationship with Shizuko. Despite their age difference–Shizuko was eleven years older– and the language barrier, the two ultimately married. In addition to the couple’s long-distance courtship letters, the collection also contains about 100 letters exchanged between Campano and Conrad Totman, dating from their early days in the U.S. Army to the present; taken together they document a friendship of more than fifty years.
Japan--Social life and customs--1945-
United States. Army--Non-commissioned officers--Correspondence