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Holmes, Francis W.

Francis W. Holmes Papers

1954-1979
10 boxes 8 linear feet
Call no.: FS 108

Shortly after earning his doctorate in plant pathology from Cornell in 1954, the internationally known phytopathologist, Francis W. Holmes began his career at UMass Amherst. Working in the Department of Plant Pathology (1954-1991) and later as Director of the Shade Tree Laboratories, Holmes became a leader in the study of Dutch elm disease, and he conducted important research on injury to trees from road salt and the relationship between salt injury and Verticillium wilt disease. During Holmes’s tenure, the Shade Tree Labs tested nearly 250,000 elm samples for Dutch elm disease and diagnosed a great variety of other diseases on more than 150 other types of trees. While on a Fulbright fellowship in the Netherlands, he devoted his free time to preparing a monograph on six Dutch women scientists who discovered the source of Dutch elm disease in the 1920s and 1930s. Holmes retired from the University in 1991 and remained in Amherst until his death in 2007.

The papers document Holmes’s research on shade trees and his tenure as a professor of microbiology. The collection includes some professional correspondence (1954-1977), awards, research notes and publications, and memorabilia. Holmes’s translations of phytopathological works from Dutch to English may be of interest to scholars of Dutch elm disease.

Subjects

  • Dutch elm disease
  • Shade Trees
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Plant Pathology
  • University of Massachusetts Amherst. Department of Plant, Soil & Insect Sciences
  • University of Massachusetts Amherst. Shade Tree Laboratories

Contributors

  • Holmes, Francis W
Holmes, Francis W.

Francis W. Holmes Southern Student Project Collection

1964-1972
1 box 0.5 linear feet
Call no.: MS 1008
Image of Deborah Craig as majorette, ca.1966
Deborah Craig as majorette, ca.1966

Between 1957 and 1968, the Southern Student Project of the American Friends Service Committee brought academically gifted African American high school students from the south to live and study in the north. Working initially through its New York office, the AFSC announced its desire to bring “to promising young people, thwarted by the doctrine of the separation of the races, the fullest development of their gifts” while providing northern whites with “an experience which will increase our understanding and deepen our involvement with the human community.”

A dense and nearly comprehensive record of participation in the Southern Student Project of the American Friends Service Committee, the Holmes collection documents a Quaker response to the civil rights crisis of the late 1950s and 1960s. Holmes carefully filed nearly every relevant piece of paper associated with his participation, from the fliers that introduced him to the project to listings of eligible students, his lengthy letter of inquiry and application, and his numerous exchanges with his support committee, the local high school, and the American Friends Service Committee. Perhaps more important, he kept both sides of an extensive and often lengthy correspondence with the Craig family, describing Deborah’s adjustment and progress in Amherst and the response of the local community. The collection also includes Holmes’ report of the Friends Conference on Race Relations and some correspondence between Holmes and Craig during her time in college, when Holmes attempted to provide counsel and financial support to help Craig continue her education.

Gift of Becky Holmes, May 2018

Subjects

  • African Americans--Education
  • Civil rights movements
  • Race relations

Contributors

  • American Friends Service Committee. Southern Student Project
  • Craig, Deborah
  • Mount Toby Monthly Meeting of Friends
McNeal, Robert Hatch, 1930-

Robert Hatch McNeal Papers

1955-1986
8 boxes 4 linear feet
Call no.: FS 079

Robert H. McNeal, a renowned expert on the history of the Soviet Union, joined the University faculty in 1969 and served as the head of the History department from 1971 to 1975. McNeal wrote authoritative works on Soviet leadership, contributed to the World Book and a number of other reference works, and taught many History courses on Russian and Soviet history. His work, however, came to a tragic end in 1988 when his car was broadsided pulling out of a gas station near Princeton University. Born in 1930 in Newark, New Jersey, McNeal earned his B.A. From Yale University in 1952, his M.A. from Columbia in 1954, and Ph.D. from the same school in 1958.

Representing mainly his work as a teacher at the University of Massachusetts, McNeal’s papers include lecture notes, ordered alphabetically by topic as well as several folders of research and article manuscripts on Pushkanen. Also included in the collection are two years of professional correspondence from 1968-1970, biographical sketches and photographs of important historical figures, and several Soviet Christmas cards from the 1950s.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History

Contributors

  • McNeal, Robert Hatch, 1930-
Tillis, Frederick, 1930-

Frederick Tillis Papers

1970-2010
10 boxes 8 linear feet
Call no.: FS 156
Image of Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects

  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Tillis, Frederick, 1930-

Types of material

  • Scores
Amalgamated Clothing Workers of America. Boston Joint Board

ACWA Boston Joint Board Records

1926-1979
8 linear feet
Call no.: MS 002

The Amalgamated Clothing Workers of America originated from a split in the United Garment Workers in 1914 and quickly became the dominant force for union in the men’s clothing industry, controlling shops in Boston, Baltimore, Chicago, and New York. The Boston Joint Board formed at the beginning of the ACWA and included locals from a range of ethnic groups and trades that comprised the industry. It coordinated the activities and negotiations for ACWA Locals 1, 12, 102, 149, 171, 172, 173, 174, 181,183, 267, and 335 in the Boston area. In the 1970s the Boston Joint Board merged with others to form the New England Regional Joint Board.

Records, including minutes, contracts, price lists, and scrapbooks, document the growth and maturity of the ACWA in Boston and the eventual decline of the industry in New England. Abundant contracts and price lists show the steady improvement of conditions for workers in the men’s clothing industry. Detailed minutes reflect the political and social influence of the ACWA; the Joint Board played an important role in local and state Democratic politics and it routinely contributed to a wide range of social causes including the Home for Italian Children and the United Negro College Fund. Minutes also document the post World War II development of industrial relations in the industry and include information relating to Joint Board decisions to strike. Minutes also contain information relating to shop grievances, arbitration, shop committees, and organizing. The records largely coincide with the years of leadership of Joseph Salerno, ACWA Vice President and New England Director from 1941 to 1972.

Gift of the New England Regional Joint Board, through Edward Clark, Nov. 1984

Subjects

  • Boston (Mass.)--Economic conditions--20th century
  • Clothing trade--Labor unions--Massachusetts
  • Labor unions--Massachusetts--Boston
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--Massachusetts--Boston
  • Textile workers--Massachusetts--Economic conditions--20th century

Contributors

  • Amalgamated Clothing Workers of America. Boston Joint Board
  • Salerno, Joseph, fl. 1907-1972

Types of material

  • Contracts
  • Financial records
  • Minutes
  • Scrapbooks
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)
Bascom, Eric

Eric Bascom Collection of Jazz Recordings

ca. 1940-1950
ca. 500 phonograph records 10 linear feet
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects

  • Bop (Music)
  • Jazz musicians

Contributors

  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955

Types of material

  • 78 rpm records
  • Piano rolls
Battey, Elizabeth

Elizabeth Battey Papers

1900-1914
13 items 0.25 linear feet
Call no.: MS 947

Elizabeth Battey served as a Housekeeper for aristocratic English families during the Victorian and Edwardian eras. At the turn of the century, she was employed by Frances Evelyn Greville the Countess of Warwick, and former mistress of the Price of Wales, to oversee the female staff at Warwick Castle, and from 1904 until at least 1914, she was Housekeeper under Richard George Penn Curzon, the 4th Earl Howe, at his estates Godshall and the Woodlands.

The letters of Elizabeth Battey offer insight into the daily life of a member of the upper staff at an aristocratic Edwardian estate, revealing an acute class sensibility and attention to the duties of a woman of her station. The letters are filled with information about the estates on which Battey worked, her famous employers the Countess of Warwick and Earl Howe, and the social milieu she witnessed at a servant’s distance.

Gift of I. Eliot Wentworth, Oct. 2016

Subjects

  • Aristocracy (Social class)--Great Britain
  • Gopsall Estate (England)
  • Housekeepers--Great Britain
  • Howe, Francis Richard Henry Penn Curzon, Earl, 1884-1964
  • Howe, Richard George Penn Curzon, Earl
  • Warwick (England)--Description and travel
  • Warwick Castle (Warwick, England)
  • Warwick, Frances Evelyn Maynard Greville, Countess of, 1861-1938

Contributors

  • McCulloch, Elizabeth E.
Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection

1902-1941
3 boxes 3.0 linear feet
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012

Subjects

  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music

Types of material

  • Sheet music
Brooks, Burt V.

Burt V. Brooks Photograph Collection

1889-1934
3 boxes 1.5 linear feet
Call no.: PH 060
Image of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014

Subjects

  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs

Types of material

  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs