Barrie B. Greenbie Papers, 1934-1997.
17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.
The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
- World War, 1939-1945
Michael Haley Papers, 1968-2003.
18 boxes (27 linear feet).
Call no.: MS 670
An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.
Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.
- Motion picture producers and directors
- Motion pictures
- Nichols, Mike
Types of material
Hudson family Papers, 1780-1955 (Bulk: 1825-1848).
6 boxes (3 linear feet).
Call no.: MS 332
Born in Torringford, Connecticut in 1806, and educated at the Torringford Academy and Berkshire Medical College (MD 1827), Erasmus Darwin Hudson became well known as a radical reformer. While establishing his medical practice in Bloomfield, Conn., and later in Springfield, Mass., and New York City, Hudson emerged as a force in the antislavery struggle, hewing to the non-resistant line. Touring the northeastern states as a lecturing agent for the Connecticut Anti-Slavery Society and general agent of the American Anti-Slavery Society, he regularly contributing articles to an antislavery periodicals and befriended many of the movement’s leaders. In his professional life as an orthopedic surgeon, Hudson earned acclaim for his contributions to the development of modern prosthetics. During the carnage of the Civil War, he introduced remarkable improvements in artificial limb technology and innovations in the treatment of amputations and battle trauma, winning awards for his contributions at international expositions in Paris (1867) and Philadelphia (1876). Hudson died of pneumonia on Dec. 31, 1880.
Spanning five generations of a family of physicians and social reformers, the Hudson Family Papers include particularly significant content for Erasmus Darwin Hudson documenting his activities with the Connecticut and American Anti-Slavery societies. Hudson’s journals and writings are accompanied by a rich run of correspondence with antislavery figures such as Abby Kelley, Wendell Phillips, Frederick Douglass, William Lloyd Garrison, Isaac Hopper, and Samuel May and a unique antislavery campaign map of New York state and surrounding areas (1841). Hudson’s medical career and that of his son Erasmus Darwin Hudson, Jr. (1843-1887), a thoracic physician, is equally well documented through correspondence, medical notes, and handwritten drafts of lectures, with other material ranging from family records and writings of and other family members to genealogies of the Hudson, Shaw, Clarke, Fowler, and Cooke families, and printed material, memorabilia, clipping and photographs.
- African Americans--History
- American Anti-slavery Society
- Antislavery movements--Massachusetts
- Connecticut Anti-slavery Society
- Connecticut--History--19th century
- Massachusetts--History--19th century
- Physicians--New York
- United States--History--1783–1865
- Douglass, Frederick, 1818-1895
- Foster, Abby Kelley, 1810-1887
- Garrison, William Lloyd, 1805-1879
- Gay, Sydney Howard, 1814-1888
- Hopper, Isaac T. (Isaac Tatem), 1771-1852
- Hudson Family
- Hudson, Daniel Coe, 1774–1840
- Hudson, Erasmus Darwin, 1806–1880
- Hudson, Erasmus Darwin, 1843–1887
- Phillips, Wendell, 1811-1884
- Smith, Gerrit, 1797-1874
- Stone, Lucy, 1818-1893
- Weld, Theodore Dwight, 1803-1895
- Wright, Henry Clarke, 1797-1870
Types of material
- Letters (Correspondence)
Joseph D. Norton and Son Account Book, 1851-1881.
1 vol. (0.25 linear feet).
Call no.: MS 103 bd
Father and son wood turners, manufacturers of ladders, and general wood workers from the Loudville section of Westhampton, Massachusetts. Includes names of customers and businesses (bulk of the accounts are with local lumber and furniture dealers S.M. Smith Co., E.H. Lyman, Medad Pomeroy, and Charles Loud & Co.), items sold (such as bureaus, tables, and lumber), furniture that they repaired, and supply items which they acquired (such as varnish, stain, glass, tacks). Also contains documentation of employee payment, flour, tow, sugar, and coffee purchases, and employee lost work days.
- Charles Loud and Co
- E. H. Lyman (Firm)
- Furniture industry and trade--Massachusetts--Northampton--History--19th century
- Furniture industry and trade--Massachusetts--Westhampton--History--19th century
- Furniture--Repairing--Massachusetts--Loudville--History--19th century
- Loudville (Mass.)--Economic conditions--19th century
- Lumber trade--Massachusetts--Northampton--History--19th century
- Lumber trade--Massachusetts--Westhampton--History--19th century
- Medad Pomeroy (Firm)
- S.M. Smith Co.
- Wages--Furniture workers--Massachusetts--Loudville--History--19th century
- Wages-in-kind--Massachusetts--Loudville--History--19th century
- Woodworkers--Massachusetts--Loudville--Economic conditions--19th century
- Norton, Joseph D.
- Norton, Leonard
Types of material