Results for: “Pulp literature” (194 collections)SCUA

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Diamond, Arlyn, 1941-

Arlyn Diamond Papers, 1976-1988.

1 box (1.5 linear feet).
Call no.: FS 118

As a member of the faculty in the English Department at UMass Amherst in 1972, Arlyn Diamond became one of the founding members of the Program in Women’s Studies. A scholar of medieval European literature, Diamond received her doctorate from Berkeley in 1970 and became an early proponent of feminist criticism. Among other works, she was author of Authority of Experience: Essays in Feminist Criticism (1988) and editor (with Lee Edwards) of American Voices, American Women (1973). Diamond retired from the University in 2004.

This small collection consists primarily of notes for research and teaching. Of particular interest is a series of women’s studies bibliographies, readings for the Five College Women’s Studies Faculty Seminar (Autumn 1977), graduate level feminist theory courses, and notes related to the history of women’s studies. Also included among the papers are financial records from the 1977 Five College Women’s Studies Faculty Seminar.

Subjects

  • Feminist Criticism
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women, Gender, and Sexuality Studies

Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts", 12th-14th century.

1 box (0.25 linear feet).
Call no.: MS 570
Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Subjects

  • Manuscripts, Medieval
  • Paleography

Contributors

  • Ege, Otto F., 1888-1951

Types of material

  • Books of hours
  • Breviaries
  • Missals

Finkelstein, Sidney Walter, 1909-1974

Sidney Finkelstein Papers, 1914-1974.

11 boxes (5.5 linear feet).
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Subjects

  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources

Contributors

  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham

Types of material

  • Letters (Correspondence)
  • Photographs

Freeman, James A., 1935-

James A. Freeman Broadcast Radio Collection, ca.1930-1955.

18 boxes (27 linear feet).
Call no.: MS 759

A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.

The Freeman collection consists of many hundreds of cassette tapes of radio broadcasts from the 1930s through early 1950s, reflecting the culture of commercial radio during its golden age. The collection includes representatives of most of the major genres, including comedy, drama, suspense and mystery, soap operas, and westerns. There is some depth popular programs such as Amos and Andy, the Great Gildersleeve, Philip Marlowe, and Nero Wolfe, but the collection also includes less common and short-lived shows.

Subjects

  • Radio

Contributors

  • Freeman, James A., 1935-

Types of material

  • Audiocassettes

Fried, Lewis

Lewis Fried Collection of Jack Conroy, 1969-1995.

1 box (0.25 linear feet).
Call no.: MS 414

A voice of the radical working class during the Great Depression, Jack Conroy was the son of a union organizer, born and raised in the mining camps near Moberly, Mo. His novels The Disinherited (1933) and A World to Win (1935) were among the best known works of “proletarian” American fiction to appear in the 1930s.

The Conroy Collection includes a series of 24 letters from Jack Conroy to Lewis Fried, a professor of English at Kent State University and UMass PhD, along with a small number of letters by associates of Conroy, and a selection of publications associated with or including work by him. Of particular interest are Fried’s oral history interviews with Conroy (1971) and Sally Goodman (1978).

Subjects

  • Anvil
  • Bontemps, Arna Wendell, 1902-1973
  • Communists--United States
  • Depressions--1929
  • New Anvil
  • Working class authors

Contributors

  • Conroy, Jack, 1899-1990
  • Farrell, James T. (James Thomas), 1904-1979
  • Fried, Lewis Frederick, 1943-
  • Gold, Michael, 1894-1967
  • Goodman, Percival
  • Goodman, Sally
  • Snow, Walter

Types of material

  • Oral histories

Golden, Morris

Morris Golden Papers, 1977-1992.

14 boxes (8 linear feet).
Call no.: MS 030

Romanian-born Morris Golden earned his doctorate in English from New York University in 1953. Golden authored six books of literary criticism on 18th and 19th century writers, including Henry Fielding, Samuel Richardson, and Charles Dickens. Appointed Associate Professor of English at UMass Amherst in 1962 and promoted to full professor in 1965, Golden taught at UMass for 24 years. Golden retired from UMass in 1986, the year he was a Guggenheim Fellow, but he continued to teach literature at the Amherst Senior Center until his death in 1994.

The Golden Papers are a collection of Golden’s writings as a student at NYU, a draft of his dissertation and other manuscripts as well as many of his publications. Also included in the collection are grade books, professional correspondence, and extensive notes for research and teaching in the area of English and world literature.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Golden, Morris

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Junkins, Donald

Donald Junkins Papers, 1961-1970.

3 boxes (1.5 linear feet).
Call no.: FS 074

A poet, expert on the works of Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning his energies to poetry, Junkins studied theology at Boston University School of Theology. While a student, Junkins met poet Robert Francis, took courses with Robert Lowell and, discovering his love of poetry through these contacts, Junkins life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before coming to the University.

The Donald Junkins Papers document some of his creative output while at the University through a collection of literary journals containing his poetry, drafts of poems, published and unpublished with notes and galley proofs of his poetry collection And Sandpipers She Said, published by The University of Massachusetts Press in 1970. Two mimeographed publications of student poems represent his teaching work at Chico State University.

Subjects

  • Poetry
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Junkins, Donald

Kraus, Karl

Karl Kraus Papers, 1880-1962 (Bulk: 1930-1962).

2 boxes (1 linear feet).
Call no.: MS 470
Karl Krauss
Karl Krauss

Known for his bitingly satirical poetry, plays, and essays, the Austrian writer Karl Kraus was born in what is today Jicin, Czech Republic. At the age of three, Kraus and his family moved to Vienna, where he remained for the rest of his life. He is best known as editor of the literary journal Die Fackel (The Torch), which he founded in 1899 and to which he was the sole contributor from 1911 until his death in 1936.

Gabriel Rosenrauch, a lawyer from Chernivtsi, Ukraine, collected materials about Kraus and his career, including newspaper articles and essays in German, Yiddish, Hebrew, English, and French written between 1914 and 1962. A few of these were written by well-known authors such as Hermann Hesse and Werner Kraft. The collection features personal photographs of Kraus from throughout his life, as well as photographs of his apartment in Vienna. Also of note are the indexes to Kraus’ journal Die Fackel that were composed by Rosenrauch, whose personal correspondence with Kraus archivist Helene Kann is part of the collection.

Subjects

  • Kokoschka, Oskar, 1886-1980
  • Kraft, Werner, 1896-1991
  • Vienna (Austria)--History--20th century
  • World War, 1939-1945

Contributors

  • Kraus, Karl, 1874-1936
  • Rosenrauch, Gabriel

Types of material

  • Letters (Correspondence)

Lebow, Howard

Howard Lebow Collection, 1947-1983 (Bulk: 1960-1970).

(32.5 linear feet).
Call no.: FS 115

Howard Miles Lebow was an accomplished concert pianist and composer who was first celebrated during his tenure as a student at Julliard School of Music where he earned both his BA and MFA. While at Julliard, Lebow studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and was acclaimed for his performances of Busoni’s works. Lebow exceled as a pianist, performing in fifteen countries across Europe and the Americas. Appointed to the post of Assistant Professor of Piano at the University of Massachusetts in September 1965, Lebow lectured and performed until his untimely death in 1968 at age 32. Although known for his interpretations of contemporary music, Lebow was equally at home in the entire piano literature; one of his last and most memorable recitals was devoted to the music of Franz Liszt, another artist whom he had studied and whom he greatly admired. After his death, the Howard M. Lebow Scholarship Fund was established (1968).

The Lebow Collection numbers over 5,000 items and is comprised primarily of sheet music and a small sampling of audio recordings. The collection includes many unusual early editions, a reflection of Lebow’s taste and discrimination as a musician and enthusiastic collector.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Lebow, Howard

Types of material

  • Scores
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