Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.
Colloquia are free and open to the public.
November 3, 2014, from 4:00 p.m. to 5:30 p.m., Lower Level, W.E.B. Du Bois Library
“A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s,” will explore the nearly forty year history of some of the region’s best known communes: Montague Farm and Wendell Farms nearby in Massachusetts, and Packer Corners and Tree Frog Farms in neighboring southern Vermont. All were partners in the back-to-the-land movement of the late 1960s and early 1970s; all have survived into the current era. The colloquium’s four speakers, who have each spent much of the intervening years on or near one of the four farms, represent each of these idealistic enterprises, as well as offering their own specific views. What have they learned from their long years in service to their ideals? Was the altruism of the counterculture era borne out in the experiences they faced later? Would they recommend the route of alternative life to the youth and radicals of today?
The sources of inspiration that led to the creation of these communities and the evidence of their later influence are documented by SCUA. The Famous Long Ago archive was formed to collect, preserve, and make available materials relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. Collections range from from the papers of writers Steve Diamond, Raymond Mungo, and Jonathan Maslow to those of anti-war activists Randy Kehler and Betsy Corner; from the records of the Liberation News Service, the organization that spawned the farms, to the Alternative Energy Coalition, and Musicians United for Safe Energy, later enterprises of the region’s communal farmer-activists. It also includes the photographic collections of farm parent Roy Finestone, photojournalist Lionel Delevingne, and former head of a neighboring Montague ashram, Stephen Josephs.
Daniel Keller, filmmaker, farmer: Wendell Farm, Green Mountain Post Films
Verandah Porche, writer, teacher: Packer Corners Farm, Monteverdi Artists Collaborative
John Scagliotti, filmmaker, LGBT activist: Tree Frog Farm, Kopkind Colony
Susan Mareneck, artist, teacher, social worker: Early resident and longtime neighbor of Montague Farm, Montague Catholic Social Ministries
Timothy Miller, University of Kansas, scholar of intentional communities, author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999)
Verandah Porche, a forty-year resident of Packer Corners Farm (known to the reading public, through the works of Ray Mungo and others, as Total Loss Farm) works as a poet-in-residence, performer, and writing partner. Based in rural Vermont since 1968, she has published three volumes of poetry – Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books) – and has pursued an alternative literary career, creating collaborative writing projects in nontraditional settings: literacy and crisis centers, hospitals, factories, nursing homes, senior centers, a 200 year-old Vermont tavern, and an urban working class neighborhood. Broad Brook Anthology, a play for voices, honors the lives of elders in her home town of Guilford, Vermont. Listening Out Loud documents her residency with Real Art Ways in Hartford, Connecticut. Come Over is a CD of songs written with her neighbor Patty Carpenter, performed by the Dysfunctional Family Jazz band. She has read her work on NPR stations, in the Vermont State House, and at the Guggenheim Museum. In 1998 the Vermont Arts Council presented her with its Award of Merit, and Marlboro College, in 2012, an honorary Doctor of Humane Letters.
Susan Mareneck arrived in the Pioneer Valley in the mid 1960s, and spent her college years engaged in civil rights and anti-war activities, majoring Art and Political Science. After experiencing Montague Farm for several months in its early days, she settled into an unrenovated 18th century farmhouse in nearby Leverett, a building without heat or running water. Improving it slowly but concertedly over the years, she returned regularly to the house for vacations and summers, and has remained a neighbor of Montague Farm and a member of its extended family ever since. Decamping after several years for a graduate degree in art, and finally a move to New York, she spent 30 years making art and teaching it at the Spence School and the Convent of the Sacred Heart, on New York’s upper east side, before returning to western Massachusetts in 2009 to work full time with families in Turners Falls as Executive Director at Montague Catholic Social Ministries. Living three blocks from Ground Zero, Susan saw her world change forever on 9/11. Her turn from education to social work reflects her long interest in non-profits and the role of faith in social change. Her work in that area has included projects directed toward employment, racism, educational policy, and prisons. She has exhibited, lectured, and published in the visual arts and historic preservation, and remains active in organizing the local history of her town, North Leverett, Mass.
John Scagliotti is an Emmy Award-winning American film director, producer, and radio broadcaster. He has received honors for his work on documentaries about LGBT issues including Before Stonewall and After Stonewall. During the 1970s, Scagliotti was the News and Public Affairs Director of the pioneering radio station WBCN-FM in Boston. For his work in radio, he was awarded two Major Armstrong Awards. In the early 1980s, he attended New York University Film School and went on to create In the Life for PBS, the first gay and lesbian national television series in the United States. The Scagliotti-produced documentary film Before Stonewall (1985) won the Audience Award at L.A. Outfest and two Emmies. Scagliotti directed a companion piece, After Stonewall, which won a Golden Eagle and the Audience Award at the Los Angeles Gay and Lesbian Film Festival. Scagliotti is openly gay. His partner for 24 years was the late, highly regarded journalist Andrew Kopkind. Together they produced the radio show The Lavender Hour. Scagliotti is a longtime resident of the Kopkind Colony, an activist community housed at Tree Frog Farm, a close neighbor to Packer Corners Farm in Guilford, Vermont. The Kopkind Colony holds an educational summer residency program for nonpartisan, independent journalists and community organizers. In addition, the Colony fosters public education through publication of its lectures and the hosting of open forums on contemporary issues held at Tree Frog Farm and in other educational centers around the country.
Daniel Keller, a founder of Wendell Farm, in Wendell Massachusetts, has lived there, keeping it a working organic farm, since its inception in 1969. In collaboration with Charles Light, a former communard of the Johnson Pasture and Montague Farm, Keller’s Green Mountain Post Films, with offices in nearby Turners Falls, has produced and distributed award-winning films for more than twenty-five years. GMP’s first documentary Lovejoy’s Nuclear War, released in 1975, about Montague Farm activist Sam Lovejoy, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, Its films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental, and other related issues. GMP films include: The Last Resort (1978), and Save the Planet (1979), both on nuclear issues; The Secret Agent (1983), on Agent Orange; and Unknown Secrets (1990), on the reaction of artists and writers to the arrest, trial, and execution of accused spies Julius and Ethel Rosenberg. For Vietnam Experience Keller and Light teamed up with musician Country Joe McDonald to bring viewers closer to the reality of the Vietnam War. Cannabis Rising is an early investigation into the issues surrounding marijuana today so much in the news.
Timothy Miller is a longtime student of communal living, professor of religious studies at the University of Kansas, and author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999). His course offerings include a history of intentional communities in America; American religious history; and an overview of new and alternative religious movements in the United States. Miller’s major research focus is the history of intentional communities in America, especially in the twentieth century. For his work in this area, Professor Miller has been recognized by the Communal Studies Association as a distinguished scholar. Additional areas of research interest include American religious history, new and alternative religious movements in the United States, and religion in Kansas. Professor Miller also coordinates the Religion in Kansas Oral History Project. His most recent publications include The Encyclopedic Guide to American Intentional Communities (Richard Couper Press), Spiritual and Visionary Communities: Out to Save the World (Ashgate Publishing), as well as the second edition of The Hippies and American Values (University of Tennessee Press), and the second edition of Following In His Steps: A Biography of Charles M. Sheldon (University of Tennessee Press). Through Miller’s work on American communes, he has long been familiar with the extended farm family at the center of the current symposium. In a recent book review, taking in the larger field in which he is involved, he wrote, “…it can be safely said that Montague Farm has the best published record of any of the communes.”
Daniel M. J. and Joyce Stokes Papers, 1984-1996.
Call no.: MS 661
From 1987 through early 1988, Daniel and Joyce Stokes published Into the Night, “a newsletter for freedom for political prisoners held in the United States.” Based in Brooklyn, N.Y., this simply-produced publication offered updates and commentary on Americans imprisoned for politically-motivated acts. Reflecting both the legacy of 1960s radicalism and the resurgent activism associated with U.S. imperialism in Central America, Into the Night offered news on the Ohio 7 sedition trial, the MOVE organization, and the fate of Plowshares war resisters.
The Stokes collection contains correspondence from subscribers and supporters of Into the Night, fleshing out their political philosophy and the conditions of imprisonment. Drawn from groups including the MOVE organization, the United Freedom Front, Black Liberation Army, and Plowshares, the correspondents include Ramona Africa, Alberto Aranda, Philip Berrigan, Marilyn Buck, Carl Kabat, Ray Luc Levasseur, Ruchell Cinque Magee, and Carol Manning. The collection also includes copies of other radical publications and a complete run of Into the Night itself.
- African American prisoners
- African American radicals
- Anti-imperialist movements
- Into the Night
- MOVE (Group)
- Ohio 7
- Political prisoners
- United Freedom Front
- Africa, Ramona
- Aranda, Alberto
- Berrigan, Philip
- Buck, Marilyn
- Gelabert, Ana Lucia
- Hernandez, Alvaro L
- Kabat, Carl
- Levasseur, Ray Luc
- Magee, Ruchell Cinque
- Stokes, Daniel M. J.
- Stokes, Joyce
Types of material
Traprock Peace Center Records, 1979-2008.
Call no.: MS 080
The Traprock Peace Center is a grassroots organization based in Deerfield, Massachusetts, that trains and educates people locally and globally in matters relating to disarmament and nonviolence. In 1980, the Center organized the first successful attempt in the United States to get a nuclear weapons moratorium referendum on the ballot, and the Center has served as a focal point for organizing on a wide array of issues in peace and social and environmental justice.
The records of Traprock Peace Center include correspondence, campaign materials (resolutions, organizing committee records, legislative packets), program reports, newsletters, newsclippings, and posters relating to the nuclear freeze campaign and many subsequent initiatives. Recent additions to the collection document the group’s work to end the wars in Afghanistan and Iraq; these later additions are open for research, but are not processed.
- Antinuclear movement--Massachusetts
- Deerfield (Mass.)--Social conditions--Sources
- Nuclear disarmament--History--Sources
- Political activists--Massachusetts
- Traprock Peace Center
League of Women Voters of Amherst Records, 1939-2001.
Call no.: MS 296
Non-partisan political organization based in Amherst, Massachusetts that influences public policy through education and advocacy by registering voters, organizing candidate forums, publishing voting guides, and disseminating general information on the legislative process and the functioning of government on the local, state, and federal levels.
Includes minutes, annual reports, financial records, publications, extensive files on specific programs, photographs, video- and audio-tapes, scrapbooks, and newspaper clippings. Also contains information on two league members who rose to national prominence: Lucy Wilson Benson (Under Secretary of State in the federal government in 1977) and Jane F. Garvey (Administrator of the Federal Aviation Administration in 1997).
- Amherst (Mass.)--Politics and government
- Massachusetts--Politics and government--1951-
- Benson, Lucy Wilson
- Garvey, Jane F
- League of Women Voters of Amherst (Amherst, Mass.)
Types of material
- Oral histories
Robert A. Potash Papers, 1930-1991.
Call no.: FS 020
Professor of history, University of Massachusetts (1950-1986), Haring Professor Emeritus (1986-); internationally-recognized scholar of Argentine military history and politics.
Includes correspondence, audiotapes and transcriptions of interviews, 1961-90, with Argentine military and political figures (interviews restricted until 2010); documents obtained from private Argentine sources relating to politics and the military, 1943-90; photocopies of U.S. State Department records, 1940s and 1962-73, regarding Argentina; selected materials from the papers of General Alejandro A. Lanusse, 1962-73; Argentine political ephemera, 1930-74; photocopies of Argentine official documents pertaining to various presidencies and regimes, as well as materials, including newsclippings, regarding petroleum, political parties, and trade unions; papers from externally funded projects and programs pertaining to Latin America in which the University participated.
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of History
- Potash, Robert A., 1921-
Rural Massachusetts Imprints Collection, 1797-1897.
Call no.: RB 012
Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living.
This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important gauge of the interests and tastes of New England’s smallest and often poorest communities.
- Children's books--Massachusetts
- Howe, John, 1783-1845
- Howe, Solomon, 1750-1835
- Metcalf, John, 1788-1864
- Terry, Ezekiel, 1775-1829
Types of material
Blake Slonecker Collection, 2008.
Call no.: MS 795
An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.
In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.
- Amherst College
- Babbitt, Elwood, 1922-
- Bloom, Marshall, 1944-1969
- Brotherhood of the Spirit (Commune)
- Clamshell Alliance
- Green Mountain Post Films
- Johnson Pasture Community (Vt.)
- Liberation News Service (Montague, Mass.)
- Montague Farm Community (Mass.)
- Musicians United for Safe Energy
- Packer Corners Community (Vt.)
- Students for a Democratic Society (U.S.)
- Fels, Thomas Weston
- Light, Charles
- Lovejoy, Sam
- Wizansky, Richard
Types of material
- Oral histories (document genres)
The acquisition of the papers of W.E.B. Du Bois in 1972 established SCUA as a center for research in African American history. In subsequent years, UMass has supported publication of three volumes of Du Bois’ correspondence and SCUA has digitized the papers and made them freely available on the internet while serving as a resource for many dozens of scholarly articles and books. SCUA continues in its efforts to build around the Du Bois collection, adding other important printed and manuscript materials both in African American history and in the history of efforts to promote social change.
Every February, SCUA and the Du Bois Department of Afro-Americans Studies at UMass Amherst commemorate Du Bois’s birthday by co-sponsoring a public colloquium on Du Bois and his legacy. Our lecturers have included distinguished scholars such as Herbert and Bethina Aptheker, Randolph Bromery, Clayborne Carson, Arnold Rampersad, and David Levering Lewis.
Significant collections (view all)
- Africa American Institute. Records, 1953-2014
- Antislavery Pamphlet Collection
- Several hundred pamphlets relating to political antislavery in the United States, with an emphasis opn New England.
- See our Antislavery pamphlets digital archive
- Aronson, James. Collection, 1946-1983
- Editor of the National Guardian
- Banks, Katherine Bell. Papers, 1926-1960.
- Letters from W.E.B. Du Bois to Banks, a family friend
- Bond, Horace Mann. Papers, 1830-1979
- Educator, President of Lincoln University
- Brown, John. Papers (microfilm), 1826-1942 (bulk: 1856-1859)
- Du Bois, W. E. B. Papers, 1868-1963
- Heath, Gordon. Papers, 1940-1991
- Expatriate writer, actor, director, and musician
- Hudson Family. Papers, 1780-1955
- Family papers of the antislavery activist Erasmus D. Hudson
- International Oil Working Group. Records, 1981-1986
- Lewis, David Levering. Papers, ca.1955-2012
- Massachusetts. Special Commission on Unequal Education Opportunities. Records, 1974-1978
- Obrebski, Joseph and Tamara. Papers, 1923-1974
- Anthropological field work in Jamaica, 1947-1948
- Urban League of Springfield (Mass.). Records, 1970s
- Trent, Lloyd A. Family Papers, 1850-1996
To fire the imagination and celebrate the activist spirit, SCUA pursues an ambitious program of collecting materials of enduring historical and cultural value and offers strong support for research and learning. Through our collections, programs, and exhibitions, we promote meaningful engagement with the histories of social change in America, with the record of innovation and entrepreneurship, and we foster exploration of the histories and cultures of New England and the UMass Amherst community. In fulfilling the university’s role as a center of knowledge for the diverse peoples of the Commonwealth, we are committed to using the highest professional standards and practices and the best technologies available to provide free and unfettered access to our holdings.
In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. As the official record of the activities of the university’s administrators and faculty and a reflection of the life of its students, this collection grew steadily, until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.
Goodell’s initiative to assemble the College archives coincided roughly with the Library’s first efforts to build a collection of rare books to support its educational mission. Although the College had no separate library until 1885, its administrators nevertheless accepted several significant gifts of books, beginning with the 1868 donation of twenty scarce volumes on bee culture from the apiculturist and state Adjutant General Henry K. Oliver. By the time the library published its first catalog in 1875, rare books formed a small, but notable part of the collections, focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. All remain part of the collections today.
From these beginnings, the collections of rare books and manuscripts have evolved in concert with the evolution of the university and its academic programs. With the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski in 1973, the Library began to acquire collections of personal papers and organizational records of historical significance, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were combined administratively with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.
SCUA’s initial foray online came with a simple page on the library’s website in 1997, but by 2007, evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, thanks to generous support from the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. The papers of W.E.B. Du Bois led SCUA’s way into the digital realm, followed by the papers of Horace Mann Bond, and then dozens of of other collections.
Sesquicentennial oral history project
Marking the one hundred and fiftieth anniversary of the University of Massachusetts, the Department of Special Collections and University Archives (SCUA) is conducting an oral history project to capture the many voices and diverse experiences that make up our campus community. The anniversary presents an opportunity to reflect on the real achievements — and real challenges — of public higher education over the past century and a half, and a chance to consider where we would like to be in the future.
Over the course of eighteen months, the staff of SCUA and our associates will conduct one hundred and fifty interviews with an array of administrators, faculty, students, alumni, and university employees, as well as selected members of the local community. As they are completed, the interviews will be made available to the public through this website and Credo, SCUA’s digital repository.
If you are interested in participating in the project, please contact the SCUA staff.